The diploma thesis deals with the analysis of the gender aspects of women travelling and experience of women travellers, who set out to the non-Europe destinations on their own. The thesis is based on in-depth interviews with women travellers and analyze how these journeys are important to them. The thesis tries to point out that women's solo travelling directly effects their biography as well as career and status of these female travellers. Women independent travelling is introduced as the dynamic process, by means of which they acquire or verify the gender power and abilities, applicable to their personal life and work. Using the concepts of feminist theories implemented on women's travelling, I try to show that this type of travelling is affected by history and prefers male travelling, which displaces the individual women's travelling on the edge of the social and scientific interest. This thesis is based on the anthropology of tourism, particularly on the study of backpacking and set the experience of the woman traveller in the frame of the rites of passage. Moreover the thesis contains the analysis of the public and media discourse, focused on the real case of two young women kidnapped in Pakistan. Keywords: anthropology of tourism, women independent travellers, solo travelling, backpacking,...

Au Yémen, et spécialement à Sanaa et dans les régions avoisinantes, la zaffah est à la fois une cérémonie collective et un rite de passage, dont l'organisation marque la célébration et la reconnaissance par la communauté du changement de statut de l'un de ses membres (mariage, mise au monde d'un enfant, obtention d'un diplôme...). Animée et interprétée par des spécialistes, la zaffah maintient dans la mémoire du groupe un répertoire de poésies chantées, dont la forme et le contenu véhiculent des traditions très anciennes, tout en s'adaptant aux mutations sociales et culturelles les plus récentes. / In Yemen, and especially in Sanaa and in the neighbouring regions, zaffah is both a collective ceremony and a rite of passage. Its organization marks the celebration and the recognition by the community of a change of status (marriage, birth, graduation…) of one of its members. Led and interpreted by specialists, zaffah maintains in the memory of the group a repertory of sung poetry, whose shape and contents transmit very old traditions, while adapting to the most recent social and cultural transformations.

Thesis (MEdPsych (Educational Psychology))--University of Stellenbosch, 2007. / The effect of poverty, opportunity-deprived and unstructured home environments, HIV/Aids, violence and crime put more and more children and youth at risk of becoming increasingly involved in high-risk behaviour. The Western Cape Education Department (WCED) recognises the fact that the school is an ideal setting to reclaim youth, by redirecting them away from self-defeating and destructive ventures, through enhancing resilience and developing self-esteem. However, strong community links and intersectoral collaboration will be essential to support schools in their efforts to become reclaiming environments. Supportive strategies and various alternative modes of intervention should be explored in order to assist schools. Adventure-based education programmes, and in the case of this study, wilderness rites of passage programmes, are examples of alternative types of intervention that could be considered to support school communities. The aim of this qualitative study was to explore the perceptions of youth about their wilderness rites of passage experience and the value they perceive the experience had for their lives. The researcher operated in an interpretive/constructivist paradigm. A qualitative research methodology was employed, which included purposive sampling to select participants, the use of individual interviews, documents, records, observations and reflections to collect data, and content analysis to analyse data. Research findings arrived at indicated that participation in a wilderness rites of passage programme contributed to the personal growth and development of the participants and thereby, through strengthening their protective factors, enhanced resilience. Wilderness rites of passage programmes can therefore be a major contributing factor towards school support for young people. Findings also highlighted that young people in the South African context are in need of caring school communities and adult mentorship. Young people are in need of support, discipline, guidance, as well as experiences of trust, love and care. School environments should change from being places of disappointment and become places of safety and growth. Such a culture of care possibly could curb the anger, resentment and distrust of youth and support learners who are experiencing or manifesting emotional or behavioural difficulties in schools. Keywords: perception, adventure-based learning, wilderness rites of passage, experiential learning, Circle of Courage, adolescence, emotional and behavioural difficulties

This thesis examines the ministerial call in three novels by William Golding, specifically The Spire, Darkness Visible, and Rites of Passage. The central character of each novel, a Christian minister, has a vision, or series of visions, which dominates his life. The call and vision(s) of Golding's ministers are examined in light of Jacques Ellul's The Humiliation of the Word, a work examining the differences between the word and the image. The ministerial call, in this thesis, is linked to Ellul's ideas about the word; the vision, in this thesis, is linked to Ellul's ideas of the image. As a result of following their vision(s) rather than their call, the ministers fail, and their lives end in despair and ruin.

The thesis seeks to explain the sexual passages of women related to fertility, such as menstruation, pregnancy and birth, in the ancient Egyptian world. The passages related to fertility have strong connotations with death in the Egyptian mythological context. The aim of the thesis is to understand this relationship, often metaphorically conveyed in iconography or in the netherworld literature. The thesis collects material from various sources, archeological, textual, iconographical, not only Egyptian, but also Greek and Roman. The methods used vary from cognitive linguistics and semiotic analysis to religious anthropology. Menstruation, pregnancy and birth in ancient Egypt are explained not only on the level of the understanding of the body of the Egyptians, but also in terms of what role they play in iconography and mythology. Furthermore, the relationship between birth and death is made with regards to fertility. The basic findings of this thesis consist of illustrating a dichotomy between the feminine nurturing principle of and masculine creative principle which appear in different contexts related to birth and death: in iconography, on the level of bodily fluids, or in mythological creation.

The aim of this diploma thesis is to explore the possible influence of the idea of the end of the world on the process of conquest and colonization of America. The author tries to answer this question through the study of selected images of the Last Judgment. The purpose aim of this thesis is not to describe or stylistically classify given works of art, but to interpret them using the methodology based on the semiotic conception of culture as public symbolical system that allows to interpret the culture and its expressions in their social connections. As the topic of this work is related to the question of death and finality, the chosen works of art are interpreted also in connection with A. van Gennep's idea of "rites of passage", which enables to pass from one life stage to another. The main source for analysis is the photographic material, which illustrates images and reliefs of the Last Judgment in their natural environment.

Makala haya yanalenga kuchambua fani na maudhui, muundo na dhamira za tamthilia za Kiswahili zihusuzo VVU/UKIMWI, hasa tamthilia kutoka Tanzania, na uhusiano baina ya VVU/UKIMWI na mila za jadi kama sherehe za jando na unyago. Dhamira muhimu ya kujadili ugonjwa katika kazi za fasihi barani Afrika ilichimbuka katika sanaa za maonyesho ya jadi ya Kiafrika yaani katika shughuli za ngoma na miviga ya kidini kama matambiko kwa miungu, kumtolea Mungu kafara ili mgonjwa apate dawa au kupona. Maudhui yanayohusu ugonjwa yameingia katika tamthilia mamboleo kwa nia ya kuoanisha tamthilia ya kigeni na ngoma ya kijadi, hasa baada ya miaka ya 1980 (ling. Mlama 1983; Hussein 1983). Katika tamthilia za Tanzania za kisasa magonjwa yanayozungumziwa ni mengi, lakini kuanzia miaka ya themanini ugonjwa mpya, yaani VVU/UKIMWI, unachukua nafasi ya dhamira kuu katika kazi nyingi. Lengo kuu la makala haya ni kuchambua na kuhakiki tamthilia teule sita zihusuzo VVU/UKIMWI na kuandikwa zote na waandishi wa kutoka Tanzania. Ninachambua vipengele mbalimbali vya fani na maudhui nikiangalia uhusiano baina ya sifa za kimapokeo na za mamboleo. Ninafafanua pia athari za kimagharibi kutoka tamthilia ya Wayunani yaani vigezo vya Aristotle na dhana ya tanzia. Kwa kuunganisha nadharia za kale za Kimagharibi na za kisasa kutoka Afrika Mashariki, nitatumia pia nadharia ya korasi (Mutembei 2012), na vilevile kuchambua athari za ki-Brecht yaani ukengeushi ambazo zimekuwa na umuhimu mkubwa kwa tamthilia ya kutoka nchini kwingi Afrika na ulimwenguni kote.

Cauldron Calling is a compilation of poems ranging in poetic forms from the sonnet to free verse to lyric prose that incorporates a number of processes including: hypnopompic texting, hypnagogic automatic writing, and direct observation. The purpose of this myriad of poetic forms is to peer through the psychic shells we create and examine the workings of the mind so as to give form to the nebulousness found within while most closely recreating physical experiences of pain. In the collection, domestic spaces, particularly kitchens, serve as filters and lenses through which to process anxiety and pain. Conversely, domestic spaces are viewed as areas of both liberation and confinement and the voices of the various speakers throughout the manuscript struggle with this duality/plurality and whether there is a choice to participate in the intergenerational recycling and handing down of these beliefs and behaviors or not. Through sound sense, enjambment, deep image, and the elevation of the mundane, these poems are meant to give insight into the feminine experience as it relates to ritualistic acts of release as opposed to product-driven enterprises for mass consumption.

路易士‧卡洛爾的《愛麗絲夢遊記》(Alice in Wonderland, 1865) 及《穿越明鏡》(Through the Looking-Glass, 1871) 是十九世紀極為出名的兒童文學。兩本書中都描述一位名為愛麗絲的女孩如何進入一個奇幻的國度而展開旅程，以及當中她所遇見的各種角色。這兩本書不只豐富有趣，更充滿了諧擬以及邏輯和文字遊戲，使其成為現今許多學者研究的對象。但是，兩本書的相似性使得一般讀者或是學者在閱讀時，都將其視為同一則故事。然而，在仔細探索後，會發現卡洛爾在寫作過程中，很明顯地把兩本書做了區分。本論文因此試圖將兩本書進行比較分析，來重新檢視兩個奇幻世界以及兩個愛麗絲的差異性。 本文第一章為概論，簡單介紹卡洛爾及其兩本作品。第二章運用德勒茲和加達利的概念，針對仙境與鏡中世界的空間的進行比較。從文本例證中可看出，第一本書中的仙境近似一個「平滑空間」(smooth space)，而第二本中的鏡中世界則如同一個「褶縐空間」(striated space)。此差異性更凸顯了這兩段故事的不同。第三章主要應用透納的理論來探討主角愛麗絲與兩個空間的關係。透納利用范‧杰內普的「儀式理論」(rites of passage)發展出「閾限」(liminality)的觀念，並用此觀念來解讀正在進行生命儀式的個體以及其所屬的階段。許多學者認為兩段故事是在描述愛麗絲長大的過程，因此她的旅程可被視為她經歷生命儀式─成年禮的歷程。然而，雖然兩本書中的兩個空間均可被視為一種「閾限空間」(liminal space)，但只有鏡中世界塑造了一個成功的生命儀式，使愛麗絲在最後得以達到象徵性的成年。另一方面，由於仙境中缺乏線性進展，無法構成一個有效的生命儀式，導致第一本書中的愛麗絲到最後還是以小孩之姿結束在此空間的旅程。第四章援引兩位學者的文章來探討愛麗絲在兩個空間中身體呈現的差異以及和愛麗絲自我發展的相關性。由於愛麗絲在仙境中維持一個小孩的身分，她的身體與行為不會造成社會的威脅，在空間中也就不會受任何拘束。反之，在愛麗絲即將長大的鏡中世界中，其女性的身體卻必須受到限制。因此，在鏡中世界的愛麗絲不僅身體未出現任何變化，她的任何身體的慾望也必須受到克制。這與在第一本書中的身體再現是全然迥異的。第五章則是本文的結論；總結這兩本書的差異性，而身為讀者的我們也應正視其中的區別，進而能夠更加了解卡洛爾筆下的兩個奇幻世界以及兩位均名為愛麗絲的主角。 / Lewis Carroll’s Alice in Wonderland and Through the Looking-Glass have brought laughter to children as they journey with Alice through the fantasy worlds ever since their first publication in the 19th century. Filled with Carroll’s witty parodies and plays of logic, the books quickly become two of the most widely studied children fantasies. Both books are about a little girl named Alice who crosses a barrier and enters a fantastical dream world, in which she meets a variety of strange creatures. With the similarity of structures, the two books are often regarded as one single work in modern days. However, upon close examination, it is quite evident that the two works are of entirely different entities, and should be read accordingly. In my thesis, I explore the possibility of reading the books separately by comparing and contrasting Carroll’s creation of the two worlds, as well as the two different developments of Alice within the books. In chapter one, I give an overall summary of the author and a brief introduction of the background of the Alices. Chapter two focuses on the two spaces of Wonderland and Looking-Glass World. Using Gilles Deleuze and Félix Guattari’s notion of smooth and striated space, this chapter delineates how Wonderland is more like a smooth space with its rhizomatic routes and a lack of center, whereas the linearity of Looking-Glass World appears to be closer to a striated space. This critical difference highlights the individualization between the two worlds. Chapter three investigates the relationship between Alice and the two spaces by adopting Victor Turner’s concept. Drawing on Arnold van Gennep’s notion of the rites of passage, Turner proposes the concept of liminality, which is the state of an individual when he or she is undergoing a rite of passage. Most scholars suggest that both Alice books depict Alice’s development to adulthood, which makes Alice’s journeys through the two worlds rites of passage. However, while both spaces can be said to be liminal spaces for Alice, only Looking-Glass World constitutes a completed rite of passage for her, in which she reaches a symbolic maturity at the end. With no linear progression, Wonderland fails to be a rite of passage, and hence Alice comes out still as the child she is going in. Chapter four concentrates on the bodily manifestation of Alice, and how they relate to the difference in Alice’s self development in the two books. Drawing on Donald Rackin’s and Anna Krugovoy Silver’s articles, I find that Alice’s exuberant bodily manifestation and vigorous expression of bodily desires in Wonderland is due to the fact that Alice remains a young child, and that her immature body does not cause a threat to the Victorian society. Hence, Carroll allows her to be the fully embodied girl in the first book. In Looking-Glass World, in which Alice is on the verge of growing up, her body must be restrained. Thus, her body stays static and her bodily desires are contained, very different from the bodily representation in the first book. In Wonderland and Looking-Glass, Carroll has created two very enchanting stories, with two distinctive fantasy worlds and two separate developments of Alice. Conclusively, I believe that Carroll meant for them to be treated as two separate books, with two different spaces of the dream worlds and two protagonists by the name of Alice.

La direction de mémoire constitue l'une des caractéristiques de la structure formative du deuxième cycle universitaire (Master) qui la font différer de la structure formative du premier cycle (Licence). Elle représente pour les étudiants une nouvelle relation pédagogique, et il s'agit en cela d'une variable importante de leur réussite à ce niveau universitaire. La réussite de l'étudiant « masterant » semble être liée à sa capacité à se familiariser à sa direction de mémoire, c'est-à-dire sa capacité à faire évoluer son métier d'étudiant (Coulon, 1997), par la découverte du nouveau contrat pédagogique qui s'instaure au sein du binôme qu'il va constituer avec son directeur de mémoire. Le travail présenté cherche à mettre en évidence les liens entre la direction de mémoire et la réussite de l'étudiant en analysant la relation pédagogique de direction de mémoire en Master autour de trois dimensions : la dimension scientifique, la dimension institutionnelle et la dimension relationnelle. Pour cette recherche, des entretiens semi-directifs ont été menés afin de recueillir des données sur la perception qu'ont les acteurs (masterants et directeurs de mémoire) de la direction de mémoire. Ce travail permet de mettre en relief les décalages qui existent entre la perception que se font les directeurs de mémoire et les étudiants quant à leurs rôles réciproques dans la direction de mémoire au niveau des trois dimensions scientifique, institutionnelle et relationnelle. Les résultats obtenus mettent en évidence que ces décalages sont à l'origine de ruptures du contrat, initiées soit par l'étudiant (abandon temporaire ou définitif), soit par son directeur (difficulté ou arrêt de la direction). Parallèlement, les résultats montrent les éléments moteurs du processus de familiarisation des étudiants, et pointent également les difficultés qu'ils éprouvent dans ce processus. Ce travail permet d'aboutir à une réflexion sur les conditions que l'institution universitaire peut mettre en place (en particulier via les enseignants directeurs) pour faciliter le processus de familiarisation des étudiants à la structure pédagogique spécifique au Master, et in fine, favoriser leur réussite.