Submitted by Fabiano Vassallo (fabianovassallo2127@gmail.com) on 2017-05-02T18:04:42Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação-Adriane-completa.pdf: 7029037 bytes, checksum: 5dc775dacb940306d83e7c9afc7da351 (MD5) / Approved for entry into archive by Josimara Dias Brumatti (bcgdigital@ndc.uff.br) on 2017-05-10T18:46:38Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação-Adriane-completa.pdf: 7029037 bytes, checksum: 5dc775dacb940306d83e7c9afc7da351 (MD5) / Made available in DSpace on 2017-05-10T18:46:38Z (GMT). No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertação-Adriane-completa.pdf: 7029037 bytes, checksum: 5dc775dacb940306d83e7c9afc7da351 (MD5) / Conselho Nacional de Desenvolvimento Científico e Tecnológico / A literatura espanhola no Século de Ouro sempre foi prestigiada, as peças teatrais estão neste cenário. E o intuito desta dissertação é abordar a comédia, o entremez. O objetivo deste trabalho é buscar uma relação seja de semelhanças ou diferenças entre estes ―tutores‖ e de suas funções na obra, sem ignorar o fato de que são descrições estereotipadas. Sendo isto feito através da comparação para analisar o tipo tutor e sua variante tutora nas obras objeto de estudo que são a comédia El tutor de Juan de la Cueva, o ―entremez‖ La tía de Calderón de la Barca e o Tutor namorado ―entremez‖ de autor anônimo. A comparação das obras mostra que o tutor/a têm função importante na comicidade da obra e este é resultado da forma como a personagem é vista pelos outros e como age. Devido a isto, pode-se notar onde se cria o riso nas obras. O efeito cômico ocorre através da oposição de ideias, da caricatura e da comédia, pois é produzida pela forma como as outras personagens veem e interagem com o(a) tutor(a). De certo modo, as peças ridicularizam o tutor/tutora em diversos níveis, causados por ele mesmo ou por outros / The Spanish literature during the golden century has always been prestigious, the plays, are included in this scenery. And the goal of this dissertation is to approach the comedy, the ―entremez‖. The aim of this research is to seek a relationship of similarities or differences between these "tutors" and their roles in the work, remembering, however, the fact that they are stereotyped descriptions. This is done through the comparison in order to analyze the kind of tutor and its variant in the works that are subject of this study which are the comedy El tutor de Juan de la Cueva, the ―entremez‖ La tía de Calderón de la Barca and the‖entremez‖ the Tutor namorado of anonymous author. The comparison of these works shows that the tutor has important role in comicality of the work and this is the result of the way the character is seen by others and how they act. Due to what has been exposed, it may be noticed where the laughter is created in the works. The comic effect occurs through the irony, the caricature and the comedy because is caused by the way the other characters see and interact with the tutor (a). In a way, both pieces mock the tutor in various levels, caused by themselves or by others

The seventeenth century represents formankind the creation of great literary works that narrate the events that occurred in the reality of that time flawlessly. This article wants to analyze the implications and reviews of some literary texts by renowned authors of that time like Miguel de Cervantes and William Shakespeare with modern legal institutions. Also, to think about how literature enriches the science of law. / El siglo XVII representa para la humanidad la creación de grandes obras literarias que narran los sucesos acontecidos en la realidad de aquella época de manera impecable. El presente artículo busca analizar las implicancias y críticas de algunos textos literarios de renombrados autores de aquella época como Miguel de Cervantes y William Shakespeare con instituciones jurídicas modernas. Asimismo, reflexionar acerca de la manera en que la Literatura enriquece la ciencia del Derecho.

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal.

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal

Los Sueños de Quevedo es una obra satírica que contiene una incisiva crítica social, de la que no escapa la realidad jurídica de la época. Con la ayuda que prestan los puentes metodológicos generados con la combinación de las ciencias literaria y jurídica, en este trabajo de investigación interdisciplinar se analiza el componente jurídico presente de forma dispersa en esta narración ficcional de naturaleza satírica, estudiando su contenido y forma de presentación en base a la clasificación que se propone de los elementos de carácter jurídico. Mediante su comparación con fuentes documentales jurídicas de la época y con el filtro que proporciona el pensamiento pluridimensional filosófico y doctrinal del autor, se pretende además una aproximación a las circunstancias histórico-jurídicas de finales del siglo XVI y principios del XVII, así como, a la visión que tiene Quevedo de la misma y la valoración que otorga a la administración de justicia y a la justicia misma, contribuyendo con ello al mejor conocimiento de la obra literaria, de su creador y de la época en la que se escribió. / Sueños by Quevedo is a satirical work that contains an incisive social criticism, from which the legal reality of the time does not escape. This interdisciplinary research analyzes the legal component present in Quevedo’s fictional narrative with help from the methodological bridges built between the literary and legal sciences. In this paper a proposed classification of the legal elements is used as the basis for analysis of Sueños’ content and form. By comparing the results with legal documentary sources of the time and with the filter provided by the author's multidimensional philosophical and doctrinal thought, an approach to the historical-legal circumstances of the late sixteenth and early seventeenth centuries is also reached, as well as, Quevedo's view and assessment of the administration of justice and justice itself in his contemporary society. The analysis contributes to a better understanding of Sueños, its author and the time in which it was written.