Orientador: Flavio Augusto Picchi / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo / Made available in DSpace on 2018-08-22T04:53:50Z (GMT). No. of bitstreams: 1 Lacerda_SergiodaSilva_M.pdf: 1255042 bytes, checksum: f36772f7e92811df442a6c0235d462c9 (MD5) Previous issue date: 2013 / Resumo: O resumo poderá ser visualizado no texto completo da tese digital / Abstract: The abstract is available with the full electronic document / Mestrado / Arquitetura e Construção / Mestre em Engenharia Civil

Operabyggnaden placeras längst ut på piren och tar hela dess udde i anspråk. Operan riktar sig mot staden. Byggnadens storlek och koncept kräver viss rymd och ljus runt sig varför valet av plats blev naturligt.  Den stora operavolymen skärs itu i flera delar och de olika volymerna binds sedan samman av en stålkonstruktion som på vissa ställen fungerar som ett orangeri medan den på andra ställen är en öppen pergolastruktur. Växtligheten används som ett material och ger intressanta rum, skuggspel och klimat. Orangeriet/pergolan löper igenom och runt byggnaden och såväl personal som besökare rör sig på gångar genom orangeriet/pergolan och upplever olika typer av rum, på olika nivåer.  En önskan med uppdelningen i flera volymer är dels för att få in ljus på ett vackert sätt i en annars djup och mörk byggnad, dels för att försöka bryta ner skalan, samt även för att kunna ge personalen bra arbetsmöjligheter. Slutligen finns även en önskan om en mer transparent verksamhet.

Syftet med detta projekt är att sätta samhället i fokus. Att skapa en hybridbyggnad där olika aktiviteter kan ske under samma tak var kärnan i tesen. Att kombinera omgivningens behov och potential resulterade i en oväntad men till synes fungerande mix. Detta livliga offentliga centrum fungerar som ett knutpunkt för flera aktiviteter och erbjuder ett brett utbud av bekvämligheter och faciliteter för att möta behoven i grannskapet såväl som förbipasserande. En mjölkvarn, restauranger, kontor, utomhusytor och mötesrum ingår i centrum, vilket skapar en levande och välkomnande miljö för en rad aktiviteter och interaktioner. Denna byggnad representerar behovet och potentialen. Att sätta Lidatorp på kartan och göra det till ett nav mellan Nynäshamn och Ösmo. Att ge Lidatorpsborna en offentlig plats. Att göra det lönsamt och utnyttja den potential som omgivningen ger, använd åkern och gör en mjölkvarn med stödjande faciliteter som restaurang och matlagningskurser. / The purpose of this project is to put the community in focus. Creating a hybrid building where different activities can take place under one roof was the core of the thesis. Combining the needs and the potential of the surroundings resulted in an unexpected yet seemingly working mix. This lively public center serves as a multipurpose hub and provides a wide array of amenities and facilities to meet the needs of the neighborhood as well as the bypassers. A flour mill, restaurants, offices, outdoor areas, and meeting rooms are all included in the center, which creates a vibrant and welcoming environment for a range of activities and interactions. This building represents the need and the potential. To put Lidatorp on the map, making it a hub in between Nynäshamn and Ösmo. To give the people of Lidatorp a public place. To make it profitable and use the potential the surroundings give, use the field and make a flour mill with supporting facilities like a restaurant and cooking classes.

Binding Opinions as an Instrument of the Environmental Protection Abstract The thesis deals with binding opinions issued in the field of environment. Its primary objective is to evaluate whether binding opinions fulfil the role of an effective and appropriate instrument of environmental protection in the context of the adopted reform of public building law. In addition to an unnumbered introduction and conclusion, it is divided into four parts. The first part deals with binding opinions from the perspective of general administrative law and their enshrinement in the Administrative Procedure Code. In particular, it focuses on their general definition, the process of issuing and the issues of review in both administrative proceedings and administrative court proceedings. The second part provides a basic definition of the respective authorities, with an emphasis on the regulation of the status of the respective authorities in the field of the environment. It focuses in particular on their institutional setting and powers. It does not fail to introduce several proceedings under various laws in which the respective authorities are involved. At the same time, it presents the main changes in the field of the respective authorities brought about by the reform of public building law. As binding opinions are most...

Two slabs, two volumes. Pedestal versus overhanged mass of library itself. Tectonic principle column-architrave unites with Le Corbusier's Dom-ino, the contstruction is fully readable. The upper volume of the library dominates by its inner space as well. That one is bright, clear and open space, modulated by the furnishings only. It enables to create generous space as well as intimate corners. Variability is inevitable in nowadays era of digitalization, when the requirements of libraries change dramatically.

The Municipal Library of Lausanne becomes the new cultural and educational centre and landmark of the transforming district Sévelin. New public spaces, pedestrian area, metro and bus station are formed.

João Batista Vilanova Artigas (1915-1985) formou-se engenheiroarquiteto em 1937, até a década de 1960 projetou principalmente residências unifamiliares, quase sempre na cidade de São Paulo. Somente a partir de então teria a oportunidade de projetar e construir também edifícios de uso coletivo ou público como clubes, hospitais, universidades, estações, etc. As casas unifamiliares, de um ou dois pavimentos, localizadas na cidade de São Paulo, nos bairros jardim, se situam em terrenos de dimensões reduzidas e estão fortemente condicionadas pelas normas urbanísticas. Artigas fez de sua condição inicial de arquiteto de casas uma virtude e converteu o ato de projetar o habitat em um laboratório de experimentações. Acabou assim destilando um amplo repertório de soluções espaciais, construtivas e de distribuição, tornando suas residências obras emblemáticas e constituintes de um evidente discurso sobre a relação entre a casa e a cidade. Têm especial interesse, como argumento principal da dissertação, a consolidação dos paradigmas da casa e formação dos tipos, que logo seriam aplicados na produção dos projetos de dimensão coletiva e edifícios públicos, obras que passaram a dominar a pauta do arquiteto da maturidade até o final de sua produção. É também a oportunidade de refletir sobre a casa, o edifício público e suas relações com a cidade e a urbanidade que aí surge. Propõe-se o entendimento desse processo de mudança de escala e permanência de significados e valores, como um amálgama que dá unidade à obra de Artigas. / João Batista Vilanova Artigas (1915-1985) graduated as an architect-engineer in 1937, designing until the 1960s mostly single-family houses in the city of São Paulo. Only thereafter did he have the opportunity to design and construct public buildings, such as clubs, hospitals, universities, stations, etc. Single-family houses, with one or two floors, located in the cite jardin areas of São Paulo, lie on limited lands and are strongly restricted by urbanistic regulation. Artigas turned his starting point as a house architect into a virtue and converted the act of designing habitats into an experimental laboratory. Consequently he ended up mixing a wide range of spatial, constructive and distribution solutions, making his residences emblematic works of art and constituents of a clear speech on the relationship between house and city. The main objective of this dissertation is the consolidation of the house paradigm and formation of types that would soon be applied on projects of collective dimensions and public buildings, works which would dominate the mature architect\'s agenda until the end of his productions. It is also the opportunity to reflect about the house, the public building and its relations with cities and the urbanity that arises. This dissertation also proposes understanding the change of scale and conservation of meanings and values as an amalgam that gives unity to Artigas production.

João Batista Vilanova Artigas (1915-1985) formou-se engenheiroarquiteto em 1937, até a década de 1960 projetou principalmente residências unifamiliares, quase sempre na cidade de São Paulo. Somente a partir de então teria a oportunidade de projetar e construir também edifícios de uso coletivo ou público como clubes, hospitais, universidades, estações, etc. As casas unifamiliares, de um ou dois pavimentos, localizadas na cidade de São Paulo, nos bairros jardim, se situam em terrenos de dimensões reduzidas e estão fortemente condicionadas pelas normas urbanísticas. Artigas fez de sua condição inicial de arquiteto de casas uma virtude e converteu o ato de projetar o habitat em um laboratório de experimentações. Acabou assim destilando um amplo repertório de soluções espaciais, construtivas e de distribuição, tornando suas residências obras emblemáticas e constituintes de um evidente discurso sobre a relação entre a casa e a cidade. Têm especial interesse, como argumento principal da dissertação, a consolidação dos paradigmas da casa e formação dos tipos, que logo seriam aplicados na produção dos projetos de dimensão coletiva e edifícios públicos, obras que passaram a dominar a pauta do arquiteto da maturidade até o final de sua produção. É também a oportunidade de refletir sobre a casa, o edifício público e suas relações com a cidade e a urbanidade que aí surge. Propõe-se o entendimento desse processo de mudança de escala e permanência de significados e valores, como um amálgama que dá unidade à obra de Artigas. / João Batista Vilanova Artigas (1915-1985) graduated as an architect-engineer in 1937, designing until the 1960s mostly single-family houses in the city of São Paulo. Only thereafter did he have the opportunity to design and construct public buildings, such as clubs, hospitals, universities, stations, etc. Single-family houses, with one or two floors, located in the cite jardin areas of São Paulo, lie on limited lands and are strongly restricted by urbanistic regulation. Artigas turned his starting point as a house architect into a virtue and converted the act of designing habitats into an experimental laboratory. Consequently he ended up mixing a wide range of spatial, constructive and distribution solutions, making his residences emblematic works of art and constituents of a clear speech on the relationship between house and city. The main objective of this dissertation is the consolidation of the house paradigm and formation of types that would soon be applied on projects of collective dimensions and public buildings, works which would dominate the mature architect\'s agenda until the end of his productions. It is also the opportunity to reflect about the house, the public building and its relations with cities and the urbanity that arises. This dissertation also proposes understanding the change of scale and conservation of meanings and values as an amalgam that gives unity to Artigas production.

FAD * for Stadsgårdskajen Re-introduction of some of the knowledge from the master builder to the contemporary architect. This project investigates the interaction between designing architecture and building architecture in a computer controlled context. Algorithms have been developed to simulate and control an automated in situ brick stacking process. Brick laying is a well researched topic for robotic processes. It is an ideal material for building with robots (in Stockholm) since it is a generic building block that is cheap and easy to produce locally. Corbeled vaults, instead of keystone vaults, can be built without support and with all identical elements and are therefore also suitable for robotic fabrication.  The algorithms have been incorporated in a parametric model that have been used to develop public building at Stadsgårdskajen, Stockholm. FAD is about creating and explore a different architectural expression as well as reintroducing the brick as a relevant construction material for Stockholm. / FAD* för Stadsgårdskajen Återinförande av några av byggmästarens förmågor till den samtida arkitekten I detta examensarbete undersöks förhållandet mellan att designa arkitektur och att bygga arkitektur i en datorkontrollerad miljö. Algoritmer har utarbetats för att simulera och styra en automatiserad in situ murningsprocess. Inom fabrikation och automatisering med industrirobotar är tegelband ett välundersökt ämne. Tegel är ett idealiskt material vid byggande med robotar. Det är enkelt och billigt att framställa och tegel som byggkloss är en lämplig typologi för addativ fabrikation med robotar. Valv byggda genom utkragning istället för traditionella valvbågar kan byggas utan stöd och med identiska element. Därför är denna byggnadsteknik även lämplig för additiv fabrikation med robotoar. Algoritmerna har intergrerats i en parametrisk modell som har använts för att formge en offentlig byggnad på Stadsgårdskajen i Stockholm. FAD handlar såväl om skapande och utforskande av ett nytt arkitekturspråk som av återinförande av tegel som ett betydelsefullt konstruktionsmaterial i Stockholm.

Förslag till nytt operahus som en del av den planerade staden på Årstafältet, Stockholm. Projektet rymmer tre scener för opera, musik och teater och omfattande publika ytor. Operahuset är en del i det publika stråk som förbinder stadens kommunikationer med Årstafältets grönområden och blir en knutpunkt som också informerar och attraherar till kulturen. Projektets viktigaste utgångspunkt är att berätta både de operaanställdas och publikens berättelse. Detta görs i projektets två huvudsakliga sektioner.