The aim of this study was to investigate the causes of learner dropout in secondary schools around Johannesburg South, Gauteng Province. Twenty-seven participants from three secondary schools in Orange Farm area were purposively sampled for the study. A qualitative design was used. In-depth interviews were conducted to collect data to allow the researcher a platform to ask open-response questions and to explore the participants’ perspectives about the causes of learner dropout. The data was analysed thematically by carefully identifying and describing significant themes that emerged from educators, learners, parents, SGB chairpersons and principal’s responses to interview questions. The study revealed that teenage pregnancy, lack of parental involvement, substance abuse and peer pressure, among others, were the causes of learner dropout. The study recommends that schools put more efforts on abstinence programs, sex education and the use of contraceptives such as condoms, pills and injectables; training of educators on the management of drugs and pregnancy, and resuscitation of extra-mural activities. Recommendations for further research were made. / Inclusive Education / M. Ed. (Inclusive Education)

The aim of the study was to determine how litter affects the image of the environment and the animals at the Johannesburg Zoo, situated in the Northern part of Johannesburg, as perceived by various stakeholders. Furthermore, effectiveness of the educational awareness programmes developed and currently being presented at the Zoo were assessed. The central themes of the research on the issue of litter in a conservation area included the current status of litter in the Johannesburg Zoo, the perception of stakeholders frequenting or living in the vicinity of the Zoo and the nature and effectiveness of educational programmes presented at the Zoo. The stakeholders included visitors (n=332), employees (n=20) and others who represented the Zoo and people from the neighbouring Forest Town. It was possible to collect data on the premises while the Zoo was in full operation. The data-collection tools included two questionnaires (for visitors and employees) and interviews (other stakeholders), as well as a reflective recall of eight years of hands-on experiences and observations of a current curator at the Zoo. The latter served as a situation analysis of the Zoo to provide a backdrop for exploring the litter problem and served as background for designing the data-collection tools. The data of the survey conducted with questionnaires was quantitative in nature and was analysed descriptively in form of frequencies and percentages. The qualitative data gathered by means of the interviews were analysed and described against the experiences, beliefs and contact with the Zoo of the specific stakeholder. The educational programmes were described and the content assessed based on the effectiveness regarding litter minimisation information. The situation analysis revealed some tragic consequences of littering at the Zoo. It became clear that educating the public was a necessity to provide knowledge in such a way that it would inculcate a spirit of caring about and valuing the environment and the animals. All stakeholders identified that the Zoo has a serious litter problem and that the signboards needed more specific litter control messages and should be placed strategically so that they are noticed. Although the number of dustbins were sufficient, their distribution and placement in and around the Zoo were not effective. Educational programmes were considered by all to be the answer to the litter problem if the content could be expanded to include information on the consequences of and the legislation on littering. Recommendations regarding litter management for Johannesburg Zoo and for further investigation were suggested. / Geography / M. Sc. (Geography)

M.Ed. (Education) / Please refer to full text to view abstract

A thesis submitted to the Faculty of Humanities, University of the Witwatersrand, Johannesburg, in fulfilment of the requirements for the Degree of Master of Arts by Research in Music Johannesburg 2016 / This research explores the influence that inner city redevelopment in Johannesburg has had on both its music scenes and the identities of those participating in the music scenes, particularly young participants from Johannesburg’s suburbs who did not interact with the city before its redevelopment. Understanding the city’s history as well as the current lived and imagined divides between its suburbs and inner city illuminates its fragmented nature and informs the significance of the presence of suburban youths in today’s inner city music scenes. Personal and collective narratives gathered from participants of these inner city music scenes provide insight into the city’s spatial, social, and musical transitions, adding subjective voices to the city’s complex and ever-evolving history. The use of culture-led regeneration (within cultural clusters), as a model of redevelopment, has aided in the success of attracting new audiences to the inner city once eschewed by suburbanites, providing grounds for new experiences and interactions within an increasingly diverse social sphere. Due to this, the music’s diversity within these spaces is expanding too. The role of music – and in particular, alternative music – in enticing suburban youths to the inner city requires an understanding of why ‘alternative’ (or arguably, creative) people are often drawn to urban spaces, and in doing so, often become main contributors to the accomplishments and successes of redevelopment initiatives. Examining social interactions and relationships within the inner city, in comparison to those in suburban Johannesburg, exposes a unique and highly valued manner of communal bonding amongst participants that is often tied to involvement in similar music scenes. The experience of the inner city, the experience of music in the inner city, and the experience of a community of like-minded people within the inner city all combine to create new discourses about Johannesburg, as well as impacting on the identities and experiences of those contributing to these discourses. Transforming city. Transforming music. Transforming people. / GR2017

A research report submitted to the Wits School of Arts, University of Witwatersrand, Johannesburg, South Africa in partial fulfilment of a Degree of Master’s of Arts. Sunday 11 October 2015 / This qualitative research report explores the motivations for, and barriers to, young people attending and consuming live music in small to medium venues in Johannesburg. With the average age of South Africans being just 25 years, young people represent a large, existing and potential new audience for live music venues looking to grow new audiences. Yet there are challenging racial, spatial and economic legacies of apartheid which live music venues need to overcome to reach out to more young people. Young South Africans are often described as one entity, defined by their ‘race’, age and education level. This research uncovers new insights into what motivates young South Africans to attend live music from socialising with friends to deeper emotional connections with music and artists. Broader themes such as young people’s desire for authenticity, uniqueness and self-identity are explored in the context of live music as well as their preferences for open spaces and freedom of movement during their live music experiences. This research explores how to segment South African live music audiences based on motivation and consumption patterns, to understand if it could help inform future audience development strategies in South Africa. Live music venues’ understanding and practice of audience development has been analysed to better understand how embedded the arts marketing profession is within the sector and what appetite there could be for the introduction of a motivation-based audience segmentation tool. Finally, the report reflects on the findings and makes recommendations on how live music venues could authentically engage with young audiences; what measures could be taken to cultivate more artistically-led, but audience-focused venues; and ultimately, how to attract more young audiences to their venues. Keywords Audience development, arts motivation, arts marketing, arts consumption, arts audiences, hedonic consumption, authenticity, live music, live music venues, barriers to arts attendance, Johannesburg, Gauteng, South Africa, young people, Morris Hargreaves and McIntyre, Concerts SA, The Orbit, Niki’s Oasis, Afrikan Freedom Station and the Soweto Theatre.

The broader aim of this study is to see how these challenges can be dealt with the objective of making public spaces that is meaningful to residents in socially complex and economically challenged areas. The study illuminates the challenges in designing a typology that is as open and volatile as public open space, and in particular the square, that is, conceived space. It also seeks to understand what form public open space and social spaces take on, and how they are used in ways that are peculiar to the township context. the research seeks to establish design concepts to develop WSSD through involvement of the community and being more responsive to its context, can become a meaningful space. [Abbreviated Abstract. Open document to view full version]

This document is submitted in partial fulfilment for the degree Master of Urban Design at the University of the Witwatersrand, 2016 / The planned non-motorized transport (NMT) route in Sandton is part of the Corridors of Freedom project which seeks to change spatial patterns in Johannesburg. This research seeks to understand this route and how an alternative route would respond to the context and present an opportunity to create spatially equitable spaces between Alexandra and Sandton on the NMT priority space. This will be done using the mechanism of urban design tools. Urban design tools themselves face various challenges as the underlying institutional context is often not conducive to creating some of the urban design objectives of spatial equity and the prioritization of NMT. This research, through a design strategy, proposes an alternative mechanism of coding. / MT2017

Thesis is submitted in partial fulfilment for the degree: Master of Architecture (Professional) to the Faculty of Engineering and the Built Environment, School of Architecture and Planning at the University of the Witwatersrand, Johannesburg, 2016 / Hyperembodiment is an approach to negotiating the interface between spaces for women (in Johannesburg’s inner-city) and jewellery as a connector of the body – especially for women – to place. The inner-city, a space that is male-dominated and where women are present but seem to be largely excluded, or to feel unsafe and vulnerable - especially because of what the female body represents in an ‘unsafe’ male space, is also full of vibrancy and activity and has the potential for a positive and radical cultural change, but remains disconnected, nonprogressive and stagnant in thinking as well as non-inclusive of all people. The spatial investigations into places for women (modern feminist spatial concepts) and jewellery as a ‘site’ or interface between the body and architecture, and the interesting parallels it draws between feminist views, space, psychology and the body (process and development of body adornment and jewellery theories), are powerful ways of thinking about space that could suggest an appropriate architectural approach that could realign both spaces for women, a modern approach to the act of making, and creative jewellery practices in Johannesburg. The spatial connotations of the word ‘hyper’ is something that is ‘very’, ‘beyond’, or ‘very active’ and those of the word ‘embodiment’ is something ‘embodying’, ‘representing’ or ‘expressing’ a space. The compound word ‘Hyperembodiment’ used here means beyond embodiment, or very actively personifying a space and its innate properties of land, earth, materials, and the bodies (people) in it. It is also all the layers of embodiment – physical, historical, social layers – that are collaged together in one time and in one space to create a high-intensity and complex expression of place. Jewellery as a connector; for the body and for woman to place, would be these collaged layers made into a physical object and symbol made from the materials, earth, historical and social layers. It is a simultaneous case of the wearer embodying the place, and the place embodying the wearer. / MT2017

A Research Report submitted in fulfilment of the requirements for the degree in Master of Science in Town and Regional Planning, University of the Witwatersrand, 2016 / Public open spaces such as parks provide vibrancy to the ordinary city by means of providing spaces for the community for recreational, health and leisure activities. A sustainable public open space provides an opportunity for a city to become more sustainable where a public open space is more than a space for the community. This research aims at developing a set of principles that may be adopted by the Johannesburg Metropolitan Open Space System (JMOSS) in order to create sustainable public open spaces. The objectives of the research report include unpacking various debates regarding the use, users and definition of public open spaces, identifying what the existing principles are for open spaces as used by JMOSS, identifying where the parks and vacant parcels of land are in the Sandton and surrounding area, identifying what makes a public open space coherent, contextual and co-existent, identifying the shortfalls of the public open spaces in Sandton in terms of their coherency, co-existence, contextuality and sustainability, and identifying local and international precedents of Sustainable Public Open Spaces. The nature of this research report will include qualitative research where in depth interviews, photographs, mapping and case studies will be used in order to develop the principles for sustainable public open spaces. Two main concepts will be drawn on to develop the principles for sustainable public open spaces. Firstly, the concept of sustainable public open spaces by Reiter (2004) whereby the three principles of coherence, co-existence and contextuality are used. Secondly, the concept of sustainability as discussed by Gedikli (n.d.) where sustainable urban development incorporates social justice, sustainable economies, and environmental sustainability. Therefore, the concept of sustainability is the focus of how public open spaces can become more resilient, adaptable, efficient and effective spaces within the city for the public to use, by developing a set of principles for sustainable public open spaces. This research report culminates in the development of a set of principles for sustainable public open spaces, entitled “The Three Cs for Sustainable Public Open Spaces”. These principles can be applied on a generic scale but require guidelines in the context in which they are applied. Therefore, these principles are derived alongside guidelines for the context of the public open spaces within and around the Sandton CBD. / MT2017

A thesis is submitted for the fulfilment of a Masters degree in Development Studies in the School of Social Sciences, University of the Witwatersrand, March 2016 / The minibus taxi industry plays an important role in helping thousands of commuters daily in reaching their desired destinations. The minibus taxi industry emerged in South Africa under the apartheid era in the wake of the country’s economic deregulation initiated in 1977. This industry has grown rapidly since then overtaking both buses and trains with an estimated 14 million passengers using taxi services each day (Minibus Taxis and Road Safety, internet, 2015: 10:00am). The latter is due to its accessibility, affordability as well as convenience. The minibus taxi industry has also been stereotypically identified as an industry dominated by violence amongst various taxi associations over access to various routes while being heavily dominated by patriarchal male figures. Nevertheless, the minibus taxi industry and particularly queue marshals have however, not received the much needed attention as key players in the public transportation sector. Limited literature has been written on the taxi industry in general and on queue marshals specifically and yet, 14 million commuters use taxis daily to get around (Minibus Taxi and Road Safety, internet, 2015: 10:00am). It is as a result of this limitation that this 2 research study aims to contribute to the existing body of literature on the minibus taxi industry by analyzing the socio-economic lives of queue marshals focusing specifically on the form and function of queue marshals in Bree Street taxi rank, Johannesburg as well as the observable presence of patriarchy that is found in these ranks and whether the same influence is found within their households. In doing so, this research study hopes to examine whether or not the spirit of ubuntu exists within the industry that has been stereotypically perceived by society as violent and dominated by taxi drivers with ‘bad attitude’ and reckless driving skills. The hope is that, through understanding the socio dynamics of the lived experiences of queue marshals within the minibus taxi industry, queue marshals will no longer be ‘invisible’ while helping to reveal a different perception (two different worldviews to one coin) of an industry solely believed to be dominated by violence, ‘unruly’ and ‘rude’ individuals (Sauti 2006). / GR2017