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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Kirnbergers Leben und Werk und seine Bedeutung im Berliner Musikkreis um 1750 ...

Borris, Siegfried, January 1900 (has links)
Inaugural-Dissertation-Berlin. / "Lebenslauf": p. [111]. Bibliography included in notes (p. 105-110).
2

The harmonic theories of Johann Philipp Kirnberger their origins and influences /

Beach, David, January 1974 (has links)
Thesis (Ph. D.)--Yale University, 1974. / Includes bibliographical references (leaves 241-248).
3

Untersuchungen übers Einflüsse Johann Sebastian Bachs auf das theoretische und praktische Wirken seines Schülers Johann Philipp Kirnberger

Engelhardt, Ruth, January 1900 (has links)
Thesis--Erlangen-Nürnberg. / Vita. Includes bibliographical references (p. 405-414).
4

On the Polish Parnassus: The Early Career of Johann Philipp Kirnberger

Koska, Bernd 18 November 2022 (has links)
No description available.
5

Det vältempererade klaveret? : Hur kan olika tempereringar påverka musiken?

Sjögren, Gabriella January 2017 (has links)
No description available.
6

›Bach-Choral‹ – Ästhetische Ansprüche und Grenzen des Tonsatzunterrichts

Jeßulat, Ariane 17 October 2023 (has links)
No description available.
7

Imagined Sounds: Their Role in the Strict and Free Compositional Practice of Anton Bruckner

Brooks, Jonathan 05 1900 (has links)
The present study develops a dynamic model of strict and free composition that views them as relative to a specific historical context. The dynamic view espoused here regards free embellishments of an earlier compositional generation as becoming the models for a strict compositional theory in a later one. From the newly established strict compositional models, succeeding generations of composers produce new free embellishments. The first part of the study develops the dynamic conception of a continuously emerging strict composition as the context necessary for understanding Anton Bruckner's compositional methodology with respect to the harmonic instruction of his teacher, Simon Sechter. In other words, I view Sechter's harmonic theories as a strict compositional platform for Bruckner's free compositional applications. Many theoretical treatises of the seventeenth, eighteenth and nineteenth centuries such as those by Christoph Bernhard, Johann Philipp Kirnberger and Sechter acknowledged that strict composition must provide the structural framework for free composition. The above procedure becomes a manner of justifying a free embellishment since a "theorist" can demonstrate or assert the steps necessary to connect it with an accepted model from a contrapuntal or harmonic theory. The present study demonstrates that the justification relationship is a necessary component for understanding any theory as a strict/free one. By examining Sechter as a strict methodology for Bruckner, we can view the free applications that the latter develops. Bruckner's own theoretical documents-the marginalia in his personal copy of Sechter's Die Grundsätze der musikalischen Komposition and his lecture notes, Vorlesungen über Harmonie und Kontrapunkt an der Universität Wien, taken by Ernst Schwanzara-provide extensions and elaborations to Sechter's theories. In addition, theorists sympathetic to Sechter's approach and Bruckner's personal students provide further material for understanding Bruckner's free application of Sechter's strict harmonic perspective. The study uses my own observations, as well as the extensions indicated above, to generate the transformations used by Bruckner to elaborate the Sechterian harmonic structure.

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