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The Marquis de Sade and the cinema of transcendencePage, Rosalyn. January 2002 (has links)
Thesis (M.A.)--University of New South Wales, 2002. / Title from PDF title page (viewed on July 18, 2005). Includes bibliographical references (p. 113-116) and videography (p. 117).
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Masochism, sexual freedom, and radical democracy a hermeneutic study of sadomasochism in psychoanalytic, sociological, and contemporary texts /Ramsour, Paul J. January 2002 (has links)
Thesis (Ph. D. in Religion)--Vanderbilt University, May 2002. / Title from title screen. Includes bibliographical references.
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An Essay on the Art of Ingeniously Tormenting for the 21st CenturyThornton, Amber 14 December 2011 (has links)
This satire offers an update of Jane Collier's "An Essay on the Art of Ingeniously Tormenting," an instruction manual for sadists. It includes directions for the beginning tormentor with specific instructions for tormenting strangers, acquaintances, friends, lovers and relatives.
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An Essay on the Art of Ingeniously Tormenting for the 21st CenturyThornton, Amber 14 December 2011 (has links)
This satire offers an update of Jane Collier's "An Essay on the Art of Ingeniously Tormenting," an instruction manual for sadists. It includes directions for the beginning tormentor with specific instructions for tormenting strangers, acquaintances, friends, lovers and relatives.
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Everyday Sadism and Antisocial Punishment in the Public Goods Game: Is There Evidence of Gender Differences?Embrescia, Emily E. 10 May 2018 (has links)
No description available.
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Sextortyr eller frigörelse : Konstruktioner av sadomasochism i svenska dagstidningar 2007-2011Ovesson, Charlotte January 2011 (has links)
Denna studie kom till efter att RFSU hade börjat arbeta med frågor om sadomasochism, och efter att Socialstyrelsen tog bort sadomasochism ur sin diagnosmanual. Syftet med studien är att ta reda på vilka diskurser som används när media talar om sadomasochism. Queerteori är det teoretiska fundamentet i studien. Jag utgår även från Michel Foucaults teorier. Min metod är foucauldiansk genealogisk diskursanalys. Analysmaterialet består av 33 tryckta artiklar från svenska dags- och kvällstidningar. Resultatet visar att talet om sadomasochism i media följer olika diskurser. Vissa utgår från att normalisering är godtycklig, att normer är föränderliga och att alla människor bör ha rätt till sin egen sexualitet. Diskurser om kvinnor och barn utgår från att sadomasochism är farligt och att människor måste skyddas från sexuella avvikare. Det talas om sadism som inte sker under samtycke som sjukt. Vissa diskurser framställer sadomasochism som positivt och används i sadomasochisters identitetsskapade. Även när de accepterande artiklarna talar om sadomasochism görs det på ett sätt så att de sexuella normerna inte ifrågasätts. Media lägger fram en nomaliserad variant av sadomaschism som är lättare för allmänheten att acceptera. Sadomasochism fortsätter på grund av normaliseringen att betraktas som avvikande.
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Sexuell dominans : En kvalitativ studie av fyra sexuellt dominanta kvinnor / Sexual Dominance : A Qualitative Study of Four Sexually Dominant WomenGunbrandt, Annette January 2008 (has links)
<p>Denna uppsats syftar till att undersöka hur fyra sexuellt dominanta kvinnor uppfattar sin sexualitet. Särskilt inriktar den sig på hur kvinnorna definierar sig som sexuellt dominanta och vad dominans innebär för dem sexuellt men också till vardags och generellt. Vidare undersöks hur informanterna uppfattar sin sexuella dominans i relation till sin identitet och sitt identitetsskapande överlag. För att kunna verkställa syftet har fyra kvinnor intervjuats som alla definierar sig som sexuellt dominanta på ett eller annat vis. Fortsättningsvis inriktar sig uppsatsen på kvinnor som utövar sin sexuella dominans via aktiviteter och uttryck för dominans vanliga inom bdsm.</p> / <p>This thesis aims to examine how four sexually dominant women understand their sexuality. It specifically concentrates upon how the women defines themselves as sexually dominant and what dominance means to them sexually but also what it means to them in everyday life and in general. Additionally this essay examines how the informants understand their sexual dominance in relation to their identity and in shaping their identity. In order to carry out the purpose of this thesis four women who define themselves in one way or another as sexually dominant have been interviewed. Furthermore the study focuses upon women who practice their sexual dominance through activities and expressions that are common in the world of bdsm.</p>
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Sexuell dominans : En kvalitativ studie av fyra sexuellt dominanta kvinnor / Sexual Dominance : A Qualitative Study of Four Sexually Dominant WomenGunbrandt, Annette January 2008 (has links)
Denna uppsats syftar till att undersöka hur fyra sexuellt dominanta kvinnor uppfattar sin sexualitet. Särskilt inriktar den sig på hur kvinnorna definierar sig som sexuellt dominanta och vad dominans innebär för dem sexuellt men också till vardags och generellt. Vidare undersöks hur informanterna uppfattar sin sexuella dominans i relation till sin identitet och sitt identitetsskapande överlag. För att kunna verkställa syftet har fyra kvinnor intervjuats som alla definierar sig som sexuellt dominanta på ett eller annat vis. Fortsättningsvis inriktar sig uppsatsen på kvinnor som utövar sin sexuella dominans via aktiviteter och uttryck för dominans vanliga inom bdsm. / This thesis aims to examine how four sexually dominant women understand their sexuality. It specifically concentrates upon how the women defines themselves as sexually dominant and what dominance means to them sexually but also what it means to them in everyday life and in general. Additionally this essay examines how the informants understand their sexual dominance in relation to their identity and in shaping their identity. In order to carry out the purpose of this thesis four women who define themselves in one way or another as sexually dominant have been interviewed. Furthermore the study focuses upon women who practice their sexual dominance through activities and expressions that are common in the world of bdsm.
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O ventríloquo do olhar: Sergio Bianchi e a voz obscena / The ventriloquist of the gaze: Sergio Bianchi and the obscene voiceQuiterio, Cesar Takemoto 12 April 2018 (has links)
Apresentamos aqui um estudo da obra cinematográfica de Sergio Bianchi, de seu sentido interno e suas contradições, sua trajetória e rupturas. A análise estética e os comentários de cenas específicas que buscamos desenvolver passam pela operacionalidade de certos conceitos da psicanálise lacaniana, em especial os de voz, olhar e real, que se mostraram pertinentes e insubstituíveis no estudo do objeto cinematográfico. A organização geral deste trabalho se deu em três planos diferentes. O primeiro compreende as mudanças pelas quais passaram a obra em relação às expectativas de gênero cinematográfico e de conformação à produção nacional, mas aborda principalmente a continuidade de temas e os diferentes tratamentos dados a eles na estruturação interna dos filmes. O segundo diz respeito à organização obsessiva e transversal da obra de Sergio Bianchi, sua estrutura sintomática de repetições de cenas e antagonismos de um filme a outro. O terceiro plano articula-se ao segundo ao desentranhar e localizar, por meio da análise dos procedimentos cinematográficos, um antagonismo mais fundamental na relação do autor com o espectador do cinema nacional, em particular com seu espectro progressista e democrático. A especificidade desse antagonismo está na perversão tanto autoral quanto constitutiva do cinema, assumindo em Sergio Bianchi os contornos de uma estética sádica que guarda afinidades com a de Alfred Hitchcock. A conclusão da tese é uma análise mais minuciosa de Jogo das decapitações (2013), seu último longa-metragem, postulado por nós como fim de um ciclo que nos permitiu avaliar retrospectivamente a obra como um todo. / This thesis presents a study of the cinematographic work of Sergio Bianchi, its internal meanings and contradictions, its trajectory and ruptures. The aesthetic analysis and the comments of specific scenes that we seek to develop involve the operability of certain concepts of Lacanian psychoanalysis, especially those of voice, gaze and the real, which are pertinent and irreplaceable in the study of the cinematographic object. This work has been organized on three different levels. The first one is related to the changes that Bianchis work has undergone not only in relation to genre expectations and conformation to national production standards, but mainly to the continuity of themes and their different usages by the internal structuring of the films. The second level is connected to the obsessive and transversal organization of the author\'s work, that is, the symptomatic structure of repetitions of scenes and antagonisms from one film to another. The third level articulates with the second one as it locates and unravels, through the analysis of the cinematographic procedures, a more fundamental antagonism in the relation of the author with the spectator of the Brazilian national cinema, particularly its progressive and democratic spectrum. The specificity of the aforementioned antagonism lies in both the constitutive and authorial perversion of cinema, assuming contours of a sadistic aesthetic in Bianchis work that has affinities with that of Alfred Hitchcock\'s. The conclusion of the thesis is a more detailed analysis of his latest feature film, Jogo das decapitações (2013), which we postulate as the end of a cycle, namely a full stop that has allowed us to retrospectively evaluate his work as a whole.
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Estudo psicanalítico sobre a gramática da maldade gratuita / Psychoanalytic study about the functioning of gratuitous evilBrulhart-Donoso, Marie Danielle 06 May 2011 (has links)
A cultura ocidental contemporânea trouxe para a história do homem novas modalidades de crime e novos tipos de criminosos. A magnitude da destruição do outro alcançou cifras e situações sem precedentes. Embora Freud pensasse que, em princípio, os homens acertassem seus conflitos por meio da violência, nosso estudo foca um tipo específico de sofrimento infligido ao outro: aquela destruição da alteridade que traz consigo aspectos da ordem do excesso, onde não se encontra explicação para tal ação, denominada coloquialmente de maldade gratuita. Ao longo do trabalho tornou-se cada vez mais evidente que esse fenômeno não poderia nem ser examinado somente à luz da Psicanálise, nem ser desarticulado de seu contexto social, histórico e político. Abrimos, assim, o diálogo com a Filosofia e a História. Levantamos a hipótese de que o papel destrutivo do(s) algoz(es) pode ser vivido de duas formas diferentes: 1) a que pensa um malfeitor implicado em um cenário propiciador de prazer; 2) a que fala de um opressor que atua com total indiferença. Deixando de lado a violência do plano da cena sexual, focamos nosso estudo em circunstâncias não sexuais, strictu sensu. No campo da Filosofia, a contribuição de Hannah Arendt sobre a questão da banalidade do mal e sua retomada do conceito kantiano de mal radical pareceu-nos importante. Isso nos permitiu questionar a possibilidade da existência do mal fora da psicopatologia, como proposto pelos autores que acompanharam Arendt nesse capítulo. Chegamos à conclusão de que não existe maldade de fato gratuita porque para o opressor há sempre um sentido prévio que o leva a passar ao ato. Do ponto de vista da Psicanálise, no entanto, não há lugar para que pessoas banais no sentido arendtiano do termo - transformem-se em criminosos. Falamos assim da perversidade e do fenômeno da massa para pensar que tipo de moral está por trás dos massacres, tais como o Holocausto, Ruanda e Balkans, entre outros / The contemporary occidental culture brought to mans history new modalities of crimes and new types of criminals. The magnitude of destruction of the other reached unprecedented numbers and situations. Though Freud thought that, in principle, men settle their conflicts through violence, our study focus on a specific type of suffering inflicted to the other: that destruction of otherness that brings with it aspects of the order of the excess, where no explanation is found for such action, denominated colloquially gratuitous evil. Throughout the work it became more and more evident that this phenomenon could not be examined only in the light of Psychoanalysis, nor be disarticulated from its social, historical and political context. We opened thus the dialog with Philosophy and History. We raised the hypothesis that the destructive role of the executioner(s) can be lived in two different ways: 1) the one that sees the oppressor implicated in a scenario that generates pleasure; 2) the one that tells about a murderer who acts with total indifference. Leaving aside the violence of the sexual scene strictu sensu, we focused our study on non-sexual circumstances. In the field of Philosophy, the contribution of Hannah Arendt on the subject of the banality of evil and its return to the Kantian concept of radical evil seemed important to us. This allowed us to question the possibility of existence of evil outside psychopathology, as suggested by the authors who followed Arendt in this chapter. We came to the conclusion that there is no evil in fact gratuitous because for the oppressor there is always a previous sense that leads him/(her) to action. In the Psychoanalysis point of view, nevertheless, there is no place for banal people in the Arendtian sense of the word to transform themselves into criminals. We then speak of perversity and the mass phenomenon to think about what type of moral is behind of the massacres, such as the Holocaust, Rwanda and the Balkans, among others
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