Global ETD Search

1	Knäpp din blus innan du dödar mig, tack : En studie om obehagskänslor och sexualiserade kvinnliga monster / Button up your blouse before you kill me, please : A study about feelings of discomfort and sexualized female monsters Tammemägi, Mathilda January 2019 (has links) Denna studie undersöker korrelationen mellan en ökad grad av sexualisering av kvinnliga monster och obehagskänslor. Artefakten som skapades för detta syfte bestod av fem versioner av en monsterdesign i olika grader av sexualisering. 16 personer deltog i studien och resultaten visar att obehagskänslor påverkas av en högre grad sexualisering, men det finns ingen påtaglig skillnad i hur de olika könen upplever ett sexualiserat kvinnligt monster. Undersökningen baseras på forskning kring monstruös kvinnlighet och dess plats i skräckgenren. Artefakten som skapades inspirerades bl.a. av Silent Hill 2 (Konami, 2001) och dess karaktärsdesign för dess kvinnliga monster. Denna undersökning kan användas i syfte av en större utredning gällande genus och hur de olika könen och olika sexualiteter uppfattar sexualiserade kvinnliga monster. De applicerade teorierna hade även kunnat användas för en undersökning om stigmatisering av mental sjukdom i skräckgenren. monstruös kvinnlighet sexualisering kvinnliga monster karaktärsdesign Media Studies Medievetenskap
2	Blodtörstiga demoner eller attraktiva varelser : En studie om gestaltningen av vampyrerna i Twilight och The Vampire Diaries Karlsson, Linn January 2021 (has links) Syftet med den här uppsatsen bygger på en gestaltningsanalys av vampyrerna Edward Culleni Twilight och Stefan Salvatore i The Vampire Diaries där fokuset handlar om hur dessavampyrkaraktärer gestaltas genom olika aspekter som utseende, kroppsspråk, humör,beteende och agerande. Jens Eders karaktärsklocka är den metod jag använt mig av för attgöra analysen på vampyrkaraktärerna. Vampyrernas samspel med andra karaktärer är ocksåen viktig del i analysen. Både samspelet med andra vampyrer och samspelet med människor.Resultatet visar att den moderna vampyren har en större utsträckning mot den “klassiska”vampyren som nästintill bara har monstruösa drag utan någon empati eller ångest över sinahandlingar. Både Stefan och Edward har både monstruösa och mänskliga skildringar i derasgestaltning som både följt med genom historien eller uppkommit under modern tid.Vampyrer har traditionellt setts som hjärtlösa monster som bara dödar. Så ser det inte ut idagen moderna vampyrfilmer och serier. Vampyrer gestaltning Twilight The Vampire Diaries Edward Cullen Stefan Salvatore karaktärsklockan monstruös mänsklig Media Studies Medievetenskap
3	Den monstruösa kroppen : En tematisk analys av könskodade monsterrepresentationer i Locke & Key och The Witcher Backman, Rebecca January 2022 (has links) This study investigates monstrous representations through gender and body in the two fantasy tv-shows Locke & Keyand The Witcher. The aim of the study is to examine how these representations move beyond the gender and body binary and how this creates meaning for its audience. To highlight these monstrous representations this study focuses on two characters from each series, Dodge and Yennefer. As a methodological approach this study uses a thematic analysis as well as a modified trans reading and four themes have been identified in the material: the ambivalent and ambiguous monstrosity, the variable body and gender, the perfect monstrosity, and human monsters. To analyze these themes the study will operate within the framework of monster theory as well as research surrounding trans and crip. The research concludes that gender and body, through the monstrous, is in constant motion and that monstrous embodiment is made through difference where all bodies and genders are changeable and fluid. Locke & Key The Witcher Monster Monstruös Monsterteori Transteori Trans* Cripteori Representation Tematisk analys Fantasy Gender Studies Genusstudier
4	Att göra kaos i ett cisnormativt kosmos : en laborerande studie av den transteoretiska och-aktivistiska samvaron med Satan Jangmyr, Michelle January 2015 (has links) The purpose of this paper is to present an opening to argue for a transtheoretical and - activist fellowship with Satan and the values connected to hir. A transactivist fellows-hip with Satan builds on two primary points of contact. It is on one hand the opportu-nity to take advantage of the non-conformist, non-normative and polemical signifi-cance Satan has been attributed, especially in the history of literature, but also in the history of religion. And on the other hand this study also dwells upon how Satan as a figure has served as an expression of evilness, hatred, darkness and suffering amongst people. The questions i ask, is if there is a course that allows me to theorize for a stra-tegic collaboration between the transactivist struggle and the ideas that is connected to the satanfigure in John Miltons Paradise Lost. I also ask if there is a transtheoretical-and activist approach where Satan can function as an ally within the transactivist re-sistance. The purpose of this paper also carries on a confrontation with the notion of ”tone-policing", and love and tenderness as the only sanctioned (and praised) incenti-ves for political struggle. In this thesis I make a link between the logic that connects to Satan as an ideological basis and a non-conformist (militant), seperatist, anti-capi-talist and queer attitude in transactivist struggle. With the help of Susan Stryker's the-ory of the monsteridentity I will experiment with extracts from John Milton's Paradise Lost, where the Satan figure and the transactivist position builds on a fellowship as my analysis proceeds. To do this i use a queer-deleuzian tool as a method that focuses on textual framings within the idea of spatial relations, meaning how the actual text can and should correspond with discourses outside its territorial space. This allow me to di-sengage Satan from its original amplitude, and instead of interpreting how Satan handles hirself in Paradise Lost, i will liberate Satan from this narrative and create a relation between hir and my thesis. In this way I create an occasion, through a theore-tical approach to trans-subjectivity as comparable to the perception of the monster as a non-normative figure, to bring the transgendered monster together with the satanic monster. The ”what” that will subsequently crystallize during the analysis have the intention to tell the story about the ways in which the non-confirmative transactivist have in common with Satan. After doing this i will conclude my thesis with a discus-sion that reflects on how this fellowship has evolved in relation to the proposed politi-cal and emotional connections between the non-confomative transactivist and Satan. transactivism transtheory cisnormativity Satan transgender rage tone- policing Paradise Lost satanic transactivism satanic transtheory non-conformity satanism John Milton Susan Stryker satanic feminism Per Faxneld monstruoisty chaos hate hell darkness queer-deluzian transgender monster monster identity transaktivism transteori cisnormativitet Satan transaktivisk vrede god ton Paradise Lost satanistisk transaktivism satanistisk transteori icke-konformism satanism John Milton Susan Stryker satanic feminism satanistisk feminism Per Faxneld monstrositet kaos hat helvetet queerdeluziansk trans monster monstruös identitet

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