This thesis aims to present, discuss, and analyze issues relating to queer representations in film and television. The thesis focuses on existing tropes, such as queer coding, queerbaiting, and the “Bury Your Gays” trope that are prevalent in contemporary media, and applies the analysis of these tropes to a case study based on the television series Black Sails (2014-2017). The analysis explores the main research question: in what way does Black Sails subvert or reproduce existing queer tropes in film and television? This then leads to the discussion of three aspects: the way queer sexual identities are represented overall, what representational strategies are employed by the series in a number of episodes, and whether or not these representations reproduce or subvert media tropes.

During the so-called ‘migration crisis’ of 2015, 51,338 Syrians applied for asylum in Sweden. First, Swedish politicians called for Swedes to ‘open their hearts’, public support was strong, and media coverage was full of possibilities and humanizing images. As the crisis developed, Sweden’s generous asylum legislation switched to the EU minimum, the political climate toughened and media’s positive frames soon shifted to discussing negative consequences. This degree project focuses on those least visible in the media’s representation of the migration crisis – refugee women. By using Chouliaraki and Zaborowski’s (2017) model ‘voice by narrative’, it answers the research question; How are refugee women from Syria represented in national and local Swedish newspapers?, as well as the following sub-questions: What news frames are used in texts where Syrian women are featured? In what ways are refugee women given visibility and space to speak? What types of representations, wording, and stereotypes are used? What differences can be found between 2015 and 2020, national and local newspapers? The project examines news frames, gendered representations, typical stereotypes, visibility, and space given to Syrian women in Swedish newspapers. It does so by content analysis of newspaper articles from three newspapers published in 2015 and 2020. The project uses theories of othering, intersectionality, and post-colonial power structures as well as literature on representations in European media during the migration crisis to understand representations, voice, and news frames in Swedish newspapers. The results indicated that refugee women are often silenced and spoken of instead of given space to speak. The most commonly used news frames among the analyzed texts were negative geopolitical and women were often decontextualized. Victimization and normalization were the most commonly used stereotypes assigned to refugee women. The majority of representations of refugee women were collective and the women were in many ways othered. Refugee women are othered, decontextualized, silenced, and collectivized, which will have its consequences as they are methods that limit refugee women’s status and position in society – maintaining their position as ‘others’ in Swedish society.

The aim of this thesis is to investigate the potential of travel blogs, as a form of popular new media travel writing, to renegotiate conventional discourses about the ‘Middle East’. By conducting a critical discourse analysis on six travel blogs authored by female writers from both the US and the ‘Middle East’, this thesis examines representational practices found in travel narratives, discloses their discursive tendencies, and interprets those in a sociocultural context. Thereby, the analysis draws on a twofold theoretical approach. Postcolonial theory, on the one hand, allows to relate the findings of the analysis critically to the colonial heritage that is inseparable from the genre of travel writing and that informs the discourse about the Oriental ‘other’. Affordance theory, on the other hand, makes it possible to examine how blogging can be seen as a tool that allows disrupting common practices of ‘othering’ in travel writing. The analysis shows that travel blogging has transformative potential and can, mainly through the affordances of self- representation and innovative expression, challenge long-established discourses about the ‘Middle East’. Limiting factors of this potential are mostly arising from neo-imperialistic structures that carry traces of the colonial past. Essentially, the results of this thesis imply that the genre of travel writing is evolving in new media and that it expands the discursive framework of media representations, making it a promising site for future research seeking to explore transcultural encounters and the societal implications of such.

As a result of a complex range of cultural, economic and social factors, contributions by learning disabled people to the production of knowledge have been at best marginalised and at worst rendered silent. This study seeks to break that silence by engaging learning disabled people as co-producers of disability and media research discourses. It does this in two main ways: by addressing the manner in which they are positioned in the research process, and by identifying the ways in which they are (mis)represented or not in newspapers. This research not only investigates but it also presents new ways of giving learning disabled people a say in the knowledge production process. y the adoption of a mixed method approach in which learning disabled people are placed at the centre of the research process, this study aims to identify and critically analyse the significance and meanings of representations of learning disabled adults by the contemporary, print version of English national newspapers. Drawing from both quantitative and qualitative research methodologies, it uniquely incorporates distinct but interrelated data collection stages, including a research advisory group and two focus groups with learning disabled people and their supporters, alongside a content analysis of five hundred and forty six learning disability news stories. This study offers new insights into the application and development of inclusive research principles, highlighting the contributions of supporters to the research process and the roles of a nondisabled inclusive researcher. It reveals the predominant ways by which learning disabled adults are represented by newspapers and how they are not generally engaged as sources of these news stories, while presenting the views of focus group members, throughout these discussions of the content analysis. This thesis concludes with a consideration of the implications of the findings for the future direction of inclusive research practices and media discourses that engage learning disabled people as co-producers of knowledge.

Body culture represents a typical example of sociological phenomenon which has been a subject of mass commercialization for nearly several decades. At certain stage of this process, new magazines of special interest were been created with focus on a specific concept of the physical culture. Their content coverage ranged from fitness, strength training, bodybuilding, health lifestyle, to physical exercise in general. The diploma thesis "The body culture phenomenon in Czech special interests magazines" aims to survey an origin and evolution of such magazines in the Czech Republic and tries to shed light on how physical culture represented by increasing popularity of fitness activities among general public had been reflected in this segment of media production. While analyzing three Czech magazines, Svět kulturistiky, FITNESS and MUSCLE&FITNESS, the thesis examines how the mass popularization and commercialization of physical culture have affected a content structure of the magazines. The research focuses on selection of topics, target audience, use of language and graphic design. Qualitative content analysis will be used to study how the physical culture phenomenon is represented in selected magazines. The thesis also gives a brief insight into the history of bodybuilding and fitness movement in the...

This research explores the representation of children and young people in a newspaper. The objective was to develop a 'case study' profile of representations in a monopoly daily newspaper in a geographically-isolated Australian capital city. News content with a primary focus on people aged zero to eighteen years was collected for a 12-month period, and analysed from a constructionist perspective, using agenda-setting, news source, media framing and critical linguistics media analysis techniques. Distinctive features of the research design include the combination of these four analytic techniques and the breadth of the age cohort in the research sample. A large body of research literature is used to 'benchmark' the primary analysis of data, and to inform the analyses of age, 'race' and gender. These data are consolidated in three thematic frames: the Promotional Child, Victim Child and Deviant Child, which underpin the aggregated profile of representations developed in this research. Numerous images are reproduced from the research sample and appear throughout the thesis, embedded in relevant discussions. The concluding chapter of the thesis foregrounds a perception of children as voiceless, vulnerable and violent characters, featured in a discourse on social control. Key observations highlighted in this research include disparities in the degree of overt vernacular criticism applied to children and other minority population groups; and the over-representation of marginalised cohorts in compromising newspaper images. The extensive use of children in promotional contexts appears to be partially obscured by the altruistic function of non-commercial promotions and advocacy campaigns. 'Collisions' between altruistic values and news values were found to be predictive of outcomes coinciding with the interests of a target audience; negative outcomes for socially disadvantaged children; and consistent 'collateral benefits' for the news medium seemingly regardless of outcomes experienced by other stakeholders.

Thesis (M.S.)--Miami University, Dept. of Family Studies and Social Work, 2005. / Title from first page of PDF document. Document formatted into pages; contains [1], viii, 90 p. Includes bibliographical references (p. 80-86).

Made available in DSpace on 2016-08-03T12:30:05Z (GMT). No. of bitstreams: 1 FabiolaTarapanoff2.pdf: 2694943 bytes, checksum: 002a21d7bc6b87a1334c528bc39e9806 (MD5) Previous issue date: 2014-10-21 / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior / In the context of communication media and their social and cultural mediations, the thesis brings as central proposal an analysis of representations of the journalist in the film and appropriations of these narratives by those who wish to pursue the career in the future. This work tries to show how cinema contributes in the profession s imaginary, creating stereotypes about doing journalism. In addition, it influences many to follow the career, collaborating in the way students believe will be their profession in the future. The research corpus consists of 50 films that features journalists and three movies are analyzed in depth by presenting recurring themes and creating mythology traces about the profession: The big carnival/Ace in the hole, All the presidents men and State of Play. Methodological parameters include: survey literature, in-depth analysis, movies exhibition, the holding of free debates and application of questionnaires. The theoretical framework includes authors such as Edgar Morin, Stella Senra, Brian McNair, Roland Barthes, Cornelius Castoriadis, Raymond Williams and Jesús Martín-Barbero. Specific objectives seeks to: 1) conduct a review of the Journalism movies and its evolution, determining types and recurring themes; 2) identify the possible creation of mythologies about Journalism through cinema; 3) identify tunings and dissonances in the way images are appropriated for Journalism students, contributing to the creation of an specific imaginary about the profession. / No contexto da comunicação midiática e suas mediações socioculturais, a tese traz como proposta central uma análise das representações do jornalista no cinema e das apropriações dessas narrativas por aqueles que desejam seguir a profissão no futuro. Buscou-se mostrar que o cinema contribui no imaginário sobre a profissão, trazendo estereótipos sobre o fazer jornalístico. Além disso, ele influencia muitos a seguirem a carreira, também colaborando na forma como os estudantes acreditam que será sua profissão no futuro. O corpus da pesquisa é constituído por 50 filmes que apresentam jornalistas, sendo que três foram analisados em profundidade, por trazerem temas recorrentes e criarem traços de mitologia sobre a profissão: A montanha dos sete abutres, Todos os homens do presidente e Intrigas de Estado. Os parâmetros metodológicos incluem: o levantamento bibliográfico, a análise em profundidade, a exibição de obras, a realização de debates livres e a aplicação de questionários estruturados. A fundamentação teórica inclui autores como Edgar Morin, Stella Senra, Brian McNair, Roland Barthes, Cornelius Castoriadis, Raymond Williams e Jesús Martín-Barbero.Como objetivos específicos, buscou-se: 1) realizar um panorama dos Journalism movies e sua evolução, determinando tipos e temas recorrentes; 2) identificar a criação de possíveis mitologias sobre o Jornalismo por meio do cinema; 3) identificar sintonias e dissonâncias na forma como as imagens são apropriadas por estudantes de Jornalismo, contribuindo na criação de um imaginário próprio sobre a profissão.

Made available in DSpace on 2014-12-17T14:20:12Z (GMT). No. of bitstreams: 1 FranciscoACA_DISSERT.pdf: 2682283 bytes, checksum: 9982ef1de72b3985e2e75e9381371026 (MD5) Previous issue date: 2013-05-09 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / Social violence is one of the phenomena of human life that produce effects on the social imaginary as it is in it that are designed conflicting values concerning what is most vital to humans, such as respect for the strength and the fear of death, pleasure trespass for injury and pain, the rejection of injustice and anger that is born of revolt. The variability of feelings and reasons that constitute violence has required academic knowledge increasingly sensitive reflections that encompass the complexity of its manifestations. The feeling of fear and insecurity which constitute the collective social imagination has caused large changes in the behavior of both individuals and the society as a whole. This study aims to reflect on media representations the social violence in Natal-RN. Through a thematic survey and documentary analysis of three newspapers of Rio Grande do Norte - Tribuna do Norte, Novo Jornal and Jornal Metropolitano - was possible to list events and trace different discursive strategies that lead to receptors ideological interests of class, constitute social and spatial segregations and maximize violations of rights and of the human dignity, with important implications in the construction of social representations concerning the reality of violence / A viol?ncia social ? um dos fen?menos da vida humana que mais produzem efeitos sobre o imagin?rio social, pois ? nele que s?o projetados valores contradit?rios relativos ao que h? de mais vital aos seres humanos, como o respeito ? for?a e o temor da morte, o prazer pela transgress?o e a dor pela inj?ria, a rejei??o da injusti?a e a f?ria que nasce da revolta. A variabilidade de sentimentos e raz?es que inteiram a viol?ncia tem exigido do saber acad?mico cada vez mais reflex?es sens?veis que abarquem a complexidade das suas manifesta??es. A sensa??o de medo e inseguran?a que constituem o imagin?rio social coletivo tem provocado amplas transforma??es nos comportamentos tanto dos indiv?duos, quanto da sociedade como um todo. Este estudo busca refletir acerca das representa??es midi?ticas da viol?ncia social em Natal-RN. Por meio de um levantamento tem?tico e an?lise documental de tr?s jornais impressos do Rio Grande do Norte Tribuna do Norte, Novo Jornal e Jornal Metropolitano - foi poss?vel elencar acontecimentos e tra?ar diferentes estrat?gias discursivas que conduzem aos receptores interesses ideol?gicos de classe, constituem segrega??es s?cio-espaciais e maximizam viola??es de direitos e da dignidade humana, com implica??es importantes na constru??o das representa??es sociais concernentes ? realidade da viol?ncia

The present thesis compares media representations of Yekîneyên Parastina Jin (YPJ or the Women’s Protection Units), an all-female Kurdish military organisation, in British media versus the organisation’s own media outlets, with the aim to see how they differ, more specifically in terms of representations of their ideological agency. By utilizing critical discourse analysis (CDA) in combination with postcolonial theory, the media construction of four soldiers’ deaths have been scrutinized in 30 media texts in order to provide a deeper understanding of the hegemonic discourses and sociocultural practices which underpin these constructions. The result shows a discrepancy in terms of representations of YPJ’s ideological agency. On the one hand, YPJ adopts an explicit effort to assert their ideology through a propagandistic discourse that emphasises their values of resistance, freedom, egalitarianism, gender emancipation and democratic confederalism, portraying their fighters as fearless martyrs and heroines that are determined to die for their cause. On the other hand, the UK media represent YPJ’s ideology in generic ways in which hidden ideological ‘us vs. them’ representations are deeply rooted in a broader naturalised Western hegemonic discourse, with portrayals of YPJ’s fallen soldiers mostly characterised by sensationalism and victimisation. One part of such hidden ideological agenda is the way in which YPJ constantly gets included in, and excluded from, ‘us’ (the West), depending on who the enemy is, in addition to mainly receiving media coverage in direct relation to ISIS, a common Western enemy. The result is a representation that endorses YPJ’s fight within a hegemonic Western discourse, neglecting their ideological agency. This has sociocultural implications since such hegemonic discourse misrepresents YPJ’s struggle, constructing their fight mostly as part of a Western counterterrorist strategy, which further legitimises the Western power to construct history based on its own premises and claims of truth.