This thesis examines the development the cult of St Margaret at Dunfermline as a royal cult from 1070, the moment when St Margaret married King Malcolm III at Dunfermline, to 1420, the year of the burial of Robert duke of Albany who was the last royal member to be buried at Dunfermline. Scholars have focused on the life of St Margaret and her reputation or achievement from the biographical, institutional and hagiographical point of view. Although recent historians have considered St Margaret as a royal saint and Dunfermline as a royal mausoleum, they have approached this subject with relatively simple patterns, compared to the studies of the cults of European royal saints and their centres, in particular, those of English and French Kingdoms which influenced Scottish royalty. Just as other European royal cults such as the cults at Westminster and St-Denis have been researched from the point of view of several aspects, so the royal cult at Dunfermline can be approached in many ways. Therefore, this thesis will examine the development of Dunfermline Abbey as a royal cult centre through studying the abbey and the cult of St Margaret from the point of view of miracles and pilgrimage, lay patronage, and liturgical and devotional space. The examination of St Margaret’s miracles stories and pilgrimage to Dunfermline contribute to understanding these stories in the context of the development of the cult. The study of lay patronage explains the significance of royal favour and non-royal patrons in relation to the development of the cult, and how and why the royal cult developed and declined, and how the monks of Dunfermline promoted or sustained the cult of the saint. Lastly, the research of the liturgical and devotional space provides an explanation of the change of liturgical space from the point of view of the development of the cult.

Diploma thesis Special Relationship? British-U.S. Relations, 1979-1990 examines the nature of relations between the United Kingdom and the United States, focusing predominantly on the period of parallel governance of Margaret Thatcher and Ronald Reagan. The aim is to study both the extent to which the relationship was genuinely special and anticipations both countries connected with it. Providing an overview of the development of the special relationship after the WWII the paper addresses foreign, political, economic and ideological bonds between the countries and their political leaders. It considers not only the basic similarities of domestic and foreign policies, but also tensions and conflicts accompanying this alliance. The paper also describes the influence of the special relationship on the relations with European states and the Soviet Union. The uniqueness of the special relationship is identified in both the nuclear, defence and intelligence cooperation and in the British Prime Minister's and American President's ideological and political comprehension.

Cette thèse aborde le sujet du conservatisme britannique, notamment le conservatisme de1979 jusqu’à 1990, la période qui correspond aux mandats de Margaret Thatcher. Ce travail vise à démontrer que la continuité a été l’aspect déterminant du parti conservateur depuis les XVIIIe et XIXe siècles. Les valeurs premières du conservatisme ont continué à être appliquées avec l’avènement de Margaret Thatcher au pouvoir même si elle incarnait, pour beaucoup de gens, le changement. Ceci apparait dans les discours que Margaret Thatcher tenait quand elle était leader de l’opposition. Le changement était nécessaire selon elle car la société britannique était stagnante. En effet, Thatcher ne pouvait pas accepter ce qu’elle considérait comme étant une « société oisive ».Dès son jeune âge, elle avait appris que travailler dur était à la fois une responsabilité et un plaisir. Ce plaisir-là émane des principes d’indépendance et de persévérance auxquels elle a toujours cru très profondément. Dans ce sens, le changement signifie essentiellement la remise en question du consensus de l’après-guerre, conçu pour aider le pays et ses habitants à se reconstruire. Margaret Thatcher était déterminée à démanteler la social-démocratie keynésienne qui avait imprégné la politique britannique depuis la Seconde Guerre mondiale à cause des circonstances changeantes. L’originalité de sa politique réside dans l’abandon du consensus de l’après-guerre largement basé sur l’état providence et l’intervention de l’état ainsi que l’encouragement des membres de la société à être autonomes et indépendants en plus d’une économie forte et capable de s’autoréguler sans avoir besoin d’intervention de la part du gouvernement. La liberté, l’individualisme et l’autonomie sont les conséquences ultimes de la dérégulation. Ces valeurs étaient les valeurs premières du conservatisme et leur application durant les années quatre-vingt n’étaient que retour au vieux parti conservateur. La continuité du parti conservateur, qui a été interrompue par le keynésianisme du parti travailliste, a été alors rétablie. Pour prouver de cette continuité, un nombre de documents d’archives ont été étudiés au Churchill Archives Centre à Cambridge; des archives telles que les procès-verbaux des réunions du parti conservateur et les discussions qui se sont déroulées entre conservateurs. Par ailleurs, savoir comment les conservateurs eux-mêmes définissent le conservatisme britannique élucide la nature du conservatisme. Pendant longtemps, le parti conservateur a été considéré comme étant le parti monolithique par excellence. Mais le retour en force d’autres partis, comme le parti travailliste après la Seconde Guerre mondiale, a poussé les conservateurs à réfléchir davantage, à innover, à créer des thinks tanks et à ne plus avoir peur d’exprimer leurs opinions diverses. Désormais, ils ne craignent plus le changement, partant du principe que « les choses doivent changer pour qu’elles restent identiques » (The Leopard by Giuseppe Tomasi di Lampedusa). Une large partie de cette thèse porte sur la politique économique. La variable de la politique économique constitue peut-être le critère de réussite le plus visible notamment du fait qu’il est aisément quantifiable, et révèle que l’économie a toujours été une priorité chez les conservateurs. Selon Margaret Thatcher par exemple, le keynésianisme de l’après-guerre avait échoué et devait être abandonné. Pour Thatcher, le problème majeur à résoudre n’était pas le chômage mais l’inflation. La dichotomie entre continuité et changement sera analysée non seulement dans les discours publics de Margaret Thatcher mais aussi dans les discussions internes du parti conservateur. La pléthore de définitions et opinions pose également la question de l’héritage de la dame de fer, à travers son successeur John Major et des événements contemporains tels que le Brexit. / This thesis focuses on the dynamics of continuity and change within the Conservative Party from 1979 to 1990, the period of Margaret Thatcher’s premierships. The aim of this thesis is to demonstrate that continuity had been the defining feature of the Conservative Party since the 18th and 19th centuries. The implementation of the primary values of early Conservatism continued with the advent of M. Thatcher to power although she represented, for many people, the epitome of change. This was all the more obvious in Margaret Thatcher’s public speeches when she was Leader of the Opposition. Change was, to her, necessary since British society was stagnant. In fact, Mrs. Thatcher could not accept what she considered as an “idle society.” When she was very little, Mrs. Thatcher learned that working hard was not only a duty but also an enjoyment. These feelings emanated from the values that she dearly cherished such as independence and perseverance. In this sense, therefore, change only meant the questioning of the postwar consensus. The policies implemented during the consensus period aimed at helping Britain and her citizens reconstruct. Margaret Thatcher was determined to dismantle the Keynesian social democracy that had permeated British politics since World War Two because of changing circumstances. The novelty of her politics lay in getting rid of the postwar consensus, broadly based on the welfare state and government intervention and encouraging a society whose members should be self-reliant and independent in addition to a strong economy capable of self-regulating without the need for regulation from the government. Freedom, individualism and autonomy were the ultimate consequences of deregulation. These values were the original values of Conservatism and their implementation in the 1980s was nothing but a return to Old Tory Conservatism. The continuity of the Conservative Party, which was interrupted by the politics of Keynesianism of the Labour Party, had therefore been reestablished. In order to trace this continuity, a number of archival material have been studied in the Churchill Archives Centre in Cambridge; archival material such as the minutes of the Conservative Party or the discussions that took place among Conservatives. Besides, how members of the Conservative Party themselves define British Conservatism sheds light on the nature of Conservatism. The Conservative Party has been considered to be the monolithic party par excellence but as a result of the increasing influence of other parties, notably the Labour Party after World War Two, Conservatives became more aware of the need to think more, innovate, create thinks tanks and express their distinct opinions more widely. They were no longer afraid of change given that “Everything needs to change, so that everything can stay the same” (The Leopard by Giuseppe Tomasi di Lampedusa). An important part of this thesis deals with the economy. The variable of economic policy is perhaps the most visible criterion of success namely because it is easily quantifiable. It also reveals that economy has always been a priority among Conservatives. For Margaret Thatcher for instance, the Keynesianism of the postwar era had failed and should be abandoned. According to Thatcher, inflation was the problem to solve, not unemployment. The dichotomy between continuity and change will be analyzed not only in the public speeches of Margaret Thatcher but also the internal discussions of Conservatives. This plethora of definitions and opinions also concerns the legacy of the Iron Lady mainly through her successor, John Major, in addition to contemporary events such as the Brexit.

Zugl.: Diplomarbeit.

Thesis (M.A.)--Miami University, Dept. of History, 2007. / Title from first page of PDF document. Includes bibliographical references (p. 76-85).

The aim of this Master thesis is to analyse the British civil service reforms both in theory and practice. The author picked three areas where the reforms would be scrutinized. By analysing four essential documents that contributed to the reforms of the civil service: The Northcote-Trevelyan report, The Fulton report, Next Steps and Modernising Government, we would be able to evaluate the impact of these changes in the following areas: 1) Human Resources (recruitment, training and the promotion of the civil servants) 2) Administration and Accountability (the aspects of ministerial responsibility, accountability, special advisers) 3) Decentralisation and Fragmentation (impact of the multi-level governance including deconcentration, devolution and EU membership). The first chapter is the necessary introductory part that deals with the basic principles of the British civil service, its history and the challenges it faces today. The second chapter provides analysis and historical background of the four documents that are used in the next section. Finally, the third chapter discusses the three above mentioned problematic areas. By analysing and comparing the documents, we seek to understand the reforms of the British civil service and their impact.

No description available.

This thesis explores the role and representation of the natural world in a selection of Canadian dystopian novels: After the Fact (1986) by Hélène Holden, Voices in Time (1986) by Hugh MacLennan, Oryx and Crake (2004) and The Handmaid's Taie (1985) by Margaret Atwood. In order to argue that Canadian dystopian fiction varies from conventional literary dystopias because of its predominant use of nature, this thesis first examines the influence that archetypal images and symbols of nature have on specific dystopian conventions in Holden's and MacLennan's respective novels. Then, this study looks at how Atwood's critique of nature as a victim in Oryx and Crake and The Handmaid's Taie engages with ecocritic and ecofeminist ideas causing a breakdown in the generic conventions of Atwood's dystopian novels. / Cette thèse explore le rôle et la représentation de la nature dans les romans dystopiques canadiens suivants: After the Fact (1986) d'Hélène Holden, Voices in Time (1986) de Hugh MacLennan, Oryx andCrake (2004) et The Handmaid's Taie (1985) de Margaret Atwood. Ayant pour objectif de démontrer que la fiction canadienne dystopique se distingue de la littérature dystopique traditionnelle en fonction de son utilisation dominante de la nature, cette thèse examine l'influence des images, des symboles et des archétypes de la nature sur les conventions dystopiques spécifiques à After the Fact de Holden et Voices in Time de MacLennan. Ensuite, cette étude analyse la représentation de la nature comme victime dans Oryx and Crake et dans The Handmaid's Taie de Atwood qui diffère des conventions traditionnelles du roman dystopique en s'inspirant des idées découlant de l'écoféminisme et de l'écocritique.

Margaret Atwood’s novel Surfacing has received considerable critical attention on the issue of “a positive female identity” in a patriarchal society. However, given Atwood’s own stress on the fact that the novel is about the ways both genders work in relation to each other, this criticism has lacked in scrutiny of the novel’s male characters. With a relational approach to the female and male characters, this thesis argues that while creating a positive identity for its female protagonist, the novel effectively creates a rather negative one for its male characters. In order to examine certain sets of relations and the qualities which represent the most honored way of being a man in the novel, I apply the concept of “hegemonic masculinity,” which can be understood as the pattern of practices that explain male domination over women. It is indeed this hegemonic masculinity that the Surfacer rejects in her quest for emancipation. By looking at the hegemonic masculinity in Surfacing, I argue that the novel depicts very typically patriarchal characters in Joe and David and that the society is typically patriarchal. The thesis is divided into three main sections, each examining the most important sets of relations concerning Atwood’s female emancipation. First, I analyze hegemonic structures in the world of the protagonist, including the issues of power, emancipation, and complicity. Then I look into the sexual division of labor to show that the characters assume their default roles without much reflection. Finally, I scrutinize the characters’ relation to the Symbolic and how it affects their sense of identity. In each section, the analyses show that the male characters are reduced to tropes who only serve one function: to be stereotypically oppressive, patriarchal figures in order to facilitate the protagonist’s positive change and empowerment. I argue that Atwood’s failure to imagine male emancipation somewhat taints the development of female identity because the female emancipation becomes arrested.

Cette thèse analyse le corps dystopique dans La Servante Ecarlate. Elle vise à examiner les façons dont le pouvoir masculiniste subjugue les servantes à travers l'objectivation et l'effacement de leur corps, puis à analyser le corps féminin comme un élément perturbateur, un site où se produit une constante subversion du pouvoir tout au long du roman. L'introduction offre une brève discussion sur la raison derrière le choix de La Servante Ecarlate comme une étude de cas, qui est dans le but de développer le concept du corps dystopique à partir d'un point de vue féministe. Elle délimite aussi mon argument sur le corps dystopique et le pouvoir. Le premier chapitre intitulé ‟Perspectives Critiques” présente une revue critique de la littérature, introduit ma contribution à l'étude du roman, et expose mes arguments sur l'utopie féministe, la dystopie, le corps dystopique et la circulation du pouvoir. Dans le deuxième chapitre intitulé ‟Le Corps Dystopique” je démontre que la dystopie dans une certaine mesure est déjà profondément enracinée dans le présent. Cette section se concentre sur les différents aspects de la dystopie principalement la reproduction, la sexualité, la surveillance et le code vestimentaire tout en étudiant leur impact sur le corps de la servante. Ces aspects sont abordés en détail dans des sous-chapitres séparés. Le dernier chapitre intitulé ‟La Subversion du Pouvoir” examine dans un premier lieu le mode d'échange de pouvoir entre le commandant et son épouse Serena Joy. Il étudie les façons dont chacun des personnages se positionne par rapport au pouvoir afin d’exploiter le corps d’Offred. Puis, il examine l'ironie qui se cache derrière le jeu de pouvoir constant dans le roman, dévoilant ainsi la perpétuation de la dystopie corporelle étant donné que le corps de la femme ne cesse d'être l'objet de la lutte. Ce travail étudie l'expérience corporelle de la femme dans un régime totalitaire et les façons dont le corps féminin devient dystopique. Il présente le corps féminin comme la proie des hommes et des femmes, et la dystopie comme étroitement dépendante et générée par la conception de ce corps dans la société de Gilead. Mots clés: Dystopie, Corps, Pouvoir, Féminisme, Ironie, Margaret Atwood / The present thesis analyzes the dystopic body in The Handmaid’s Tale. It aims at examining the ways with which the masculinist power subjugates Handmaids through the objectification and erasure of their bodies, then analyzing the female body as a disruptive force, a site where constant powerplay occurs throughout the novel. The introduction provides a brief discussion of my reasons for choosing The Handmaid’s Tale as a case study, which includes a desire to develop the concept of the dystopic body from a feminist standpoint. It also delineates my argument on the dystopic body and power. In the first chapter entitled “Critical Perspectives”, I present a critical review of literature, introduce my contribution to the study of the novel, and expose my arguments on feminist utopia, dystopia, the dystopic body and power play. The second chapter entitled “The Dystopic Body” demonstrates that dystopia is already deep-rooted in the present. It focuses on the different aspects of dystopia mainly reproduction, sexuality, surveillance and the dress code, and studies their impact on the Handmaid’s body. These aspects are discussed in detail in separate subchapters. The final chapter entitled “Power Subversion” examines at one level the mode of power exchange between the Commander and his wife Serena Joy. It investigates the ways with which each of the characters positions themselves to power in order to take ownership of Offred’s body. At another level, it studies the irony that lies behind the constant power play in the novel, uncovering the perpetuation of bodily dystopia since the female body never ceases to be the object of struggle. This thesis examines the bodily experience of women under such totalitarian regimes and the ways in which the female body becomes dystopic. It presents the female body as the prey of both men and women, and dystopia as closely dependent on and generated by the conception of that body in the society of Gilead. Keywords: Dystopia, Body, Power, Feminism, Irony, Margaret Atwood