Global ETD Search

91	Rooted in all its story, more is meant than meets the ear : a study of the relational and revelational nature of George MacDonald's mythopoeic art Jeffrey Johnson, Kirstin Elizabeth January 2011 (has links) Scholars and storytellers alike have deemed George MacDonald a great mythopoeic writer, an exemplar of the art. Examination of this accolade by those who first applied it to him proves it profoundly theological: for them a mythopoeic tale was a relational medium through which transformation might occur, transcending boundaries of time and space. The implications challenge much contemporary critical study of MacDonald, for they demand that his literary life and his theological life cannot be divorced if either is to be adequately assessed. Yet they prove consistent with the critical methodology MacDonald himself models and promotes. Utilizing MacDonald’s relational methodology evinces his intentional facilitating of Mythopoesis. It also reveals how oversights have impeded critical readings both of MacDonald’s writing and of his character. It evokes a redressing of MacDonald’s relationship with his Scottish cultural, theological, and familial environment – of how his writing is a response that rises out of these, rather than, as has so often been asserted, a mere reaction against them. Consequently it becomes evident that key relationships, both literary and personal, have been neglected in MacDonald scholarship – relationships that confirm MacDonald’s convictions and inform his writing, and the examination of which restores his identity as a literature scholar. Of particular relational import in this reassessment is A.J. Scott, a Scottish visionary intentionally chosen by MacDonald to mentor him in a holistic Weltanschauung. Little has been written on Scott, yet not only was he MacDonald’s prime influence in adulthood, but he forged the literary vocation that became MacDonald’s own. Previously unexamined personal and textual engagement with John Ruskin enables entirely new readings of standard MacDonald texts, as does the textual engagement with Matthew Arnold and F.D. Maurice. These close readings, informed by the established context, demonstrate MacDonald’s emergence, practice, and intent as a mythopoeic writer.
92	Making Death Matter : A Feminist Technoscience Study of Alzheimer's Sciences in the Laboratory / Making Death Matter : En feministisk teknovetenskaplig studie om Alzheimers sjukdom i laboratoriet Mehrabi, Tara January 2016 (has links) This thesis is a contribution to feminist laboratory studies and a critical engagement with the natural sciences, or more precisely research on the biochemical workings and deadly relations of Alzheimer’s disease emanating from a year of field work in a Drosophila fly lab. The natural sciences have been a point of fascination within the field of gender studies for decades. Such sciences produce knowledge on what gets to count as nature and natural, healthy or sick, normal or not, and they have done it with great societal authority and impact throughout European modernity. However, feminist technoscience scholars argue that science and knowledge is socially produced, and political too. Concepts such as nature, animal, human, body, sex, and life itself are not simply given natural realities but phenomena processed through the naturecultures of the laboratory. Situated within such theoretical and methodological approaches, this thesis wonders how scientific facts about Alzheimer’s disease are made in the lab today. What kinds of realities, bodies and ethico-political concerns are enacted? Who gets to live and who gets to die in everyday laboratory practices? Theoretically, the thesis is grounded, particularly, within Karen Barad’s agential realism and posthumanist performativity, and as such it accounts for human and nonhuman entanglements through which AD is performed in the lab in relational ways. In other words, the thesis explores how AD is enacted in the bodies of transgenic fruit flies (Drosophila melanogaster), as these flies embody the disease, live and die with it. Last but not least, the thesis explores the materialities of death, dying, embodiment and biological waste in a biochemistry lab as constitutive parts of the produced knowledge about AD. / Denna avhandling utgör ett bidrag till feministiska laboratoriestudier och är en kritisk analys av naturvetenskaperna. Närmare bestämt är det en feministisk studie av forskning om Alzheimers sjukdom, dess biokemiska verkningar och dödliga relationer utifrån ett års fältarbete som labbtekniker i ett fluglabb. Naturvetenskaperna har under decennier fascinerat genusforskare. Dessa discipliner formar kunskapen om vad som räknas som natur och naturligt, hälsa och sjukdom, normalt eller inte, och de har gjort så med stor samhällelig auktoritet genom Europeisk modernitet. Forskare inom feministiska teknovetenskapliga studier har länge hävdat att vetenskap också är social praktik med politiska implikationer. Begrepp som natur, djur, mänskligt eller kropp, kön och livet självt kan inte tas för givna utan formas också i laboratoriets naturkultur. Med utgångspunkt i sådana feministiska teknovetenskaplig teoribildningar och metodologiska utgångspunkter bearbetar denna avhandling frågor om hur vetenskapliga fakta om Alzheimers sjukdom skapas i laboratoriet idag. Vilka kroppar, verkligheter och etisk-politiska förhållningssätt aktualiseras? Vem får leva och vem får dö i vardagliga laboratoriepraktiker? Teoretiskt bygger avhandlingen framför allt på Karen Barads agentiella realism när den diskuterar sammanvävningen mellan mänskligt och icke-mänskligt, samt det som kallas posthumanistisk performativitet, i relation till Alzheimers sjukdom som den förkroppsligas i transgena fruktflugor (Drosophila melanogaster) i laboratoriet. I särskilt fokus står relationerna som skapas inom den biokemiska forskningen kring död, biologiskt avfall och kroppslighet. Agential realism posthumanities new materialism feminist technoscience STS gender studies Human Animal Studies matters of practice animal experimentation spectrum of killability agential asymmetry Drosophila melanogaster fruit flies Alzheimer’s sciences laboratory ethnography biological waste politics of categorization mattering death ethics of relationality. Agentiell realism posthumaniora nymaterialism feministiska teknovetenskpliga studier genusvetenskap STS human animal studies vetenskapliga praktiker djurförsök agentiell assymetri Drosophila melanogaster fruktflugor Alzheimers sjukdomar labbetnografi biologiskt avfall döden relationell etik processontologi
93	Unsettling exhibition pedagogies: troubling stories of the nation with Miss Chief Johnson, Kay 11 September 2019 (has links) Museums as colonial institutions and agents in nation building have constructed, circulated and reinforced colonialist, patriarchal, heteronormative and cisnormative national narratives. Yet, these institutions can be subverted, resisted and transformed into sites of critical public pedagogy especially when they invite Indigenous artists and curators to intervene critically. They are thus becoming important spaces for Indigenous counter-narratives, self-representation and resistance—and for settler education. My study inquired into Cree artist Kent Monkman’s commissioned touring exhibition Shame and Prejudice: A Story of Resilience which offers a critical response to Canada’s celebration of its sesquicentennial. Narrated by Monkman’s alter ego, Miss Chief Eagle Testickle, the exhibition tells the story of the past 150 years from an Indigenous perspective. Seeking to work on unsettling my “settler within” (Regan, 2010, p. 13) and contribute to understandings of the education needed for transforming Indigenous-settler relations, I visited and studied the exhibition at the Glenbow Museum in Calgary, Alberta and the Confederation Centre Art Gallery in Charlottetown, Prince Edward Island. My study brings together exhibition analysis, to examine how the exhibition’s elements work together to produce meaning and experience, with autoethnography as a means to distance myself from the stance of expert analyst and allow for settler reflexivity and vulnerability. I developed a three-lens framework (narrative, representational and relational/embodied) for exhibition analysis which itself became unsettled. What I experienced is an exhibition that has at its core a holism that brings together head, heart, body and spirit pulled together by the thread of the exhibition’s powerful storytelling. I therefore contend that Monkman and Miss Chief create a decolonizing, truth-telling space which not only invites a questioning of hegemonic narratives but also operates as a potentially unsettling site of experiential learning. As my self-discovery approach illustrates, exhibitions such as Monkman’s can profoundly disrupt the Euro-Western epistemological space of the museum with more holistic, relational, storied public pedagogies. For me, this led to deeply unsettling experiences and new ways of knowing and learning. As for if, to what extent, or how the exhibition will unsettle other visitors, I can only speak of its pedagogical possibilities. My own learning as a settler and adult educator suggests that when museums invite Indigenous intervention, they create important possibilities for unsettling settler histories, identities, relationships, epistemologies and pedagogies. This can inform public pedagogy and adult education discourses in ways that encourage interrogating, unsettling and reorienting Eurocentric theories, methodologies and practices, even those we characterize as critical and transformative. Using the lens of my own unsettling, and engaging in a close reading of Monkman’s exhibition, I expand my understandings of pedagogy and thus my capacities to contribute to understandings of public pedagogical mechanisms, specifically in relation to unsettling exhibition pedagogies and as part of a growing conversation between critical adult education and museum studies. / Graduate public pedagogy critical adult education unsettling settler education exhibitions Indigenous pedagogy Indigenous epistemologies museums decolonization reconciliation settler colonialism Kent Monkman Miss Chief Eagle Testickle Canada 150 Glenbow Museum Confederation Centre of the Arts national narratives autoethnography exhibition analysis narrative learning gender sexuality heteropatriarchy museum studies intersectionality artist interventions transformative learning Two Spirit LGBTQ embodied learning relationality holistic learning representation humour emotional learning decolonized sexuality narrative inquiry experiential learning counter-narrative critical visual methodology critical public pedagogy art galleries
94	Particularly Responsible: Everyday Ethical Navigation, Concrete Relationships, and Systemic Oppression Chapman, Christopher Stephen 20 August 2012 (has links) In this dissertation, I articulate what I call a personal-is-political ethics, suggesting that the realm of human affairs long called ethics is inseparable from that which is today normatively called psychology. Further, I suggest that these names for this shared realm are situated in different discursive traditions which, therefore, provide different parameters for possible action and understanding. In my exploration of what it is to be human, I strategically centre ethical transgressions, particularly those that are mappable onto systemic forms of oppression. I explore personal-is-political enactments of sexism, ableism, racism, colonization, classism, ageism, and geopolitics, including situations in which several of these intersect with one another and those in which therapeutic, pedagogical, or parenting hierarchies also intersect with them. Without suggesting this is ‘the whole story,’ I closely read people’s narrations of ethical transgressions that they – that we – commit. I claim that such narrations shape our possibilities for harming others, for taking responsibility, and for intervening in others’ lives in an attempt to have them take responsibility (e.g., therapy with abuse perpetrators and critical pedagogy). I work to demonstrate the ethical and political importance of: the impossibility of exhaustive knowledge, the illimitable and contingent power relations that are ever-present and give shape to what we can know, and the ways our possibilities in life are constituted through particular contact with others. I explore ethical transgressions I have committed, interrogating these events in conversation with explorations of resonant situations in published texts, as well as with research conversations with friends about their ethical transgressions and how they make sense of them. I tentatively advocate for, and attempt to demonstrate, ways of governing ourselves when we are positioned ‘on top’ of social hierarchies – in order to align our responses and relationships more closely with radical political commitments. systemic oppression ethics performativity différance governmentality subjectification relationality taking responsibility power/knowledge accountability personal-is-political deconstruction narrative practice racism sexism ableism colonialism decolonization whiteness masculinity abuse harm invitational practice complicity reflexivity self-critique resonance pedagogy flows of becoming queer theory disability studies critical social work therapy power ethical narrative political rationality treatment violence mad studies antipsychiatry psychology gendered peer abuse abuse intervention abuse perpetration intentional states friendship auto-ethnography critical pedagogy An Ethics Inaccessible to Liberalism 0733 0626 0452 0740 0628 0422 0998 0340 0451 0622 0384
95	Particularly Responsible: Everyday Ethical Navigation, Concrete Relationships, and Systemic Oppression Chapman, Christopher Stephen 20 August 2012 (has links) In this dissertation, I articulate what I call a personal-is-political ethics, suggesting that the realm of human affairs long called ethics is inseparable from that which is today normatively called psychology. Further, I suggest that these names for this shared realm are situated in different discursive traditions which, therefore, provide different parameters for possible action and understanding. In my exploration of what it is to be human, I strategically centre ethical transgressions, particularly those that are mappable onto systemic forms of oppression. I explore personal-is-political enactments of sexism, ableism, racism, colonization, classism, ageism, and geopolitics, including situations in which several of these intersect with one another and those in which therapeutic, pedagogical, or parenting hierarchies also intersect with them. Without suggesting this is ‘the whole story,’ I closely read people’s narrations of ethical transgressions that they – that we – commit. I claim that such narrations shape our possibilities for harming others, for taking responsibility, and for intervening in others’ lives in an attempt to have them take responsibility (e.g., therapy with abuse perpetrators and critical pedagogy). I work to demonstrate the ethical and political importance of: the impossibility of exhaustive knowledge, the illimitable and contingent power relations that are ever-present and give shape to what we can know, and the ways our possibilities in life are constituted through particular contact with others. I explore ethical transgressions I have committed, interrogating these events in conversation with explorations of resonant situations in published texts, as well as with research conversations with friends about their ethical transgressions and how they make sense of them. I tentatively advocate for, and attempt to demonstrate, ways of governing ourselves when we are positioned ‘on top’ of social hierarchies – in order to align our responses and relationships more closely with radical political commitments. systemic oppression ethics performativity différance governmentality subjectification relationality taking responsibility power/knowledge accountability personal-is-political deconstruction narrative practice racism sexism ableism colonialism decolonization whiteness masculinity abuse harm invitational practice complicity reflexivity self-critique resonance pedagogy flows of becoming queer theory disability studies critical social work therapy power ethical narrative political rationality treatment violence mad studies antipsychiatry psychology gendered peer abuse abuse intervention abuse perpetration intentional states friendship auto-ethnography critical pedagogy An Ethics Inaccessible to Liberalism 0733 0626 0452 0740 0628 0422 0998 0340 0451 0622 0384

Page generated in 0.0717 seconds