This research investigates Japanese society's gaze towards those former colonized subjects, who now reside in Japan as foreign residents. More specifically, it explores the representations, in two leading Japanese newspapers and a popular internet discussion board, of a Filipino family facing deportation in 2009. Using Foucault's archaeology of knowledge as the main analytical framework, it examines emergent and silenced discourses in each media. While the newspapers generally reported in favour of the family, they often unintentionally constructed the child as innocent, and the parents as illegal. The internet discussion board tended to depict the family as criminals. By silencing the colonial history between the Philippines and Japan, both media outlets have failed to address the continuing neo-colonial relationships between the two nations. In conclusion, the various implications of this research on the strategies advocating citizenship rights of irregular residents are examined, by applying anti-oppressive education frameworks to the research findings.

This research investigates Japanese society's gaze towards those former colonized subjects, who now reside in Japan as foreign residents. More specifically, it explores the representations, in two leading Japanese newspapers and a popular internet discussion board, of a Filipino family facing deportation in 2009. Using Foucault's archaeology of knowledge as the main analytical framework, it examines emergent and silenced discourses in each media. While the newspapers generally reported in favour of the family, they often unintentionally constructed the child as innocent, and the parents as illegal. The internet discussion board tended to depict the family as criminals. By silencing the colonial history between the Philippines and Japan, both media outlets have failed to address the continuing neo-colonial relationships between the two nations. In conclusion, the various implications of this research on the strategies advocating citizenship rights of irregular residents are examined, by applying anti-oppressive education frameworks to the research findings.

The reality as we perceive it is shaped by various forms of representation regarding race, ethnicity, gender, class, etc. that are influenced by the media. When in summer 2010 the FIFA World Cup took place in South Africa, the host country was faced with the challenge of being in the international media focus and hence also the object of coverage in transnational television news. For the present study, which is based on the concept of media representations, the relation of sports and news media, previous research on football World Cups in the media and the role of transnational television, newscasts from three transnational broadcasters, BBC World News, CNN International and Al Jazeera English have been analyzed. The study aims to reveal how they depict and frame the host country, which topics were considered to be newsworthy, the differentiation between the country South African and the African continent and whether similarities or differences can be found in the three broadcasters’ coverage. To get answers to the research problem a combination of two methodological approaches, a quantitative content analysis, measuring the frequency of certain key topics, and a more interpretative qualitative discourse analysis of newscasts aired during the World Cup in June and July 2010, has been conducted. The findings suggest that the broadcasters were trying to represent South Africa from different perspectives, reporting about a broad variety of topics going beyond the actual football event, clearly differentiating between the continent and the host country. Nevertheless, the broadcasters’ way of presenting certain topics differs slightly. Hence, the study provides insights into how the broadcasters represented the host country as well as a comparison of their reporting. Moreover, it can function as a basis for future research that, for example, seeks to include the audience’s perception of the mediated image.

<p>We present a concept for using procedural techniques to represent media. Procedural methods allow us to represent digital media (2D images, 3D environments etc.) with very little information and to render it photo realistically. Since not all kind of content can be created procedurally, traditional media representations (bitmaps, polygons etc.) must be used as well. We have adopted an object-based media representation where an object can be represented either with a procedure or with its traditional representation. Since the objects are created on the client the procedures can be adapted to its properties such as screen resolution and rendering performance. To keep the application as small and flexible as possible, each procedure is implemented as a library which is only loaded when needed. The media representation iswritten in XML to make it human readable and easy editable. The application is document driven where the content of the XML document determines which libraries to be loaded. The media objects resulting from the procedures is composited into the media representation preferred by the renderer together with the non-procedural objects. The parameters in the XML document are relative to parameters determined by the system properties (resolution, performance etc.) and hence adapt the procedures to the client. By mapping objects to individual libraries, the architecture is easy to make multi threaded and/or distributed.</p>

<p>This essay casts light on the quantitative aspect of the media representation of foreign news. The purpose of the essay is not only to describe the media representation of the countries of the world, but also to explain the representation out of structures that are mirrored by the mass media. Four hypotheses are stated that are operationalized in the research. These are treating four different factors that are believed to affect the representation, economy, geographical distance, cultural distance and the size of the population. A fifth hypothesis is stating that economy is the most influential of the factors. The factors are tested by using multiple regression analyses. Four Swedish newspapers have been selected for the study, two morning papers, one evening paper and one free daily newspaper. The representation is measured by the number of articles retrieved by searching a database containing the four newspapers. The search have included 183 countries and all articles from 2007 for these countries.</p><p>The results shows that economy, geographical distance and size of population are the most important factors for the media representation. Economy is evinced to be the most influential of the factors.</p>

The master thesis is about the Nord-Stream gas pipeline from Russia to Germany, which will cross the Baltic Sea and go through territorial waters of Denmark, Finland and Sweden. Nord-Stream is a complex project with different stakeholders and different interests. The main focus of the study is the representation of the Nord-Stream project in the media of Russia and Sweden as stakeholders in the deal. The period of media representation is 2009.

Research Doctorate - Doctor of Philosophy (PhD) / This thesis is a feminist exploration of how violence against Filipino women in Australia is represented in the Australian and Philippine media and the relationship between the women’s lives and media images of their abuse. It is fundamentally concerned with the problem of the absent and silenced voices of Filipino women in media portrayals of violence. It aims at creating a space in which the women’s stories can be told. Based on interview data and discourse analysis of Australian and Philippine newspaper articles, the study investigates how the homicides and disappearance of seven Filipino women are represented. Case studies drawn from interviews with family members and friends of these women comprise the core of the study. An exploration of additional articles and interviews further reinforces the issues and themes that emerge in the case studies. The case studies contextualise the women’s experiences. Analysing media images in light of the interviews reinstates the absent and silenced voice in media accounts of violence. By charting the lives of these seven women, their hopes and aspirations as well as the pain and fear they suffered at the hands of abusive male partners, the case studies illuminate the way media accounts have largely misrepresented their experiences. Many of the Australian articles, in particular, bore little resemblance to the women’s lived realities. Juxtaposing Australian with Philippine portrayals further illuminates the racism and sexism of a large section of the Australian print media. A major theme to emerge out of this study is that the relationship between media image and actual violence also involves struggle and conflict over constructions of identity. It is a site of contested realities. Most of the articles analysed in this study failed to tell the story from the deceased woman’s perspective. It is argued that to hear these women's voices, journalists need to move beyond using sexist, racist and class-based stereotypes, such as mail order bride, to describe Filipino women or explain their abuse. It also means accounting for the history of domestic violence that was a large part of their lives.

On Valentine’s day 2018, Swedish watchmaker Daniel Wellington posted a photo of a gay male couple followed by a caption celebrating the love between the two subjects. The photo was posted to the brand’s Instagram account reaching an audience of four million followers. The brand’s followers responded with great amounts of engagement ranging from excitement and support for featuring a same-sex couple, to almost equal amounts homophobic disapproval. This thesis, a case study of Daniel Wellington’s social media and social media staff, examines the effects of including same-sex couples in social media marketing. Previous research on LGBTQ+ representation in advertising has identified the polarizing reactions same-sex couples in marketing usually evoke. Using existing literature on the subject as a theoretical framework, this thesis analyzes the effects of including two photos of same-sex couples, one male-male couple and one female-female couple, in Daniel Wellington’s Instagram account. A statistical analysis of the reactions to these photos on Instagram will be followed by interviews with the brand’s social media staff in order to explore the corporate response to the reactions to the social media representations of same-sex couples. This thesis will suggest, partially in line with previous research, that the social media content featuring same-sex couples created a lot of engagement among its followers, with comparatively high levels of polarization. The data identified a significant difference between how the gay male couple and the same-sex female couple were evaluated. Additionally, the interviews with the social media staff suggest that, despite the high levels of negative reactions, including same-sex couples in their social media channels did not have a deterring effect on their commitment to include more types of diversity in the brand’s social media feeds. The interviews with the social media staff indicate that the experience of including same-sex couples in the brand’s social media marketing efforts had the effect of raising awareness of issues of homophobia among the staff members.

The thesis focuses on representation of gender inequality in Czech lifestyle magazines for men. The main research question explores the ways in which men's magazines represent the issues of gender inequality. The research method used in this thesis is qualitative content analysis by Anselm Strauss and Juliet Corbin. The sample contains selected articles from Czech versions of the men's magazines Maxim and Esquire, covering all of 2016. The open coding process enabled labeling of the analyzed phenomena, discovering the prominent categories and their dimensions. Axial coding resulted in the reorganization of the categories, which emerged during open coding, by exploring the relationships between the categories and making connections between them. Selective coding identified the central phenomenon of the research. Male Dominance emerged as the core category, integrating the other categories - Manifestations of Gender Inequality, Men's Fear of Gender Equality and Partial Refutation of the Masculine Perspective - around the central phenomenon. The theories used as the sources of the enhancement of theoretical sensitivity are explored and presented in the theoretical part of this thesis. The research concludes that the analyzed lifestyle magazines for men spread negative gender stereotypes and...

This thesis explores the minority anti-hero on television as it relates to concepts of race and behavioral justification. Previous studies have addressed the ways in which whiteness functions advantageously for popular criminal anti-heroes on television, yet little is known regarding the effects of race for similar characters of color. I hypothesized that accessibility of the criminal stereotype does not allow men of color to inhabit the same immoral status as white characters without penalty. I subsequently analyzed the first season from the Starz series Power and conducted a textual analysis using theories of race and hegemonic masculinity to compare the behavioral justification of Ghost and Tommy, the minority and white anti-heroes featured in the show. Results show that Power develops a dichotomous relationship between the minority and white anti-hero based in work priorities, attitude towards violence, and public image. This relationship ultimately serves to distance Ghost from stereotype and deflect the characteristics onto Tommy, whose whiteness allows him to absorb criminality with less cultural consequence. While this strategy broadens the palatability of the show, I find that it is ultimately harmful for minority representation on television. Implications of media representation and directions for future research are discussed.