Orientador: Clodoaldo Bueno / Banca: Leila Rodrigues da Silva / Banca: Angelita Marques Visalli / Banca: Adriana Vidotte / Banca: Ruy de Oliveira Andrade Filho / Resumo: Alfonso X, o Sábio (1221 - 1284), ascendeu ao trono de Castela em 1252, após a morte de seu pai, Fernando III (1199 - 1252). Considerado um dos monarcas mais poderosos do século XIII, herdou do pai uma política de centralização do poder real fundamentada na consolidação do território da monarquia e na unificação legislativa. Apoiando-se em um corpus documental formado por crônicas, códigos jurídicos e documentos régios do século XIII, esta tese mostra que Alfonso X foi um continuador dessa política de centralização. Sob seu reinado definiram-se as fronteiras do território da Coroa de Castela. Alfonso X completou o projeto de unificação jurídica esboçado por Fernando III ao substituir os vários códigos jurídicos locais, os chamados fueros, por uma legislação régia de caráter centralizador. Ao instituir uma legislação que garantisse a supremacia do poder real, Alfonso X provocou uma reação da nobreza ao seu projeto político. / Abstract: Alphonse X, the Wise (1221 - 1284) ascended to the Castile throne in 1252, after his father's death, Fernando III (1199 - 1252). Considered one of the most powerful monarchs of the13th century, he inherited from his father a politics of centralization of the real power based on the consolidation of the monarchy territory, and on the legislative unification. Leaning on a documental corpus formed by chronicles, juridical codes and royal documents of the 13th century, this theory shows that Alphonse X was a continuator of that centralization. Under his reign, the borders of the territory of the Crown of Castile were defined. Alphonse X completed the project of juridical unification outlined by Fernando III when substituting the several local juridical codes, the so called fueros, for a royal legislation of centralizing character. When he implemented a legislation that would guarantee the supremacy of the royal power, Alphonse X provoked a reaction from the nobility to his political project. / Doutor

Dans ma thèse “León de Greiff y la tradición literaria” je fais une étude du concept de « Tradition » dans l’œuvre poétique de l’un des plus importants écrivains colombiens du XXème siècle. Je propose que l’appropriation greiffienne de différents éléments provenant de diverses sources littéraires – comprenant la littérature orientale, la poésie médiévale européenne, la poésie française symboliste –, défie la notion classique du concept de «tradition». Pour De Greiff, celle-ci constitue un espace individuel d’autocréation construit à partir d’affinités esthétiques et philosophiques, et non sur la base d’une continuité chronologique ou une appartenance géographique. L’approche théorique de notre étude se concentre sur les idées de Harold Bloom, T.S. Eliot et Octavio Paz. Sur la base de leurs théories j’ai essayé d’élaborer une définition alternative du concept de la Tradition. -- “León de Greiff y la tradición literaria” examines the particular concept of “tradition” underlying the work of this major XXth century Colombian poet. I contend that the appropriation of several literary and historical sources – ranging from medieval European literature, oriental sources, to the most symbolists French poets – undertaken by De Greiff challenges the classical notion of this idea. I have proposed a reading of this author’s poetry as an attempt to observe tradition as an unrestricted space of individual creation operating through aesthetic and philosophical affinities rather than strict chronological continuity. The theorical approach of my dissertation focuses on the works of Harold Bloom, T.S. Eliot and Octavio Paz. Based on their ideas I have tried to elaborate an alternative definition of the concept of Tradition.

La presente tesis aborda la problemática del cambio cultural entre la Segunda Edad de Hierro y época romana en función del estudio de las diferentes estrategias de explotación del paisaje. La hipótesis de partida es que el imperialismo romana introduce nuevas prácticas de organización y fiscalización de la explotación agraria que supone un cambio en diferentes pautas sociales de las sociedades indígenas, en particular un cambio drástico en el patrón de asentamiento. La tesis desarrolla una metodología particular de prospección intensiva para documentar los procesos de explotación pretéritos, por ello, lejos de buscar nuevos yacimientos, se enfatiza la documentación e interpretación del registro off site, cuya relación con comportamientos humanos se investiga mediante análisis estadísticos. El hallazgo de nuevos yacimientos conduce a la reformulación de la metodología de trabajo para orientar el enfoque a una nueva escala de investigación. En paralelo se propone una interpretación del paisaje de Segisamo (actual Sasamón), y un posible sistema de organización del Ager Segisamonensis, conocido desde antiguo por la epigrafía en hitos terminales. / This thesis addresses the problem of cultural shift between the Second Iron Age/ Roman transition according to the study of different landscape exploitation strategies. The assumption is that Roman imperialism introduced new organizational practices and taxation of the agricultural landuse, which conduct to a drastic change in the indigenous society, such cultural shift can be attested in the change of the settlement pattern, studied by means of Site Catchment Analysis.. The thesis develops a particular intensive survey methodology to document processes of landscape exploitation, therefore, far from seeking new sites, it emphasizes the documentation and interpretation of the off site record, whose relationship to human behavior is investigated by statistical analysis. New sites discovery leads to the reformulation of the field survey methodology to guide the research to a new scale of site nature understanding. At the same time, the work proposes an interpretation of Segisamo’s roman landscape (current Sasamón), and a possible system of cadastration of the barely unknown Ager Segisamonensis.

In my dissertation I adopt an interdisciplinary approach to explore a crucial moment in the intellectual history of Ecuador and Brazil and the way in which late 19th and early 20th century writers articulate a representational discourse that reveals the contradictions of liberalism and modernity. I argue that after entering the modern world-system, Ecuador and Brazil undergo a comparable modernization process, which entails the emergence of the cities of Guayaquil and Rio de Janeiro as new centers of political and economic power. The study of the coincidences and discrepancies between the two national processes sheds light on antagonistic cultural systems coexisting within the realms of the new metropolis. My dissertation consists of an introduction and five chapters. In the introduction, I present the theoretical framework and explain the key concepts that are common currency in contemporary attempts to articulate cultural analysis with its social and historical reality. Chapters 1 and 2 look at the origins of Ecuadorian and Brazilian identities in the works of writers José de Alencar and Juan León Mera. I intend to trace budding national identities in each of their essays about language, race, and politics, as well as in their foundational fictions, Iracema: Lenda do Ceará (1865) and Cumandá: un drama entre salvajes (1879). Chapters 3 and 4 problematize the ways in which the novels O cortiço (1890), by Brazilian Aluízo Azevedo, and A la costa (1905), by Ecuadorian Luis A. Martínez, are linked to the intricate local debates about slavery, internal migration, and the participation of both national economies in the modern world system. I contend that the narratives of Azevedo and Martínez become “hinge-novels” for glimpsing the “national” within the “liminal,” even though they fail to foresee the disencounters between the dominant and the subaltern classes. In Chapter 5, I explore the locus of enunciation from which Ecuadorian Jorge Icaza attempts to represent marginal social groups. I argue that Icaza’s Huasipungo (1934) reveals the ineffectiveness of the liberal project and helps establish the agency of marginalized groups in the Andean hacienda. The incorporation of these marginal discourses into his narratives constitutes the first endeavor to provide subaltern groups with a voice. / text

Dans ma thèse “León de Greiff y la tradición literaria” je fais une étude du concept de « Tradition » dans l’œuvre poétique de l’un des plus importants écrivains colombiens du XXème siècle. Je propose que l’appropriation greiffienne de différents éléments provenant de diverses sources littéraires – comprenant la littérature orientale, la poésie médiévale européenne, la poésie française symboliste –, défie la notion classique du concept de «tradition». Pour De Greiff, celle-ci constitue un espace individuel d’autocréation construit à partir d’affinités esthétiques et philosophiques, et non sur la base d’une continuité chronologique ou une appartenance géographique. L’approche théorique de notre étude se concentre sur les idées de Harold Bloom, T.S. Eliot et Octavio Paz. Sur la base de leurs théories j’ai essayé d’élaborer une définition alternative du concept de la Tradition. -- “León de Greiff y la tradición literaria” examines the particular concept of “tradition” underlying the work of this major XXth century Colombian poet. I contend that the appropriation of several literary and historical sources – ranging from medieval European literature, oriental sources, to the most symbolists French poets – undertaken by De Greiff challenges the classical notion of this idea. I have proposed a reading of this author’s poetry as an attempt to observe tradition as an unrestricted space of individual creation operating through aesthetic and philosophical affinities rather than strict chronological continuity. The theorical approach of my dissertation focuses on the works of Harold Bloom, T.S. Eliot and Octavio Paz. Based on their ideas I have tried to elaborate an alternative definition of the concept of Tradition.

Made available in DSpace on 2014-06-11T19:32:24Z (GMT). No. of bitstreams: 0 Previous issue date: 2007-05-09Bitstream added on 2014-06-13T19:03:00Z : No. of bitstreams: 1 reis_je_dr_assis.pdf: 2511093 bytes, checksum: aa87469c94ef2cddc07e83912b84ed2f (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Alfonso X, o Sábio (1221 - 1284), ascendeu ao trono de Castela em 1252, após a morte de seu pai, Fernando III (1199 - 1252). Considerado um dos monarcas mais poderosos do século XIII, herdou do pai uma política de centralização do poder real fundamentada na consolidação do território da monarquia e na unificação legislativa. Apoiando-se em um corpus documental formado por crônicas, códigos jurídicos e documentos régios do século XIII, esta tese mostra que Alfonso X foi um continuador dessa política de centralização. Sob seu reinado definiram-se as fronteiras do território da Coroa de Castela. Alfonso X completou o projeto de unificação jurídica esboçado por Fernando III ao substituir os vários códigos jurídicos locais, os chamados fueros, por uma legislação régia de caráter centralizador. Ao instituir uma legislação que garantisse a supremacia do poder real, Alfonso X provocou uma reação da nobreza ao seu projeto político. / Alphonse X, the Wise (1221 - 1284) ascended to the Castile throne in 1252, after his father's death, Fernando III (1199 - 1252). Considered one of the most powerful monarchs of the13th century, he inherited from his father a politics of centralization of the real power based on the consolidation of the monarchy territory, and on the legislative unification. Leaning on a documental corpus formed by chronicles, juridical codes and royal documents of the 13th century, this theory shows that Alphonse X was a continuator of that centralization. Under his reign, the borders of the territory of the Crown of Castile were defined. Alphonse X completed the project of juridical unification outlined by Fernando III when substituting the several local juridical codes, the so called fueros, for a royal legislation of centralizing character. When he implemented a legislation that would guarantee the supremacy of the royal power, Alphonse X provoked a reaction from the nobility to his political project.

Síntesis: El presente estudio trata de un análisis contrastivo de las traducciones al español de los libros Madicken publicada en 1960 y Bröderna Lejonhjärta publicada en 1973 de Astrid Lindgren. El análisis está basado en siete fenómenos lingüísticos que son: adaptación, adición, equivalencia de uso, errores lexicales, expresiones idiomáticas, omisiones y registro. Este análisis muestra que la hipótesis se cumple con respecto al libro Bröderna Lejonhjärta, pero no así con el libro Madicken. Es decir, que a pesar de existir diferencias semánticas y pragmáticas representadas por los siete fenómenos lingüísticos estudiados, la traducción del libro Bröderna Lejonhjärta transmite bien el sentido cultural e histórico de la obra; sin embargo, en la traducción al español del libro Madicken existen diferencias semánticas y pragmáticas, pero la traducción de este no logra transmitir el sentido histórico y cultural de la obra. La conclusión es que estos cambios han hecho que la traducción de Madicken no represente realmente la cultura y trasfondo histórico contenidos en la obra. Hipótesis: Existen diferencias idiomáticas tanto semánticas como pragmáticas (la semántica es 'el estudio del significado de los signos lingüísticos y de sus combinaciones' y la pragmática es 'la disciplina que estudia el lenguaje en relación con los usuarios y las circunstancias de comunicación') entre los libros Madicken y Bröderna Lejonhjärta, de la autora sueca Astrid Lindgren, y sus respectivas traducciones al español: Madita, traducida por Herminia Dauer en 1983, y Los hermanos Corazón de León, traducida por Lucio Salas en 1986, ambas traducciones publicadas en España. A pesar de ello, los traductores logran su objetivo de transmitir al lector, principalmente a los niños, el ambiente cultural e histórico suecos de las novelas originales.

(in English): The Master thesis depicts a concept of interpersonal relationships in a novel Cecilia Valdés by the Cuban writer Cirilo Villaverde. It describes author's life and circumstances which accompanied the origin of the novel. The thesis introduces a plot of the novel, analyses the main characters and their role in the novel. It deals with a theme of the novel as a genre in general and informs about Indian and Costumbrism novel as well. It follows historic events in Cuba at the time when the novel was issued. Knowledge of the historic events is necessary for comprehension of the novel in its broader sense. The thesis examines Cecilia Valdés from the point of a concept of interpersonal relationships, deals with relationships among black people, mulattoes and white people. It analyses a relationship between the main characters which is greatly influenced by different racial origin. The topic of slavery is introduced in connection with a plot of the novel. The Master thesis compares a novel Cecila Valdés with other significant Hispano- American novels which carry similar aspects, namely with Cumandá o un drama entre salvajes by Juan León Mera and Aves sin nido by Clorinda Matto de Turner. The thesis mainly focuses on interpersonal and partner relationships in these novels which are influenced...

Dans ma thèse “León de Greiff y la tradición literaria” je fais une étude du concept de « Tradition » dans l’œuvre poétique de l’un des plus importants écrivains colombiens du XXème siècle. Je propose que l’appropriation greiffienne de différents éléments provenant de diverses sources littéraires – comprenant la littérature orientale, la poésie médiévale européenne, la poésie française symboliste –, défie la notion classique du concept de «tradition». Pour De Greiff, celle-ci constitue un espace individuel d’autocréation construit à partir d’affinités esthétiques et philosophiques, et non sur la base d’une continuité chronologique ou une appartenance géographique. L’approche théorique de notre étude se concentre sur les idées de Harold Bloom, T.S. Eliot et Octavio Paz. Sur la base de leurs théories j’ai essayé d’élaborer une définition alternative du concept de la Tradition. -- “León de Greiff y la tradición literaria” examines the particular concept of “tradition” underlying the work of this major XXth century Colombian poet. I contend that the appropriation of several literary and historical sources – ranging from medieval European literature, oriental sources, to the most symbolists French poets – undertaken by De Greiff challenges the classical notion of this idea. I have proposed a reading of this author’s poetry as an attempt to observe tradition as an unrestricted space of individual creation operating through aesthetic and philosophical affinities rather than strict chronological continuity. The theorical approach of my dissertation focuses on the works of Harold Bloom, T.S. Eliot and Octavio Paz. Based on their ideas I have tried to elaborate an alternative definition of the concept of Tradition.

Para entender la religión y las costumbres de los incas, así como la cosmovisión de los pueblos del mundo andino, las crónicas constituyen una fuente fundamental. El culto al dios Viracocha y el culto solar resultan temas importantes y complejos, diferentes cronistas lo describen con distintos énfasis debido a una serie de factores. La presente investigación se enfoca en analizar el culto a estos dioses en la formación del Tahuantisuyu, así como sus estrechos vínculos con los gobernantes incas, a partir del análisis de tres cronistas importantes de la historia de los incas, Juan de Betanzos, Cieza de León y Cabello de Balboa. En primer lugar, se describe el contexto en que fueron escritas las crónicas, el cual influyó en su contenido y en la apreciación que tuvieron sus autores de los incas. Posteriormente, se presenta las descripciones del culto al dios Viracocha y el Sol de los tres autores. Y luego se hará una comparación de las diferencias y similitudes en las descripciones de dichos temas y analizar los distinto énfasis que ponen los tres cronistas y los intereses y restricciones que están detrás de los autores bajo su época. / To understand the religion and customs of the Incas, as well as the worldview of the peoples of the Andean world, the chronicles constitute a fundamental source. The cult to the god Viracocha and the solar cult is a very important and complex subject, different chroniclers describe it with different emphases due to a series of factors. The present investigation focuses on analyzing the cult of these gods in the formation of the Tahuantisuyu, as well as their close ties with the Inca rulers, from the analysis of three important chroniclers of the history of the Incas, Juan de Betanzos, Cieza de León and Cabello de Balboa. In the first place describe the context in which the chronicles were written, which influences their content and opinion. In addition, this work focuses on making a comparison about the differences and similarities in the descriptions of these topics and analyzing the different emphases that put the three chroniclers and the interests and restrictions that are behind the authors under their time. / Tesis