No description available.

Thesis (M.F.A.)--Rochester Institute of Technology, 2009. / Typescript. Includes bibliographical references (leaf 21).

Thesis (Ph.D.) - Simon Fraser University, 2005. / Theses (Faculty of Education) / Simon Fraser University.

Thesis (Ph.D.) - Simon Fraser University, 2005. / Theses (Faculty of Education) / Simon Fraser University.

Orientador: Cristina Bruzzo / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-06T13:29:32Z (GMT). No. of bitstreams: 1 Camargo_HertezWendelde_M.pdf: 24434583 bytes, checksum: 806acaae8e98c9e22834f6cb348c5098 (MD5) Previous issue date: 2006 / Resumo: Este é um estudo de como a fotorreportagem constrói o acontecimento e como as relações entre texto e imagem sugerem diferentes sentidos para a natureza na revista O Cruzeiro (1928-1975). A partir da análise da composição da página (diagramação), considera-se o conjunto texto-imagem como elemento que encadeia a narrativa, agrega temporalidades e direciona formas de pensar sobre a natureza que reforçam a imagem da cidade como espaço do progresso. A natureza em fotorreportagem sugere um mundo moderno com o qual a revista deseja ser vista (em sintonia) pelo leitor / Abstract: This is a study about how the photo report about Nature in the magazine O Cruzeiro (1928-1975) shows an event and how the relations between text and image suggest different meanings for it. From the analysis of the composition of the page (diagramming), the joint text-image leads the narrative, adds temporalities, induces forms of thinking about Nature, and strengthens the image of the city as a space of progress. Nature in these photo reports suggests to the reader a modern world, in which the magazine itself aims to be included. / Mestrado / Educação, Conhecimento, Linguagem e Arte / Mestre em Educação

Syftet med den här studien är att öka kunskapen om naturfotografers natursyn. Studien baseras på kvalitativa intervjuer med sex naturfotografer. Som teori används Hannigans typologi över 1900-talets utveckling av miljödiskurser som inkluderar den arkadiska dis- kursen, ekosystemdiskursen och rättvisediskursen. Naturfotografi är ett exempel på den arka- diska diskursen, och min studie visar att det är den starkaste diskursen inom det naturfoto- grafiska fältet även om vissa fotograferar dessutom ansluter sig till ekosystemdiskursen och rättvisediskursen. Den arkadiska diskursen påverkar både hur naturfotografer konstruerar naturen och utvecklingspotentialen för naturfotografin. Den utveckling som Hannigan ser som en samhällelig utveckling över tid av diskurserna kan också ses som en individuell utveckling hos fotograferna. Efter en tids fotograferande börjar man röra sig ifrån den arkadiska diskursen och ifrågasätta idén om den vackra naturbilden. / The aim of this study is to increase the knowledge of nature photographers’ view on nature. The study is founded in qualitative interviews with six nature photographers. Hannigans typology of environmental discourse development during the twentieth century is used as theory for the study, including the arcadian, ecosystem and social justice discourse. Nature photography is an example of the arcadian discourse and my study shows that it is the strongest discourse in the field of nature photography, although some nature photographers also adhere to the ecosystem and social justice discourses. The arcadian discourse affects both how nature photographers construct nature and the potential for development of nature photography. The development of discourses over time that Hannigan sees in society can also be seen in individual photographers; following some time of photographing they move from the arcadian discourse and start questioning the beautiful nature photography as a concept.