Esta dissertação tem como objetivo analisar a figuração dramatúrgica do indivíduo em duas peças produzidas pelo grupo teatral The Provincetown Players: Suppressed Desires (1915), de Susan Glaspell e George Cram Cook, e Before Breakfast (1916), de Eugene ONeill. Consideramos que o estudo da produção desse grupo norte-americano traz importantes reflexões acerca da representação de questões históricas, políticas e estéticas recentes naquela época , e que vieram a ter desdobramentos em diversas direções no teatro contemporâneo. / This work aims at analyzing the dramaturgical figurations of the self in two plays produced by The Provincetown Players: Suppressed Desires (1915), by Susan Glaspell and George Cram Cook, and Before Breakfast (1916), by Eugene O\'Neill. We believe that the study of the production of this American group introduces important reflections on the representation of historical, political and aesthetic factors recent then , which came to have developments in several directions in contemporary theater.

Through examining the common themes in the writings of five anarchist women writers, I argue their writings are representative of ideological regionalism, or the convergence of factors that give rise to a political ideology that is then expounded through the literary production of a particular time and place. I analyze the economic, sexual, and “religious” politics across fiction, non-fiction, and poetry, connecting arguments about class, individualism, feminism, and anarchism to a foundation of Midwestern cultural ideology. Ultimately, I argue that economic, political, and historical conditions promulgated an exceptionalist American anarchism rooted in settler anti-statism. <br>

Os romances norte-americanos The left Hand of Darkness de Usula Le Guin (1969) e The Handmaids Tale de Margaret Atwood (1985) traduzem os anseios dos ideários políticos e feministas em seus momentos de publicação. As obras são consideradas, respectivamente, u m romance utópico do gênero ficção científica e um romance distópico que se tornou best seller. The left Hand of Darkness coloca, em fragmentos, a questão do planeta Gethen, que se vê diante de uma ginada histórica: ingressar ou não, figurando como uma nação periférica, no Ekumen, uma liga interplanetária. O planeta é habitado por seres ambissexuais e recebe a visita do Enviado, um homem, o incumbindo em trazer esta questão. The Handmaids Tale traz relatos da Aia Offred, residente de Gilead, nação que seria um fantasmagórico duplo dos Estados Unidos dos anos de 1980, onde se instituiu um governo teocrático, abolindo os direitos mais básicos de todas as mulheres, embora restem mantidas a propriedade privada e a produção capitalista. Offred é uma Aia, o seu útero é tutelado por este Estado e seus relatos foram reconstituídos por dois professores em um simpósio acadêmico no ano de 2195. No trabalho, discute-se a impossibilidade da configuração da utopia nos romances, observando-se as teorias feministas e estudos de gênero na segunda metade do século XX; as formas literárias dentro da noção do que seria o romance no pós - modernismo; a crítica da representação e suas funções ideológicas e a emergência de impulsos utópicos em produtos da cultura de massa, tendo em vista a medologia desenvolvida pela crítica materialista, com ênfase nas análises de Fredric Jameson na obra Archaeologies of the future: the desire called utopia and other science fictions. / The North American novels The Left Hand of Darkness by Usula Le Guin (1969) and The Handmaid\'s Tale by Margaret Atwood (1985) reflect the political and feminist aspirations at the time they were each published. They are considered, respectively, a science-fiction utopian novel and a best-seller dystopian novel. The Left Hand of Darkness presents, in a fragmented way, the question faced by the planet Gethen at a turning point in its history: to join or not, as a peripheral nation, the interplanetary league known as Ekumen. The planet is inhabited by \"ambisexuals\" beings and receives a visit from the Envoy\", a male, who is tasked with presenting this choice to Gethen. The Handmaid\'s Tale tells the story of the handmaid Offred, a resident of Gilead, a nation that represents a phantasmagoric version of the United States in the 1980s, where a theocratic government was stablished, suppresing the most basic rights of all women, while mantaining capitalism and private property. Offred is a handmaid, which uterus is managed by this state and her story is reconstituted by two professors in an academic symposium in the year 2195. In this paper, I discuss the impossibility of the utopia in these novels, taking in account feminist theo ry and gender studies in the second half of the twentieth century; literary forms and the idea of what would constitute the postmodern novel; the critique of representation and its ideological functions and the emergence of utopic impulses in the products of mass culture, having in mind the to metodology developed by the materialist critique, with emphasis in Fredric Jameson and his work Archaeologies of the future: the desire called utopia and other science fictions.

What is religion? That is a question that have been asked and answered over and over again since the invention of the word itself. The definition of religion is still engaging and dividing social science. Despite that, the word has a untaught part of our everyday life. We meet the word on the news, in conversations and in education. What we may not consider is that religion is a product of it’s own history which until today, influences the understanding of it. The definition of it is also produced and reproduced in different contexts. These contexts in which religion is presented and explained imprint thus our understanding of religion. This paper aim to examine what religion is and how it is defined and described in the context of a museum, more particularly the exhibition Nordamerikas indianer at Etnografiska museet in Stockholm, Sweden.

Well-preserved plant remains recovered from archaeological deposits at the Paisley Five-Mile Point Caves and Little Steamboat Point-1 Rockshelter in southcentral Oregon provided a rare opportunity to study ancient plant resources used by northern Great Basin indigenous groups and their ancestors with Western Stemmed technologies. Macrobotanical analysis of cultural features and vertical columns spanning the Terminal Pleistocene and Holocene epochs in the rockshelter repositories yielded thousands of seeds and charcoal fragments that can be attributed to human activities. Data generated in this analysis have provided evidence of paleoenvironments along with the diets and social behaviors of people visiting northern Great Basin rockshelters as a stopover on their seasonal subsistence rounds. The preponderance of upland shrubs and herbs in the assemblages at both archaeological sites indicates vegetation in the immediate vicinity of the rockshelters was fairly stable over the past 14,000 years. The macrobotanical data complemented local and regional pollen analyses to refine the paleoecological proxy data and address uncertainties regarding the proximity of wetland plants and pine (Pinus sp.) to the rockshelters in the past. Samples originating from Younger Dryas deposits at the Paisley Caves and Late Holocene deposits at the Paisley Caves and LSP-1 Rockshelter suggest increased visitation frequency in these periods. The diverse assemblage of cultural plant remains during these times also indicate a broad diet breadth for Great Basin foragers, which included small seeds, nuts and berries, and root vegetables. The presence of an earth oven feature dating to the Terminal Pleistocene/Early Holocene (TP/EH) in Paisley Cave 5 further demonstrates sophisticated traditional knowledge of plant foods and cooking techniques as early as 12,000 cal BP. This study also generated data chronicling the deep historical roots of traditionally valued economic plant foods. Cheno-ams, grasses (Poaceae), and tansymustards (Descurainia sp.) are well-represented in fire hearths at the Paisley Caves and LSP-1 Rockshelter through time. Analysis of a bushytailed woodrat (Neotoma cinerea) nest in deposits dating to the TP/EH demonstrates rodents living in the Paisley Caves routinely scavenged resources from cultural activity areas, and raised questions about whether people recognized the woodrats’ nests as a reliable resource of cached edible seeds.

Les missions catholiques auprès des populations nord-Amérindiennes canadienness’offrent à la recherche en sciences sociales comme un laboratoire d’expériences de la rencontreinterculturelle. Cette thèse se veut une anthropologie comparée de deux aires culturellesparticulièrement au sujet de deux points : les processus d’adaptation à l’altérité et la constructionculturelle du genre féminin. Nous proposons d’interroger la façon dont le contexte des missionspermet de mettre en comparaison deux cultures dans le rapport de chacune à l’altérité etcomment, dans cette altérité respective, il est possible d’observer deux versions du genre fémininse dessiner. Pour ce faire, les récits de vie des femmes missionnaires catholique ayant travailléavec les populations autochtones de l’Ouest canadien au XXe siècle sont au cœur de notrepropos, tout comme l’ethnographie classique nord-Amérindienne, ravivée et complétée par denouveaux témoignages. Notre propos s’éclaircit en trois temps. Tout d’abord, avec uneethnographie des acteurs de la rencontre, où religieuses missionnaires et populations autochtonesde l’Ouest canadien sont présentées dans une situation interactionnelle. L’analyse se poursuitensuite par l’interrogation des processus d’adaptation à l’altérité qui d’une part peuvent êtredéfinis par le principe d’inculturation et d’autre part par une logique d’adoption etd’appropriation. Enfin, nous proposons de mettre en lumière la construction culturelle du genreféminin à travers les expériences vécues dans ce contexte des missions. En interrogeant ladiversité culturelle, nous espérons mettre en relief les enjeux de production culturelle dans lesdialogues et négociations permanents entre ces deux mondes qui se rencontrent. / Catholic missions to North American Indian territories in Canada offer an experimental laboratory of the intercultural encounters for the social sciences. This doctoral thesis proposes a comparative anthropology of two cultural areas, particularly with regard to two points : the adaptation processes to alterity and the cultural construction of the female gender. We propose to ask how the context of the mission allows compare two cultures in their relation to each other, and how this respective alterity can highlight two versions of the female gender ? To do this, the focus will be on the life stories of Catholic missionary nuns who worked with the North American Indian people (from Western Canada in the twentieth century), just as well the classic North-Amerindian ethnography, completed and strengthened with new testimonies. Our questioning becomes clear in three stages. First, with an ethnography of the protagonists of the encounter : missionary nuns and Aboriginal peoples of Western Canada are presented. Then, the analysis continues with the questioning of the adaptation processes to alterity, which can be defined by the inculturation principle on the one hand, and by adoption and appropriation logic on the other. Finally, we propose to bring to light the cultural construction of the female gender through the experiences lived in this missionary intercultural encounter context. By questioning cultural diversity in this context, we hope to highlight the stakes of cultural productions in the permanent dialogues and negotiations between these two worlds that encounter each other.

Esta dissertação tem como objetivo analisar a representação dramatúrgica da família na peça A Lie of the Mind, do dramaturgo estadunidense Sam Shepard, e os recursos por meio dos quais essa representação, tal como realizada, configura elementos de crítica à ideologia dominante relacionada ao papel da família no contexto sócio-histórico do país. Serão levantados, aqui, os aspectos formais da peça, principalmente os que se relacionam com a estética expressionista e com outros expedientes de criação que a distanciam do drama convencional. O objeto do estudo é o texto dramatúrgico original da peça (e não sua encenação). A análise tratará dos aspectos textuais e contextuais da peça e com base neles examinará as relações familiares figuradas em A Lie of the Mind como representativas e intrínsecas à situação social das personagens. / This dissertation aims at analysing the dramaturgical representation of family in the play A Lie of the Mind, by the North-American playwright Sam Shepard, and the means through which this representation, as developed in the text, brings forth elements of criticism to the dominant ideology related to the role of the family in the countrys socio-historical context. Formal aspects of the play will be approached, mainly the ones related to Expressionism and to other creative resources that drive it away from conventional drama. The study object is the original text of the play (and not the play in performance). The analysis will deal with textual and contextual aspects of the play and, based on them, will examine the familial relations that are represented in A Lie of the Mind as representative and intrinsic to the social situation of the characters.

<div>This study analyzes eleven collections created, saved, and preserved by rural Iowa women, during the middle of the twentieth-century to interpret change in the experience of rural American women, and consider their role in the preservation of historical evidence. Analysis of privately-held and institutional collections of calendars, journals, scrapbooks, notebooks, and club meeting records provides details of farm life, rural communities in transition, and the way collection creators conceptualized and enacted the identity of rural womanhood. In making decisions about which events to write down in a journal or clip-and-save from the local newspaper, these women “performed archivalness” in preserving their experience for family and community members and scholars. </div><div>The women who created the collections considered in this study experienced a rural landscape altered by the continuation and aftermath of agricultural specialization, mechanization, and capital consolidation. These changes altered rural community systems, economies, and institutions reshaping the experience of rural womanhood, as women upheld and adjusted the norms and values that defined the rural way of life. This study takes a three-part approach to considering the eleven collections as case studies. Chapter two analyzes five of the collections as unconventional forms of autobiographical writing, finding that nowhere else were women truer to themselves and their experiences than in their daily writing. In journals or on calendars, these women wrote their life stories by recording the daily details of work, motherhood, and marriage, and occasionally providing subtle commentary on local and national events. Changes in women’s work, education, responsibilities in marriage and motherhood, and involvement in public life and civic affairs happened in gradual and rapid ways during the middle of the twentieth-century. The third chapter in this study analyzes the collections of three women who used their writing to document, prescribe, and promote notions of rural womanhood during this time of change. Chapter four provides a meditation on the relationship between evidence and history by examining the ways in which three women performed archivalness in creating their collections. Consideration of the means by which the collections have been saved, provides insight into the importance of everyday individuals in the preservation of historical evidence. </div><div><br></div>

Truman Capote, autor, roteirista e dramaturgo Americano, foi um dos principais escritores americanos de ficção do período pós-guerra, conhecido por receber ampla notoriedade pelo seu romance best-seller In Cold Blood, de 1965, por um estilo de escrita que misturava literatura e jornalismo. No entanto, o trabalho de Capote se estende além do romance antes mencionado. O autor, que se tornaria famoso por sua personalidade também, revelou grande talento como escritor desde muito jovem, trabalhando com temas muito relacionados à sua vida pessoal. Durante minhas leituras de seus trabalhos, eu pude perceber que o narrador que Capote criava trazia o leitor muito mais próximo à história. O propósito da minha dissertação é fazer uma análise do narrador de Capote para poder discutir suas técnicas específicas. Para tal, escolhi trabalhar com a teoria da narratologia, que não apenas é o estudo da narrativa e da estrutura de um texto, mas também sobre como ele afeta nossas percepções como leitores. Através de uma análise de aspectos como focalização e discurso do narrador, minha intenção foi traçar uma relação entre o narrador de Capote com seu autor implícito para poder entender como isso afeta nossa experiência de leitura e seu relacionamento com o leitor. Para essa análise, eu escolhi o primeiro romance publicado de Capote, Other Voices, Other Rooms (1948), porque acredito que conta uma história que pareceu surgir de emoções altamente reprimidas do autor sobre sua infância e crescimento. Além disso, tentarei identificar onde elementos biográficos podem ter inspirado alguns dos eventos presentes na história, na tentativa de estabelecer uma conexão com os eventos de sua vida real e o quanto elas interferiam em sua ficção. teoria que em destaque nesse trabalho são os trabalhos da autora Mieke Bal (2009) e de Herman & Vervaeck (2005), para poder trazer os termos que ajudam a continuar com a discussão. Ao fim desta análise, espero mostrar o que há por baixo de um narrador cuidadosamente construído, e que o leitor seja capaz de perceber Truman Capote por mais do que sua famosa personalidade, mas também como um escritor cuidadoso e focado que era apaixonado por sua arte. / American novelist, screenwriter and playwright Truman Capote was one of the leading American authors of fiction of the post-war period, known for receiving wide notoriety for his 1965 best seller In Cold Blood, for a style of writing that mixed literature and journalism. However, Capote’s works extend beyond the aforementioned novel. The author, who would eventually become famous for his personality as well, revealed great talent as a writer since a very young age, working with themes closely related to his personal life. During my readings of his works, I was able to perceive that the narrator Capote creates brings the reader much closer to the story. The purpose of this thesis is to carry out an analysis of Capote’s narrator in order to discuss his particular techniques. In order to do that, I chose to work with the theory of narratology, which is not only the study of narrative and the narrative structure of a text, but also of how it affects our perceptions as readers. Through an analysis of aspects such as focalization and the narrator’s discourse, my intention was to trace a relation between the narrator with Capote’s implied author in order to understand how this affects the reading experience and the relationship with the reader. For this analysis, I chose Capote’s first published novel, Other Voices, Other Rooms (1948), because I believe that it tells a story that seem to come from the highly suppressed emotions of the author about his childhood and growing up. I will also attempt to identify where biographical elements might have inspired some of the events that appear in the story, attempting to establish connection to the events of his real life and how much it interfered in his fiction. As to the theory that underlines this work, I chose the works of Mieke Bal (2009) and Herman & Vervaeck (2005), in order to bring light to terms that help further the discussion. By the end of this analysis, I hope to show what lies beneath a carefully constructed narrator, and that the reader will be able to perceive Truman Capote for more than his famous personality, but also as a careful and focused writer that was passionate about his craft.

This diploma thesis deals with the North American Free Trade Agreement. The aim of this work is to describe and evaluate the importance and impact of developing country and two developed economies of Canada and the United States on the Mexican economy. I deal with trade relations within NAFTA (Mexico - U.S. and Mexico - Canada). I analyze international trade of Mexico. The result of the thesis is to evaluate the impact of NAFTA to the Mexican economy with an emphasis on economic relations with other member states.