This thesis centers on Lutheran theologian Paul Althaus (1888–1966), one of the most contentious figures of twentieth-century Protestant theology and an architect of the Erlangen Opinion on the Aryan Paragraph. Althaus has been the object of a polarising scholarly debate on account of his ambiguous relationship to National Socialism and his ambivalent views on the so-called ‘Jewish Question.’ The investigation of the latter of these two points is the chief research objective of the thesis. That is, how did Althaus understand the ‘Jewish Question,’ especially in its theological dimension, and what did he envision as its solution? In the following pages, I suggest that Althaus fits together two separate but coherent strands of thought—inclusion and exclusion—into a paradoxical socio-theological vision for the Jews. The predominance of the scholarly literature falters on his theology of Jews and Judaism because it interprets the evidence more or less according to a binary model (philosemitism/antisemitism or inclusion/exclusion). But on this point Althaus resists facile classification because his approach to the ‘Jewish Question’ is dialectical. As such, it requires a dialectical interpretive approach to account for the function of ‘Jews’ within the wider logic of his theological system, including his doctrines of creation, the church, and the state. The study’s ultimate conclusion is that Althaus comes to interpret Jewish existence according to a dialectic of pathology and performance (according to which Jews are both a danger to and an indispensable factor for the life of the German Volk), resulting in an inclusive quarantine of Jewish persons within both civil and ecclesial communities. The argument proceeds along four movements. The first movement considers Althaus’ völkisch writings during the Weimar Republic (1918–1933) in order to uncover the basic categories—pathology and performance—through which Althaus interprets Jewish existence. Movement II surveys Althaus’ attitudes toward the Jews under National Socialism (1933–1945), with special reference to the Erlangen Opinion on the Aryan Paragraph, a document which recommended that Jewish men be restricted from pastoral office in the Deutsche Evangelische Kirche. Movement III demonstrates that, even in the knowledge of the Nazi regime’s crimes against the Jews, Althaus relinquished the dialectic of pathology and performance only gradually and incompletely in the postwar period (1945–Althaus’ death in 1966). The dissertation’s fourth movement approaches Althaus as a case study in the viability of Lutheran social ethics in light of his xenophobic articulation of the doctrine of the orders of creation. Insofar as Althaus brought this doctrine to bear on questions concerning the place of Jews in German society and in the German churches, his example raises broader dogmatic questions for a post-Shoah world. The thesis concludes with a proposal for doctrinal repair with resources found within the Lutheran tradition itself, with particular attention to the theologia crucis.

Agobard of Lyon has usually been studied because of his writings about Jews. This dissertation likewise began from a desire to understand Agobard’s anti-Jewish writings, their content, motives, and impact. Approaching that topic from the basis of Agobard’s whole corpus of writings, however, forces an acknowledgment that Agobard cannot be reduced to simply “Agobard and the Jews,” although the subject clearly created a great amount of anxiety for him. Also, by beginning with Agobard’s own works, this dissertation discusses him on his own terms first, without relying on the historiographical tradition which defines him as a Visigoth, a tradition ultimately found wanting. This dissertation effectively dismantles the model of Agobard as a Visigoth working in the Carolingian world, and replaces it with a model of Agobard as a Carolingian. As such, this study explores his anti-Judaism in terms of his immediate historical context and links it with his other anxieties and the Carolingian desire for a perfect, Christian, society. Doing so also opens the door for a re-evaluation of the traditional interpretation of the Carolingian period as the last “golden age” of European Jews outside of Muslim Spain. At its conclusion, this study argues that the Carolingians, by deliberately attempting to create a Christian society, however “well” they treated Jews in their own time, laid some of the ideological groundwork for the later isolation and persecution of Jews in Europe. The introduction begins the exploration of Agobard’s historical context by discussing the history of both Louis’s empire and Agobard’s Lyon. The first chapter provides a quick summary of his life and works. From there, the dissertation turns to its in-depth study of Agobard in the second through fourth chapters. An analysis of his main anti-Jewish work, De iudaicis superstitionibus et erroribus in Chapter 3 is prefaced by a study of the character and possible roots of his anti-Judaism in Chapter 2. The last chapter looks at Agobard’s other concerns, how they relate to his writings on Judaism, and finally how his great amount of worry around Judaism can help shape our understanding of medieval Jewish-Christian relations.

Agobard of Lyon has usually been studied because of his writings about Jews. This dissertation likewise began from a desire to understand Agobard’s anti-Jewish writings, their content, motives, and impact. Approaching that topic from the basis of Agobard’s whole corpus of writings, however, forces an acknowledgment that Agobard cannot be reduced to simply “Agobard and the Jews,” although the subject clearly created a great amount of anxiety for him. Also, by beginning with Agobard’s own works, this dissertation discusses him on his own terms first, without relying on the historiographical tradition which defines him as a Visigoth, a tradition ultimately found wanting. This dissertation effectively dismantles the model of Agobard as a Visigoth working in the Carolingian world, and replaces it with a model of Agobard as a Carolingian. As such, this study explores his anti-Judaism in terms of his immediate historical context and links it with his other anxieties and the Carolingian desire for a perfect, Christian, society. Doing so also opens the door for a re-evaluation of the traditional interpretation of the Carolingian period as the last “golden age” of European Jews outside of Muslim Spain. At its conclusion, this study argues that the Carolingians, by deliberately attempting to create a Christian society, however “well” they treated Jews in their own time, laid some of the ideological groundwork for the later isolation and persecution of Jews in Europe. The introduction begins the exploration of Agobard’s historical context by discussing the history of both Louis’s empire and Agobard’s Lyon. The first chapter provides a quick summary of his life and works. From there, the dissertation turns to its in-depth study of Agobard in the second through fourth chapters. An analysis of his main anti-Jewish work, De iudaicis superstitionibus et erroribus in Chapter 3 is prefaced by a study of the character and possible roots of his anti-Judaism in Chapter 2. The last chapter looks at Agobard’s other concerns, how they relate to his writings on Judaism, and finally how his great amount of worry around Judaism can help shape our understanding of medieval Jewish-Christian relations.

While the majority of German Protestant churches were silent in response to the persecution of the Jews in Nazi Germany, the Deutsche Christen or German Christian movement enthusiastically supported the Nazi regime’s goals and was actively involved in efforts to extract “Jewish” elements from Protestantism in an effort to create a “pure” German religion. Many scholars view the radical form of Protestantism expressed by this group as a by-product of Nazism. However, I argue that ideas promoting the de-Judaization of Protestantism were already existent within Protestant theology and that Hitler’s rise to power merely provided the opportunity for these ideas to come to fruition. I examine this topic by analyzing nationalistic and anti-Jewish ideas in German Protestant theological texts during the early twentieth century, focusing on how these ideas informed the later de-Judaization of certain churches between 1932 and 1945 under the German Christian movement, which included actions like eliminating the Old Testament from the Protestant Bible and refusing to recognize Jewish conversion to Christianity. I approach this topic by situating my analysis of several key Protestant theological texts within broader scholarly discussions about the position of the churches towards the Jews in Weimar and Nazi Germany. / Graduate

In this dissertation, I describe social, economic and political relations between Jews and Christians in medieval Europe before presenting the intellectual and religious context of Jewish life in Christian Spain. The purpose of this endeavor is to provide the framework for analyzing two works, one in Hebrew and one in Castilian, by the Spanish Jewish author Sem Tob de Carrión (1290- c.1370). Proverbios morales (1355-60), the Castilian text, is important to the Spanish literary canon because it is one of the first works of Semitic sapiential literature to be transmitted, in the vernacular, to a Christian public. However, it has generally been read by scholars of medieval Hispanic literature in isolation from his Hebrew writings. Given that Ma’aseh ha Rav (c. 1345) reveals essential aspects of his thought structure and intellectual milieu not found in Proverbios morales, it should be required reading for a thorough understanding of his worldview. In the Hebrew work, I draw parallels between the polemical language used by Sem Tob and historically documented ideological conflicts that took place among Jews in late medieval Spain and Provençe. Because it is written in a style that involves the weaving together of biblical quotations and allusions, the polemical language must be read in relation to the biblical contexts to which these allusions refer. When analyzed in this way, allegory pertaining to the ongoing dispute among Jews about philosophy and scriptural interpretation, and rebuttals of Christian truth claims, become apparent. Additionally, kabbalistic references and messianic allusions lend the work an esoteric character that sharply distinguishes it from Proverbios morales. This analysis of Ma’aseh ha Rav is used as a basis for comparing rabbinic and philosophical concepts that appear in both works. The general movement from opposition to unity that characterizes each text, and the ubiquitous “golden mean,” link the two works conceptually, and underscore Sem Tob’s preoccupation with harmonizing contradictions on both the spiritual and social levels of existence. This aspect of his thought reflects the general intellectual climate of his milieu, which is characterized by the blending, or intertwining, of the main doctrines of medieval Judaism--philosophy, mysticism, and Talmudic-traditionalism. / text

This thesis deals with some aspects of the religiosity of the members of the Czech community, who claim to be a part of a Messianic Judaism movement. The text is based on the field research I did within the congregation. In the introduction, I attempt to present definitions of this type of religiosity, describe the historical development of the movement, make connection to evangelical religiosity, outline its basic pillars, clarify the role of non-Jewish believers in this movement, and ultimately outline possible forms of worship. Next, I describe my journey into the field, the development of my relationships with the informers and then I evaluate my insider-outsider position in the community. In the practical part of the thesis, I try to reveal the path of individual church members to this type of religiosity, relying on Kaell's concept of "born-again seeking". Based on testimonies from individual believers, I try to uncover why the congregation does not accept more elements of Pentecostal religiosity, as can be seen in many Messianic communities, especially in the United States and England. On the contrary, the church's aims seem to be a counterweight to emotional Pentecostal religiosity. On the phenomena of the celebration of Jewish holidays, the observance of the Sabbath, the relations to the...

Cette thèse examine la particularité de la démarche qui consiste à traduire le Nouveau Testament en hébreu et qui implique de transférer le texte fondateur du christianisme dans un contexte juif. Elle se concentre sur la façon dont le traducteur utilise la Bible hébraïque et la littérature rabbinique ancienne pour accomplir ce transfère. Il est montré que grâce aux liens historiques, théologiques et conceptuels étroits entre le Nouveau Testament et ces deux corpus juifs, l’emploi d’éléments repris d’eux pour rendre des éléments du Nouveau Testament est particulièrement efficace pour augmenter la compréhensibilité du Nouveau Testament en hébreu et son acceptabilité dans un contexte juif. Cependant, l’usage de tels éléments dans la traduction du Nouveau Testament en hébreu risque souvent de gommer les spécificités du Nouveau Testament par rapport au judaïsme. Le travail du traducteur du Nouveau Testament en hébreu implique donc une constante hésitation quant à la pertinence des formes d’expressions hébraïques et des concepts juifs pour refléter les formes d’expression et les concepts du Nouveau Testament, et, plus généralement, quant aux affinités et aux contrastes entre le christianisme et le judaïsme. / This dissertation examines the specificity of translating the New Testament into Hebrew, an activity which involves transferring the founding text of Christianity into a Jewish context. The dissertation focuses on the use of the Hebrew Bible and of ancient rabbinic literature in bringing about this transfer. It is shown that because of the close historical, theological and conceptual links between the New Testament and these two Jewish corpora, the use of elements borrowed from them in rendering elements found in the New Testament is particularly effective for enabling the New Testament to be easily understood in Hebrew and to be accepted in a Jewish context. However, the use of such elements in a Hebrew translation of the New Testament may often result in blurring features of the New Testament that are distinguished from Judaism. For this reason, the translator of the New Testament into Hebrew constantly hesitates whether Hebrew forms of expression and Jewish concepts are suitable for reflecting the New Testament’s forms of expression and concepts, and asks himself, more generally, what exactly unites and distinguishes Christianity and Judaism.

This dissertation provides a comprehensive account of Martin Luther’s Hebrew translation in his academic mid-career. Apart from the Psalms, no book of the Hebrew Bible has yet been examined in any comprehensive manner in terms of Luther’s Hebrew translation. Moreover, research to date has predominantly focused on either ascertaining Luther’s personal Hebrew skills, or on identifying his sources for Hebrew knowledge. This dissertation furthers the scholarly understanding of Luther’s Hebrew by examining his Minor Prophets translation, one of the final pieces of his first complete translation of the Hebrew Bible. As part of the analysis, it investigates the relationship between philology and theology in his Hebrew translation, focusing specifically on one of the themes that dominated his interpretation of the Prophets: his concept of Anfechtung. Chapter 1 establishes the context of Luther’s academic mid-career Hebrew, providing a brief sketch of the history of his Minor Prophets translation, followed by an overview of the Hebrew resources in and around Wittenberg which he had to draw upon. Chapter 2 examines the role of the obscurity of the Hebrew text in his translation, and how this obscurity led to various types of contradictions and vacillations in his interpretations. Chapter 3 investigates the role that Luther’s sense of the semantic intensity of the Hebrew language played in his translation. Chapter 4 examines Luther’s use of “inner-biblical interpretation” – i.e. biblical quotations and references – to support, and moreover, to build his translations of the Hebrew texts. Finally, Chapter 5 examines the influence of Hebrew on Luther’s exploitation of the mystical tradition in his translation of the Minor Prophets. This dissertation, in short, shows that by mid-career, the impact of Hebrew on Luther’s Bible translation was immense and very diverse, more so than has been appreciated. It expands the frame of reference with which scholars can understand Luther’s Hebrew. It provides detailed analyses of many examples of his Hebrew translation which have never before been discussed or examined in any depth, and it provides hundreds of examples of his methodological handling of Hebrew translation issues. And it includes one of the most exhaustive analyses to date of three key philological challenges that confronted him in translating the Bible: Hebrew figures of speech, the Hebrew trope of repetition, and Hebrew transliteration. This dissertation also includes as an Appendix a substantial body of refined data from Luther’s Hebrew translation, which further illuminates the examples in this study, and facilitates additional analysis for future research.

The present dissertation offers a literary profile of the enigmatic Gaonic era work known as Pirqei deRabbi Eliezer (PRE). This profile is based on an approach informed by the methodology theorized in the Manchester-Durham Typology of Anonymous and Pseudepigraphic Jewish Literature, c.200 BCE to c.700 CE, Project (TAPJLA). It is offered as a necessary prolegomenon to further research on contextualising PRE in relation to earlier Jewish tradition (both rabbinic and non-rabbinic), in relation to Jewish literature of the Gaonic period, and in relation to the historical development of Judaism in the early centuries of Islam. Chapter 1 sets out the research question, surveys, and critiques existing work on PRE, and outlines the methodology. Chapter 2 provides necessary background to the study of PRE, setting out the evidence with regard to its manuscripts and editions, its recensional and redactional history, its reception, and its language, content, dating, and provenance. Chapters 3 and 4 are the core of the dissertation and contain the literary profile of PRE. Chapter 3 offers an essentially synchronic text-linguistic description of the work under the following headings: Perspective; PRE as Narrative; PRE as Commentary; PRE as Thematic Discourse; and Coherence. Chapter 4 offers an essentially diachronic discussion of PRE’s intertexts, that is to say, other texts with which it has, or is alleged to have, a relationship. The texts selected for discussion are: the Hebrew Bible, Rabbinic Literature (both the classic rabbinic “canon” and “late midrash”), the Targum, the Pseudepigrapha, Piyyut, and certain Christian and Islamic traditions. Chapter 5 offers conclusions in the form of a discussion of the implications of the literary profile presented in chapters 3-4 for the methodology of the TAPJLA Project, for the problem of the genre of PRE, and for the question of PRE’s literary and historical context. The substantial Appendix is integral to the argument. It sets out much of the raw data on which the argument is based. I have removed this data to an appendix so as not to impede the flow of the discussion in the main text. The Appendix also contains my entry for the TAPJLA database, to help illuminate the discussion of my methodology, and a copy of my published article on the cosmology of PRE, to provide further support for my analysis of this theme in PRE.

This study has a threefold aim:  to make a theological contextualisation of four medieval anti-Jewish motifs in Christian iconography represented in churches in Sweden and to study how these motifs has been described and contextualised in guidebooks and other material written for the interested public from post-war to recent years. The study also explores the role of heritagisation and musealisation of the church buildings in relation to how the motifs are described in the material. There is also an underlying, constructive aim: to suggest how The Church of Sweden can work with these motifs in theological reflection and historical presentations to the public concerning this part of the cultural heritage. The motifs analysed are The Judensau, Ecclesia and Synagoga, Cain and a motif illustrating a medieval legend about the funeral of the Virgin Mary. They were all painted in Swedish churches in a time when there were no Jewish settlements in the area. The study argues that the iconography can be interpreted as an expression of othering and that the four motifs can all be theologically contextualised by using Jesper Svartvik’s threefold typology of Christian anti-Jewish discourse. The study further shows that very few of the texts in the guidebooks and other books in the material describes the motifs and contextualises them theologically.  The study suggests that this can be related to the more than hundred years old heritagisation- and musealisation process in The Church of Sweden which has created a twofold and split role of the church as both manager of the religious mission and of the cultural heritage.   It has not been the primary aim of the church to theologically contextualise the cultural heritage. New questions concerning the motifs arise in today’s multicultural and multireligious society. The study suggests that the church can approach the part of the cultural heritage which today is seen as problematic from David Lowenthal’s concept of an informed acceptance and tolerance of the past in order to be able to take responsibility for the future in dialogue with others.