Global ETD Search

1	Xenophon, Apologie des Sokrates : Ein Kommentar / Xenophon, Apology of Socrates : A commentary Hogenmüller, Boris January 2007 (has links) (PDF) Der Hauptschwerpunkt dieser Untersuchung liegt auf dem Versuch, die noch immer nicht geklärte Frage nach der chronologischen Einordnung von Xenophons Kleinschrift <Apologie des Sokrates> in Xenophons Œuvre zu beantworten. Gerade der eingehende Vergleich mit verschiedenen sokratischen Schriften (u.a. <Memorabilien>, Platons <Apologie>, <Kriton> und <Phaidon>) liefert hierbei aufschlussreiche Ergebnisse. Im zweiten Teil folgt ein ausführlicher philologisch-literarischer Kommentar der Kleinschrift, woran sich abschließend zwei kleinere Untersuchungen zu Sokrates’ sprichwörtlicher ‚megalegoria’ und der Tradition der sokratischen Apologienschriftstellerei anschließen. / Main theme of this doctor thesis is to answer the still problematic question of the chronological position of Xenophon’s <Apology of Socrates> in Xenophon’s œuvre. Some interesting results can be found by the comparison of different so called ‚sokratikoi logoi’ (<Memorables>, Plato’s <Apology>, <Crito> and <Phaedo>). The second part of the thesis contents of a philological and literal commentary of the <Apology>, followed by two smaller studies of Socrates’ ‚megalegoria’ and the tradition of Socratic apologies. Xenophon Apologie Sokrates Kommentar ddc:100
2	A contextualização dramatica do Laques e sua relação com a Apologia de Platão / The dramatic context of Laches and its relation to Plato's Apology Matos Júnior, Fábio Amorim de, 1980- 20 February 2008 (has links) Orientador: Alcides Hector Rodriguez Benoit / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas / Made available in DSpace on 2018-08-11T01:57:10Z (GMT). No. of bitstreams: 1 MatosJunior_FabioAmorimde_M.pdf: 1031718 bytes, checksum: b4bb1fc1dab97ac824d789b9f235680a (MD5) Previous issue date: 2008 / Resumo: Conforme retrata Platão na Apologia, o plano de defesa (p???est?) executado por Sócrates possui como núcleo a refutação (??e????) de antigas calúnias (dtaß??a?) contra ele proferidas, em detrimento das acusações que o conduziram a juízo; uma vez que não somente confere o filósofo um maior grau de temeridade àquelas calúnias ¿ em detrimento da ??aF? (acusação escrita) imposta por Meleto ¿ como lhes credita o resultado do julgamento (Apologia 35e-36b). Mas, qual seria a razão para semelhante alusão? Isto é, por que estaria Sócrates convicto de haver refutado a ??aF? que lhe fora imposta e não as antigas acusações? A presente dissertação sustenta que a principal causa desse ¿fracasso¿ assenta-se na impossibilidade de aplicação do ??e????, visto que a ausência de um interlocutor impede a realização da ???t?s?? (processo dialógico), procedimento sem o qual o método utilizado por Sócrates naquele texto faz-se inócuo. Destarte, posteriormente, Platão encontrar-se-ia na iminência de refutar aquelas acusações, contudo, sem utilizar-se para tanto do ??e????. Porém, como dar cabo de semelhante tarefa? Sugere-se que uma tentativa de solução apresentase no Laques, no processo de dramatização que engloba o diálogo. De modo que a ¿contextualização dramática¿ presente nesse texto, longe de constituir-se como reflexo de uma suposta genialidade literária de Platão, seja uma extensão da defesa apresentada na Apologia. Procedimento que possibilitaria uma reabilitação paulatina e propedêutica para Sócrates, e que se fundaria na exaltação ¿ por cidadãos distinguidos de Atenas ¿ das diversas a??ta? (virtudes) do mestre, assim como na crítica ao sistema jurídico vigente (Laques 184d-e). O que permitiu a Platão, em único tempo, ora refutar as calúnias postas na Apologia ¿ suprimindo a carência metodológica do ??e???? ¿ ora reabilitar, perante à pólis, a imagem do mestre injustiçado / Abstract: According to what states Plato in his Apology, the defense plan ((p???est?) executed by Socrates possess as its nucleus the refutation (??e????) of old slanders pronounced against him, to the detriment of the accusations that led him to court. Since it not only grants the philosopher a higher degree of temerity to those slanders ¿ because of the ??aF? (written accusation) imposed by Meletus ¿ but also credits them for the result of the trial (Apology 35e-36b). But what would be the reason for similar allusion? In other words, why would Socrates be convinced of having refuted the ??aF? that had been imposed to him and not the old accusations? This dissertation supports that the main cause of this ¿failure¿ lays on the impossibility of applying the ??e????. Therefore, the absence of a speaker prevents from carrying out the ???t?s?? (dialogic process), procedure without which the method used by Socrates in that text becomes innocuous. Thereby, later on, Plato would find himself in the imminence of refuting those accusations, however, without making any use for that matter of the ??e????. But how to do away with similar task? Is suggested that an attempt of solution presents itself in the Laches, in the process of dramatization that involves the dialogue. In that way, the ¿dramatic context¿ present in the text, far from constituting itself as a reflex of a supposed literary geniality of Plato, is an extension of the defense presented in the Apology. Procedure that would allow a slow and propaedeutic rehabilitation to Socrates, and that would be founded in the exaltation ¿ by distinguished Athens citizens ¿ of the many a??ta? of the master, as well as in the critic to the current legal system (Laches 184d-e). That is what allowed Plato, in a single time, one moment refute those slanders presented in the Apology, suppressing the methodological lack of the ??e????, the next rehabilitate, before the pólis, the image of his injusticed master / Mestrado / Mestre em Filosofia Sócrates Platão Dialética Diálogos Sokrates Platon Dialectic Dialogues
3	Sokrates och Platons idéer och idéerna i LPO 94. En jämförande studie Åhlfeldt, Lena January 2003 (has links) The ideas of Sokrates and Plato compared with the ideas in the Swedish curriculum from 1994. / Sokrates och Platons idéer jämfört med idéerna i LPO 94. En studie i kunskap och samhällssyn. Antikens filosofi Sokrates majevtik förlossningskonst Platons idelastat Social Sciences Samhällsvetenskap
4	Frivilliga fel : den sokratiska paradoxen och Platons Staten / To Err Willingly : The Socratic Paradox and Plato's Republic Johansson, Einar January 2020 (has links) I denna uppsats undersöker jag hur två olika tolkningar av den sokratiska frivillighetsparadoxen ingen gör fel frivilligt påverkar möjligheten att förstå Platons dialog Staten. Min hypotes är att de två tolkningarna av frivillighetsparadoxen kastar ljus över diskussionen i Staten, och att det är nödvändigt att förstå frivillighetsparadoxens roll för att förstå vad som står på spel i Staten. I uppsatsen ämnar jag visa att ett möjligt sätt att läsa Staten är att tolka Sokrates och de övriga samtalsdeltagarnas uttalanden baserat på kontexten, eftersom vissa uttalanden är polemiska i sin karaktär, medan andra är traditionella. Jag argumenterar för att såväl den traditionella synen på Sokrates som den polemiska dito är korrekta analyser av Sokrates filosofiska gärning, men inte heltäckande sådana, eftersom Sokrates ibland är polemisk – mot de som kvickt måste nedkämpas – och ibland är instruerande på traditionellt manér, mot de som kan förbättras genom det filosofiska samtalet. Detta sätt att läsa Staten skiljer sig från andra genom att läsaren bör avstå a priori-uppfattningar om Sokrates, Thrasymakos eller Glaukons och Adeimantos ståndpunkter till förmån för att tolka beteenden hos samtalsdeltagarna samt deras uppfattningar, vilka förmedlas av texten. Plato Republic Socrates err willingly socratic paradox akrasia enkrasia arete Platon frivillighetsparadoxen den sokratiska paradoxen Sokrates paradox Staten frivilliga fel Sokrates akrasia enkrasia arete Philosophy Filosofi
5	Filosofie Sørena Kierkegaarda a její využití ve výuce filosofie na středních školách / Philosophy of Søren Kierkegaard and Its Use in High School Education in Philosophy Jarolímková, Tereza January 2011 (has links) This graduation theses deals with the philosophy of Søren Kierkegaard from the point of view of fututre teacher. The first part of the theses offers theoretical overview of basic thoughts of the Danish philosopher based on comparison with other philosophers. The other part analyses the possibilities of usage Kierkegaard's philosophy in teaching philosophy at high schools. The educational aims and the lessons' procedures are being described in this section.
6	Sokratovské tázání jako východisko péče o duši u Jana Patočky / Socratic Question as a Basis of the Care for One's Soul According to Jan Patocka Matuška, Štěpán January 2016 (has links) This thesis deals with the topic of the Socratic question as a basis of the care for one's soul in Patocka's texts within the period from 30th to 50th years of the 20th century. This topic is here divided into three larger coherent units. The first part deals with the Patocka's understanding of Socratic care for one's soul as a historical moral self-creation of man having a character of negatively oriented transcension, which is not determined by ideas, but associated in its way of distance from objectivity with motive of knowing unknowing about the last good. The second part of this thesis deals with Patocka's comprehending of Plato as a creator of metaphysical thinking, in which core stands this negatively oriented experience of Socratic moral reversal. Plato, however, this experience of originally unobjectivated horizon according to Patocka's interpretation objectivates as the world of eternal ideas. Patocka as a central interpretative motive of this experience inserts in his own interpretation of Plato the term of Being inspired by Heidegger, which is very close to Plato's Idea of Good laying beyond all divides of essence (ἐπέκεινα τῆς οὐσίας). The last part of this thesis concerns with Patocka's own attempt to understand Plato's Idea by unobjective means. Although thus interpreted Idea is relieved of...
7	Prefekten Orestes : En maktanalys av skildringen av Praefectus Augustalis / Prefect Orestes : Power analysis of the depiction of Praefectus Augustalis Björkegren, Jakob January 2020 (has links) The aim of this study is to examine and analyse how the Alexandrian prefect Orestes of late antiquity and his management of the events of 414-415 were depicted in the ancient sources: Socrates Scholasticus, John of Nikiu and Damascius. By applying S. Brownes rhetoric analysis to remove the authors “filters” in their depiction and then applying French & Ravens bases of power to analyse how prefect Orestes power were depicted. Th analyses also applies the bases of power on bishop Cyril and philosopher Hypatia as the study found it difficult to analyses the prefect without them. The result of the analysis and discussion mainly found that the depiction of the prefect Orestes is affected by the rhetoric “filterers” of the three ancient authors. The study also found that the depiction of prefect Orestes and how he managed the events between 414-415 is always dependent on the office of prefectures authority and power. This what French & Raven call legitimate power. Prefect Orestes actions were based on the office of prefecture authority and power, in accordance to the social structure and cultural rules. He was always depicted as the prefect not the person Orestes. Orestes prefect power Hypatia Cyril Socrates John of Nikiu Damascius Egypt Alexandria Praefectus Augustalis Makt Kyrillos Sokrates Johannes av Nikiu Damaskios Antikvetenskap
8	Stoïsynse terapie en lewenskuns (Afrikaans) Schoeman, Werner 19 June 2007 (has links) Contemporary debates in ethics are characterised by opposing views that appear to be irreconcilable. Rational debates seem to be making no headway due to the fact that the incompatibilities of the different views seem to lie within the very premises of the different arguments. These debates acquire an interminable character, because representatives of the different standpoints refuse to accept each others’ premises. MacIntyre attributes this state of affairs to the failure of the Enlightenment project. In their attempt to create a universally valid moral system the Enlightenment philosophers discredited the ethical traditions and emphasized reason as the only authority on these matters. The supposedly “universal” rational arguments are built on premises the Enlightenment thinkers inherited from the exact same ethical traditions whose authority they consciously undermined. The irony of the Enlightenment project is therefore that it caused its own failure. MacIntyre believes that the Enlightenment thinkers were mistaken in undermining the authority of all the ethical traditions. He argues that the authority of the critical traditions is legitimate. A critical tradition is a moral tradition where some form of rational enquiry is embodied in the tradition itself. MacIntyre defends the authority of the Aristotelian tradition as the critical tradition per se. In my own enquiry I defend the authority of the Stoic tradition. I attempt to point out the flaws in MacIntyre’s understanding of the Stoics and argue that in some respects the Stoic tradition is a better alternative to the Aristotelian one. After having justified the authority of the Stoic tradition I take a closer look at what their ethics entail. The Stoics have what Cottingham refers to as a “synoptic” conception of philosophy. This means that they tried to integrate all the aspects of human understanding into a single system. Therefore, if one wishes to give a comprehensive picture of their ethics it is necessary to explain their philosophical work on physics and logic as well. I do so by comparing their understanding of physics to the contemporary understanding thereof. The Stoics believed that philosophy is not an abstract theoretical discipline, but rather a way of life. Theoretical arguments play an important role in so far as it helps us to comprehend the nature of the good, but ultimately philosophy is about helping us to live a good life. In light of this understanding I argue that they conceived of ethics as the art of living. The Stoics also believed that one could practice ethics as a form of therapy for our emotions. They believed that emotions such as anger and depression are caused by misguided ways of thinking and that ultimately the good life would cultivate our spirit and enable us to become more resistant to these types of emotions. Simultaneously it will enable us to experience more rational emotions such as joy. The ultimate aim of my research project is to highlight the important contributions the Stoics can make to the crisis we are currently experiencing in ethical discourse. / Dissertation (MA (Philosophy))--University of Pretoria, 2007. / Philosophy / unrestricted Virtue ethics Spiritual exercises A life in accordance with nature Stoïsisme Marcus aurelius Epictetus Sokrates Die lewenskuns Stoïsynse terapie ŉ lewe in ooreenstemming met die natuur Spirituele oefeninge Deugde-etiek Stoic therapy The art of living Socrates Epictetus Marcus aurelius Stoicism UCTD
9	Metafor - en metod att göra det privata personligt Uddenberg, Molly January 2013 (has links) In this study I have met three authors in a dialogue seminar on their literary work. The discussion, starting from texts by Lacan and Socrates, revolved around the dichotomy of personal and private, and how to benefit from personal material in one’s literary work. The three authors reflected on the writer Karl Ove Knausgård and the photographer Sally Mann, who both are working with their own immediate family as a motif. In Knausgård, you can find a strong and self-dissecting writer persona as a medium of creating recognition in the readers mind. In Sally Mann the metaphorical dimensions of this family motifs transforms them to images of much more general relevance than their private settings. On the subject of truth and story I also reflect on the different approaches that the authors Primo Levi, Viktor Frankl and Imre Kertész have on their experiences of the Holocaust. Finally the importance and relevance of metaphors as a way of getting a touch of one’s own private material is starting to be investigated. / I det här arbetet har jag samlat tre författare i olika genrer till ett dialogseminarium om sin arbetsprocess. Samtalet, som utgick från texter av Lacan och Sokrates, kretsade mycket kring författarens arbetsvillkor och de olika metoder som författarna använder sig av för att hitta sin frihet i förhållande till dem. I samtalet blev det uppenbart hur beroende alla författarna är av en förstående medarbetare. Okunskap och felläsning från en dramaturg eller redaktör kan bokstavligt talat bli förödande. Dialogmötet kom att kretsa kring frågeställningar om hur man skiljer privat och personligt. Vi diskuterade författaren Karl Ove Knausgård och fotografen Sally Mann, som båda jobbar med sin egen familj som motiv. Genom att Knausgård använder sig själv som en roll visar han på en möjlighet att närma sig ett eget material. Hos Sally Mann är det istället de metaforiska dimensionerna i de vardagliga motiven som gör sig tydliga. Också i Imre Kertész skildring av förintelsen förvandlas den till något större: en metafor för hur ödet och slumpen kan påverka våra liv. Hans berättelse blir på det sättet mindre beroende av vad som är sant, än skildringarna av två andra överlevare från Auschwitz: Primo Levi och Viktor Frankl. Vilket inte betyder att de andras texter saknar metaforisk styrka. Avslutningsvis går uppsatsen in på författarnas sätt att använda metaforen som ett verktyg för att berätta. Metaforen är alltid en bild av någonting annat, den skapar en fördjupning och oförväntad igenkänning hos läsaren. Den ger också möjligheter för konstnären/författaren att berätta saker som hen inte kan säga på andra sätt. Metaforen uppstår genom igenkänning i skapandet. Man kan välja att gå med den, eller aktivt gå emot den för att fördjupa textens eller filmens metaforiska dimension. En viktig aspekt för yrkeskunnande inom konsten och författarskap är att aldrig ligga före i sitt arbete genom att oroa sig för vad omgivningen ska tycka och tänka. Då finns det en risk att man blir en feg konstnär, vilket är förödande för ens skapande. Author writing metaphor images language acting role autobiography Lacan Socrates Knausgård Mann art artist artistic process artistry writing process teaching student wiggh strand lindholm levi frankl kertész personal experience private dramaturge script writer editor producer film theatre literature the unconscious Skrivarprocesser författare elever skrivarkurs metafor självbiografi privat personligt konstnär dramaturg manusförfattare förintelsen Karl Ove Knausgård Primo Levi Viktor Frankl Imre Kertész Marianne Strand Maj-Britt Wiggh Åsa Lindholm rollen bildspråket det omedvetna Sally Mann fotografi intuition igenkänning näsblod Platon Lacan Sokrates

Search results