Made available in DSpace on 2014-12-17T15:06:56Z (GMT). No. of bitstreams: 1 LiedjaLSC_DISSERT.pdf: 5220390 bytes, checksum: 190d50be78ff9cb626e719892d3af7ed (MD5) Previous issue date: 2011-11-24 / This paper presents results concerning studies conducted during the master's research in the area of Applied Linguistics of the Graduate Program in Language Studies - PPgEL, linked to the Federal University of Rio Grande do Norte. We approached this study the question of authorship, which has gained ground increasingly important in academic research, because the act of authoring, in view of the amount of circulating discourses socially, becomes increasingly questionable. We understand authorship as related to a positioning of the subject than to take responsibility, in the Bakhtinian sense, by its text, it makes their views, ideologies, beliefs and values, from ownership and restructuring of the speech of others. This research is methodologically inserted in a qualitative, interpretive in nature and has a corpus analysis of the ten productions written memoir genre of readings produced by students in 9th grade in elementary school. Research aimed to analyze the students' written productions held in the school environment, to identify these texts marks or evidence of authorship and investigate how the restructuring of ownership and voices of others in the process of authoring. We adopt a concept of language from bakhitinianas concepts and understand the text in a vision Geraldiana. The analyzes in this study showed that in most texts there is the strong presence of voices of others, either implicitly and/or explicit. That is, students, to build their sayings, if embraced the voices of others in various formats, in particular styles, namely, by what Bakhtin names as linear style and pictorial style. Some proved his statement highlighting their positions through direct quotes from authors of books, family, teachers, showing us that their voices are filled with voices of others with whom they approve, deny, analyze, think and reflect. We therefore conclude that students were constituted as subjects of their texts, authors, since they leave marked the voices of others so presentified and restructured voices of others who do not actually sounded like voices of others, but as present voices from a discursive restructuring producer / O presente trabalho traz resultados acerca dos estudos realizados durante a pesquisa de mestrado, na ?rea da Lingu?stica Aplicada, do Programa de P?s-Gradua??o em Estudos da Linguagem - PPgEL, vinculado ? Universidade Federal do Rio Grande do Norte. Abordamos nesta pesquisa a quest?o da autoria, que tem ganhado espa?o cada vez mais relevante nas pesquisas acad?micas, pois o ato de autorar, tendo em vista a quantidade de discursos que circulam socialmente, torna-se cada dia mais question?vel. Entendemos autoria como relacionada a um posicionamento do sujeito que ao assumir responsabilidade, no sentido bakhtiniano, por seu texto, deixa nele seus pontos de vista, ideologias, cren?as e valores, a partir de apropria??o e reestrutura??o do discurso alheio. Esta investiga??o est? metodologicamente inserida numa abordagem qualitativa, de car?ter interpretativista e tem como corpus de an?lise dez produ??es escritas do g?nero discursivo mem?rias de leituras, produzidas por alunos de 9? ano do ensino fundamental. Objetivamos na pesquisa analisar as produ??es escritas dos alunos realizadas em ambiente escolar, visando identificar nesses textos as marcas ou ind?cios de autoria e investigar como se d? a apropria??o e reestrutura??o de vozes alheias no processo de autorar. Adotamos um conceito de linguagem a partir de concep??es bakhitinianas e entendemos o texto numa vis?o Geraldiana. As an?lises realizadas no presente trabalho mostraram que na grande maioria dos textos h? a presen?a marcante de vozes alheias, seja de forma impl?cita e/ou expl?cita. Ou seja, os alunos, para construir seus dizeres, se abarcaram de vozes alheias em formatos diversos, em estilos particulares, quais sejam, por meio do que Bakhtin nomeia como estilo linear e estilo pict?rico. Alguns comprovaram seus dizeres evidenciando seus posicionamentos por meio de cita??es diretas de autores de livros, familiares, professores, nos mostrando que suas vozes est?o repletas de vozes alheias, com as quais aprovam, refutam, analisam, julgam e refletem. Conclu?mos, portanto, que os alunos se constitu?ram como sujeitos-autores de seus textos, pois deixaram marcadas as vozes dos outros de forma presentificada e reestruturada, vozes alheias que n?o soaram como vozes realmente alheias, mas como vozes presentes a partir de uma reestrutura??o discursiva do produtor

Made available in DSpace on 2014-12-17T14:20:02Z (GMT). No. of bitstreams: 1 ThalitaCS_DISSERT.pdf: 2041725 bytes, checksum: fed75b5a12491da0a82a40fabe724138 (MD5) Previous issue date: 2011-04-01 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This dissertaion reflects about life's trajectory of a specific clown: Roger Avanzi, who gives animus to the clown Picolino II. The main objective is to promove reflections about the insertion of the clowns in the universe of the circus, to make us comprehend the process of formation of a clown formed in a traditional circus family. In this research, we begin of the conjecture that, through the individual memory we can think about rebuild the process of a professional's integral formation.Then, we trace the itinerary of Roger Avanzi, the clown Picolino II, think that it has possibilities, in this case, to discuss about what is a clown's formation when it come from a traditional circus family. To walk on this universe, a huge numer of authors that deeply studyed about the circus ans the clowns, like: Avanzi; Tamaoki (2004), Bolognesi (2003), Castro (2005), Pantano (2007), Ruiz (1987), Silva (1997) e Torres (1998). We bring then, a theoric base that certainly, fortifies and corroborates our thoughts and reflections about the universe of circus and the trajectory of clown's formation, with special atention to Roger Avanzi, fundamentals i studies about it and with memories like Halbwachs's (2004) and Bosi's (1994). The reflections enabled to conclude that a clown doesn't born done; it becomes in the cultural trajectory, in which all the human are inserted / Reflete-se, nesta disserta??o, sobre a trajet?ria de vida de um determinado palha?o: Roger Avanzi, que d? animus ao palha?o Picolino II. O objetivo principal ? promover reflex?es sobre a inser??o do palha?o no universo circense para compreendermos o processo de forma??o de um palha?o formado em uma fam?lia tradicional circense. Nesta pesquisa, partimos do pressuposto de que, atrav?s da utiliza??o da mem?ria individual podemos pensar em reconstruir o processo de forma??o integral de um profissional. Assim, tra?amos o itiner?rio de Roger Avanzi, o palha?o Picolino II, pensando que h? possibilidades, neste, de discutirmos o que ? a forma??o de um palha?o vindo de fam?lia tradicional circense. Para caminhar nesse universo, a uma gama de autores que estudaram profundamente sobre o circo e os palha?os, entre esses: Avanzi; Tamaoki (2004), Bolognesi (2003), Castro (2005), Pantano (2007), Ruiz (1987), Silva (1997) e Torres (1998). Trazemos assim, uma base te?rica que certamente, fortalece e corrobora nossos pensamentos e reflex?es acerca do universo circense e da trajet?ria de forma??o dos palha?os, com especial aten??o a de Roger Avanzi, fundamentados em estudos sobre e com mem?rias como os de Halbwachs (2004) e Bosi (1994). As reflex?es possibilitaram concluir que um palha?o n?o nasce feito; ele se faz na trajet?ria cultural, na qual est?o inseridos todos os seres humanos

Submitted by Verena Pereira (verenagoncalves@uefs.br) on 2018-07-13T21:16:21Z No. of bitstreams: 1 DISSERTANDREIAposdef.pdf: 36667937 bytes, checksum: f6c8228585fb72b95acace7991400d7e (MD5) / Made available in DSpace on 2018-07-13T21:16:21Z (GMT). No. of bitstreams: 1 DISSERTANDREIAposdef.pdf: 36667937 bytes, checksum: f6c8228585fb72b95acace7991400d7e (MD5) Previous issue date: 2018-03-13 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior - CAPES / This thesis had objectives like to improve the reading and writing of Literary Memories, through the creation of educommunication materials, developed in activities sequenced in the Digital Board, in the teaching-learning process of Portuguese Language of 7th grade students of a municipal school in Feira de Santana (BA). The Digital board enables the insertion of didactic-pedagogical objects with historical and cultural themes and the interaction between the students. These materials were elaborated based on a didactic sequence, produced by the teacher-researcher, as proposed by Dolz, Noverraz and Schneuwly (2004), which brings the singularity and popular narratives as the theme of Feira de Santana. In addition, the materials created appear as a stimulus to the local cultural manifestation, their respective insertion in the school routine, the constancy of the rewriting and the prevalence of student protagonism. In order to guide this research, the studies of Ricoeur (2003) and Smolka (2000) regarding the conception of memory have as theoretical background, Hall (2003) and Kellner (2001) in the cultural and identity sphere; the socio-interactionism (IVIC AND COELHO, 2010; VIGOTSKY, 2007); the use of new technologies and Digital board with L?vy (1999) and Nakashima and Amaral (2009); the textual genre Literary Memories with Clara and Altenfelder (2008) and (re) writing with Fiad (1997) and Borges (2016). The methodology used was qualitative, through an intervention proposal (DAMIANI, 2012), in order to demonstrate the students' progress in the textual production of the Literary Memories genre, comparing the initial text with the final text. The intervention took place in the first academic quarter (2017), in weekly meetings. For the production of data, we record in logbook and analysis grid of written productions, in addition to a diagnostic questionnaire and subject scripts. The results of this study point out that the use of multimodal resources contributes, qualitatively, to the teaching-learning process, besides stimulating the student protagonist performance, bringing frequency as one of the variables to advance the knowledge of the subjects. Still, we realize that the diffusion of local history and culture drives discoveries outside the school space, bringing the student closer to his community / Esta disserta??o teve por objetivos aprimorar a leitura e a escrita de Mem?rias Liter?rias, atrav?s da cria??o de materiais educomunicativos, desenvolvidos em atividades sequenciadas na Lousa Digital, no processo ensino-aprendizagem de L?ngua Portuguesa de alunos do 7? ano de uma escola municipal em Feira de Santana (BA). A Lousa Digital possibilita a inser??o de objetos did?tico-pedag?gicos com tem?ticas hist?rico-culturais e a intera??o entre os alunos. Esses materiais foram elaborados com base em uma sequ?ncia did?tica, produzida pela docente-pesquisadora, conforme proposta de Dolz, Noverraz e Schneuwly (2004), a qual traz como mote a cidade de Feira de Santana, suas singularidades e narrativas populares. Al?m disso, os materiais criados aparecem como est?mulo ? manifesta??o cultural feirense, sua respectiva inser??o no cotidiano escolar, a const?ncia da reescrita e a preval?ncia do protagonismo estudantil. Para nortear essa pesquisa, t?m-se como lastro te?rico os estudos de Ricoeur (2003) e Smolka (2000) no que concerne ? concep??o de mem?ria; Hall (2003) e Kellner (2001) no ?mbito cultural e identit?rio; o sociointeracionismo (IVIC E COELHO, 2010; VIGOTSKY, 2007); o uso das novas tecnologias e a Lousa Digital com L?vy (1999) e Nakashima e Amaral (2009); o g?nero textual Mem?rias Liter?rias com Clara e Altenfelder (2008) e a (re)escrita com Fiad (1997) e Borges (2016). A metodologia utilizada foi de abordagem qualitativa, atrav?s de uma proposta de interven??o (DAMIANI, 2012), a fim de demonstrar os avan?os dos alunos na produ??o textual do g?nero Mem?rias Liter?rias, comparando o texto inicial com o texto final. A interven??o ocorreu no primeiro trimestre letivo (2017), em encontros semanais. Para a produ??o de dados, realizamos registro em di?rio de bordo e grade de an?lise das produ??es escritas, al?m de question?rio diagn?stico e escrituras dos sujeitos. Os resultados desse estudo apontam que a utiliza??o de recursos multimodais colabora, qualitativamente, para o processo ensino-aprendizagem, al?m de estimular a performance protagonista estudantil, trazendo a frequ?ncia como uma das vari?veis para o avan?o do Conhecimento dos sujeitos. Ainda, percebemos que a difus?o da hist?ria e cultura local impulsiona descobertas fora do espa?o escolar, aproximando o aluno de sua comunidade

Made available in DSpace on 2015-04-14T13:38:40Z (GMT). No. of bitstreams: 1 136667 B.pdf: 6018897 bytes, checksum: 83005330f74355ae60417efc4d8b929c (MD5) Previous issue date: 1996-03-29 / The question that pervades this work is: why would a work so poorly received at the time of its publication may become a successful model some decades later? . This study ? which focuses on the analysis, reading and critical reception of a work ? is based on the theory of the aesthetics of reception. Hans Robert Jauss theoretical work analyzes the reception of the book Mem?rias de um Sargento de Mil?cias through the history of literature, the horizon of expectations and aesthetic distance. The studies of Wolfgang Iser focuses on the interaction between the text and the reader, what provides the foundations for the analysis of indeterminations and gaps that allowed the transformation of the narrative into a aesthetic object. As it was said earlier, the objective that guides this study is to analyze the transformation of the novel, from stranded to one of the most successful Brazilian books. To achieve this objective, this work is divided into five chapters which focuses on the production, reading and reception of the work. Thus, the aim is to demonstrate the reasons why the novel that took shy responsiveness throughout the 19th century became so prestigious in the 20th century. / A quest?o que permeia este trabalho ?: Por que uma obra t?o mal recebida na ?poca de sua publica??o pode tornar-se um modelo de sucesso algumas dezenas de anos mais tarde?. Para realizar tal estudo ? cujo foco ? a an?lise, a leitura e a recep??o cr?tica de uma obra ? optou-se pela teoria denominada est?tica da recep??o. Para a realiza??o do estudo da recep??o e da an?lise de Mem?rias de um sargento de mil?cias, do trabalho te?rico de Hans Robert Jauss, o introdutor da mencionada linha, aproveitou-se, principalmente, o que diz respeito ? hist?ria da literatura, ao horizonte de expectativas e ? dist?ncia est?tica. Os estudos de Wolfgang Iser, centrados na intera??o entre o texto e o leitor, fornecem os fundamentos para a an?lise das indetermina??es e lacunas que permitiram a transforma??o da narrativa em objeto est?tico. Como j? se disse anteriormente, a quest?o que norteia este estudo ? a transforma??o do romance, antes encalhado, em uma das obras brasileiras com maior sucesso de p?blico. Para atingir esse objetivo, o trabalho est? dividido em cinco cap?tulos que d?o conta da produ??o, da leitura e da recep??o da obra. Desse modo, visa-se demonstrar os motivos pelos quais o romance obteve t?mida receptividade ao longo do s?culo XIX e foi t?o prestigiado no s?culo XX.

Made available in DSpace on 2014-12-17T14:35:57Z (GMT). No. of bitstreams: 1 PauloHS.pdf: 1653506 bytes, checksum: bb2e5b66f59e4792e5b40eef0f65f9a4 (MD5) Previous issue date: 2008-11-03 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior / This thesis has the aim to comprehend the development of the superior graduation in life service and daily scholar of the history teachers in-land of Sergipe. The History Course graduation was realized through the second part of (Projeto de Qualifica??o Docente-PQD), the so-called, Teaching Qualification Project of the Federal University of Sergipe, first settled in 1998. Eight teachers were chosen for this research with more than (15) fifteen years of teaching in the Fundamental and Medium levels at public schools of our state (Sergipe). This empiric research priviledged oral testimony from them, which (ones) reveled about the memory tragetory of life. Since childhood until the History Course graduation, besides the evidence as Principal of schools as well as the following classes. All of them were interviewed from in-land and they are from very poor families with lack of social economical conditions. Those evidencies point out economic limitations in their different towns, that contributed to the continuous obstacle in the following studies, moreover in the common market. Therefore they still teach in order to believe in who?s at the botton of this business. Their testimony about this history graduation through PQD , gave them new Professional horizons, modifying their pedagogic practice, choosing what is worth into the social space beyond life expectancy. Through the analyses from all the documents and evidence in loco, it was evident that this graduation is not sufficient to change all the acting of teaching. Consequently, the lack of scholar situation still happens because this qualification doesn?t consider the knowledge of the teachers into their contexts. This research could also observe that besides the changing purposes in the suggested common-job by the globalization, the public politics education, is still underdeveloped in-land of Sergipe. According to the educational laws which obliges all tearches should be graduated, it could be observed that nothing changed into their acting. The old curricula don?t give them new possibility in their acting. At last their salaries, poor conditions in their common-job as well as the difficult ways to get to their pos graduation course still contributes to the underdeveloped acting before they?d graduated from the period before of their graduation / Esta tese tem como prop?sito compreender os esdobramentos da forma??o superior em servi?o na vida e no cotidiano escolar de professores de Hist?ria no interior de Sergipe. A gradua??o em Hist?ria foi realizada atrav?s da segunda etapa do Projeto de Qualifica??o Docente (PQD) da Universidade Federal de Sergipe, implementado em 1998. Elegemos como sujeitos da pesquisa oito professores com mais de quinze anos de experi?ncia docente que atuam nos Ensinos Fundamental e M?dio em escolas p?blicas do interior sergipano. A pesquisa emp?rica privilegiou depoimentos orais destes sujeitos, que versaram sobre as mem?rias de trajet?rias de vida, desde a inf?ncia at? os efeitos da gradua??o em Hist?ria, al?m de relatos de gestores escolares e o acompanhamento das aulas dos professores. Todos os entrevistados t?m ra?zes em localidades rurais e s?o oriundos de fam?lias que viviam em condi??es socioecon?micas desfavor?veis. Os relatos apontaram limita??es econ?micas em suas localidades, fator que contribuiu para os constantes obst?culos na continuidade dos estudos, bem como para as dificuldades de inser??o no mercado de trabalho. Sob situa??es adversas, estes sujeitos permanecem na sala de aula, apostando em uma mobilidade social ascendente pela escolariza??o. Suas verbaliza??es sinalizaram que a gradua??o em Hist?ria, via PQD, possibilitou abertura de horizontes profissionais, modifica??o na pr?tica pedag?gica, mudan?as de valores e no espa?o social, inclusive de expectativas de vida. A partir da an?lise dos documentos, dos depoimentos e das constata??es in loco, ficou evidenciado que a qualifica??o em servi?o, por si s?, ? insuficiente para alterar a pr?tica docente. Conseq?entemente, a situa??o do fracasso escolar permanece porque esta qualifica??o n?o considera o saber docente em seus contextos. Esta pesquisa possibilitou observar que apesar das propostas de mudan?as no mundo do trabalho sugeridas pela globaliza??o, as pol?ticas p?blicas educacionais, t?m efeitos ainda modestos no interior sergipano. Apesar de se exigir que os professores tenham qualifica??o para o exerc?cio do magist?rio, observa-se que n?o houve mudan?as significativas na sua forma??o. Velhos modelos normativos de curr?culo n?o lhes possibilitam avan?ar qualitativamente no exerc?cio da fun??o que se lhe atribui. Ademais, quest?es salariais, prec?rias condi??es de trabalho e dificuldades de acesso ? forma??o continuada, contribuem sobremaneira para a manuten??o de pr?ticas muito mais pr?ximas aos saberes adquiridos antes da qualifica??o em servi?o