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Ariadne's thread Women and labyrinths in the fiction of A.S. Byatt and Iris Murdoch /Tomazic, Elizabeth Mary. January 2005 (has links)
Thesis (PhD) -- Australian Catholic University, 2005. / Submitted in total fulfillment of the requirements for the degree of Doctor of Philosophy. Bibliography: p. 241-250. Also available in an electronic format via the internet.
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Post-war British fiction as "metaphysical ethnography" : gods, godgames and goodness in John Fowle's "The Magus" and Iris Murdoch's "The sea, the sea /Ikonomakis, Roula, January 2005 (has links)
Proefschrift--Natuurwetenschappen--Universitet Leiden. / Résumé en néerlandais. Notes bibliogr.
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The adolescent in the novels of Iris MurdochStettler-Imfeld, Barbara, January 1970 (has links)
Inaug.-Diss.--Bern. / Vita: p. [159]. Bibliography: p. 151-158.
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The river as a guide to Iris MurdochRobjant, David January 2008 (has links)
No description available.
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The daemon Eros : Gothic elements in the novels of Emily and Charlotte Brontë, Doris Lessing, and Iris Murdoch /Magie, Lynne Adele. January 1988 (has links)
Thesis (Ph. D.)--University of Washington, 1988. / Vita. Includes bibliographical references (leaves [266]-277).
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Iris Murdoch's genealogy of the modern self retrieving consciousness beyond the linguistic turn /Jordan, Jessy E.G. Moore, Scott Hunter. January 2008 (has links)
Thesis (Ph.D.)--Baylor University, 2008. / Includes bibliographical references (p. 248-257)
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Arte e ética em The Bell de Iris MurdochIanuskiewtz, Ana Paula Dias [UNESP] 18 March 2009 (has links) (PDF)
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ianuskiewtz_apd_me_arafcl.pdf: 2818002 bytes, checksum: fbf68e8a5d1520071e4ff57d4903c3da (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Iris Murdoch é uma figura dominante na literatura britânica do pós-guerra e também, uma filósofa notável que constantemente denunciou o interesse excessivo da filosofia moral moderna pelos temas da vontade, da deliberação e ação. Para ela, o estudo da ética deveria ter como prioridade o desenvolvimento da percepção estética, a atenção à realidade e, principalmente, a intensa apreensão de outros indivíduos. Murdoch considera a apreciação da beleza na arte e na natureza, não apenas como um exercício espiritual mas também, como uma maneira para alcançar a bondade, evitar o egocentrismo e ganhar o progresso moral. Seus romances são centrados na arte e no amor, pois Murdoch afirma que a boa arte e o amor intenso são intimações da verdade que levam o indivíduo ao aprimoramento moral. The Bell, seu romance publicado em 1958, descreve uma comunidade religiosa anglicana e os vários incidentes decorrentes da substituição do antigo sino da catedral. Esses eventos incitam reflexões em relação a várias questões morais, como por exemplo: a influência da religião e das instituições de poder na conduta moral; o modo de suplantar interesses próprios e o egoísmo em benefício do próximo, o papel das mulheres na sociedade e a maneira pela qual a sociedade é injusta e intolerante com aqueles cuja sexualidade difere da maioria. Assim, o objetivo desta pesquisa é analisar como certas questões da filosofia moral de Murdoch estão apresentadas nesse romance, The Bell, por meio da expressão literária, mostrando que a arte literária e visual estão amplamente relacionadas à sua teoria moral. / Iris Murdoch is a dominant figure of postwar British literature and also a remarkable philosopher who constantly denounced the excessive interest of modern moral philosophy in the themes of will, deliberation and action. According to her, the study of ethics should prioritize the development of aesthetic perception, the attention towards reality and mainly, the intense apprehension of other individuals. Murdoch considers the appreciation of beauty in arts and nature not only as a spiritual exercise but also, as a way to reach goodness, to avoid egocentrism and to gain moral improvement. Her novels are centered on art and love because she considers that great art or intense love can give intimations of truth, and move one towards moral perfection. The Bell, her novel published in 1958, describes an Anglican religious community and the incidents that happened due to the replacement of the old bell of the cathedral. These events incite moral reflections such as: the influence of religion and of the institutions of power in moral conduct; the way to supplant egoism for the benefit of others, the role of women in society and the ways society is unfair and intolerant of those whose sexuality differs from the majority. Thus, the aim of this study is to analyse in which ways some issues of Iris Murdoch moral philosophy are presented in The Bell, by means of the literary expression showing that the literary and the visual arts are closely related to ethics in her moral theory.
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Tradition and innovationNascimento, Rosane Beyer do 30 August 2010 (has links)
No description available.
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Courage and truthfulness ethical strategies and the creative process in the novels of Iris Murdoch, Doris Lessing, and V.S. Naipaul /Dooley, Gillian, January 2000 (has links)
Thesis (Ph. D.)--Flinders University of South Australia, 2000. / Title from PDF title page (viewed on July 9, 2005). Includes bibliographical references (p. 307-379).
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Iris Murdoch e Simone de Beauvoir: uma leitura feminista de A fairly honourable defeat e La femme rompue / Iris Murdoch and Simone de Beauvoir: a feminist reading of A fairly honourable defeat and La femme rompueIanuskiewtz, Ana Paula Dias [UNESP] 17 March 2015 (has links) (PDF)
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000841155.pdf: 1220968 bytes, checksum: 94a3b7cbcbdfe790ec1a15a6f90c11f5 (MD5) / Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP) / Nesta pesquisa abordamos aspectos do feminismo pelo viés da crítica feminista anglo-americana em duas obras ficcionais publicadas no final dos anos sessenta e início da década de setenta: La Femme Rompue (1967), de Simone de Beauvoir (1908-1986), e A Fairly Honourable Defeat (1970), da escritora irlandesa Iris Murdoch (1919-1999). Primeiramente, estabelecemos um diálogo entre o pensamento filosófico de Beauvoir e o de Murdoch. Posteriormente, estabelecemos uma relação entre a crítica literária feminista e o pensamento beauvoiriano e murdochiano no que tange a questão do papel da mulher como leitora e escritora de textos literários. Dessa forma, examinamos o papel do leitor(a) como instância fundamental no processo de desconstrução do caráter discriminatório das ideologias de gênero e demonstramos que, assim como Virginia Woolf, Beauvoir e Murdoch defendem o conceito de androginia na literatura. Finalmente, analisamos os diferentes recursos estéticos que Beauvoir e Murdoch utilizam na caracterização de suas personagens femininas, uma vez que La Femme Rompue apresenta as características de um romance moderno, enquanto A Fairly Honourable Defeat possui traços de um romance realista / The aim of this research is to address some aspects of feminism from a feminist Anglo-American critical stance in two fictional works that have been published in the late sixties and early seventies: La Femme Rompue (1967) by Simone de Beauvoir (1908-1986) and A Fairly Honourable Defeat (1970) by the Irish writer Iris Murdoch (1919-1999). First, we establish a dialogue between the philosophical thought of Beauvoir and Murdoch. Then, we firm a relationship between feminist literary criticism and Beauvoir's and Murdoch's thoughts regarding the issue of women's role as a reader and as a writer of literary texts. Thus, we explore the role of the reader as a key instance in the process of deconstruction of the discriminatory nature of gender ideologies and we demonstrate that, just as Virginia Woolf, Beauvoir and Murdoch defended the concept of androgyny in literature. Finally, we analyze the different aesthetic features that Beauvoir and Murdoch use in the characterization of female characters, since La Femme Rompue presents the characteristics of a modern novel while A Fairly Honourable Defeat has some traces of a realist novel
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