<p>How does music teacher work in class with traditions in the school's world?</p><p>I sent out 53 questionnaires to music teacher that works with music in class, in order to find out what the school learn the students about our traditions. When I put together the questionnaires and the background material, I come among other thing until that three fourth dividing off the examined the music teachers do not appear to leave off some folded contained Lucia- and the Christmas tradition. Those music teachers who replied on the questionnaire seem not to notice the immigrant’s traditions.</p><p>In this exam work has I also overall and put together background materials, as among other things points on the value of traditions. They are is important by different reasons as for example to create a safe adolescence environment for the pupil.</p>

The purpose of this study was to explore string teachers? assessment practices related to string program success. Additionally, the study examined the relationship between teacher characteristics and string program success. This study was conducted by surveying string teachers (N = 201) from around the country. The survey was designed based on the independent variables of teacher characteristics and assessment practices, and the dependent variable of string program success. Results indicated that string teachers most frequently assess with teacher-given verbal criticism, rehearsal skills, attendance, teacher-rated rubrics, and student evaluations. The least common assessment practices used by string teachers were composition assignments, music history assessments, portfolio assessment, improvisation/creativity assignments, and cross-curricular assignments. String program success was correlated with the assessment practices of written assessments, student reflections, teacher-rated rubrics, sightreading skills assessment, student evaluations, music theory assessments, music history assessments, and portfolio assessments, and student rated rubrics. Years of teaching, level of education, musicianship-based assessment, and student-based assessments were predictors of string program success. String program success did not differ as a function of years teaching, however there is a difference in string program success within the characteristics of gender, education level, and primary instrument, as well as primary instrument by education level.

The thesis consists of two parts. One is directed towards municipal music schools, and one deals with music teacher education at university level. The purpose was to investigate the recruitment to these two educations, and to describe and explain how different student groups perceived and used their education. Five empirical studies have been accomplished, and central questions were: which deliberate and non-deliberate choices of musical activities are made by children and music students, and how are these choices affected by socio-economical, geographical and gender prerequisites.Theoretically, the first part of the thesis was based on the educational sociology of Pierre Bourdieu and on previous empirical studies in music pedagogy. The first empirical study was directed towards the recruitment of pupils to the municipal music school in Piteå (n=1085). The study showed that two out of three pupils are girls. Furthermore, it was twice as common among children of higher employees and university graduates to study at the music school than among children with working class backgrounds. The second empirical study was an interview with children, 12-13 years of age (n=369). The results indicated that boys and girls understand and use music and music education in significantly different ways. Furthermore, differences related to socioeconomic background, musical background and residential area were also shown.The second part of the thesis begins with a summary of the origin and scientific basis of Swedish music pedagogy, followed by an investigation regarding recruitment to the music teacher education at the School of Music in Piteå (n=177). The investigation indicated that recruitment is socially biased, similar to that of the municipal music school. One third of the music teacher students were recruited from families where one of the parents worked as a teacher. One out of three students came from homes where religion was an important part of family life. In an interview-study with 60 music teacher students, differences related to gender and educational orientation arose in how students looked upon and used their education. The study showed two attitudes to music and music education, which were linked to the following concepts: musician code and teacher code. In connection with these concepts, three action strategies could be identified: navigation, revolt, and adjustment. These strategies were interpreted as an expression of the tension between the demands of the education and the individuals' wish to have his or her interests and needs met. The dissertation concludes with a project called "Self-formulated goals and self-evaluation in music education" and a short forward-looking discussion pertaining to questions that have been generated throughout the entire research process. / digitalisering@umu

Studien påbörjades hösten 2012 och är ett försök att hitta olika pedagogiska verktyg och förhållningssätt genom strukturerade intervjuer med 3 pedagoger som arbetar eller har arbetat med barn och ungdom med diagnosen ADHD. Studien belyser hur dessa olika pedagoger uppfattar sin undervisning, sin roll som lärare och vad deras generella erfarenheter av att arbeta med ADHD-elever är. Genom intervjuer skapas en bild av lärarna som arbetar med ADHD-elever och deras pedagogiska attribut, och med klusteranalys bestäms deras musiklärartyp. I resultatet framkommer bl.a. vikten av att möta ADHD-eleven här och nu, att varje elev är unik och att vid arbete med ADHD-eleven är tålamod, intuition, kreativitet och samt att vara en flexibel lärare viktiga egenskaper. Musiklärare som arbetar med ADHD-barn verkar passa in i en särskild lärartyp. / This study began in the autumn of 2012 as an attempt to find different didactical tools and approaches through structured interviews with three teachers, who work or have been working with children and youth diagnosed with ADHD. The study illustrates how these different teachers perceive their teaching, their role as teachers and what their general experiences in working with ADHD students are. An “image” of the teachers working with these students and their educational attributes is created through interviews, and by cluster analysis their music “teacher-type” is determined. The result shows the importance of meeting the ADHD student here and now; that every student is unique and when working with this students, patience, intuition, creativity and capability to flexible teaching are important skills of the teacher. Music teachers who work with ADHD children seem to fit into a particular music “teacher type”.

How does music teacher work in class with traditions in the school's world? I sent out 53 questionnaires to music teacher that works with music in class, in order to find out what the school learn the students about our traditions. When I put together the questionnaires and the background material, I come among other thing until that three fourth dividing off the examined the music teachers do not appear to leave off some folded contained Lucia- and the Christmas tradition. Those music teachers who replied on the questionnaire seem not to notice the immigrant’s traditions. In this exam work has I also overall and put together background materials, as among other things points on the value of traditions. They are is important by different reasons as for example to create a safe adolescence environment for the pupil.

Many artist-teachers struggle to nurture and pursue their ambitions in their dual roles. The purpose of this research is to explore the nature of the professional practices of artist-teachers. While there is a substantial amount of research that provides models of artist-teachers, who teach at the post secondary levels, there are not many models for artist-teachers who teach primary and secondary age groups. Four artist-teachers, whose practices are currently contributing to the art world, as well as the educational world, were interviewed for a multiple case study. The roles represented in the study include painters, sculptors, a ceramist, a musician, a performance artist, art teachers, a music teacher, and a performance-art educator. This multiple case study provides four models of artist-teachers whose professional practices contribute to their identity and fulfillment in their dual roles. The study reveals the artist-teacher’s practice as an artist, practice as a teacher and relationship between the dual roles.

Gerald Anthony Petersen Jr., Ph.D.The University of Arizona, 2005Director: Brian D. Ebie The purpose of this study was to provide specific data regarding the level of multiculturalism of Arizona elementary general music teachers and their utilization of multicultural music education in curriculum and activities. Data gathered was used to investigate the relationship between a teacher's life experience, personal attitudes, personal behavior, and professional behavior with their developing and employing multicultural music education. Subjects included Arizona elementary general music teachers (N=280) during the 2004-05 school year. The Personal Multicultural Assessment and the Music Specialist's Multicultural Music Education Survey were sent to the teachers along with a demographic report sheet. Data analysis included descriptive statistics, correlational analysis (Pearson-Product Moment Correlation), analysis of variance (ANOVA), and a multiple regression. The results of the survey indicated that Arizona elementary general music teachers are functioning at varying levels of multiculturalism. The teachers' Personal Multicultural Assessment mean scores ranked at the third level of the Multicultural Personae in the areas of Personal Behavior, Professional Behavior, and on the Composite score. The areas of Life Experience and Personal Attitude ranked at the second level of the Multicultural Personae. Statistically significant relationships were found between the population of the teachers' hometown and the Life Experience subscale score and the Composite score. The undergraduate institution from which the teacher graduated was positively related to the Personal Behavior subscale score and the Composite score. Though the majority of Arizona elementary general music teachers felt inadequately prepared for teaching multicultural music education or have ethnic instruments, they reported utilizing the majority of regional-specific world music. Life experience was a significant factor in determining music teachers' utilization of multicultural music education. This study demonstrated that Arizona elementary general music teachers' personal attitudes, personal behavior, and professional behavior regarding multiculturalism may not have effected their utilization of multicultural music education.

In the present-time society, where constant and intensive changes of life take place, where the idea of lifelong learning is being focused on, educational systems as well as the situation of school’s and pedagogues’ activities are undergoing changes. The significance of teachers’ constant up-dating increases; not the finite knowledge but the ability to constantly learn, improve one’s personality and professional skills become the main feature of professional mastery. Exactly this is the point towards which the system which is being formed at the moment for improvement of pedagogues is oriented in order to provide conditions for every teacher to constantly improve one’s own competency; it also reduces the gap between institutions training pedagogues and schools which undergo changes. Training of music teachers who are able to effectively strive for aims of musical education always has been among the most topical and problematic issues; that is why a special role falls on lifelong professional improvement of music teachers themselves. In order to ensure successfulness of this process, researches which disclose peculiarities of self-improvement of music teachers and factors which predetermine it are a must. The present study explores the demands and conditions for self-improvement of music teachers in the context of lifelong learning. It is aimed to disclose the factors which stimulate and limit professional self-improvement as well as to assess existing educational conditions... [to full text]

Many artist-teachers struggle to nurture and pursue their ambitions in their dual roles. The purpose of this research is to explore the nature of the professional practices of artist-teachers. While there is a substantial amount of research that provides models of artist-teachers, who teach at the post secondary levels, there are not many models for artist-teachers who teach primary and secondary age groups. Four artist-teachers, whose practices are currently contributing to the art world, as well as the educational world, were interviewed for a multiple case study. The roles represented in the study include painters, sculptors, a ceramist, a musician, a performance artist, art teachers, a music teacher, and a performance-art educator. This multiple case study provides four models of artist-teachers whose professional practices contribute to their identity and fulfillment in their dual roles. The study reveals the artist-teacher’s practice as an artist, practice as a teacher and relationship between the dual roles.

The quality of teaching occurring in schools is directly linked to the quality of preservice preparation that teachers receive (Darling-Hammond, 2000). This is particularly important in the area of music teacher education, given the unique challenges that classroom music teachers commonly face (Ballantyne, 2001). This thesis explores early-career music teachers' perceptions of the effectiveness of their preservice teacher education programs in Queensland. It also explores influences impacting upon early-career music teachers' perceptions of effectiveness and early-career music teachers' perceived needs in relation to their preservice preparation. The study addresses the research questions through the use of questionnaires and semi-structured interviews. In Stage 1 of the research, questionnaires were completed by 76 secondary classroom music teachers in their first four years of teaching in Queensland, Australia. In Stage 2 of the research, 15 of these teachers were interviewed to explore findings from the questionnaire in depth. Findings suggest that preservice teachers perceive a need for teacher education courses to be contextualised, integrated and allow for the continual development of knowledge and skills throughout their early years in schools. This research provides an empirical basis for reconceptualising music teacher education courses and raises important issues that music teacher educators need to address in order to ensure that graduates are adequately prepared for classroom music teaching.