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  • About
  • The Global ETD Search service is a free service for researchers to find electronic theses and dissertations. This service is provided by the Networked Digital Library of Theses and Dissertations.
    Our metadata is collected from universities around the world. If you manage a university/consortium/country archive and want to be added, details can be found on the NDLTD website.
1

Josef Gabriel Rheinberger and the Regensburg Cecilian movement

Scraper, Joel F., Everett, William A., January 2006 (has links)
Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2006. / "A dissertation in conducting." Advisor: William A. Everett. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Dec. 20, 2007. Includes bibliographical references (leaves 132-137). Online version of the print edition.
2

An organ transcription of the Messe in C, op. 169 by Josef Gabriel Rheinberger

Lorenz, James Edward. Rheinberger, Josef, Corzine, Michael. January 2006 (has links)
Dissertation (D.M.A.) Florida State University, 2006. / Advisor: Michael Corzine, Florida State University, College of Music. Title and description from dissertation home page (viewed 8-20-2007). Document formatted into pages; contains 92 pages. Includes biographical sketch.
3

The secular works for mixed a capella choir by Josef Rheinberger (1839-1901)

Van der Sandt, Johannes Theodorus 11 January 2007 (has links)
Please read the abstract in the section 00front of this document Book accompanied by 1 CD in pocket / Dissertation (M Mus (Musicology))--University of Pretoria, 2007. / Music / unrestricted
4

KAMMARMUSIK AV JOSEPH RHEINBERGER : EN STUDIE KRING KONSERT (SUITE) OP.149 FÖR VIOLIN, CELLO OCH ORGEL

Gamar, Tetyana January 2015 (has links)
Examensarbetet handlar om min instudering av Joseph Rheinbergers Konsert (Suite) för violin, cello och orgel. Förutom en kort biografi över Rheinberger och en översikt över hans kammarmusik behandlas olika aspekter på kammarmusikaliskt spel som t. ex. tempoval och frågor rörande artikulation och intonation. Jag tar också upp hur orgelns registrering realiseras så nära Rheinbergers egna anvisningar som möjligt med tanke på hur olika akustiska förutsättningar påverkar samspelmässiga aspekter. Instuderingsarbetet har gett mig nya erfarenheter vad beträffar kammarmusikspel med orgel, speciellt med tanke på styrkeförhållanden mellan orgeln och övriga instrument i ensemblen samt andra akustiska förhållanden som hörbarhet och tydlighet. / <p>Program:</p><p>JOSEPH RHEINBERGER: KONSERT (SUITE) OP.149 FÖR VIOLIN, CELLO OCH ORGEL.</p><p>Medverkande:</p><p>Olga Gamar (cello), Vladimir Gamar (violin), Tetyana Gamar (orgel)</p>
5

Crossroads of Cultural Conflict: Religion and Country in the Stabat maters of Josef Gabriel Rheinberger

Nissen, Rhianna V. January 2017 (has links)
No description available.
6

Einheit durch Vielfalt ? das Klavierkammermusikwerk ausgewählter "Konservativer" um Johannes Brahms... /

Aschauer, Michael, January 2006 (has links)
Diss.--Graz--Karl-Franzens-Univ., 2003. / Bibliogr. p. 399-408.
7

Hans Fährmann : Den bortglömda senromantikern

Käll, Ludvig January 2023 (has links)
Detta arbete belyser tonsättaren, organisten och pedagogen Hans Fährmann, en för många okänd och i glömska gömd orgelpersonlighet inom den tyska senromantiken. Arbetets syfte är att utröna hur man stilistiskt kan beskriva dennes orgelmusik, och på så vis också dra slutsatser kring hur man som organist och interpret kan tolka och uppföra densamme på ett sätt som är förenligt med tonsättarens avsikter.
8

Generalbass, Satzmodelle, tonale Netze:: Matthias Waldhör als Musiktheoretiker

Petersen, Birger 26 October 2023 (has links)
Der Kemptener Organist und Komponist Matthias Waldhör (1796–1833) ist nur noch aufgrund der starken Verbreitung seiner Neuen Volks-Gesang-Schule von 1830 bekannt, die sich in der ersten Hälfte des 19. Jahrhunderts vor allem im Alpenraum großer Beliebtheit erfreute. Weniger bekannt ist seine Theoretisch-practische Clavier-, Partitur-, Präludier- und Orgel-Schule aus den späten zwanziger Jahren des 19. Jahrhunderts, die nur noch sehr selten in Musikbibliotheken nachweisbar ist. Der dritte, 1827 erschienene Teil dieser Schule ist nahezu ausschließlich musiktheoretischen Fragestellungen gewidmet; seine geringe Verbreitung verwundert angesichts der stolzen Zahl von immerhin 900 Subskribenten. / Today the Bavarian organist and composer Matthias Waldhör (1796–1833) is well known because of the dissemination of his Neue Volks-Gesang-Schule, printed in 1830 and read very broadly in the first half of the nineteenth century, especially in the Alpine region. His Theoretisch-practische Clavier-, Partitur-, Präludier- und Orgel-Schule from the late 1820s is less known – and a rare book in music libraries and archives. The third part of it, published in 1827, is exclusively dedicated to aspects of music theory; the small circulation astonishes – because of the high number of more than 900 subscriptions.
9

Den bortglömde romantikern : En studie om Josef Rheinbergers Orgelsonat No. 14, Op. 165

Brusquini, Charles January 2024 (has links)
The organist and composer Josef Gabriel Rheinberger (1839–1901) was a very successful and historically significant person in music history, who in recent decades has fallen somewhat into the shadow of the contemporary world. Not many people know much about him and what he has achieved. During his lifetime, Josef Rheinberger would compose over 200 works, which many consider to be one of the most important additions to the organ repertoire. The purpose of this artistic study is partly to contribute to the development of knowledge about a neglected composer, but also to immerse myself in Rheinberger's compositional style as well as in his career and his life in general, in order to be able to come as close to such a true-to- style representation of his organ music as possible. To fulfill the purpose, a methodological analysis of the first movement from Rheinberger's Organ Sonata No. 14, Op. 165 has been conducted, where, among other things, important technical aspects are touched upon. / Organisten och kompositören Josef Gabriel Rheinberger (1839–1901) var en mycket framgångsrik och musikhistoriskt betydande person, som de senaste decennierna hamnat lite i skuggan för eftervärlden. Det är inte många som vet så mycket om honom och vad han har åstadkommit. Under sin levnad skulle Josef Rheinberger komma att komponera över 200 verk, vilka många anser vara ett av de viktigaste tillskotten till orgelrepertoaren. Syftet med denna konstnärliga studie är delvis att bidra till kunskapsutveckling om en eftersatt kompositör, men också att fördjupa mig i Rheinbergers kompositionsstil samt i hans karriär och hans liv i stort, för att kunna komma så nära en så stiltrogen och tidsenlig gestaltning av hans orgelmusik som möjligt. För att uppfylla syftet har det metodiskt genomförts en analys av den första satsen ur Rheinbergers Orgelsonat No. 14, Op. 165, där bland annat viktiga speltekniska aspekter berörs.
10

Science, practice, and justification : the a priori revisited

Basoukos, Antonios January 2014 (has links)
History is descriptive. Epistemology is conceived as normative. It appears, then, that a historical approach to epistemology, like historical epistemology, might not be epistemically normative. In our context here, epistemology is not a systematic theory of knowledge, truth, or justification. In this thesis I approach epistemic justification through the vantage point of practice of science. Practice is about reasoning. Reasoning, conceived as the human propensity to order perceptions, beliefs, memories, etc., in ways that permit us to have understanding, is not only about thinking. Reasoning has to do with our actions, too: In the ordering of reasoning we take into account the desires of ourselves and others. Reasoning has to do with tinkering with stuff, physical or abstract. Practice is primarily about skills. Practices are not mere groping. They have a form. Performing according to a practice is an activity with a lot of plasticity. The skilled performer retains the form of the practice in many different situations. Finally, practices are not static in time. Practices develop. People try new things, some of which may work out, others not. The technology involved in how to go about doing things in a particular practice changes, and the concepts concerning understanding what one is doing also may change. This is the point where history enters the picture. In this thesis I explore the interactions between history, reasoning, and skills from the viewpoint of a particular type of epistemic justification: a priori justification. An a priori justified proposition is a proposition which is evident independent of experience. Such propositions are self-evident. We will make sense of a priori justification in a context of regarding science as practice, so that we will be able to demonstrate that the latter accommodates the normative character of science.

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