Submitted by Renata Lopes (renatasil82@gmail.com) on 2016-10-07T19:22:22Z No. of bitstreams: 1 analuizanascimentodeassissouza.pdf: 543563 bytes, checksum: 2c2f00491a33c75057027c105c8e1ae2 (MD5) / Approved for entry into archive by Adriana Oliveira (adriana.oliveira@ufjf.edu.br) on 2016-10-11T15:49:03Z (GMT) No. of bitstreams: 1 analuizanascimentodeassissouza.pdf: 543563 bytes, checksum: 2c2f00491a33c75057027c105c8e1ae2 (MD5) / Made available in DSpace on 2016-10-11T15:49:03Z (GMT). No. of bitstreams: 1 analuizanascimentodeassissouza.pdf: 543563 bytes, checksum: 2c2f00491a33c75057027c105c8e1ae2 (MD5) Previous issue date: 2009-08-25 / CNPq - Conselho Nacional de Desenvolvimento Científico e Tecnológico / Nesta pesquisa buscamos investigar a interpretação realizada pelo filósofo alemão Martin Heidegger (1889 – 1976) acerca do sagrado a partir do poema Como quando em dia de feriado... de Friederich Hölderlin (1770 – 1843). A aproximação de Heidegger com a poesia de Hölderlin ocorre devido a uma necessidade intrínseca ao caminho de pensamento desenvolvido pelo filósofo. A partir de 1930, quando se estabelece a chamada Kehre (virada) heideggeriana a busca pelo sentido do ser continua sendo a questão principal para o pensamento do filósofo. Heidegger propõe uma busca pelo sentido do ser que ao mesmo tempo preserve a sua dinâmica própria de manifestação que é a de se dar ora como presença, ora como ausência. A poesia é considerada por Heidegger como a linguagem em especial que possui a característica singular de preservar o ser como mistério. A poesia é capaz de pensar o ser sem esgotá-lo em conceitos empobrecedores. Hölderlin é para Heidegger o poeta que soube cantar como nenhum outro a fuga dos deuses num tempo de luto sagrado. Com Hölderlin o espaço de manifestação do sagrado é preservado apesar da fuga dos deuses. / The object of research in this thesis is the interpretation of the holy proposed by German philosopher Martin Heidegger (1889 – 1976) on the basis of his reading of Friedrich Hölderlin’s (1770 – 1843) poem Wie wenn am Feiertage... (As on a holiday). Heidegger’s turning to Hölderlin’s poetry takes place due to a necessity intrinsic to the path of his own thinking. From 1930 onwards, when the so-called Heideggerian Kehre (“turn”) begins, the search for the meaning of Being continues to be the main issue for his thought. Heidegger proposes a search for the meaning of being which at the same time preserves its proper dynamics of manifestation, which is a dynamics of “giving itself” alternately as presence and/or absence. Poetry is considered by Heidegger as a special because higher kind of language which has the unique potential to preserve Being as mystery. In other words, poetry is able to think Being without exhausting it through impoverishing concepts. Hölderlin is, according to Heidegger, the poet who unlike any other knew how to sing the flight of the gods in a time of holy mourning. With Hölderlin, the space of manifestation of the holy is preserved in spite of the flight of the gods.

Si la religion de Rimbaud implique obligatoirement l’analyse de son anticléricalisme assumé et de sa relation tumultueuse avec le christianisme de son enfance, notamment dans les Premières poésies et Une saison en enfer ; elle implique également, comme nous souhaitons le proposer, en parallèle, dans notre étude, une ouverture de la notion, dans son acception philosophique, permettant de l’élargir à l’ensemble du corpus rimbaldien : Derniers vers et Illuminations. Il s’agit de s’intéresser au sens de l’existence, tel que conçu par Rimbaud à travers son oeuvre poétique, et plus particulièrement aux notions de Temps, de Mémoire et d’Espace : du poète dans son cosmos. Ainsi se dessine une mise en évidence de la manière dont Rimbaud suggère sa vision du monde, simultanément négative et positive : dans son opposition au Christianisme et à son pendant social Bourgeois, ou dans son affirmation d’une réalité différente dans l’Idylle voire l’urbanisme. À cela s’ajoute la question d’une religion dont le mécanisme cyclique pourrait permettre à l’oeuvre d’exister en tant qu’ensemble lié malgré son apparence disjointe. / Writing about the Religion of Rimbaud, implies, by necessity, an analysis of his anticlericalism and his tumultuous relationship with the religion of his youth : Christianity. However if these notions structure our study of Premières poésies and Une saison en enfer, they could not perform in the case of Derniers vers and Illuminations. Making us realize the necessity of opening the religious notion to its philosophical aspect. Then through its poetical work, Rimbaud suggests an interrogation on the sense of the existence and especially on Time, Memory and Space ; that is to say on the Poet and its cosmos. Appears at that moment, simultaneously positive and negative, his vision of the world : his opposition to Christianism and to its social conservative equivalent (Bourgeoisie) but also his affirmation of another reality in Idyll or urbanism. Moreover this religion could link his poetical work as a whole despite its heterogeneous apparence

Dans cette thèse est présentée la poésie de Forough Farrokhzâd, poétesse iranienne du XXe siècle. Notre étude part du fait que les poètes contemporains iraniens ont été des lecteurs attentifs de la poésie française des XIXe et XXe siècles qui a joué un rôle décisif dans leur ouverture à la modernité. C’est par l’entremise d’une lecture de la poésie Farrokhzâd que nous nous proposons d’analyser ces rapports catalysés ici par la métaphore. Cette figure de style, très ancienne et très située dans la poésie iranienne, définit ainsi une présentation renouvelée des images chez cette poétesse précurseur. Ce travail de recherche évoque aussi, autour de Forough, la poésie féminine dans la littérature iranienne, dans ses créations anciennes et contemporaines. / This thesis presents the poetry of Forough Farrokhzad, an Iranian poet of 20th century. Our research indicates the fact that the contemporary Iranian poets have been attentive readers of the 19th and 20th century’s French poetry which played a crucial role in their openness to modernity. Through the study of Forough Farrokhzad’s poetry we analyze these relationships via metaphor. This figure of speech, very ancient and prevalent in Iranian poetry, defines a new presentation of the images in this precursor poet. This study about Forough also evokes the feminine poetry in Iranian literature whether in its ancient or contemporary creations.

The main theme of this thesis is English war poetry. The thesis refers to two particular wars, the Crimean (1853-1856) and World War One (1914-1918), and analyzes their reflection in English poetry. By doing so, it compares the war poems from these periods and inspects the writers' messages behind them. The thesis aims to scrutinize how the depiction of war had changed through time, alongside with the reasons affected it. In terms of structure, the theoretical part describes the different contexts (historical, cultural, and literary) of the chosen poems, while the practical part features scrutiny of these works. KEY WORDS Poetry, soldier, duty, death, attitude, criticism, propaganda

The main theme of this thesis is English war poetry. The thesis refers to two particular wars, the Crimean (1853-1856) and World War One (1914-1918), and analyzes their reflection in English poetry. By doing so, it compares the war poems from these periods and inspects the writers' messages behind them. The thesis aims to scrutinize how the depiction of war had changed through time, alongside with the reasons affected it. In terms of structure, the theoretical part describes the different contexts (historical, cultural, and literary) of the chosen poems, while the practical part features scrutiny of these works. KEY WORDS Poetry, soldier, duty, death, attitude, criticism, propaganda

I report on the iterative process of designing a mobile AI poetry system, along with a series of broad scale use cases in which different variants of the system has been tested in the wild. The project has so far resulted in the generation of about 20 million individual poems, co-created by the system together with millions of users. Apart from the design of the technical side of the system, my focus has been on how the system could be adapted to and deployed in different commercial settings. I discuss my insights related to systems support for creative processes, and how findings from these use cases could be applicable also to other AI content generation systems. / Här beskrivs den iterativa utformningen av en mobilapplikation för AI-genererad poesi, samt en serie storskaliga kommersiella kampanjer där olika varianter av systemet har testats i verklig användning. Genom detta genererades cirka 20 miljoner enskilda dikter, producerade av systemet tillsammans med miljontals användare. Förutom systemets tekniska funktionalitet beskrivs hur systemet anpassats för att distribueras i olika kommersiella sammanhang. Utifrån denna process diskuteras insikter relaterade till systemstöd för kreativa processer, och hur lärdomar från denna process kan tillämpas även i andra system för AI-genererat innehåll.

Xue Tao was one of the Tang Dynasty's best-known female poets. Her poems are beautiful and of her own style, but there have only been a few of studies on them. This study comprises nine close readings of her thirteen poems most of which can be defined as yongwu poems, as well as a conclusion which summarizes the main characteristics in these poems. The methodology of this research is based on the theory of New Criticism and combined with sinology. Every poem is studied as an independent entity, but its allusions and images are examined in the history of Chinese poetry. This study attempts to deepen the study of Xue Tao’s poetry and readers’ understanding of it.

No description available.

The main theme of this thesis is English war poetry. The thesis refers to two particular wars, the Crimean (1853-1856) and World War One (1914-1918), and analyzes their reflection in English poetry. By doing so, it compares the war poems from these periods and inspects the writers' messages behind them. The thesis aims to scrutinize how the depiction of war had changed through time, alongside with the reasons affected it. In terms of structure, the theoretical part describes the different contexts (historical, cultural, and literary) of the chosen poems, while the practical part features scrutiny of these works. KEY WORDS Poetry, soldier, duty, death, attitude, criticism, propaganda

No description available.