Modernity as a philosophical and intellectual movement has cultivated a perspective of humanity as separated from nature. In modernity, nature is valuable only insofar as it has instrumental value (i.e. that it may be utilized for the benefit of humanity). This study postulates that such an approach to the nature-human relationship may have led to considerable environmental damage and misuse, and that the perspective of humanity as separate from nature should be re-evaluated. Pierre Teilhard de Chardin‟s philosophy is investigated as a possible means to overcome this dichotomy. De Chardin describes varying ontologies that are embedded in the evolutionary process and against which all human relevance and action must be sketched. This differs from an evolutionistic approach, because whilst engaging with scientific discourse (which tends to be reductionist in approach), De Chardin also incorporates spiritual and religious ideas and perspectives. Furthermore, De Chardin‟s ideas differ from vague pantheism, irrationally or mystically formulated, because he engages with the terminology used in modern science and re-evaluates this terminology‟s application and conclusions in relation to his newly developed cosmology (or cosmogenesis). Several questions are central in this study: Firstly, could De Chardin‟s approach be incorporated into the natural scientific discourse? Secondly, does De Chardin‟s cosmology provide new avenues for investigation into a closer and more sustainable relationship between humanity and the natural world? In this study it is postulated that De Chardin does make a contribution to a more sustainable relationship between nature and humanity through his perspective of a holistic ontology that differs from simple mysticism and his postulation of the noosphere, which leads to a new evaluation of humanity‟s technology use. / MPhil, North-West University, Potchefstroom Campus, 2013

Thesis (doctoral)--Universität Bremen, 2007. / Includes bibliographical references (p. [153]-161).

Thesis (doctoral)--Universität Bremen, 2006. / Includes bibliographical references.

Cette étude s’interroge sur l’écriture de la nature dans la littérature contemporaine en français. À partir d’un corpus de textes pris dans la littérature européenne (Chevillard, Michon, Mingarelli, Ollier, Réda, Rouaud, Simon, Tesson, Trassard) et antillaise (Chamoiseau, Glissant, Maximin), l’auteur examine comment la menace écologique influe sur la géographie littéraire et plus généralement sur la représentation de l’espace. Le cadre théorique utilisé à cet effet se nourrit, d’une part, de l’écocritique nord-américaine et s’inscrit, d’autre part, dans l’écopoétique, plus à même de rendre compte de la littérature en français. La recherche démontre que la conscience écologique va de pair avec une nouvelle conception du monde qui met à mal les représentations traditionnelles de l’espace. L’exploration de l’espace sauvage ne conduit dès lors pas à une célébration d’un paysage sublime, mais associe les découvertes du voyageur tout au plus à un sublime suspendu, tremblé et par là provisoire. De même, le récit préhistorique ne recourt pas aux stratégies littéraires du roman préhistorique traditionnel. Plutôt que de procéder comme ce dernier à la représentation du temps préhistorique et que de montrer l’arrivée triomphante de l’homme, le récit contemporain se livre, au contraire, à une enquête incertaine autour de la trace humaine dans l’espace. Il apparaît ainsi un décalage entre la relativité de l’histoire humaine et la permanence du temps géologique. La littérature met en avant la nécessaire reconfiguration des représentations traditionnelles de l’espace et remet en cause la place centrale que l’homme s’attribue. Il s’agit pour les textes de montrer en quoi la géographie apparaît comme une entité plastique et mobile, comme en témoigne par exemple le motif du jardin qui réconcilie les efforts d’aménagement de l’homme et l’énergie désordonnée de la nature. L’esthétique contemporaine relève alors d’une mobilité écopoétique en signe d'une nouvelle empathie avec le monde. / This dissertation reflects on nature writing in French-speaking contemporary literature. Drawing on a corpus of literary texts from Europe (Chevillard, Michon, Mingarelli, Ollier, Réda, Rouaud, Simon, Tesson, Trassard) and the Caribbean (Chamoiseau, Glissant, Maximin), the author examines how awareness of ecological peril determines literary geographies and the representation of space more generally. North-American ecocriticism offers a part of the theoretical framework, but recent findings in European ecopoetics prove to be more suitable to analyse literature in French. The study shows that ecological awareness entails a new worldview that invalidates pre-existing representations of space. Thus, exploring the wilderness does not longer lead the observer to celebrate the sublime landscapes that nature offers him. On the contrary, the encounter with the wilderness tends to be unsuccessful, and if it entails any sublime experience, it is equally a temporary and a fragile one. Likewise, the prehistoric narrative does not longer rely on the literary strategies of the traditional prehistoric novel: rather than to reconstruct a prehistoric time and to show the triumphant arrival of humankind as does the latter, the contemporary narrative conducts in the present an uncertain and troubled investigation regarding the significance of prehistoric human traces. Literary texts thus show the discrepancy between the relativity of human history and the permanence of geological time. They underline the need to reconfigure traditional representations of space and question the central position that humankind attributes to himself. Literature then promotes space as a plastic and mobile entity. The garden more precisely appears to be a motive that reconciles human efforts of planning and managing with the disorderly energy of nature. Contemporary literary aesthetics appear then to be determined by an ecopoetic mobility that signals a new empathy with the world. / In deze studie wordt het natuurschrijven (nature writing) in de hedendaagse Franssprekende literatuur ondervraagdUitgaand van een corpus van Europese (Chevillard, Michon, Mingarelli, Ollier, Réda, Rouaud, Simon, Tesson, Trassard) en Caribische teksten (Chamoiseau, Glissant, Maximin), bestudeert de auteur hoe de bewustwording van de ecologische crisis de literaire afbeelding van plaats beïnvloedt. Het theoretisch kader wordt deels door de Noord-Amerikaanse ecokritiek verschaft, maar de recente ondervindingen van de Europese ecopoetiek blijken nog beter aangepast aan de Franstalige literatuur. Het onderzoek toont aan dat de ecologische crisis een nieuw wereldbeeld meebrengt dat de traditionele weergave van plaats in vraag stelt. De verkenning van de wildernis leidt bijvoorbeeld niet tot een sublimering van het natuurlandschap, maar de ontdekkingen van de reiziger blijven beperkt tot een gedempt subliem, een tijdelijke gebeurtenis die op elk ogenblik onderbroken kan worden. Het prehistorisch verhaal vernieuwt evenzeer de literaire structuren van de traditionele prehistorische roman. Daar waar deze laatste de prehistorische tijd getrouw weergeeft en de triomf van de mensheid in beeld brengt, vertelt het prehistorische verhaal veeleer een twijfelende en angstig zoektocht omtrent de prehistorische sporen van de mensheid in het landschap. De relatieve historische tijd van de mens contrasteert zo met de ononderbroken eeuwigheid van de geologische tijd. Wat de literatuur dan naar voor brengt, is de nood om de bestaande verwoordingen van ruimtegevoel te herzien en om de mens te doen afzien van de centrale plaats die hij zich gewoonlijk toekent. Plaats is dan, zoals de teksten aantonen, een plastisch en mobiel gegeven. Zo blijkt de tuin een plek te zijn die de menselijke zin voor ordening en vormgeving verzoent met de ontembare energie van de natuur. De esthetische weergave van plaats in de hedendaagse literatuur beantwoordt zo aan een ecopoëtische beweeglijkheid als teken van een vernieuwde overeenstemming met de wereld.

Contemporary debates in ethics are characterised by opposing views that appear to be irreconcilable. Rational debates seem to be making no headway due to the fact that the incompatibilities of the different views seem to lie within the very premises of the different arguments. These debates acquire an interminable character, because representatives of the different standpoints refuse to accept each others’ premises. MacIntyre attributes this state of affairs to the failure of the Enlightenment project. In their attempt to create a universally valid moral system the Enlightenment philosophers discredited the ethical traditions and emphasized reason as the only authority on these matters. The supposedly “universal” rational arguments are built on premises the Enlightenment thinkers inherited from the exact same ethical traditions whose authority they consciously undermined. The irony of the Enlightenment project is therefore that it caused its own failure. MacIntyre believes that the Enlightenment thinkers were mistaken in undermining the authority of all the ethical traditions. He argues that the authority of the critical traditions is legitimate. A critical tradition is a moral tradition where some form of rational enquiry is embodied in the tradition itself. MacIntyre defends the authority of the Aristotelian tradition as the critical tradition per se. In my own enquiry I defend the authority of the Stoic tradition. I attempt to point out the flaws in MacIntyre’s understanding of the Stoics and argue that in some respects the Stoic tradition is a better alternative to the Aristotelian one. After having justified the authority of the Stoic tradition I take a closer look at what their ethics entail. The Stoics have what Cottingham refers to as a “synoptic” conception of philosophy. This means that they tried to integrate all the aspects of human understanding into a single system. Therefore, if one wishes to give a comprehensive picture of their ethics it is necessary to explain their philosophical work on physics and logic as well. I do so by comparing their understanding of physics to the contemporary understanding thereof. The Stoics believed that philosophy is not an abstract theoretical discipline, but rather a way of life. Theoretical arguments play an important role in so far as it helps us to comprehend the nature of the good, but ultimately philosophy is about helping us to live a good life. In light of this understanding I argue that they conceived of ethics as the art of living. The Stoics also believed that one could practice ethics as a form of therapy for our emotions. They believed that emotions such as anger and depression are caused by misguided ways of thinking and that ultimately the good life would cultivate our spirit and enable us to become more resistant to these types of emotions. Simultaneously it will enable us to experience more rational emotions such as joy. The ultimate aim of my research project is to highlight the important contributions the Stoics can make to the crisis we are currently experiencing in ethical discourse. / Dissertation (MA (Philosophy))--University of Pretoria, 2007. / Philosophy / unrestricted

Includes bibliographical references (leaves 119-131) / Text in English with summaries in English and Afrikaans / There are certain influences from the eighteenth and nineteenth century English and German romantic Zeitgeist that can be discerned in Hans Christian Andersen’s fairy tales. The role of the imagination stands out as a particularly dominant notion of the romantic period as opposed to the emphasis on reason during the Enlightenment. It is this romantic influence that Andersen’s tales especially exemplify. For him the imagination is transcendent – one can overcome the mystery and hardship of an earthly existence by recasting situations imaginatively and one can even be elevated to a higher, spiritual realm by its power. The transcendent power of the imagination is best understood by viewing it through the lens of negative capability, a concept put forward by romantic poet, John Keats. The concept implies an “imaginative openness” to what is, which allows one to tolerate life’s uncertainties and the inexplicable suffering that forms part of one’s earthly existence by using the imagination to open up new potential within trying circumstances. In selected fairy tales, Andersen’s child protagonists transcend their circumstances by the power of their imagination. In other tales, nature is instrumental in this imaginative transcendence. The natural world conveys spiritual truths and has a moralising influence on the characters, bringing them closer to the Ultimate Creator. This follows the philosophy of German Naturphilosophie, as well as that of English romantics like Coleridge and Wordsworth, for whom nature functions as a portal to the spiritual world. The concept of the “sublime” underpins this philosophy. If nature is viewed through an imaginative, instead of an empirical lens, it becomes the means by which the temporal world can be transcended. It is a message of hope and as such is in keeping with Andersen’s self professed calling as visionary who uses his art to uplift mankind. In this he is the ultimate romantic hero or outsider who, while standing on the periphery of society, observes its shortcomings and feels called upon to show the way to a better world. / Sekere invloede van agtiende- en negentiende eeuse Engelse en Duitse romantisisme kan in Hans Christian Andersen se feëverhale bespeur word. Veral die rol van die verbeelding staan uit as ‘n dominante invloed van romantisisme, in teenstelling met die laat sewentien- en vroeë agtiende eeuse fokus op rasionaliteit. Dit is hierdie romantiese invloed wat Andersen se verhale veral versinnebeeld. Vir hom is die verbeelding transendentaal – ‘n mens kan die misterie en swaarkry van jou aardse bestaan oorkom deur situasies deur die oog van die verbeelding te bejeën en kan selfs deur die mag van die verbeelding opgehef word na ‘n hoër, meer spirituele vlak. Die transendentale mag van die verbeelding kan beter begryp word wanneer dit deur die lens van “negative capability” gesien word. Hierdie konsep is deur die romantiese digter, John Keats, voorgestel. Die konsep impliseer ‘n verbeeldingryke openheid in die aangesig van aardse onsekerheid en swaarkry, wat die mens uiteindelik in staat stel om nuwe potensiaal in moeilike omstandighede raak te sien. In uitgekose feëverhale, oorkom Andersen se kinderprotagoniste hul moeilike omstandighede deur die mag van die verbeelding. In ander verhale is die natuur deurslaggewend in dié transendentale verbeeldingsreis. Nie net dra die natuur geestelike waarhede oor nie, maar dit het ook ‘n moraliserende invloed op die karakters, wat hulle nader aan ‘n Opperwese bring. Dit herinner aan die Duitse Naturphilosophie, asook die sienswyse van Engelse romantikusse soos Coleridge en Wordsworth, vir wie die natuur ‘n deurgangsroete na die geestelike wêreld is. Die idee van die “sublime” is onderliggend aan hierdie filosofie. As die natuur deur middel van die verbeeldingslens, in plaas van deur ‘n empiriese lens bejeën word, kan dit ‘n manier word om die aardse te oorkom. Dit is dus ‘n boodskap van hoop wat in lyn is met Andersen se selfopgelegde taak as profeet wat sy kuns gebruik om die mensdom op te hef. In hierdie opsig is hy die absolute romantiese held of buitestaander, wat, ofskoon hy aan die buitewyke van die samelewing staan, tóg tekortkominge raaksien en geroepe voel om die weg na ‘n beter wêreld te wys. / English Studies / M.A. (English)

South Africa and the rest of the world currently face an exacerbating threat of environmental degradation, which can be partly ascribed to the fact that some parts of society still place economic growth as a priority over environmental conservation. This study shows that such an approach is only profitable over the short term and actually causes more harm than good. On the other hand, the world is still recovering from the major 2008 global financial crisis. To tip the scale back into balance, it is crucial that economic -, social -, and environmental development be sustainable; from now and into the future. This study recognises that, to achieve sustainable development at all three levels, a transition to a green economy is needed. In essence a green economy requires investment in the environment for the benefit of both society and the economy. This study then goes on to show that ecotourism can be used as a manner to invest in the environment, whilst at the same time uplifting society and improving the economy. Subsequently it is identified as a key driver of a green economy. However, a daunting reality is that ecotourism developments and - activities also threaten the environment. This study therefore argues that ecotourism has to be regulated effectively; otherwise it will not live up to its purpose and may, as a result, curtail South Africa’s efforts of a transition to a green economy, instead of positively contributing to it. This study asks the question: Does South Africa’s environmental legislation provide for the effective regulation of ecotourism? This question is answered by considering whether various relevant pieces of national environmental legislation measure up to certain criteria that is inherent to the effective regulation of ecotourism. Finally this study serves to show that; from an environmental law perspective, and to the extent that this study investigated the ecotourism environment, ecotourism as a phenomenon is regulated effectively in South Africa. However, it appears that there still remains tremendous scope for improvement. / LLM (Environmental Law and Governance), North-West University, Potchefstroom Campus, 2014

South Africa and the rest of the world currently face an exacerbating threat of environmental degradation, which can be partly ascribed to the fact that some parts of society still place economic growth as a priority over environmental conservation. This study shows that such an approach is only profitable over the short term and actually causes more harm than good. On the other hand, the world is still recovering from the major 2008 global financial crisis. To tip the scale back into balance, it is crucial that economic -, social -, and environmental development be sustainable; from now and into the future. This study recognises that, to achieve sustainable development at all three levels, a transition to a green economy is needed. In essence a green economy requires investment in the environment for the benefit of both society and the economy. This study then goes on to show that ecotourism can be used as a manner to invest in the environment, whilst at the same time uplifting society and improving the economy. Subsequently it is identified as a key driver of a green economy. However, a daunting reality is that ecotourism developments and - activities also threaten the environment. This study therefore argues that ecotourism has to be regulated effectively; otherwise it will not live up to its purpose and may, as a result, curtail South Africa’s efforts of a transition to a green economy, instead of positively contributing to it. This study asks the question: Does South Africa’s environmental legislation provide for the effective regulation of ecotourism? This question is answered by considering whether various relevant pieces of national environmental legislation measure up to certain criteria that is inherent to the effective regulation of ecotourism. Finally this study serves to show that; from an environmental law perspective, and to the extent that this study investigated the ecotourism environment, ecotourism as a phenomenon is regulated effectively in South Africa. However, it appears that there still remains tremendous scope for improvement. / LLM (Environmental Law and Governance), North-West University, Potchefstroom Campus, 2014

Nature–based tourism destinations have shown significant growth over the past decade and, with the ever increasing numbers of tourists travelling to national parks, the right management structures, goals and objectives need to be determined. South African National Parks (SANParks) manages all 22 national parks in South Africa with the Kruger National Park (KNP) being the biggest of them all and generating more than 80% of SANParks income. The KNP is one of the world’s largest parks conserving a staggering 1 962 362 ha of land which is bigger than countries such as Israel and Holland. When taking the KNP into perspective, park management must have the right management styles and factors in place to ensure that the park is managed in a sustainable manner and exceeds the expectations of the tourist to provide a memorable experience whilst visiting the KNP. The goal of this study was therefore to determine the critical management aspects or critical success factors (CSFs) needed to create a memorable visitor experience at the park. This goal was achieved by conducting a questionnaire survey at four rest camps within the KNP from 27 December 2010 to 4 January 2011. The rest camps used for the survey were: Skukuza (152 questionnaires), Berg and Dal (98 questionnaires), Lower Sabie (85 questionnaires) and Satara (101 questionnaires). During this time a total of 436 questionnaires were completed and included in further analysis. In Article 1, the key management aspects that visitors regard as important for a memorable visitor experience at the KNP were identified. These CSFs assist management in providing quality services and products for the tourist, leading to a memorable experience. A factor analysis was performed on the expectations of the tourists to national parks. There were nine CSFs identified that management can implement to ensure a memorable visitor experience. The three factors that have not yet been identified in previous research were wildlife experience, interpretation and luxuries. Other factors that have been identified were General management, Variety activities, Accommodation, Green management, Hospitality management, and Facilities. The results showed that park management needs to become aware of what the visitor sees as important factors for a memorable visitor experience and they can adapt certain aspects to improve the visitor’s experience. In Article 2, gaps within the park management were identified. These gaps were measured by taking the 62 variables and asking the tourist what their expectations were with regard to a memorable experience versus their actual/real experience at the park. A factor analysis on the expectations and the actual/real experiences was done and each of these factors was given a score. The scores of each factor were measured against one another indicating the differences and gaps in management. The twelve factors that were identified were General management, Education activities. Accommodation facilities, Green management, Information provided, Layout of the park, Wildlife, Facilities in the park, Food and Beverage management, Interpretive activities, Bookings and General services, and Outdoor activities. These twelve factors have also been grouped into three sub groups containing four factors each and either the expectations were exceeded, did not meet expectations or were neutral. The main gaps were Education, Accommodation facilities, Interpretations facilities and Wildlife. If management want to ensure a memorable visitor experience at the KNP they must not only focus on these gaps, but also strive to exceed visitors’ expectations on all levels. This research found that there are certain CSFs for managing a national park and gaps within park management that need to be addressed. These gaps or problem areas can be overcome by the implementation of a continuous evaluation process that will ensure effective and efficient management of the park. Park management can therefore improve their services and products as well as the quality thereof by knowing what the tourists see as important when visiting a national park to obtain a memorable experience that will lead to positive word of mouth, loyalty, increased revenue and sustainability of the KNP. Even though it is not a requirement of a masters’ dissertation to make a contribution, this research has made a significant contribution towards the methodology as the method applied determined the gaps in visitor experience and expectations and this has not been used before. Future research can make use of this type of method determining individuals’ expectations and experiences when visiting a national park or any other nature–based destination. / Thesis (M.Com. (Tourism))--North-West University, Potchefstroom Campus, 2012.

Nature–based tourism destinations have shown significant growth over the past decade and, with the ever increasing numbers of tourists travelling to national parks, the right management structures, goals and objectives need to be determined. South African National Parks (SANParks) manages all 22 national parks in South Africa with the Kruger National Park (KNP) being the biggest of them all and generating more than 80% of SANParks income. The KNP is one of the world’s largest parks conserving a staggering 1 962 362 ha of land which is bigger than countries such as Israel and Holland. When taking the KNP into perspective, park management must have the right management styles and factors in place to ensure that the park is managed in a sustainable manner and exceeds the expectations of the tourist to provide a memorable experience whilst visiting the KNP. The goal of this study was therefore to determine the critical management aspects or critical success factors (CSFs) needed to create a memorable visitor experience at the park. This goal was achieved by conducting a questionnaire survey at four rest camps within the KNP from 27 December 2010 to 4 January 2011. The rest camps used for the survey were: Skukuza (152 questionnaires), Berg and Dal (98 questionnaires), Lower Sabie (85 questionnaires) and Satara (101 questionnaires). During this time a total of 436 questionnaires were completed and included in further analysis. In Article 1, the key management aspects that visitors regard as important for a memorable visitor experience at the KNP were identified. These CSFs assist management in providing quality services and products for the tourist, leading to a memorable experience. A factor analysis was performed on the expectations of the tourists to national parks. There were nine CSFs identified that management can implement to ensure a memorable visitor experience. The three factors that have not yet been identified in previous research were wildlife experience, interpretation and luxuries. Other factors that have been identified were General management, Variety activities, Accommodation, Green management, Hospitality management, and Facilities. The results showed that park management needs to become aware of what the visitor sees as important factors for a memorable visitor experience and they can adapt certain aspects to improve the visitor’s experience. In Article 2, gaps within the park management were identified. These gaps were measured by taking the 62 variables and asking the tourist what their expectations were with regard to a memorable experience versus their actual/real experience at the park. A factor analysis on the expectations and the actual/real experiences was done and each of these factors was given a score. The scores of each factor were measured against one another indicating the differences and gaps in management. The twelve factors that were identified were General management, Education activities. Accommodation facilities, Green management, Information provided, Layout of the park, Wildlife, Facilities in the park, Food and Beverage management, Interpretive activities, Bookings and General services, and Outdoor activities. These twelve factors have also been grouped into three sub groups containing four factors each and either the expectations were exceeded, did not meet expectations or were neutral. The main gaps were Education, Accommodation facilities, Interpretations facilities and Wildlife. If management want to ensure a memorable visitor experience at the KNP they must not only focus on these gaps, but also strive to exceed visitors’ expectations on all levels. This research found that there are certain CSFs for managing a national park and gaps within park management that need to be addressed. These gaps or problem areas can be overcome by the implementation of a continuous evaluation process that will ensure effective and efficient management of the park. Park management can therefore improve their services and products as well as the quality thereof by knowing what the tourists see as important when visiting a national park to obtain a memorable experience that will lead to positive word of mouth, loyalty, increased revenue and sustainability of the KNP. Even though it is not a requirement of a masters’ dissertation to make a contribution, this research has made a significant contribution towards the methodology as the method applied determined the gaps in visitor experience and expectations and this has not been used before. Future research can make use of this type of method determining individuals’ expectations and experiences when visiting a national park or any other nature–based destination. / Thesis (M.Com. (Tourism))--North-West University, Potchefstroom Campus, 2012.