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241	Grunge, genre et style : analyse d'un phénomène du rock américain des années 1990. Munier, Maxime Franck Sylvain 12 1900 (has links) No description available. musique populaire grunge musique alternative musique enregistrée rock punk Seattle Pearl Jam Nirvana Soundgarden Moore Genre Style Analyse rock audionumérique analogique Popular music Alternative music Recorded music Analysis Digital audio Alice In Chains
242	From relict to future model? Common pastures as biodiversity refuges in the pre-alpine agricultural landscape Schwarz, Cinja 10 May 2022 (has links) Wir befinden uns inmitten einer globalen Biodiversitätskrise mit steigender Aussterberate, die die natürliche Hintergrundrate bereits jetzt um das Tausendfache überschreitet. In terrestri-schen Lebensräumen geht vom Landnutzungswandel die größte Gefahr für die Biodiversität aus. Besonders die ursprünglich hohe Vielfalt im mitteleuropäischen Grünland ist seit der In-dustrialisierung durch Nutzungsintensivierung und -aufgabe stark zurück gegangen. Traditionell genutztes, beweidetes Grünland ist in Mitteleuropa selten geworden. Dennoch deuten einige aktuelle Studien auf seine große Bedeutung für den Erhalt der Biodiversität in der Agrarland-schaft hin. Allerdings fehlen umfassende, systematische Untersuchungen für viele traditionelle Grünlandsysteme. Um diese Wissenslücke zu verringern, untersuchte ich in meiner Dissertation die Relevanz voralpiner, traditionell bewirtschafteter Allmendweiden als Refugium für bedrohte Zielarten (Baumpieper [Anthus trivialis], Blaukernauge [Minois dryas]) sowie für arten- und individuenreiche Zoozönosen (Heuschrecken [Orthoptera]) der mitteleuropäischen Agrarlandschaft. Gepaarte Vergleiche von Allmendweiden und angrenzenden Flächen mit identischen Standortbedingun-gen (Referenzflächen) ermöglichten den Vergleich der Arten bzw. -gruppe anhand von Umwelt-parametern in den Vegetationstypen Grünland auf Mineralboden und offenen Mooren. Der Un-tersuchungsraum in Südbayern stellt den Verbreitungsschwerpunkt für Allmendweiden und intakte bis naturnahe Moorökosysteme in Deutschland dar. Meine Analysen zeigen, dass sich der Landnutzungswandel drastisch auf die Referenzflä-chen, die früher überwiegend Teil der Allmendweiden waren, auswirkte: Im Vergleich zu den Weiden weisen sie (i) homogene Strukturen auf Landschafts- und Habitatebene, (ii) geringe Anteile nährstoffarmer Habitate und (iii) eine geringe Besiedlung von Vögeln und Insekten auf. Somit sind sie weitgehend ungeeignet für den Erhalt der Biodiversität. Die einzige Ausnahme innerhalb der Referenzflächen bilden traditionell genutzte Heu- und Streuwiesen. In den Allmendweiden sorgt die traditionelle Beweidung (0.5–2.0 Großvieheinheiten/ha von Mai–Oktober) für eine hohe strukturelle Vielfalt mit nährstoffarmen Habitaten und fließende Übergänge zwischen Wald und Offenland. So können saisonal bzw. innerhalb des Lebenszyklus wechselnde Ansprüche vieler typischer Agrarlandschaftsarten im eng verzahnten Mosaik wert-voller Habitate erfüllt werden. Der Erhalt der Allmendweiden ist für das Überleben von Agrar-landschaftsarten im Untersuchungsgebiet essenziell. Eine Ausdehnung der Allmendweiden-Nutzung auf angrenzende Flächen ist unbedingt zu empfehlen. land-use change farmland bird habitat structure landscape heterogeneity traditional land use Tree Pipit (Anthus trivialis) grazing host plant mire ecosystem mowing biodiversity conservation insect abundance grasshopper butterfly 38.09 - Physische Geographie 38.47 - Moore 38.95 - Umweltgeologie, Geoökologie 42.65 - Tiergeographie, Tierökologie 42.75 - Insecta 42.83 - Aves 42.91 - Terrestrische Ökologie 43.31 - Naturschutz ddc:570 ddc:550 ddc:500
243	Folked, Funked, Punked: How Feminist Performance Poetry Creates Havens for Activism and Change Kyser, Tiffany S. 19 July 2010 (has links) Indiana University-Purdue University Indianapolis (IUPUI) / My thesis examines the ways in which female performance poets deliver their messages and how those messages inspire, affirm, and encourage their audiences. From the traditions of outsider art—Beat poetry, feminist poetry, jazz, folk, punk, and rap—feminist performance poets choose the public sphere as a platform to witness to social injustices. In naming inequality, these poets challenge patriarchal foundations of gender roles, question academia’s criteria as to what constitutes “good” poetry, and expose social injustices. In this thesis, I examine the work of feminist performance poets Ani Difranco, Alix Olson, Andrea Gibson, Ursula Rucker, and Jessica Care Moore as examples of a new way of reading. Their work is significant in that they continue the tradition of feminist poetry by challenging the patriarchal status quo through a re-socializing and accessible style. Their work allows audiences to commune together in shared experience and promotes social change by demystifying cultural norms and gender codes in order to expose the exclusivity in patriarchal ideologies. These poets draw on a woman-centered spirituality, subvert misogynistic feminine archetypes, pay homage to ancestors and foremothers, and address issues of the body—naming oppression yet making room for pleasure. Rhetoric -- Political aspects Social movements in literature Social justice in literature Feminist poetry
244	Ecology of a Myth: Landscape, Vernacular, and Settler Colonialism at the Sea Ranch Jennings, Michele Lee January 2022 (has links) No description available. Aesthetics American History American Studies Architecture Architectural Area Planning and Development Art History Design Environmental Studies History Landscape Architecture Native American Studies architecture architectural history modernism settler colonialism environmental conservation california california modernism bay regional tradition sea ranch northern california site specific architecture charles moore lawrence halprin condominium one MLTW vernacular architecture kashaya pomo
245	Hydrogeomorphic classification of mire ecosystems within the Baker and Pascua Basins in the Region Aysén, Chilean Patagonia / a tool for their assessment and monitoring Martínez, Ana Carolina Rodríguez 15 September 2015 (has links) Zehn unerforschte und natürliche Moore entlang der Flüsse Baker und Pascua in der Region Aysén, im chilenischen Patagonien, wurde untersucht, um Informationen über ihre Entstehung, Hydrologie, Geomorphologie, Stratigraphie, Ökologie und Wasser- und Kohlenstoffspeichervermögen zu gewinnen. Es wurden acht verschiedene ökologische Moortypen identifiziert und fünf Moortypen unterscheidbar durch ihr geohydromorphologisches Setting mit insgesamt elf verschiedenen organischen Moorsubstraten. Die gesammelten Information erlauben erste Abschätzungen der Torf-, Süßwasser- und Kohlenstoffmengen, die in den Mooren Ayséns gespeichert sind, sowie der jährlichen Torfakkumulationsraten. Die Moortypen und die in ihnen vorkommenden organischen Substrate wurden in einem geohydromorphologischen Klassifizierungssystem zusammengefasst, welches wichtige hydrologische, geomorphologische, ökologische, bodenkundliche und landschaftliche Parameter integriert. Forschung und Kommunikation über die chilenischen Moore sollen durch diese Arbeit unterstützt werden, um angemessene Monitoring Tools und partizipative Naturschutzstrategien zu entwickeln, die für die Erhaltung dieser Ökosysteme und ihrer Kreisläufe anwendbar sind. / Ten unexplored and pristine mires along the Baker and Pascua River Basins in Aysén, Chilean Patagonia, were examined, generating information about their origin, hydrology, geomorphology, stratigraphy, ecology, and carbon and water storage capacities. Eight mire types ecologically differentiable, associated with five main mire types separable by their hydrology and geomorphology were detected, as well as eleven organic substrate types forming mire soils. The information gathered allows for a first estimation of the peat, fresh water and carbon content stored in the mires of Aysén, as well as for an average growth and annual accumulation rate of the peat. Mire types and their associated substrates are systematized in a hydrogeomorphic classification system, integrating important landscape, hydrological, geomorphical, ecological and pedological components. Research and communication about mires in the Chilean Patagonia should be further supported to generate accurate monitoring tools and participative conservation strategies that are replicable for the preservation of these ecosystems and its balance. Moore in Patagonien Klassifikation von Mooren Moorgeomorphologie Moorhydrologie Moorökologie organische Bodensubstrate Kohlenstoffspeicherung in Mooren Patagonia mires classification of mires mires geomorphology mires hydrology mires ecology soil organic substrates mires carbon storage 39 Landwirtschaft, Garten WI 5400 AR 13460 ZC 13774 ddc:630
246	Relationship violence and the health of low-income women with children Hill, Terrence Dean 28 August 2008 (has links) Not available / text Hogg Foundation for Mental Health Harry E. and Bernice Moore Fellowship Abused women--Alcohol use--United States
247	George Tsutakawa's fountain sculptures of the 1960s: fluidity and balance in postwar public art. Cuthbert, Nancy Marie 20 August 2012 (has links) Between 1960 and 1992, American artist George Tsutakawa (1910 – 1997) created more than sixty fountain sculptures for publicly accessible sites in the U.S., Canada, and Japan. The vast majority were made by shaping sheet bronze into geometric and organically inspired abstract forms, often arranged around a vertical axis. Though postwar modernist artistic production and the issues it raises have been widely interrogated since the 1970s, and public art has been a major area of study since about 1980, Tsutakawa's fountains present a major intervention in North America's urban fabric that is not well-documented and remains almost completely untheorized. In addition to playing a key role in Seattle's development as an internationally recognized leader in public art, my dissertation argues that these works provide early evidence of a linked concern with nature and spirituality that has come to be understood as characteristic of the Pacific Northwest. Tsutakawa was born in Seattle, but raised and educated primarily in Japan prior to training as an artist at the University of Washington, then teaching in UW's Schools of Art and Architecture. His complicated personal history, which in World War II included being drafted into the U.S. army, while family members were interned and their property confiscated, led art historian Gervais Reed to declare that Tsutakawa was aligned with neither Japan nor America – that he and his art existed somewhere in-between. There is much truth in Reed's statement; however, artistically, such dualistic assessments deny the rich interplay of cultural allusions in Tsutakawa's fountains. Major inspirations included the Cubist sculpture of Alexander Archipenko, Himalayan stone cairns, Japanese heraldic emblems, First Nations carvings, and Bauhaus theory. Focusing on the early commissions, completed during the 1960s, my study examines the artist's debts to intercultural networks of artistic exchange – between North America, Asia, and Europe – operative in the early and mid-twentieth century, and in some cases before. I argue that, with his fountain sculptures, this Japanese American artist sought to integrate and balance such binaries as nature/culture, intuition/reason, and spiritual/material, which have long served to support the construction of East and West as opposed conceptual categories. / Graduate George Tsutakawa American modernism modern design silicon bronze sculpture welded sheet metal sculpture West Coast modernism Pacific Northwest Seattle public art Century 21 Fulton Mall postwar shopping center design Asian American art World War II Japanese internment Nisei Kibei machine aesthetic abstract art spirituality in art Lawrence Halprin environmentalism in art International Style architecture postwar urban planning Ala Moana Center Northgate Shopping Center Zen in America Bauhaus in America Walter Gropius Victor Gruen Mark Tobey Japanese American Henry Moore Sigfried Giedion Lewis Mumford Alexander Archipenko Paul Horiuchi Johsel Namkung Dudley Carter Freeway Park, Seattle Bentall Centre, Vancouver Seattle Public Library secondary Orientalism organicism in art modernist architecture
248	Paul Verhoeven, media manipulation, and hyper-reality Malchiodi, Emmanuel William 01 May 2011 (has links) Does the individual really matter in the post-modern world, brimming with countless signs and signifiers? My main objective in this writing is to demonstrate how this happens in Verhoeven's films, exploring his central themes and subtext and doing what science fiction does: hold a mirror up to the contemporary world and critique it, asking whether our species' current trajectory is beneficial or hazardous.; Dutch director Paul Verhoeven is a polarizing figure. Although many of his American made films have received considerable praise and financial success, he has been lambasted on countless occasions for his gratuitous use of sex, violence, and contentious symbolism--1995s Showgirls was overwhelmingly dubbed the worst film of all time and 1997s Starship Troopers earned him a reputation as a fascist. Regardless of the controversy surrounding him, his science fiction films are a move beyond the conventions of the big blockbuster science fiction films of the 1980s (E.T. and the Star Wars trilogy are prime examples), revealing a deeper exploration of both sociopolitical issues and the human condition. Much like the novels of Philip K. Dick (and Verhoeven's 1990 film Total Recall--an adaptation of a Dick short story), Verhoeven's science fiction work explores worlds where paranoia is a constant and determining whether an individual maintains any liberty is regularly questionable. In this thesis I am basically exploring issues regarding power. Although I barely bring up the term power in it, I feel it is central. Power is an ambiguous term; are we discussing physical power, state power, objective power, subjective power, or any of the other possible manifestations of the word? The original Anglo-French version of power means "to be able," asking whether it is possible for one to do something. In relation to Verhoeven's science fiction work each demonstrates the limitations placed upon an individual's autonomy, asking are the protagonists capable of independent agency or rather just environmental constructs reflecting the myriad influences surrounding them. Film and Media Studies
249	Postglazialer Anstieg des Meeresspiegels, Paläoklima und Hydrographie, aufgezeichnet in Sedimenten der Bermuda inshore waters / Postglacial rise of sea level, palaeoclimate and hydrography, recorded in sediments of the Bermuda inshore waters Vollbrecht, Rüdiger Dr. 13 January 1997 (has links) No description available. 550 Geowissenschaften Mathematics and Computer Science Postglazial Meeresspiegel Paläoklima Hydrography Bermuda Sedimente Pleistozän Holozän Quartär Seen Küste Laminite Solarzyklen Sonnenzyklen marin lakustrin Geologie Karbonate Böden Karst Torf Isotopen-Geochemie Altersbestimmung Fazies Paläökologie postglacial sea level palaeoclimate paleoclimate hydrography Bermuda sediments Pleistocene Holocene Quaternary inshore waters lakes laminites solar cycles lacustrine marine geology carbonates soil karst peat isotope geochemistry radiocarbon dating facies palaeoecology paleoecology 38.48 Marine Geologie 38.41 Sedimentation 38.82 Klimatologie 38.19 Historische Geologie: Sonstiges 38.32 Geochemie 38.88 Regionale Hydrologie 38.47 Moore 38.90 Ozeanologie Ozeanographie VAT 250 Litorale Sedimente VCA 520 Quartärgeologie VDI 210 Pleistozän VDI 220 Holozän VEW 200 Karibischer Raum VEZ 130 Inselgruppen TWC 600 Paläoklimatologie VKB 380 Sedimente bestimmter Regionen VKB 378 Rhytmite VKB 376 Organogene Sedimentgesteine VKB 340 Fazieskunde VKB 333 Sonstige Sedimentationsprozesse VKB 332 Sedimentationsbedingungen UHA 700 Marine Geologie (Küsten Watt Inselbildung etc.) UHA 440 Schwankungen

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