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Lo que desata la tormenta historia, ideología y culpa en Nocturno de Chile de Roberto Bolaño /Kane, Martin Francis. January 2009 (has links)
Thesis (M.A.)--Miami University, Dept. of Spanish and Portuguese, 2009. / Title from first page of PDF document. Includes bibliographical references (p. 58-63).
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The space of the species : Matta's "Sensitive mathematics--architecture of time" and surrealism in its third phase /McDowell, Gloria Beatriz, January 2001 (has links)
Thesis (M.A.)--University of Oregon, 2002. / Typescript. Includes vita and abstract. Includes bibliographical references (leaves 225-240). Also available for download via the World Wide Web; free to UO users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p1411593.
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Roberto Sierra's Missa Latina Musical analysis and historical perspecitves /Rivera, Jose. Thomas, André J. Sierra, Roberto. January 2006 (has links)
Dissertation (PhD) Florida State University, 2006. / Advisor: André Thomas, Florida State University, College of Music. Title and description from dissertation home page (viewed 7-11-07). Document formatted into pages; contains 132 pages. Includes biographical sketch. Includes bibliographical references.
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After the Storm: an Adaptation of Sobre las Ruinas, by Roberto J. PayróKimbell, Minerva A. 08 1900 (has links)
The present thesis is an experiment in adaptation of one of Roberto Payró's plays for staging in English. Sobre las Ruinas was chosen both because it is one of the best known of his works and because no previous translation is known to exist.
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La noción de margen en la narrativa de Roberto BolañoRíos Baeza, Felipe Adrián 03 August 2011 (has links)
En esta investigación se afirma que el eje de la propuesta ético-estética del escritor chileno
Roberto Bolaño (1953-2003) es una particular noción de «margen», elemento que en su
narrativa no sólo actuará con la estática finalidad de reconocer un límite que separe un
interior de un exterior (es decir, un «marco», en el que puede advertirse dónde acaba y
dónde comienza una realidad fenomenológica), sino que ese «margen», debido a sus
particulares y dinámicas características, tenderá en su literatura a abrirse paulatinamente,
o bien a desbaratarse con violencia, mezclando en un mismo espacio interioridad y
exterioridad, centro y periferia.
En su narrativa, Roberto Bolaño parece situar sus tramas y a sus personajes en los
«bordes» (tanto argumentales como ideológicos) y desde allí poner en entredichos los
materiales plausibles de volverse literatura. Situado en esta compleja «frontera», Bolaño
procurará introducir una serie de discursos y herramientas narrativas «marginales» donde
el sistema binario interior/exterior (asumiéndolo como una variante de centro/periferia)
quedará desmantelado. Así, este trabajo se propone estudiar pormenorizadamente esa
noción de «margen» donde el espacio literario parece absorber personajes y temáticas
consideradas «anticanónicas» para producir una «textualidad» en constante dinamismo. / This investigation affirms that the axis of the ethical-aesthetical proposal of the
Chilean writer Roberto Bolaño (1953-2003) constitutes a particular notion of
“margin”. This margin will not only act in his narrative with the stationary
objective of recognizing a limit that separates an interior from an exterior (a
"frame" in which we can define where a fenomenological reality begins and
ends); that margin will also tend, due to its particular and dynamic
characteristics, to open gradually or destroy itself violently, mixing interior and
exterior, center and periphery in the same space.
In his narrative, Roberto Bolaño seems to situate his topics and characters in the
“edges” (both, argumentative and ideological) and, from those ends, question
the material which could become literature. Situated in this complex “border”,
Bolaño will try to introduce a series of “marginal” speeches and narrative tools
where the binary interior/exterior system (assuming it as a variant of
center/periphery) will be dismantled. Thus, this work proposes to study in detail
that notion of “margin”, where the literary space seems to absorb characters
and topics considered “anti-canonical” to reproduce a “textuality” in constant
dynamism.
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I vicerè di De Roberto : elementi dello stile e della struttura narrativaGallup, Joy Evadna January 1976 (has links)
No description available.
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An examination of the integration of serial procedures and folkloric elements in the music of Roberto Gerhard (1896-1970)Mitchell, Rachel Elice, January 1900 (has links)
Thesis (Ph. D.)--University of Texas at Austin, 2009. / Title from PDF title page (University of Texas Digital Repository, viewed on Sept. 9, 2009). Vita. Includes bibliographical references.
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Political philosophy of Blessed Cardinal BellarmineRager, John Clement, January 1926 (has links)
Thesis (S.T.D.)--Catholic University of America, 1926. / Vita. Bibliography: p. 141-146.
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Robert Bellarmine's use of Calvin in the Controversies a quantitative analysis /Richgels, Robert William, January 1900 (has links)
Thesis (Ph. D.)--University of Wisconsin--Madison, 1973. / Typescript. Vita. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 219-224).
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Signs of comedy a semiotic approach to comedy in the arts /Turner, Matthew R. January 2005 (has links)
Thesis (Ph.D.)--Ohio University, June, 2005. / Title from PDF t.p. Includes bibliographical references (p. 327-345)
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