La presente tesis:“El Liderazgo Distribuido en docentes de una Institución Educativa Particular”, dio respuesta a la pregunta ¿Qué características perciben los docentes de la Institución Educativa Escolar Particular en su institución para el desarrollo de un Liderazgo Distribuido? Se planteó como objetivo general conocer las características que perciben los docentes de una Institución Educativa Escolar Particular para el desarrollo del Liderazgo Distribuido. La tesis obtuvo información del Liderazgo Distribuido, desde diversos autores y especialistas sobre el tema. Se estableció la variable “Liderazgo Distribuido” como eje del estudio y las subvariables: confianza, talento, motivación y liderazgo múltiple, obtenidas en base a las características que los autores dieron en común sobre el tema. Así, surgió en las investigadoras el interés por conocer si se ejercía este liderazgo en alguna institución educativa y si los docentes percibían características que favorecieran el desarrollo del Liderazgo Distribuido, como factor importante en la mejora de la institución. La tesis brindó información de las características que perciben los docentes y el tipo de liderazgo que desarrolla la institución. Éstas fueron analizadas y contrastadas para identificar si el liderazgo que se percibe es coherente con las características de un Liderazgo Distribuido, esto se logró a través de los resultados y el aporte del marco teórico. El estudio correspondió a un enfoque cuantitativo, en un nivel descriptivo. El método aplicado fue la encuesta y el instrumento adaptado fue un cuestionario, el mismo que fue validado y permitió la recolección de los datos aplicados a la población. El análisis de los resultados logró conocer que, la confianza es la característica principal que perciben los docentes de la institución; ya que obtuvo los índices más altos a nivel porcentual y el talento como la característica de menor porcentaje alcanzado. Cada subvariable se detalló y analizó dentro de la investigación.

Cette thèse de doctorat porte sur l'analyse des dommages et sur l'évaluation des coûts induits sur les habitations par les submersions marines. L'étude se base sur les données d'assurance de deux évènements récents ayant touché la France et causé des submersions sur les côtes bretonnes et atlantiques : les tempêtes Johanna (mars 2008) et Xynthia (février 2010).Dans un premier temps, l'analyse des données d'expertise et d'indemnisation d'assurance, en lien avec celle des paramètres de l'aléa et des enjeux exposés, a eu pour but la meilleure compréhension des différents types de dommages, et l'explication des coûts observés. En parallèle, un travail de modélisation de l'aléa a été réalisé à une échelle régionale, afin de déterminer des indicateurs des forçages météo-marins, et à une échelle locale, afin de préciser les processus d'endommagement sur les sites étudiés pour les deux tempêtes. La caractérisation de la vulnérabilité et de la valeur des enjeux (coûts de construction) a été menée à l'aide de différents paramètres issus de bases de données nationales (INSEE et IGN) et de campagnes de terrain.Dans un second temps, les informations recueillies ont permis la construction de modèles empiriques de prédiction du coût des dommages aux habitations spécifiques à l'aléa submersion marine, outils aujourd'hui inexistants en France. Les différents types de modèles testés sont basés sur des approches statistiques univariées (fonctions d'endommagement) et multivariées. L'apport des données d'assurance à la réalisation de tels modèles est discuté, et des recommandations ainsi que des perspectives de recherche sont évoquées, afin de rendre ces modèles opérationnels et d'augmenter leur capacité de prédiction des coûts d'évènements catastrophiques futurs.

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The thesis is entitled "The Image of the Burgher from Prague Johanna Barbora Englová, Born Zimmerová through the Family correspondence in the 19 th century" and it presents J. B. Englova´s destiny (18101874) on the basis of both correspondence and some ego-documents analysis. She was Emanuel Engl´s mother (18441907) who was an early Czech politician. Thanks to her, even the Prague civic society can be observed. The thesis is divided into five main chapters. At first, the life within the House of Habsburg monarchy in the 19 th century is described. Afterwards, the thesis is being focused on the situation in Prague, the civic society and its possibilities as for the social life. The second chapter pursues Johanna Englova´s family life. The third chapter is the crucial one it presents social connections which Johanna Barbora Englová made throughout her life and which can be observed within the well-preserved correspondence. The last chapter presents the salon, balls and the society as a part of Johanna Englova´s life. The thesis is trying to present contacts, relationships and social situation on the given example of both former and new family of Johanna Barbora Englová. The part of the thesis consists of an all round analysis of chosen sources. Moreover, the thesis reflects a social upswing of Johanna Barbora Englová and the process of becoming a part of the civic smart set in Prague. The thesis is followed by the list of sources, bibliography and online sources. The diagram, table, genealogy and the part with visual materials are listed in the annexe.

Flerspråkig litteratur är långt ifrån ett nytt fenomen, men forskningsområdet är fortfarande mycket underutforskat. Syftet med studien är att studera språkväxling i flerspråkig lyrik sett ur ett translanguaging-perspektiv. Metoden utgörs av en analysmodell för flerspråkig skönlitteratur som är inspirerad av såväl språkvetenskapliga som litteraturvetenskapliga studier. Materialet består av totalt nio diktutdrag från tre diktsamlingar av tre olika författarskap. Resultatet visade att språkväxlingarna fyller mångahanda funktioner såsom att göra dikterna flerdimensionella, att deras form särskilt genom sina oklara språkgränser har betydelse för diktinnehållet, och att flera paralleller kan dras till tankar inom translanguaging-konceptet i fråga om effektiv kommunikation, språklig kreativitet och skapandet av ett utrymme för translanguaging. Slutsatsen är att flerspråkig lyrik är mångfacetterad med många tolkningsmöjligheter och att ett translanguaging-perspektiv gav resultatet en djupare innebörd.

The objective of this bachelor thesis was to examine how the lifetime sentenced Johanna Möller, who in 2016 persuaded her boyfriend to kill her parents, is portrayed in Swedish news journalism. We analyzed 46 articles published in Swedish tabloid describing her character after she received her sentence in August 2017. The research questions were: How is Johanna Möller portrayed as a character? How is Johanna Möller portrayed as a criminal? How is Johanna Möller portrayed as a woman? Fairclough’s critical discourse analysis (CDA) and the associated three-dimensional model was conducted to find and dissect discourses in the articles. We carried out the analysis from a gender-related theoretical perspective and drew parallels to earlier research concerning media and crime.  Through the analysis, five discourses could be identified; The Non-agent, The Evil Woman and The Good Boy, Temptress, The Bad Mother and She Who Never Does Right.    Not seldom is Johanna Möller described as promiscuous, evil and manipulative. Her role as a mother is also being repeatedly criticized even though her actual crimes are not related to her motherhood. Accordingly, the journalists are constantly looking for an explanation for her abnormal behaviour and she is often being described as a cold hearted yet emotional person, which can be seen as a significant paradox in the portrayal of her. Our conclusion is that no matter Johanna Möller’s actual crimes, her role as a woman has become the most present aspect of her actions.

Emma Eriksson and Christina Henriksson: Mirror mirror on the wall: A study on how ballad texts reflect women as carriers of tradition in nineteenth century Sweden, Växjö: Musikvetenskap C, 10 p 2005. The aim of this essay is to analyze relations between ballad texts and the lives of female carriers of tradition in nineteenth century Sweden. Four carriers of tradition have been chosen, connected by being informants to Gunnar Olof Hyltén Cavallius, a collector of medieval ballads in Sweden around 1850. The four women are Anna Ehrenström (1786-1857), Catarina Andersdotter (1792-1857), Johanna Gustafva Angel (1791-1869) och Wendela Hebbe (1808-1899). Their lives are seen from a women’s historical perspective. Although there are uncertainties regarding to what extent the collected repertoire of the four women reflects their repertoire as a whole, some conclusions can be drawn regarding relations between remaining ballads and their lives as women. These relations are traced in textual themes and in textual form (e.g. repetition of words and phrases). The closeness between life situation, and choice and shape of ballad texts, leads us to conclude that these occurrences are due to deliberate choices, and that the ballad text thus mirror the lives of these women.

<p>Emma Eriksson and Christina Henriksson: Mirror mirror on the wall: A study on how ballad texts reflect women as carriers of tradition in nineteenth century Sweden, Växjö: Musikvetenskap C, 10 p 2005.</p><p>The aim of this essay is to analyze relations between ballad texts and the lives of female carriers of tradition in nineteenth century Sweden. Four carriers of tradition have been chosen, connected by being informants to Gunnar Olof Hyltén Cavallius, a collector of medieval ballads in Sweden around 1850. The four women are Anna Ehrenström (1786-1857), Catarina Andersdotter (1792-1857), Johanna Gustafva Angel (1791-1869) och Wendela Hebbe (1808-1899). Their lives are seen from a women’s historical perspective.</p><p>Although there are uncertainties regarding to what extent the collected repertoire of the four women reflects their repertoire as a whole, some conclusions can be drawn regarding relations between remaining ballads and their lives as women. These relations are traced in textual themes and in textual form (e.g. repetition of words and phrases). The closeness between life situation, and choice and shape of ballad texts, leads us to conclude that these occurrences are due to deliberate choices, and that the ballad text thus mirror the lives of these women.</p>

Univ., Diss./2007--Zürich, 2006.

x, 197 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number. / This dissertation investigates the cultural importance of the "monstrous Other" in postmodern literature, including novels from Sweden, Finland, and the United States. While the theoretical concept of "the Other" is in wide circulation in the humanities and social sciences, the concept has only recently been modified with the adjective "monstrous" to highlight a special case of the Other that plays an important role in the formation of human subjectivity. In order to better understand the representational legacy of the monstrous Other, I explore some of the principal venues in which it has appeared in western literature, philosophy, folklore, and politics. Using a Foucauldian archaeological approach in my literature survey allows me to trace the tradition of the monstrous Other in such sources as medieval bestiaries, the wild man motif in folklore and popular culture, and the medicalization of intersexual embodiment. In all cases, the monstrous Other is a complex phenomenon with broad implications for the politics of subjectivity and the future of social and political justice. Moreover, the monstrous Other poses significant challenges for the ongoing tenability of normative notions of the human, including such primary human traits as sexuality and a gendered, "natural" embodiment. Given the complexities of the monstrous Other and the ways in which it both upholds and intervenes in normative human identities, no single theoretical approach is adequate to the task of examining its functioning. Instead, the project calls for an approach that blends the methodologies of (post)psychoanalytic and queer theory while retaining a critical awareness of both the representational nature of subjectivity and its material effects. By employing both strains of theory, I am able to "read" the monstrous Other as both a necessary condition of subjectivity and a model of intersubjectivity that could provide an alternative to the positivism and binarism of normative subjectivity. The texts that I examine here reveal the ways in which postmodern reconfigurations of the monstrous Other challenge the (hetero)normativity of human subjectivity and its hierarchical forms of differentiation. My reading of these texts locates the possibilities for a hybridized, cyborgian existence beyond the outermost limits of positivistic, western subjectivity. / Committee in charge: Ellen Rees, Chairperson, German and Scandinavian; Daniel Wojcik, Member, English; Jenifer Presto, Member, Comparative Literature; Aletta Biersack, Outside Member, Anthropology