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"Still Happier Landscapes Beyond:" Queer Spirituality and Utopia in Bayard Taylor's Joseph and His FriendWagner, Adam J. 10 May 2019 (has links)
No description available.
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"The Fountain Pen and the Typewriter": The Rise of the Homophile Press in the 1950s and 1960sCoretto, Elizabeth A. 10 August 2017 (has links)
No description available.
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Literary Lesbian Liberation: Two Case Studies Interrogating How Queerness Has Manifested In Japanese Value Construction Through HistoryLoop, Alexandra M. January 2020 (has links)
The history of Japanese women who love women is often either ignored by or inaccessible to English speakers. To address this lacuna, I will lay out two case studies of women whose Queerness is potentially useful as models of Queer Japanese womanhood. I examine the narratives surrounding two women, Murasaki Shikibu (c. 973 or 978 – c. 1014 or 1031), the author the Tale of Genji, and Otake Kōkichi (1893-1966), an author, artist, and first wave feminist activist, in order to see how narratives surrounding their Queerness, known or posited, affect or are affected by cultural and religious narratives of identity and sexual values. The only major reading of Murasaki Shikibu as a woman who loved women is that of literary scholar and lesbian feminist Komashaku Kimi in Murasaki Shikibu’s Message (Murasaki Shikibu no Messeji), written in 1991. Her argument is that the interest in women’s bodies Murasaki shows in her diary and Poetic Memoirs was a kind of same-sex desire and that that desire was integral to her message in the Tale of Genji. This argument has never been given significant scholarly attention. As such, I examine this argument and present it in English. Otake Kōkichi, born Otake Kazue, is one of a handful of Queer women from the early 20th century who are regularly discussed in academic literature on Japanese feminist history, but most narratives surrounding her tend to center on a same-sex relationship she had in her youth and ignore the radical nature of her life after marriage. I will present aspects of her life that worked with and resisted various religions and systems of value creation that were competing for influence in twentieth-century Japan. The narratives surrounding Otake and Murasaki as Queer people center the radical nature of their work and lives. Both are discussed as having a kind of embodied politics that resists dominant images of womanhood and sexuality in favour of more liberatory constructions of value and identity. / Thesis / Master of Arts (MA)
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Pain, Pleasure, Punishment: The Affective Experience of Conversion Therapy in Twentieth-Century North AmericaAndrea Jaclyn Ens (18340887) 11 April 2024 (has links)
<p dir="ltr">This dissertation argues that shifting secular conversion therapy practices and theories in North America between 1910 and 1980 consistently relied on both queer affective experience and anti-queer and anti-trans animus to justify often brutalizing medical interventions. Canadian and American conversion therapists’ pathologizing views of queer sexual behavior and gender identity were shaped by complex interplays between cultural, legal, social, and medical perspectives, but predominately worked to uphold heteronormative social structures leading to discrimination, hate, and harm towards queer people in both countries. Focusing on affect thereby encourages scholars to recognize how conversion therapies in all their variable historical permutations are both medical <i>and </i>cultural practices that have attempted to use queer patients’ affective needs for acceptance, love, safety, and validation in ways advancing anti-gay and anti-trans social narratives in purportedly therapeutic settings since the early twentieth century.</p><p dir="ltr">This research uses a transnational approach that is at once sensitive to national differences between the American and Canadian queer experience while looking to draw connections between conversion therapy’s development and individual experiences of this practice in two national contexts over time. It additionally pays careful attention to the ways social power hierarchies based on race and class informed individuals’ affective experiences of conversion therapy between 1910 and 1980.</p>
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From the Love Ball to RuPaul: The Mainstreaming of Drag in the 1990sDavenport, Jeremiah Ryan, PhD 06 September 2017 (has links)
No description available.
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THE ONE EXHIBITION THE ROOTS OF THE LGBT EQUALITY MOVEMENT ONE MAGAZINE & THE FIRST GAY SUPREME COURT CASE IN U.S. HISTORY 1943-1958Edmundson, Joshua R 01 June 2016 (has links)
The ONE Exhibition explores an era in American history marked by intense government sponsored anti-gay persecution and the genesis of the LGBT equality movement. The study begins during World War II, continues through the McCarthy era and the founding of the nation’s first gay magazine, and ends in 1958 with the first gay Supreme Court case in U.S. history.
Central to the story is ONE The Homosexual Magazine, and its founders, as they embarked on a quest for LGBT equality by establishing the first ongoing nationwide forum for gay people in the U.S., and challenged the government’s right to engage in and encourage hateful and discriminatory practices against the LGBT community. Then, when the magazine was banned by the Post Office, the editors and staff took the federal government to court. As such, ONE, Incorporated v. Olesen became the first Supreme Court case in U.S. history that featured the taboo subject of homosexuality, and secured the 1st Amendment right to freedom of speech for the gay press. Thus, ONE magazine and its founders were an integral part of a small group of activists who established the foundations of the modern LGBT equality movement.
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