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Normative value systems as portrayed by V.N.M. Swaartbooi and V. MagadlaZideba-Thomas, Cynthia Daniswa January 2007 (has links)
This study will focus on norms and value systems as portrayed by two female Xhosa writers. The aim of this study is to show how normative value systems are represented by two female Xhosa female writers. It also aims to show the effects of these systems on women. The method of research will be based on survey of Xhosa literature focusing on the following two books, Inzol ‘enkundleni, by V. Magadla and UMandisa by V.N.M. Swaartbooi.
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Living, writing and staging racial hybridityLa Flamme, Lisa Michelle 05 1900 (has links)
Contemporary Canadian literature and drama that features racial hybridity
represents the racially hybrid soma text as a unique form of embodiment and pays
particular attention to the power of the racialized gaze. The soma text is the central
concept I have developed in order to identify, address, and interrogate the signifying
qualities of the racially hybrid body. Throughout my dissertation, I use the concept of the
body as a text in order to draw attention to the different visual "readings" that are
stimulated by this form of embodiment. In each chapter, I identify the centrality of
racially hybrid embodiment and investigate the power of the racialized gaze involved in
the interpellation of these racially hybrid bodies.
I have chosen to divide my study into discrete chapters and to use specific texts to
illuminate my central concepts and to identify the strategies that can be used to express
agency over the process of interpellation. In Chapter One I explain my methodology,
define the terminology and outline the theories that are central to my analysis. In Chapter
Two, I consider the experiences of mixed race people expressing agency by self-defining
in the genre of autobiography. In Chapter Three, I explore the notion of racial drag as
represented in fiction. In Chapter Four, I consider the ways in which the performative
aspects of racial hybridity are represented by theatrical means and through performance.
My analysis of the soma text and racialized gaze in these three genres offers
critical terms that can be used to analyze representations of racial hybridity. By framing
my analysis by way of the construction of the autobiographical voice I suggest that
insight into the narrative uses of racial hybridity can be deepened and informed by a
thorough analysis of the representation of the lived experience of racial hybridity in a
given context. My crossgeneric and crossracial methodology implicitly asserts the
importance of the inclusion of different types of racial hybridity in order to understand
the power of the racially hybrid body as a signifier in contemporary Canadian literature
and drama. / Arts, Faculty of / English, Department of / Graduate
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"Give me back the real me": the politics of identity and The Ecstasy of Rita Joe, 1967-1992Krueger, Colleen 11 1900 (has links)
Practically since its celebrated premiere in 1967, George Ryga's drama about urban Native
Canadians, The Ecstasy of Rita Joe, has enjoyed canonical status in Canada. Yet the same three decades
that have seen over 200 productions of Rita Joe have also witnessed radical transformations in the ways
First Nations' peoples are represented, heard and perceived in Canada. How has a play written about
Natives by a non-Native man in 1967 managed such a long production history on such contentious and
unstable ground? How do identity politics influence this piece of theatre, and how does the theatre shape
identity politics?
As popular notions about Native identities have changed and as Native people continue to represent
themselves in and put of court, and on and off the stage, this play about Native people in Canada has been
performed and re-performed. But the directors, the venues, the actors, the costumes and sets, the language
itself and (most significantly) the resulting characterizations have changed over the years — in subtle and
rather dramatic ways. While the words and the fundamental plot of Rita Joe have remained the same, its
messages about Native identity has evolved since 1967, in relation to social, political, economic, and
cultural changes. Indeed, historical developments impact the particular ways an "Indian" is
represented in a particular time; what makes a "real Indian" tends to shift with the political and
social needs of the moment. This paper examines the way Native identity is represented in eight
productions of Rita Joe mounted between 1967 and 1992, creating a production history that focuses on the
relationship between representations of identity and particular moments in time and space and, ultimately,
discerns a complex and symbiotic relationship between the aesthetic, creative world and the historio-political
world. Perhaps most remarkably, the play stretches to accommodate diverse cultural narratives,
gathering meaning from the identity politics of its particular performance place and time. / Arts, Faculty of / History, Department of / Graduate
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Die uitbeelding van die vrou in 'n aantal bekroonde Afrikaanse jeugboeke : 'n leserkundige studieDe Villiers, Christina Magrietha 15 September 2014 (has links)
M.Com. (Information Science) / Although the influence of literature cannot be determined exactly, it is generally accepted that it can influence attitudes and values and therefore play an important role in the socializing process of the adolescent. One of the most important processes the adolescent undergoes is the development of his/her sex role through socialization, within the context of the family and society at large. In addition the traditional role of women through the ages has undergone such substantial changes that women play an increasingly important part in society. The modern woman can attain self-realization and self-expression through marriage, motherhood and a career. The problem addressed in this research, is whether the portrayal of women in available youth literature is a realistic reflection of society at a particular point. The ideal is that the attitudes that are projected are not biased toward either of the sexes and that boys as well as girls may develop to their full potential within the prescribed boundaries of their sex roles. Because of the feminist interest, much research has been done since the sixties and seventies regarding sexism in children's and youth literature. Virtually throughout, the findings of these investigations showed that the female characters are portrayed as passive stereotypes. The portrayal of women in literature awarded with the Scheepers Prize for Afrikaans youth literature is investigated in this research.
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[en] THE PRINCE OF THE POETS OF HIS AGE / [pt] O PRÍNCIPE DOS POETAS DE SEU TEMPO: A QUESTÃO DA ÉTICA EM CAMÕES, SEGUNDO EDUARDO LOURENÇO, E NO QUE DE SEUS VERSOS E DE SUA VIDA FIZERAM OS SÉCULOSMAURICIO GOMES DE MATOS 08 September 2004 (has links)
[pt] Desde 1572, com a publicação dos Lusíadas, a obra e a
vida
de Luís Vaz de Camões tornaram-se objeto das mais
variadas
formas de apropriação, como, por exemplo, a presente
tese,
sobretudo em sua terceira parte A Ética nos Lusíadas.
Sem
o propósito de verificar qualitativamente a pertinência
do
trabalho dos pesquisadores que, durante os últimos cinco
séculos, se vêm debruçando sobre O príncipe dos poetas
de
seu tempo, esta tese pretende traçar a trajetória
histórico-
literária da presença de Camões na Literatura Portuguesa,
desde o século XVI até ao XX, e, a partir do conceito de
Ética enunciado pelo pensador Eduardo Lourenço,
investigá-
la interna e externamente. / [en] Since 1572, after the release of Os Lusíadas, the life and
work of Luís Vaz de Camões became object of many forms of
appropriation; for an example the present thesis,
especially in the second part A Ética nos Lusíadas. The
purpose here isn t verify qualitatively the hard work of
many thinkers and researchers which, throughout the last
five centuries, have deeply worked over The prince of the
poets of his age. This thesis wants to trace the historical
and literary trajectory of the Camões presence in
Portuguese Literature, from the 16th century to 20th. Based
on the concept of ethics from Eduardo Lourenço, this thesis
will investigate it intern and externally.
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Reading for equality: An examination of gender-bias in children's literatureRailsback, Diane Estelle 01 January 1993 (has links)
No description available.
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A pobre gente : as crônicas de João do Rio no jornal e no livro /Paulino, Fernanda Mansilia January 2014 (has links)
Orientador: Lucia Granja / Banca: Nelson Schapochnik / Banca: Orlando Nunes Amorim / Resumo: A Gazeta de Notícias foi uma importante divulgadora das mudanças operadas pela polêmica reforma urbana do Rio de Janeiro na virada do século XIX para o XX. Desde o início, o jornal se mostrou favorável e otimista quanto às medidas dos Poderes Executivo e Legislativo em prol da modernização e "civilização" da cidade. Em 1904, o cronista Paulo Barreto, sob o pseudônimo "João do Rio", publicou, entre os meses de maio e junho, A pobre gente, uma série composta por seis longas crônicas, nas quais expunha, aos leitores, o mundo da miséria existente na cidade da belle-époque. Em suas crônicas-reportagem, João do Rio deu voz às pessoas que viviam à margem da sociedade, estabelecendo um interessante diálogo entre seus escritos e as demais rubricas da Gazeta em que a "pobre gente" foi também a principal personagem. Em 1908, quatro das seis crônicas divulgadas na série passaram do jornal ao livro A alma encantadora das ruas e a análise desse processo evidencia a importância da relação entre o texto e as características materiais do seu veículo. Assim, pudemos concluir que as reportagens de João do Rio dialogam com o discurso da Gazeta sobre a "pobre gente", reforçando-o. Mas, em um segundo momento, mostraremos um segundo nível de relação entre os textos de João do Rio e o jornal, considerando a mudança de status das reportagens - que passam a ser chamadas de crônicas quando republicadas na forma material livro -, por meio do discurso da própria Gazeta sobre o livro A alma encantadora das ruas, composto pelas antes reportagens publicadas por esse mesmo jornal. Faremos isso pela ótica da Fortuna Crítica de João do Rio, de alguns textos de Barthes, Bakthin e Genette sobre a análise da narrativa e de seus paratextos e, principalmente, por meio da História Cultural, e nesse domínio, dos escritos de Roger Chartier acerca da importância dos suportes e de suas características materiais como ... / Abstract: The Gazeta de Notícias was an important discloser of the changes brought by the polemic urban reform of Rio de Janeiro in the turn of the 19th to the 20th century. Since the beginning, the newspaper showed itself favorable and optimistic about the measures of the Executive and Legislative Powers in favor of the modernization and 'civilization' of the city. In 1904, the chronicler Paulo Barreto, under the pseudonym of 'João do Rio', published, between the months of May and June, A pobre gente, a series of six long chronicles, in which he exposed, to the readers, the world of misery existing in the city of the belle-époque. In his chroniclereportage, João do Rio gave voice to the people that lived on the edge of society, establishing an interesting dialogue between his writings and the other headings of the Gazeta in which 'the poor people' was also the main character. In 1908, four of the six chronicles made public in the series passed from the newspaper to the book The Enchanting Soul of the Streets, and the analysis of this process highlights the importance of the relation between the text and the material characteristics of its media. Thus, we can conclude that the reportages of João do Rio dialogue with the discourse of the Gazeta about the poor people, reinforcing it. But, in a second moment, we will show a second level of relationship between the texts of João do Rio and the newspaper, considering the change of status of the reportages - that start being called chronicles when republished in the form of book -, through Gazeta's own discourse about the book The Enchanting Soul of the Streets, composed by the later reportages published by that same newspaper. We will do it through the eyes of the critical fortune of João do Rio, of some texts by Barthes, Bakthin and Genette about the analysis of the narrative and its paratexts and, mainly, through the cultural history, and in this field, the writings of Roger ... / Mestre
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The depiction of migration and identity in Zimbabwean Literature from 1980-2010Musanga, Terrence 05 August 2015 (has links)
PhDA / Department of English
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Masiandoitwa ane a diswa nga u tenda kha vhuloi kha Vhavenda, nga maanda ho sedzwa litambwa la Vho Mahamba la 'Zwo Itwa' la Vho Milubi la 'Mukosi wa lufu' na la Vho Mathivha la 'Mabalanganye'Munzhedzi, Mutshinyani Jane 18 September 2015 (has links)
MA (Tshivenda) / Senthara ya M.E.R. Mathivha ya Nyambo dza Afrika, Vhutsila na Mvelele / See the attached abstract below
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Nyakisiso ye e tseneletsego mabapi le kgethologanyo le moyana wa bosetshaba byalo ka ge H. M. L. Lentsoane a di tsweleditse mo pading ya gagwe ya megokgo ya lethaboModiba, Moore Suzan 18 September 2013 (has links)
MA (Northern Sotho) / Senthara ya M. E. R. Mathivha Dipopelong tsa Afrika, Bokgabo le Setso / See the attached abstract below
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