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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
41

Art and Oedipus

Hattam, Katherine, katherine.hattam@deakin.edu.au January 2003 (has links)
[No Abstract]
42

Deutsche Sophoklesübersetzungen Grenzen und Möglichkeiten des Übersetzens am Beispiel der Tragödie König Oedipus von Sophokles.

Frey, Hans. January 1964 (has links)
Diss.--Zürich. / Bibliography: p. 217-223.
43

A Critical Analysis of the Church Viewed as Struggling within the Continuum of Matriarchal-Patriarchal Principles

Alexander, Robert C. 01 January 1966 (has links)
It is the thesis of this paper the the Church possesses traits which are characteristic of the human personality; therefore, her spiritual movement can be understood and dealt with through insights of the Oedipus Complex Theory initially described by Sigmund Freud in his discussion of personality development, greatly elaborated upon by Erich Fromm in his book, The Forgotten Language.
44

The Schizoid Subject : Filth and Desire in Samuel R. Delany's Hogg

Fredriksson, Sophia January 2015 (has links)
This thesis investigates in which ways Samuel R. Delany’s novel Hogg challenge the discourse of normality as stipulated, supported and maintained by the capitalist Oedipal repression of desire. Drawing from Deleuze and Guattari’s theory of the Anti-Oedipus, this thesis explores how Deleuze and Guattari’s notion of desire as a free and productive force can be seen as a disruptive element in a society that relies on repression of the subject for its stability. Furthermore, this thesis explores how the novel questions the understanding of civilisation being dependent on the individual’s submission to the Oedipus triangulation and in extension the Oedipal capitalist separation between the public and the private sphere. Ultimately, the main argument claims that Oedipal repression of desire only allows desire to invest in a restricted number of representations, making other identities than the heteronormative suspicious or invisible.  Hogg depicts a society where capitalism commodifies everything, and need the Oedipal subject to ensure its stability. The characters in the novel that do not subject themselves to the capitalist discourse escape the subjection to the Oedipal triangulation, and are thus free to invest their desire in any way they choose, primarily in non-heterosexual and salirophiliac activities. These characters can be seen as schizoid subjects that are constantly threatening to expose the fragility of the social structure by embodying a contrast to the hegemonic discourse and therefore constantly question its authority as main creator of reason and reality.
45

Zwischen "musique pure" und religiösem Bekenntnis : Igor Stravinskijs Ästhetik von 1920 bis 1939 /

Henseler, Ute. January 2007 (has links)
Zugl.: Berlin, Techn. Universiẗat, Diss.
46

Integrating Deleuze and Guattari's theory of differences into the practice of object relations therapy

Goodson, Amy. January 2004 (has links)
Thesis (Ph. D.)--Duquesne University, 2004. / Title from document title page. Abstract included in electronic submission form. Includes bibliographical references (p. 117-118).
47

Deutsche Sophoklesübersetzungen Grenzen und Möglichkeiten des Übersetzens am Beispiel der Tragödie König Oedipus von Sophokles.

Frey, Hans. January 1964 (has links)
Diss.--Zürich. / Bibliography: p. 217-223.
48

Adolescência e psicanálise: uma possibilidade teórica / Adolescence and psychoanalysis a theoretical possibility

Nara Maria Dantas 19 July 2002 (has links)
Temos verificado, desde algum tempo, um crescente número de estudos voltados para a adolescência. Há quem classifique a modernidade como um tempo adolescente, cujo modelo de referência é a adolescência. Observamos que muitos dos comportamentos apresentados por alguns adultos são imitações dos encontrados nos adolescentes. Com a falência da função paterna, o processo adolescente tem se alongado através dos tempos, bem como, temos visto novas formas de manifestações sintomáticas características dessa idade. Com a descoberta do complexo de Édipo, a adolescência perde a importância que tivera no início da construção da psicanálise. Vemos ela reaparecer nos Três Ensaios (1905) como última etapa da sexualidade e é eleita, por Freud, como lugar de uma das mais difíceis e dolorosas tarefas que se deve empreender, ou seja, o desligamento das figuras parentais. Nosso objetivo nesse trabalho é eleger a adolescência como tempo de re- significação edípica, resgatando-a da obra freudiana, transformando-a num conceito operante, a partir das contribuições trazidas por Lacan à psicanálise, para oferecer-lhes um estatuto metapsicológico. Essa construção teórica possibilitará dar um lugar de destaque à adolescência na psicanálise, visto que não podemos negar sua existência nos fenômenos contemporâneos / It has been verified in literature a growing number of studies concerning adolescence. One may classify modernity as an adolescent time whose model is adolescence. It has been observed that a great number of the behaviors presented by some adults are actually imitations of those found in adolescents. With the failure of the parental function, the adolescence process has been lengthened throughout the times and also new forms of symptomatic manifestations characteristic of this period have been observed. With the discovery of the oedipus complex, adolescence loses the importance it has had at the begining of the psychoanalysis construction. It reappears at Three Essays on the Theory of Sexuality (1905) as the last stage of sexuality and it is assigned by Freud to be the place where one of the hardest and most painful tasks are to be endured: the detachment from the parental figures. In the present work adolescence is chosen as an oedipal re-signification time, recovering from freudian works and transforming it in an operant concept considering Lacans contributions to psychoanalysis, with the purpose of offering a metapsychological statute. This theoretical construction will make possible to give emphasis to adolescence in psychoanalysis given that we cannot deny its existence is contemporary phenomena
49

Aspectos das relações interpessoais em Freud: questionamentos morais / Aspects of interpersonal relations in Freud: moral questions

Virginia Helena Ferreira da Costa 16 June 2014 (has links)
O objetivo principal da dissertação é problematizar, a partir de textos de Freud, o prolongamento de expectativas e fantasias próprias da infância em aspectos sociais e políticos da vida adulta. Para tanto, as relações interpessoais são consideradas mediante dois pontos de vista da teoria freudiana, a saber, o do desenvolvimento individual e das relações e estruturas sociais. Como pano de fundo para tal problemática, são abordadas a experiência edípica infantil e a situação de desamparo como base das repetições que perseguem o neurótico, ocasionadas por uma trajetória de vida em parte desconhecida, por determinações inconscientes e herdadas, por fantasias e expectativas projetadas na alteridade, de modo que estes fenômenos são vividos como necessários pelo ser humano. Além disso, os sentimentos de medo, angústia e culpa, além da procura por uma autoridade que forneça segurança e proteção, encontram continuidade em situações e figuras sociais e políticas, influenciando na estrutura do Estado e da sociedade de forma ampla, tal como aparece na cosmovisão religiosa. Em contraposição a este prolongamento da infância na vida adulta, questiona-se a possibilidade da clínica freudiana em se aproximar da \"cosmovisão científica\" mediante seu objetivo de problematizar tais prolongamentos e repetições ao compreender o sintoma como Nachträglichkeit e como unheimlich. Com isso, no trabalho analítico encontramos a assunção do desamparo, uma organização pulsional singular e o acolhimento de vivências contingentes sem que haja uma quebra na estrutura psíquica do indivíduo / The main objective of this dissertation is to discuss, in the Freudian theory, the prolongation of expectations and fantasies from childhood existents in social and political aspects of adult life. To do so, interpersonal relationships are considered by two points of view: the individual development and the social relations and structures. As background for such problems, the oedipal experience and the situation of helplessness are mentioned as some ways of dealing with the repetitions that persecute the neurotic, occasioned by an unknown life trajectory, by unconscious and inherited determinations, by costumes and expectations projected on the otherness: all these events are experienced as a necessity by the human being. Additionally, the feelings of fear, anguish and guilt (and also the search for an authority to provide security and protection) find continuity in social and political figures and situations, influencing the structure of the state and society as it appears in the Freud\'s \"religious world-view\". In contrast to this prolongation of childhood into adulthood, we question the possibility of Freudian clinic in approaching the \"scientific world-view\" to problematize such extensions and repetitions. Therefore, we understand the symptom as Nachträglichkeit and unheimlich, leading to an assumption of helplessness, a singular instinct\'s (Trieb) organization and reception of contingent experiences without any break in the psychic structure of the human individual
50

Arte e psicanálise: um estudo sobre o pathos em Édipo e Hamlet

Ferreira, Ezequiel Martins 20 February 2015 (has links)
Submitted by Luciana Ferreira (lucgeral@gmail.com) on 2015-10-27T13:29:58Z No. of bitstreams: 2 Dissertação - Ezequiel Martins Ferreira - 2015.pdf: 1697686 bytes, checksum: 3c8570b7105b662793fd6faaeda93635 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Approved for entry into archive by Luciana Ferreira (lucgeral@gmail.com) on 2015-10-27T13:31:26Z (GMT) No. of bitstreams: 2 Dissertação - Ezequiel Martins Ferreira - 2015.pdf: 1697686 bytes, checksum: 3c8570b7105b662793fd6faaeda93635 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) / Made available in DSpace on 2015-10-27T13:31:26Z (GMT). No. of bitstreams: 2 Dissertação - Ezequiel Martins Ferreira - 2015.pdf: 1697686 bytes, checksum: 3c8570b7105b662793fd6faaeda93635 (MD5) license_rdf: 23148 bytes, checksum: 9da0b6dfac957114c6a7714714b86306 (MD5) Previous issue date: 2015-02-20 / The relationship between art and psychoanalysis is established since the emergence of the latter, throwing the concept of the unconscious world. On the way done in this dissertation is possible to question this relationship, following it from the following points: taking art as the biographical and autobiographical scheme, taking it as connected to sublimate and finally looking set it as the outline of the empty. In the latter sense has the art as a testimony of how the unconscious operates. To explain the unconscious manifestation in the art were used two tragedies that occupy a privileged place in very theoretical construction of psychoanalysis: Oedipus and Hamlet. For this, the authors were consulted from inside and outside the psychoanalytic field as Freud, Lacan, Rancière and Brecht. Note that the concept of pathos emerges as a nodal point, able to see through the plays, the unconscious operation. In addition to the parts, appear at the end of this dissertation, in order to continue the discussion of a "beyond the Oedipus complex," the four fundamental discourses as a third example of the unconscious functioning. / A relação entre a arte e a psicanálise se estabelece desde o surgimento desta última com o lançamento ao mundo do conceito de inconsciente. No percurso realizado nesta dissertação é possível problematizar essa relação, acompanhando-a a partir dos seguintes pontos: tomando a arte como o esquema biográfico e autobiográfico, tomando-a como vinculada ao sublimatório e, por fim, buscando defini-la como o contorno do vazio. Nesta última acepção, não desvinculada das anteriores, tem-se a arte como testemunha do modo como opera o inconsciente. A fim de explicitar a manifestação inconsciente na arte foram utilizadas duas tragédias, que ocupam lugar privilegiado na própria construção teórica da psicanálise: Édipo e Hamlet. Para isso foram consultados autores de dentro e de fora do campo psicanalítico como Freud, Lacan, Rancière e Brecht. Vale destacar que no meio das leituras o conceito de pathos surge como um achado e se coloca como ponto nodal, capaz de fazer ver, por meio das obras do teatro, a operação inconsciente. Além das peças, aparecem no final desta dissertação, a fim de continuar a discussão de um ―para além do complexo de Édipo‖, os quatro discursos fundamentais como um terceiro exemplo do modo de operar do inconsciente.

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