A feminist examination of the life of the Afrikaans poet Ingrid Jonker is preceded by a look at the conventional literary biography with its unique dual nature: scientific enquiry combined with the art of storytelling, which is aptly called “fiction under oath” (Gutiérrez 1992: 49). Subsequently, an overview of the theoretical basis of feminist ideology and literary approaches is presented with the emphasis on the psychoanalytical point of departure, which views women’s marginalized position as social instead of biological in origin, and therefore as changeable. Biography owes its important place in contemporary women’s writing to the fact that it documents the history and experience of women in the patriarchal system. Feminist biographers, influenced by Postmodernism, force the genre from its traditionally linear form and narrow focus on a famous, usually male subject. The result is a more fluid, cyclical portrayal of (usually) influential women, shedding more light on the social, domestic and personal spheres. Because this kind of biography does not claim to be authoritative, the biographer’s personal contribution and her methods are made explicit. The intuitive and experimental nature of feminist biography makes it suitable for an intertextual and even interdisciplinary approach. Jonker’s life is analysed against the background of a folk tale, The Red Shoes, which is an allegory for the sacrifice of the instinctive creative self or archetypal “wildish woman”. Ancient myths, which narratives of almost every culture share, are seen as responsible for the tenacious survival of the patriarchy through time, social change, and across cultural boundaries. For this reason, feminists see the creation of new myths or infusing old myths with new meaning as the key to women’s emancipation. Against this background, the following subtexts also act as shaping elements in the Ingrid Jonker biography: · The concept of a person’s life “script” unfolding according to repetitive messages laid down in the unconscious by authority figures; · The “conspiracy” between a biographee and her biographers in forming her public image; and · Six archetypes in the Jungian idiom that characterise a person’s journey to spiritual maturity, Examined with these subtexts in mind, Ingrid Jonker’s life story unfolds as follows: A poet in conflict with her time and “abandoned” by her parents, is displaced in pre-adolescence from a unstructured rural milieu where her instinctive creativity was allowed to develop freely, to a highly structured, limiting and artificial urban environment. She seems prophetically destined for a tragic end. Her obsession with death is fed by an inability to have meaningful relationships and to adjust to society’s double standards. Ever the victim of imagined or real betrayal, she joins the ranks of other female artists who follow the same destructive archetypal pattern. She is spurred on not only by her own feral recklessness, but also by other artists who are inspired by her flirtation with death. Upcoming generations are mesmerised by her “moth around a flame” life and, like children, ask time and again for the disastrous though darkly romantic story with its mythical proportions, which turned Jonker into an icon. In doing so, they manage their own collectively unconscious fear of the annihilation of death. The Red Shoes links with Kristeva’s distinction between semiotic and symbolic language. The former is non-rational, intuitive and signifies the maternal whereas the latter represents language that is masculine, rational, linear and therefore patriarchal and logocentric. / Dissertation (MA (Afrikaans))--University of Pretoria, 2005. / Afrikaans / unrestricted

English summary The main objective of this thesis is to present some key issues relevant for postcolonial field of study with respect to two basic areas of interest: concepts of identity and place, respectively displacement in contemporary postcolonial discourse and their reflection in fiction, too. The thesis should provide the potential reader with basic theoretical background based on the most fundamental sources and by means of selected literary works it should support (or disclaim, if necessary) conclusions reached by the most notable theories. This dissertation work consists of three major parts. In the introduction, apart from providing the motivational, theoretical and literary objectives of the thesis, I cover some basic difficulties that may occur when dealing with the postcolonial field of study. The central part of the thesis can be divided into two parts, each of them consisting of two further sections. The first one, "Identity in Postcolonial Discourse", is focused on one of the key terms in all of postcolonial theory: identity and other concepts related with it. I cover the basic development of theoretical reflection concerning this concept, drawing primarily from secondary sources dealing with it. The theoretical part on identity is succeeded by a chapter "Reflections of Identity in the...

This thesis addresses the pervasive influence of coloniality in the lived experiences of asylum seekers in the Netherlands. Based in intersectional and decolonial feminist theories and methodology, my aim was to centre the silenced narratives of this marginalised group. By highlighting the conditional nature of hospitality, which perpetuates the asymmetrical power imbalance between the superior ‘host’ and inferior ‘guest’, the aim was to show how coloniality impacts the social and ethical dimension of the lives of asylum seekers in the Netherlands. Simultaneously, I tried, together with the research participants, to find decolonial options to resist this coloniality, while proposing alternatives for a more humane and equitable decolonial otherwise. After conducting conversations with six asylum seeker men, I found that they face multiple colonial encounters on a daily basis, presenting in exclusionary patterns of racialization and victimisation, systems of control that erode their agency, while leaving them in a liminal state of uncertainty. With the use of thematic analysis, I concluded that decolonial resistance against this means the right to speak out, the right to refuse assimilation and the establishment of community that is grounded in relationality and pluriversality, rejecting the conditional nature of the existing colonial system, while welcoming everybody not as just guests, but as full members who are capable of co-creating a better, hospitable society and decolonial future.

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Trees, as threshold beings, effectively blur the line between the real world and fantastical alternate worlds, and destabilise traditional binary classification systems that distinguish humanity, and Culture, from Nature. Though the presence of trees is often peripheral to the main narrative action, their representation is necessary within the fantasy trope. Their consistent inclusion within fantasy texts of the twentieth century demonstrates an enduring arboreal legacy that cannot be disregarded in its contemporary relevance, whether they are represented individually or in collective forests. The purpose of my dissertation is to conduct a study of various prominent fantasy texts of the twentieth century, including the fantasy works of J.R.R. Tolkien, C.S. Lewis, Robert Holdstock, Diana Wynne Jones, Natalie Babbitt, and J.K. Rowling. In scrutinising these texts, and drawing on insights offered by liminal, ecocritical, ecofeminist, mythological and psychological theorists, I identify the primary function of trees within fantasy narratives as liminal: what Victor Turner identifies as a ‘betwixt and between’ state (1991:95) where binaries are suspended in favour of embracing potentiality. This liminality is constituted by three central dimensions: the ecological, the mythological, and the psychological. Each dimension informs the relationship between the arboreal as grounded in reality, and represented in fantasy. Trees, as literary and cinematic arboreal totems are positioned within fantasy narratives in such a way as to emphasise an underlying call to bio-conservatorship, to enable a connection to a larger scope of cultural expectation, and to act as a means through which human self-awareness is developed. / English Studies / D. Litt. et Phil. (English)

This thesis interrogates the dynamics of urbanisation, gender and migration in contemporary Johannesburg through the voices and images of migrant women from the rest of the African continent, now living in Johannesburg. By revealing the lives of a population group that is often hidden from view, it provides details of women’s migration to Johannesburg, and their everyday encounters in the host city. Using these experiences, it sheds light on contemporary migration and urbanisation processes on the continent, expanding our knowledge of the contours of power that shape urban life in Johannesburg and elsewhere. Using the metaphor of the “border” or “borderlands” this thesis explores how women negotiate, cross and remain “in between” the multiple physical, social and imagined borders they encounter in the city. It finds that analyses that read the city through class relationships and capital accumulation do not give adequate weight to the multiple identities and forms of solidarity that exist in cities. Women’s narratives reveal that while their class is an important identity, other identities such as ethnicity, nationality and gender also powerfully shape solidarity and modes of belonging in the city. Moreover, state-centric governance frameworks that have dominated urban policy and scholarly work on the continent are often blinded to the ways in which urban dweller’s actions shift our understanding of the nature and character of state power. Women’s encounters with the state reveal the multiple regimes of power that constitute the city, and the ways in which these subvert, fragment, and yet at times reinforce state power in unpredictable ways. The epistemological approach and findings of this research bring to the fore broader questions around the paradigmatic lenses used to read, interpret and understand African cities. Dominant paradigms tend to draw on western models of cities in ways that undermine African cities’ empirical realities and theoretical potential. For as long as scholars and policy makers fail to see African urbanity in its own terms rather than in relation to how cities elsewhere have evolved, we will continue to miss critical socio-political and economic dynamics that are shaping urbanisation in the twenty first century. / Sociology / D. Phil. (Sociology))

This particular telling and retelling from a living narrative inquiry (Clandinin & Connelly, 2000) into the early experiences of three high school science teachers – Beth, Joel, and Christina – explores the emergent inquiry landscapes constructed as we implemented a renewed, decolonizing, science curriculum in Saskatchewan founded on a philosophy of inquiry and on a broader, more holistic definition of scientific literacy, both Western and Indigenous. This inquiry draws on an ontology of lived experience (Dewey, 1938) and, more subtly, on the borderland of narrative inquiry and complexity science in order to illustrate the emergence and coming to knowing (Delandshire, 2002; Ermine, as cited in Aikenhead, 2002) of our identities in a way that avoids the reduction in complexity of our experiences. While my initial wonders persisted throughout the research as I lived alongside Beth, Joel, and Christina for two years, they diffracted into the contextualized wonder: how do we share a philosophy of inquiry with each other and with our students? As such, this inquiry is a sharing about our own identities, about our own agency, about identity work, and about which experiences we choose to (re)engage with as we attempt to (re)find the narrative diversity, both individual and collective, necessary to shift from enacted identities to 'wished-we-could-enact' identities. This exploration of our 'mo(u)rning stories', early experiences from our shifting identities after stepping through the liminal and onto emergent inquiry landscapes, or our 'stories to relive with' provides a language and context to our shifting identities and hence, to science education, as we move towards a more holistic and humanistic form of scientific literacy for all our students. What emerged through the enmeshing of our landscapes and through the construction of voids in existing practices, followed by deformalizations in assessment and planning, was the development of a way of sharing our philosophy of inquiry and hence, our shifting identities. The artifacting and sharing of our contextualized inquiry experiences highlighted the rich assessment making, and curriculum making experiences (Huber, Murphy & Clandinin, 2011) we shared with our students and highlighted a view of assessment as a relationship. As we told and retold our stories to relive with, our identities shifted towards those more akin to facilitator and anthropologist and away from sage and engineer/architect.

In post-conflict settings real and imagined boundaries do a great deal to determine who is inside and who is outside of state-based narratives of peace and prosperity. Based on case studies in Rwanda and Northern Ireland, I provide an analysis of the post-conflict periods and the impact of neoliberal-styled governance on the dynamics of power. I argue that as power shifted, ‘peace’ also entailed a general social pacification, and prosperity equated to greater private profit. However, top-down social engineering has not contained the entire field of social struggle. I examine micro-level interventions taking place on the margins of mainstream discourse that trouble the moralizing state-narratives that seek to legitimate structural violence. Such spaces facilitate alternative values and practices that contribute to sustained social and cultural resilience, as well as forms of resistance. Post-conflict Rwanda and Northern Ireland have been impacted by both coercive and consensual forms of social engineering. In Rwanda, state-based framework laws and forceful regimes of local implementation rely on stark contingencies of reward and punishment to shape and control behaviour in the public sphere. In Northern Ireland, the power-sharing structure of the Belfast Agreement has reinforced ethnic politics, while depoliticizing and instrumentalizing civil society in support of its neoliberal policies. I present ethnographic research and interviews conducted with community organizations in Northern Ireland (Ikon) and Rwanda (Student Association of Genocide Survivors - AERG) that demonstrates how alternative discourses and practices are emerging in the cracks of these top-down systems. I explore Ikon’s use of creative performances and radical theology to create socially resonant cultural spaces that function as temporary autonomous zones. These TAZs unsettle aspects of individual identity while intentionally seeking to destabilize mainstream power dynamics. Unlike Ikon, AERG faces greater public scrutiny and higher political stakes. They demonstrate an adherence to the dominant social script in the public sphere, while exhibiting micro- level agency through trauma healing, and material support in private day-to-day practices. AERG’s performance in the public sphere creates temporary spaces of encounter that exceed the boundaries of official discourse, making their alternative presence felt while remaining illegible to the dominant surveillance frameworks. / Thesis (Ph.D, Cultural Studies) -- Queen's University, 2014-06-02 11:02:09.033

This thesis interrogates the dynamics of urbanisation, gender and migration in contemporary Johannesburg through the voices and images of migrant women from the rest of the African continent, now living in Johannesburg. By revealing the lives of a population group that is often hidden from view, it provides details of women’s migration to Johannesburg, and their everyday encounters in the host city. Using these experiences, it sheds light on contemporary migration and urbanisation processes on the continent, expanding our knowledge of the contours of power that shape urban life in Johannesburg and elsewhere. Using the metaphor of the “border” or “borderlands” this thesis explores how women negotiate, cross and remain “in between” the multiple physical, social and imagined borders they encounter in the city. It finds that analyses that read the city through class relationships and capital accumulation do not give adequate weight to the multiple identities and forms of solidarity that exist in cities. Women’s narratives reveal that while their class is an important identity, other identities such as ethnicity, nationality and gender also powerfully shape solidarity and modes of belonging in the city. Moreover, state-centric governance frameworks that have dominated urban policy and scholarly work on the continent are often blinded to the ways in which urban dweller’s actions shift our understanding of the nature and character of state power. Women’s encounters with the state reveal the multiple regimes of power that constitute the city, and the ways in which these subvert, fragment, and yet at times reinforce state power in unpredictable ways. The epistemological approach and findings of this research bring to the fore broader questions around the paradigmatic lenses used to read, interpret and understand African cities. Dominant paradigms tend to draw on western models of cities in ways that undermine African cities’ empirical realities and theoretical potential. For as long as scholars and policy makers fail to see African urbanity in its own terms rather than in relation to how cities elsewhere have evolved, we will continue to miss critical socio-political and economic dynamics that are shaping urbanisation in the twenty first century. / Sociology / D. Phil. (Sociology))

This thesis contends that the image of fire is a multivalent and theologically valuable image for application in British Christian communities. My research offers an original contribution by contextualising the image of fire for Christian practice in Britain, and combining critical observation of several contemporary fire rites with theological analysis. In addition, I conduct original case studies of three Scottish fire rituals: the Stonehaven Fireball Ceremony, the Beltane Fire Festival, and Up-Helly-Aa in Lerwick, Shetland. The potential contribution of fire imagery to Christian practice has been overlooked by modern theological scholarship, social anthropologists, and Christian practitioners. Since the multivalence of the image has not been fully recognised, fire imagery has often been reduced to a binary of ‘positive' and ‘negative' associations. Through my study of non-faith fire rituals and existing Christian fire practices, I explore the interplay between multivalence, multiplicity, and liminality in fire imagery. I demonstrate that deeper theological engagement with the image of fire can enhance participation, transformation, and reflection in transitional ritual experience. I argue that engaging with the multivalence of the image of fire could allow faith communities to move beyond dominant interpretive frameworks and apply the image within their own specific context. First, I orientate the discussion by examining the multivalence of biblical fire imagery and establishing the character of fire within the British social imagination. Second, I use critical observation of community fire practices in non-faith contexts to build a new contextual framework for the analysis of fire imagery. Finally, I apply my findings to a contextual analysis of existing Christian fire practices in Britain. Throughout, I argue that sensory and imaginative interaction with the image of fire provides a way to communicate and interact with theological ideas; experience personal and communal change; and mediate experience of the sacred.