The compositions we use to test together are, lighting, color, shape, movement, vertical and horizontal lines. The techniques are tested together in a 3D environment and rendered in a game engine. We want to guide the player on a subconscious level using compositional techniques that suits our type of game the most so we can create readable environments that can guide the players and highlight important objects and areas. The study is based on a game project we are working on together with three other people that are split up into sub-groups and researches different areas. Creating the levels using Unreal engine 4 we designed two levels to collect data. We created two levels that we used for testing, we had a test sessions for each of the two levels the first test with nine players and the second test with twelve players. We can honestly not give a straight yes or no answer to any of our hypothesis but some tests showed interesting results. A secondary test was devised due to interesting data gathered in the first test but when testing in an isolated environment the data showed something else that was not expected and the results became confusing. / Kompositionerna vi använder för att testa tillsammans är, belysning, färg, form, rörelse, vertikala och horisontella linjer. Teknikerna testas tillsammans i en 3D-miljö och återges i en spelmotor. Vi vill styra spelaren på en undermedveten nivå med hjälp av kompositionstekniker som passar vår typ av spel de så att vi kan skapa läsbara miljöer som kan vägleda spelarna och markera viktiga objekt och områden. Studien är baserad på ett spelprojekt som vi arbetar på tillsammans med tre andra personer som delas upp i undergrupper och forskar inom olika områden i spelprojektet. Skapar nivåerna med hjälp av Unreal Engine 4, vi utformade två nivåer för att samla in data. Vi skapade två nivåer som vi använde för att testa, vi hade testsessioner för de två nivåerna, det första testet med nio spelare och det andra testet med tolv spelare. Vi kan ärligt talat inte ge ett rakt ja eller nej svar på någon av våra hypoteser, men vissa tester visade intressanta resultat. Ett sekundärt test uppfanns på grund av intressanta uppgifter som samlats in i det första testet, men vid testning i en isolerad miljö, visade datan något annat som inte var väntat och resultatet blev förvirrande.

The present paper explores the effects player transfers have on share price for publicly traded football clubs in Europe. The study utilizes two samples: one English sample from 1997—2004, and another more contemporary European sample from 2007—2014. Preliminary analysis assesses share price links with team performance, financial variables, and two STOXX indices. Further analysis includes 12 event studies testing for abnormal returns resulting from player transfers. Of these 12 event studies, half of the transfers yield abnormal returns. Though results varied, there remains ample evidence from this paper for academics to further study the topic of player news and share prices for publicly traded football clubs.

Game companies are always looking for more ways to increase consumers and their revenue as well as how consumers purchase games. Several business models have been introduced that this thesis will look at, free-to-play, adding downloadable content to existing games, freemium and premium games. This thesis attempts to provide answers to what business models there are available for game developers and how that would influence the development of the single-player games to lower the point of entry for the consumers.  It will focus on narrative single-player games and will use the business models to try and answer the question. A survey was handed out that investigated the respondent’s reaction to changes for BioShock Infinite developer by Irrational Games. The models were presented and compared to how the respondents reacted to the questions. Together with how companies are releasing games now this thesis came to the conclusion that in order to lower the entry point, the games need to be split and released episodically, together with increased downloadable content that added further playability to the game.

What makes us like or dislike certain games? Is there relation between our tastes in games and our personalities and can it be measured? This dissertation examines gamer personalities and game attributes with the help of the Five-Factor Model, also called The Big Five. It treats an experiment on how to apply the Five-Factor Model to games and their players and what it may be used for. By interviewing gamers, recording their favored and unfavored games, letting the gamers take a Big Five personality test and then juxtapose their personalities with their games' attributes, those questions may be answered.

This study examines the possibility of creating original video-based content for the video-enabled iPod that was released in October 2005. Current trends show that existing content created for conventional media like television, cinema and computers are simply being ported over to this new medium. However, when this project began, none of the production studios are concentrating on creating content specifically for this medium, which has its own unique properties like portability, screen size and the ability to easily start and pause content as required. The purpose of this project is to prove that such medium-specific content can be created and made financially viable for the creators. Further, this hypothesis is put to the test by presenting it to a group of Ball State University students and their responses are examined in detail. / Department of Telecommunications

Obesity has become a worldwide problem that most countries are trying to fight. It affects many people, irrespective of age, race, gender, or religion; anyone can suffer from obesity, which leads to serious problems, both for individuals and for society as a whole. In this study we have selected two groups of people: the basic people who do not exercise on a weekly basis, and the average people who exercise regularly, every week. We have explored the attitude of the two groups in regards to mixing exercises with games, in order to motivate the people with basic activity levels to exercise more frequently. We have used a qualitative standard online questionnaire from AttrakDiff, which evaluates user experience through four important aspects: a) quality; b) subjective understanding of quality and subjective evaluation of quality; c) pragmatic and hedonic features; and d) emotional and behavioural effects. We also did a qualitative study and a quantitative study of some of the important factors present during exercise. The results of the qualitative and quantitative studies were very encouraging as they revealed that mixing games with exercise can transform boring exercises into entertaining ones. It can also motivate players to continue and repeat the exercises. The ANOVA test was applied and it shows that combining games with a stationary bike has a significant effect on the speed and the average rotation per minute of the participants.

This paper modifies the two-player Rubinstein bargaining game to include a third player. Analyzing the game through a dynamic model provides parametric changes that cause a longer negotiation period and fewer concessions from each player’s initial demand upon an agreement. The introduction of a free rider problem and limited computational abilities cause these consequences with the addition of a third player. The free rider problem discourages players from conceding their demands and since players have limited strategic abilities, the additional player requires more effort for players to understand the game and thus more time to understand the environment enough to reach an agreement.

Thesis (Ph. D.)--Oregon State University, 2009. / Printout. Includes bibliographical references. Also available on the World Wide Web.

Esta Tese possui como objeto teórico de investigação a experiência de jogo a partir de um viés fenomenológico, compreendendo o fenômeno lúdico e suas manifestações – no caso, o jogo – em nós, humanos, em seus aspectos ontológicos e relacionados à nossa capacidade de estabelecermos relações significativas com nosso próprio ser, com os outros e com as coisas do mundo em sua totalidade enquanto um processo de abertura de mundo. Partimos das premissas fenomenológicas e, em especial, da obra de Martin Heidegger, para caracterizar a existência, a natureza e a estrutura da experiência de jogo como um processo de afinação do homem no que chamamos de tonalidade afetiva ou Stimmung lúdica. O percurso teórico é iniciado pela abordagem do fenômeno lúdico e do jogo como problema ontológico, relacionado aos modos a partir dos quais estamos no mundo; em seguida, apresentamos o Ingress (2012), LARG utilizado para exemplificar e aplicar os possíveis efeitos que a afinação lúdica que a Stimmung pode desencadear na experiência de jogo em relação ao contexto urbano material, social, espacial e temporal no qual o jogo digital em questão ocorre. Deste modo, abordamos a experiência e a percepção também a partir da fenomenologia, principalmente relacionadas à espacialidade humana Para demonstrar o efeito que a Stimmung lúdica pode desencadear no Ingress, situamos o processo de desencantamento do mundo e suas tensões em relação às possibilidades de reencantamento a partir das experiências do jogador neste LARG. Ao aprofundar o conceito de tonalidade afetiva em Heidegger, também estabelecemos a sua estrutura existencial tríplice: um a priori lúdico; o comprometimento humano com o fenômeno lúdico enquanto antecipação futura; e a concretização da experiência de jogo na afinação da tonalidade afetiva lúdica enquanto atualização dos dois primeiros. Após, apresentamos o exercício de aplicação do conceito de Stimmung lúdico no Ingress, identificando possibilidades de reencantamento, utilizando uma metodologia inspirada na etnografia, com um questionário online e entrevistas presenciais com outros jogadores, além do relato do autor em relação ao mesmo. Por fim, são apresentadas as considerações finais e as referências bibliográficas consultadas para a realização desta Tese. / This Thesis has, as theoretical object of investigation, the experience of play from the phenomenological bias, comprising the play phenomenon and its manifestations - in this case, the game - in us, humans, in their ontological aspects and related to our ability to establish meaningful relationships with our own being, with others and with the things of the world as a process of world-opening. We start from the phenomenological premises, and especially from the work of Martin Heidegger, to characterize the existence, the nature and the structure of the game experience as a process of man's attunement in what we call playful attunement or Stimmung. We start our theoretical framework approaching the play phenomenon and the game as an ontological problem, related to the ways from which we are in the world; and so we introduce the LARG Ingress to exemplify and apply the possible effects that the playful Stimmung can trigger in the players’ experience in relation to the material, social, spatial and temporal urban context in which this game occurs. Therefore, we approach the experience and the perception also from the phenomenology, mainly related to the human spatiality In order to characterize the effect that the playful Stimmung can trigger in Ingress (2012), we approach the idea of the disenchantment of the world promoted by Modernity and situate its tensions in relation to the possibilities of re-enchantment from the players’ experiences in relation to this LARG. With the presentation of the concept of Stimmung in Heidegger, we establish the existential threefold structure of the same: an a priori ludic; the human commitment to the playful phenomenon as future anticipation; and the realization of the game experience as an attunement of the playful Stimmung as an concretion of the first two. After this, we present an exercise of application of the concept of playful Stimmung in the Ingress (2012), identifying the ways in which the re-enchantment it can trigger in the players’ experience, using an methodology inspired by ethnography, with an online survey and also interviews with other players, in addition to the author's report in relation to it. Finally, we present the final considerations and bibliographical references consulted for the accomplishment of this Thesis.

The visual appearance of video game characters carries great importance in regards to how a player perceives them. This also holds true for characters that are meant to represent the player in games, their avatars. In this thesis, the topic of preferences regarding visual appearance in relation to age of player avatars is explored. Interviews were held with participants from two age demographics in order to find potential differences and analyse them. The two age demographics consisted of middle aged swedes and young adult swedes. In the interviews, the respondents were given choices between eight different characters sketches. These eight sketches consisted of two groups, one meant to appear as being in the same age group as the young adult swedes and one meant to appear as being part of the middle aged swedes age group. After having made their choices, the respondents were asked to explain the motivation behind them. In order to gain a deeper understanding of the thought process that fueled their answers, the respondents were also prompted to answer question regarding their gaming habits, and their preferences in characters in other mediums than games. Results from the interviews indicated that there were trends in the choices made by the participants that differed between the two demographics. A majority of the demographic consisting of young adult swedes chose characters that were designed to appear closer to their age. Similarly, a majority of the middle aged demographic chose characters that were designed to appear closer to their age group. In short, a majority of the participants from both demographics showed a preference towards characters that were closer to their own age group.