Made available in DSpace on 2014-06-11T19:32:23Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-08-26Bitstream added on 2014-06-13T20:43:27Z : No. of bitstreams: 1 souza_va_dr_assis.pdf: 1221364 bytes, checksum: e6a44798bb2a4d15a9e7d730bd140ffc (MD5) / Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES) / Esta pesquisa analisa a construção da memória por meio das representações contidas nos textos da narrativa histórica e da literatura poética do Estado de Rondônia. Para tal empreitada foram selecionadas as obras mais expressivas dos autores situados entre o período de vigência do antigo Território Federal do Guaporé (1943-56), depois Território Federal de Rondônia (1956-81) até a consolidação do atual Estado de Rondônia. A análise está focada no discurso destes autores e revela suas filiações e os seus pareceres. Tal memória fica aqui compreendida enquanto uma construção produzida por uma elite letrada, constituindo assim aspectos de representação enquanto projetos, de diferentes matizes, e que disputam entre si a hegemonia do discurso. Nesse sentido, as imagens das populações tradicionais aparecem delineadas a partir de conceitos estereotipados e marcados por um viés ideológico: a noção de vazio demográfico, as populações indígenas igualadas à natureza e o bandeirante como herói civilizador. Assim, as reflexões apresentadas neste trabalho, tiveram como base a eleição de um conjunto de narrativas em prosa e poesia, como também as imagens representativas dos símbolos de poder. Finalmente esta trajetória procura atravessar o interior dos enunciados, dialogando internamente com suas contradições e apontando para suas continuidades e recorrências. / This research analyses the construction of the State of Rondônia memory by means of the representations portrayed in the some texts of historical narrative and poetry of local writers. To reach that aim, the most representative works were selected from authors who wrote between the periods: 1943-56 (Guaporé Federal Territory), 1956-81 (Rondônia Federal Territory) up to the consolidation of the Rondônia State, after 1981. The analysis focuses these authors’ speeches and reveals their political affiliation and places from where they spoke their feelings - such memory is understood as product of highly educated elite which builds up projects of representation aspects, of different kinds, which fight each other the speech control. In this sense, the local images of the traditional populations appear designed from stereotyped misconceptions and ideologically biased: the notion of demographic emptiness, the rainforest populations leveled to nature and the “bandeirante” as a civilizing hero. Thus, the reflections presented in this work, had had as base the election of a set of narratives in prose and poetry, as well as the representative images of the symbols of being able. Finally, this trajectory seeks to go through the inside of enunciation, dialoguing internally with its contradictions and pointing with respect to its continuities and recurrences.

Orientador: Antonio Celso Ferreira / Banca: Zélia Lopes da Silva / Banca: Célia Regina Silveira / Banca: Edinaldo Bezerra de Freitas / Banca: Marcelo Lapuente Mahl / Resumo: Esta pesquisa analisa a construção da memória por meio das representações contidas nos textos da narrativa histórica e da literatura poética do Estado de Rondônia. Para tal empreitada foram selecionadas as obras mais expressivas dos autores situados entre o período de vigência do antigo Território Federal do Guaporé (1943-56), depois Território Federal de Rondônia (1956-81) até a consolidação do atual Estado de Rondônia. A análise está focada no discurso destes autores e revela suas filiações e os seus pareceres. Tal memória fica aqui compreendida enquanto uma construção produzida por uma elite letrada, constituindo assim aspectos de representação enquanto projetos, de diferentes matizes, e que disputam entre si a hegemonia do discurso. Nesse sentido, as imagens das populações tradicionais aparecem delineadas a partir de conceitos estereotipados e marcados por um viés ideológico: a noção de vazio demográfico, as populações indígenas igualadas à natureza e o bandeirante como herói civilizador. Assim, as reflexões apresentadas neste trabalho, tiveram como base a eleição de um conjunto de narrativas em prosa e poesia, como também as imagens representativas dos símbolos de poder. Finalmente esta trajetória procura atravessar o interior dos enunciados, dialogando internamente com suas contradições e apontando para suas continuidades e recorrências. / Abstract: This research analyses the construction of the State of Rondônia memory by means of the representations portrayed in the some texts of historical narrative and poetry of local writers. To reach that aim, the most representative works were selected from authors who wrote between the periods: 1943-56 (Guaporé Federal Territory), 1956-81 (Rondônia Federal Territory) up to the consolidation of the Rondônia State, after 1981. The analysis focuses these authors' speeches and reveals their political affiliation and places from where they spoke their feelings - such memory is understood as product of highly educated elite which builds up projects of representation aspects, of different kinds, which fight each other the speech control. In this sense, the local images of the traditional populations appear designed from stereotyped misconceptions and ideologically biased: the notion of demographic emptiness, the rainforest populations leveled to nature and the "bandeirante" as a civilizing hero. Thus, the reflections presented in this work, had had as base the election of a set of narratives in prose and poetry, as well as the representative images of the symbols of being able. Finally, this trajectory seeks to go through the inside of enunciation, dialoguing internally with its contradictions and pointing with respect to its continuities and recurrences. / Doutor

Submitted by admin tede (tede@pucgoias.edu.br) on 2017-10-10T17:20:57Z No. of bitstreams: 1 MARALICE SILVA BORGES.pdf: 874787 bytes, checksum: 56e7335a1f36576830308a4ffc7f98c8 (MD5) / Made available in DSpace on 2017-10-10T17:20:57Z (GMT). No. of bitstreams: 1 MARALICE SILVA BORGES.pdf: 874787 bytes, checksum: 56e7335a1f36576830308a4ffc7f98c8 (MD5) Previous issue date: 2011-08-01 / This work is an analysis of the works of Lêda Selma de Alencar, which are characterized by a recurring set of images, dispersed in a multiplicity of textual forms. The chronic and the tales are the modalities of her prose, parallel to the production of poetic texts and poems or not. This dissertation examines the dialogue established between texts from different textual forms in poetic prose's entire Leda Selma, through literary corpus: Pois é filho ... (1997); Nem te conto…! (2000); Até Deus duvida (2002); Hum... Sei não! (2005); Eu, Hem?! (2008), which are meeting as chronicles and tales. In addition to the A dor da gente (1988); Sombras e sobras (2007); A deriva (2008), which are part of poems’ books. The proposal is guided by contributions dialogical and intextual of Bakhtin (2003) and basing themselves mainly by imaginary theory of Bachelard (1957) and added to formulations of Paul Ricouer (2000). The authoress interacts with the reader and both live new experiences and demonstrate a fascination with making poetic running through existing standards between prose and poetry. / Este trabalho constitui uma análise das obras de Lêda Selma de Alencar, que caracterizam-se por um conjunto recorrente de imagens, dispersos numa multiplicidade de formas textuais. As crônicas e os contos constituem as modalidades de sua prosa, paralela à produção de textos poéticos podendo ser poesias ou não. A presente dissertação examina o diálogo estabelecido entre textos de diferentes formas textuais no todo da prosa poética de Lêda Selma, através do corpus literário: Pois é filho... (1997); Nem te conto (2000); Até Deus duvida (2002); Hum... Sei não! (2005); Eu, hem? (2008), que estão reunidos como crônicas e contos. Além de A dor da gente (1988); Sombras e Sobras (2007); À deriva (2008), que fazem parte de livros de poemas. A proposta pauta-se por contribuições dialógicas e intertextuais a partir de Bakhtin (2003) e fundamentando-se principalmente pela teoria do imaginário de Bachelard (1957) e acrescidos ainda de formulações de Paul Ricouer (2000). A autora interage com o leitor e ambos vivem novas experiências além de demonstrar um fascínio pelo fazer poético que perpassa as normas existentes entre a prosa e a poesia.

La recherche porte sur l’écriture abondante de Hundertwasser et sa place dans le positionnement de cet acteur du renouveau artistique. On lui reconnaît une « œuvre-vie » singulière, puisque, visant à bouleverser la société, il a élargi son domaine, passant de la peinture à l’écologie, via l’architecture. Partant du contexte géohistorique, de l’arrière-plan pictural du début du XXème siècle, des théories des scientifiques et des « prophètes » allemands du XXème siècle ainsi que de l’émergence des mouvements écologistes, il s’agit d’étudier les nombreux poésies, récits, discours, manifestes, interventions dans les médias et commentaires, où Hundertwasser expose et développe ses convictions. L’objectif est de montrer que la dynamique créative de l’artiste s’enracine dans ses écrits. / The research focuses on the abundant writing of Hundertwasser and its place in the positioning of this actor of artistic renewal. He is recognized for his singular "work-life", since, aiming to upset society, he has expanded his field, from painting to ecology, via architecture. Starting from the geohistorical context, from the pictorial background of the beginning of the 20th century, the theories of 20th-century German scientists and "prophets" and the emergence of environmental movements, it is a question of studying the many poems, stories, speeches, manifestos, interventions in the media and comments, where Hundertwasser exposes and develops his convictions. The aim is to show that the creative dynamic of the artist is rooted in his writings.

En nous situant dans un horizon critique qui associe à la considération de la trajectoire socio-culturelle de tout auteur l’étude de ses prises de position artistiques et des propriétés distinctives de son oeuvre, nous proposons dans cette thèse une relecture de la production littéraire précoce de Cesare Pavese, relative aux années Trente. Le choix de cette production - Ciau Masino, Lavorare stanca et Il carcere - sûrement moins étudiée, à l’exception du livre de poésie, par rapport aux oeuvres postérieures, permet de déplacer l’intérêt critique du côté de la genèse stylistique pavésienne. Légitimé par son travail de traduction de la littérature anglo-américaine, Pavese présente déjà, à ce stade, une « vocation mélodique » (Mutterle) originaire et originale, caractérisée par l’interdépendance systématique entre poésie et prose.Cette recherche se pose comme objectif de montrer que l’oeuvre poétique pavésienne entretient des relations étroites d’interaction et de correspondance avec sa prose narrative, à travers la construction d’un possible invariant rythmique. Le dépassement de l’opposition stérile poésie/prose favorise l’établissement d’une entreprise littéraire qui, envisageant le rythme en tant qu’élément unificateur qui structure à la fois la mise en forme, son contenu et sa valeur éthique, serait pleinement du côté du sujet qui l’écrit et de l’auteur qui l’énonce. / In this thesis, we offer a reinterpretation of the early literary production of Cesare Pavese, in the 1930s. We do so by placing ourselves in a critical horizon that considers the socio-cultural trajectory of the author and by studying his artistic stances, as well as the distinctive qualities of his work.Our choice consists of three works - Ciau Masino, Lavorare stanca and Il carcere - which are among the less studied, excepted for the second one, of his writings (as opposed to his later works), and allows us to move the critical interest toward the genesis of the style of Pavese. Legitimized by his translations of Anglo-American literature, Pavese possesses already, at this stage, an original and pure «melodic vocation» (Mutterle), characterized by the systematic interdependence between poetry and prose.This research aims to show that the poetic work of Pavese is in a close relationship of interaction and correspondence with his narrative prose, through the construction of a possible rhythmic invariant. Reaching beyond the sterile opposition of poetry/prose goes in favour of establishing a piece of work that would stand fully by the side of the subject who writes and the author who expresses himself, by taking in consideration the rhythm as an unifying element, structuring at the same time the textual shaping, the contents and the ethical value of that work.

My thesis explores the potential and the peril of Romantic literature's increasingly complex forms through a close comparative study of the works of William Blake, William Wordsworth, Samuel Taylor Coleridge and Thomas De Quincey. These writers exemplify the Romantic predicament of how to make vision manifest – how to communicate one's imaginative and intellectual expansiveness without diminishing it. They sought different strategies for increasing the capacity of literary form, ostensibly in the hope of communicating more: clarifying meaning, increasing accessibility and intensifying original experience. But textual expansion – materially, stylistically and intellectually – often threatens more opportunities for confused and partial meanings to proliferate, overwhelming the reader by dividing texts and undermining attempts at coherent thought. Expansion thus becomes excess, with all its worrying associations of superfluity. To further complicate matters, Burke's influential tenet of the Sublime makes a virtue out of excess and obscurity, raising the problematic spectre of deliberately confused/confusing texts that embody an aesthetic of incomprehension. I explore these paradoxes through four types of 'textual excess' demonstrated by the writers under discussion: firstly, the tension between poetry and prose adjuncts, such as prefaces and notes, in Wordsworth and Coleridge; secondly, De Quincey's indulgent verbosity and struggle to control the freeing shapelessness of prose; thirdly, Wordsworth's and De Quincey's parallel experiences of revision as both uncontrollably diffusive and statically concentrated; and lastly, Blake's more deliberate, systematic attempt to enact a literary Sublime in which the reader is forced out of passivity by the competing demands of verbal and visual media. All are motivated and thwarted in varying degrees by their anxious preoccupation with saying "Enough", and the difficulty of determining when this becomes “Too much”. These authorial dilemmas also incorporate larger concerns with man's (over)ambition at a time of rapid and unprecedented economic, social and intellectual acceleration from the Enlightenment to industrialism. The fear that the concept and process of 'progress', or 'improvement', marks deficiency rather than fulfilment haunts Romantic writers.

Paul Alexis (1847-1901) est souvent cité comme le meilleur ami de Zola, c’est là sa principale caractéristique. Presque son unique définition. On a tendance à oublier qu’il est aussi un écrivain engagé dans une cause qui est le principe même de son existence : le naturalisme. Ce travail tente d’explorer cette double perspective. En étudiant un certain nombre d’ouvrages et d’articles de journaux de cet auteur, il essaie de comprendre d’un côté ses rapports avec Zola, et de l’autre, ses conceptions personnelles, ses convictions profondes ainsi que ses relations avec les autres membres du mouvement. Pour cela, il scrute, tout d’abord, ses liens à la fois littéraires et intimes avec Zola. Il montre le quotidien d’une amitié qui connaît tumultes et mutations. Il analyse les moments marquants qui ont rythmé le cours de leur vie. Il note les convergences et tente de mettre en lumière les divergences entre le rédacteur de Germinal et celui de Madame Meuriot qui se présentait comme le tenant quasi ultime des thèses naturalistes. Ensuite, il s’efforce d’exposer précisément les idées personnelles de cet écrivain à partir de ses prises de position théoriques et de ses ouvrages de fiction. Il observe son implication dans ses domaines de prédilection : le journalisme, les arts, le théâtre, la politique... Enfin, il décrit son action menée au côté de Zola, au cœur du cercle de Médan, mais aussi d’une façon autonome, face aux grands événements qu’il a rencontrés, face aux grands problèmes qu’il a affrontés, comme l’émergence du naturalisme ou l’Affaire Dreyfus, par exemple. Le but ultime de cette thèse est de s’intéresser à ce personnage décrié souvent, parfois négligé, qui fut plus qu’un compagnon de route de Zola. / Paul Alexis (1847-1901) is mainly known as the closest friend of Zola. This is quoted as his main characteristic, almost as his unique definition. He is usually forgotten to be mentioned as also a writer who was very dedicated to a cause which had a huge significance in his life : Naturalism. This thesis tries to explore this double perspective. By studying books and newspaper articles written by this author, this work aims on the one hand, to explore his relationship with Zola, and, on the other hand, to focus on his personal designs, his deep convictions, as well as his connections with the other members of the movement. Primarily, in order to achieve this, this thesis scrutinises his personal and literary links with Zola. It shows the everyday life of a friendship which went through many challenges and changes. It analyses the striking moments which occurred during the course of their lives. It emphasises their common points of thought and tries to highlight the differences between the author of Germinal and the writer of Madam Meuriot, the last appearing to be the ultimate upholder of the naturalistic theories. Then, this project strives to precisely explain the personal ideas of this novelist, according to his theoretical views and to his works of fiction. It observes his restless involvement and the fights he led for the sake of his favourite topics such as : journalism, arts, theatre, politics... Finally, this work describes the actions Alexis carried out at the side of Zola, at the heart of the circle of Médan, but also in a more autonomous way, during major events in which he participated. This paper aims to clarify the huge issues he faced, such as the rise of naturalism or the Dreyfus affair, for example. The ultimate purpose of this PhD is to consider this character often slandered, sometimes neglected, a man who was more than a fellow traveller of Emile Zola.