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11	På spaning efter platsspecificitet i fysisk planering. : Stadsomvandlingsprojektet Köge Kysts förhållande till plats och inverkan av planeringsideal. / In search of site-specificity in urban planning. : The urban transformationproject Køge Kyst´s relation to site and the impact of planning ideals. Jönsson, Peder, Grube Olsson, Linus January 2021 (has links) Denna uppsats analyserar i första hand hur stort utrymme begreppet platsspecificitet får i dagens stadsplanering. I andra hand ser studien på hur plats i en allt mer generaliserad stadsplanering förhåller sig till dagens planeringsideal. Ett vanligt förekommande är att nya stadsdelar byggs utefter samma ideal, med liknande arkitektur, oavsett om det sker i en hamn, centralt i staden eller på åkermark. Planerare verkar sällan göra någon djupare platsanalys vilket kan leda till att unika plastkvaliteter förbises. I skandinavien börjar dock städer tänka mer på hur en plats kvaliteter kan upptäckas och skapas före marken exploateras permanent. I danska Köge finns stadsomvandlingsprojektet Köge Kyst, där temporära aktiviteter och mänsklig interaktion är en stor del av planeringsfasen. Genom att studera detta projektet visar den här uppsatsen ett exempel på hur en skandinavisk stad förhåller sig till plats i förhållande till rådande stadsbyggnadsideal. Med teoretiska analysverktyg studeras Köge Kyst-projektets visioner, planering och utförande där fokus ligger på platsanvändning och planeringsideal. Studien visar att Köge Kyst trots sina nya metoder för platsanvändning slutar i en stadsdel som inte sticker ut från mängden. En slutsats studien drar är att problematik uppstår många gånger i mötet mellan plats och ideal, där dessa två faktorer ofta krockar. Uppsatsen ger därför utrymme för fortsatt forskning kring platsens betydelse för hur en god och platsspecifik stadsdel kan skapas. / This study analyzes at first hand how much room the construct sitespecificity gets in today`s urban planning. In second hand this study has looked into how site in an ever more generalized urban planning relates to today´s planning ideal. A common occurrence is that new districts are built according to the same ideal, with similar architecture, no matter whether it takes part in a harbor, central in the city, or on arable land. Planners rarely seem to do a deeper site analysis, which can lead to unique sitequalities being disregarded. In Scandinavia, however, cities are beginning to think more about how a sites qualities can be discovered and created before the land is permanently built. In Danish Køge, there is an urban transformation project called Køge Kyst, where temporary activities and human interaction are a large part of the planning phase. By studying this project, this essay has provided an example of how a Scandinavian city relates to site in relation to the current planning ideal. With theoretical analysis tools, the Køge Kyst project´s visions, planning and execution are studied, where the focus is on site-use, and planning ideals. The study shows that Køge Kyst, despite its new methods of site-use, ends up in a city transformation that does not stand out from the crowd. One conclusion the study draws is that problems often arise in the relationship between place and ideal, where these two factors often clash. This essay therefore provides scope for further research about the importance of site-understanding for the creation of new site-specific districts. Køge Kyst. Søndre Havn Site Site-specificity Planning ideal Urban transformation Urban planning Köge Kyst Söndre Havn Plats Platsspecificitet Planeringsideal Stadsomvandling Fysisk planering Other Social Sciences Annan samhällsvetenskap
12	"…Threaded Through": The Multitextuality of Site-Specific Music Composition Vaughn, Mark, 1987- 08 1900 (has links) The two fields of acousmatic music and site-specific conceptual art take strikingly different approaches to the notions of space and place. In this document, I describe how these two areas of aesthetic research diverge and relate to each other, focusing on how their unique approaches can be implemented in the practice of site-specific music composition. The first part of this document surveys the distinctive features of each of these fields, describing the particular differences between them in their approach to space and place. The contradictions between the two approaches are then briefly analyzed in reference to Georgina Born's understanding of music as fundamentally multitextual. In the second part of the document, I describe in detail how I implemented a site-specific approach when composing "…threaded through," a 16-channel audio, 6 video, site-specific installation for the UNT College of Music Main Building. In this, I describe how both the space and place of the UNT College of Music Main Building influenced my musical choices, visual content, and approach to audio and visual spatialization. The final part of the document contains a detailed score for realizing "…threaded through" in the location of the UNT College of Music Main Building. site-specificity site-specific music composition conceptual art acousmatic music multitextuality space place Composition (Music) Conceptual art. Computer music. Place (Philosophy) in music. Academic theses
13	Beyond Ecophony Svensson, Kristofer January 2013 (has links) <p>Bilaga: 1 partitur</p> John Luther Adams ambient poetics buddhism John Cage disenchantment ecology Martin Heidegger Francisco Lopez modes of listening Timothy Morton oceanic place-ism Christopher Small silence site-specificity Lee Ufan zoka
14	A especificidade da arte pública na 5ª Bienal do mercosul - Porto Alegre Almeida, José Francisco Alves de January 2011 (has links) Este trabalho tem por objetivo investigar o significado das obras de arte pública permanentes, comissionadas pela 5.ª Bienal do Mercosul, em Porto Alegre, entre 2004 e 2006, sob o prisma das questões da site-specificity e/ou place-specificity. As esculturas de Mauro Fuke, José Resende, Carmela Gross e Waltercio Caldas, são tomadas como estudo de caso para a discussão dessas questões, ou seja, para investigar as possibilidades de transformação de um local (espaço físico) em lugar (local dotado de significados), por meio de obras de arte projetadas especificamente com esse objetivo. / The paper aims at searching for the meaning of perennial public artworks done under the 5th Mercosul Biennial (Porto Alegre, 2004-2006) order, looking at the issues of site-specificity and/or place-specificity. Mauro Fuke, José Resende, Carmela Gross and Waltercio Caldas’s sculptures are the case study for the debate of such issues. Investigating the possibility of transforming spaces into sites through the placement of artworks produced for that purpose. Escultura pública : Porto Alegre (RS) Arte : Lugar : Espaço Site-specific Espaco publico : Escultura Monumentos : Porto Alegre Bienal do Mercosul : Artes visuais Public art Contemporary art Site-specificity Mercosul Biennial Place Site
15	A especificidade da arte pública na 5ª Bienal do mercosul - Porto Alegre Almeida, José Francisco Alves de January 2011 (has links) Este trabalho tem por objetivo investigar o significado das obras de arte pública permanentes, comissionadas pela 5.ª Bienal do Mercosul, em Porto Alegre, entre 2004 e 2006, sob o prisma das questões da site-specificity e/ou place-specificity. As esculturas de Mauro Fuke, José Resende, Carmela Gross e Waltercio Caldas, são tomadas como estudo de caso para a discussão dessas questões, ou seja, para investigar as possibilidades de transformação de um local (espaço físico) em lugar (local dotado de significados), por meio de obras de arte projetadas especificamente com esse objetivo. / The paper aims at searching for the meaning of perennial public artworks done under the 5th Mercosul Biennial (Porto Alegre, 2004-2006) order, looking at the issues of site-specificity and/or place-specificity. Mauro Fuke, José Resende, Carmela Gross and Waltercio Caldas’s sculptures are the case study for the debate of such issues. Investigating the possibility of transforming spaces into sites through the placement of artworks produced for that purpose. Escultura pública : Porto Alegre (RS) Arte : Lugar : Espaço Site-specific Espaco publico : Escultura Monumentos : Porto Alegre Bienal do Mercosul : Artes visuais Public art Contemporary art Site-specificity Mercosul Biennial Place Site
16	A especificidade da arte pública na 5ª Bienal do mercosul - Porto Alegre Almeida, José Francisco Alves de January 2011 (has links) Este trabalho tem por objetivo investigar o significado das obras de arte pública permanentes, comissionadas pela 5.ª Bienal do Mercosul, em Porto Alegre, entre 2004 e 2006, sob o prisma das questões da site-specificity e/ou place-specificity. As esculturas de Mauro Fuke, José Resende, Carmela Gross e Waltercio Caldas, são tomadas como estudo de caso para a discussão dessas questões, ou seja, para investigar as possibilidades de transformação de um local (espaço físico) em lugar (local dotado de significados), por meio de obras de arte projetadas especificamente com esse objetivo. / The paper aims at searching for the meaning of perennial public artworks done under the 5th Mercosul Biennial (Porto Alegre, 2004-2006) order, looking at the issues of site-specificity and/or place-specificity. Mauro Fuke, José Resende, Carmela Gross and Waltercio Caldas’s sculptures are the case study for the debate of such issues. Investigating the possibility of transforming spaces into sites through the placement of artworks produced for that purpose. Escultura pública : Porto Alegre (RS) Arte : Lugar : Espaço Site-specific Espaco publico : Escultura Monumentos : Porto Alegre Bienal do Mercosul : Artes visuais Public art Contemporary art Site-specificity Mercosul Biennial Place Site
17	Activation of Place : Curating Site-Specific Art at the Luleå Biennial in 2018 and 2020 / Aktivering av Plats : Curering av Platsspecifik Konst vid Luleåbiennalen 2018 och 2020 Nåtoft, Maria January 2023 (has links) This thesis investigates how site-specific art manifest itself in different ways, specifically in the biennial format. The focus is on the Luleå Biennale, one of Scandinavia's oldest biennales that returns every two years. Through a case study of four different works of art from two of the biennale's editions, two from the year 2018 and two from 2020, I want to broaden the understanding of the concept of site specificity and how to curate such an exhibition. The theory is based on Miwon Kwon's One Place to Another: Site-Specific Art and Locational identity (2004) and Nick Kaye's Site-Specific Art: Performance, Place and Documentation (2000) which deal with the concept of site specificity and its various expressions. The questions that arose were centered around research, audience and how art activates the place. Through my investigation, I came to the conclusion that all four artworks are strongly connected to their context, not only the context of the biennial but also the physical location they treated, and that a long process of research made the groundwork for this. One of the works was not newly produced for the place in which it was exhibited, but was realized by translating its original meaning to the place of the biennale with the help of curatorial work. I also come to the conclusion that the audience is of great importance in realizing these site-specific works of art exhibited in places that are otherwise not accessible to the public. The biennale opens up new places and memories. / Denna uppsats är en undersökning av hur platsspecifik konst kan uttrycka sig på olika sätt och specifikt hur det kan se ut i biennalformatet. Fokus ligger på Luleåbiennalen, en av Skandinaviens äldsta biennaler som återkommer vartannat år. Genom en fallstudie på fyra olika konstverk från två av biennalens utgåvor, två från år 2018 och två från 2020, vill jag vidga förståelsen för begreppet platsspecificitet och hur man curerar en sådan utställning. Den grundläggande teorin utgår från Miwon Kwons One Place to Another: Site-Specific Art and Locational identity (2004) och Nick Kayes Site-Specific Art: Performance, Place and Documentation (2000) som behandlar begreppet och dess olika uttryckssätt, vilket ledde till frågor kring research, publik och hur konsten aktiverar platsen. Genom min undersökning kommer jag fram till att alla fyra konstverk är starkt kopplade till sin kontext, inte endast kontexten av en biennal men även den fysiska platsen de behandlar, samt att en lång process av research har lagt grunden för detta. Ett av verken var inte tillverkade för platsen som den ställdes ut på men blev ändå realiserad genom att dess ursprungliga mening översattes till platsen för biennalen, detta med hjälp av curatoriskt arbete. Jag kommer även fram till att publiken utgör en viktig del för att realisera dessa platsspecifika konstverk som ställts ut på platser som annars inte är tillgängliga för allmänheten. Biennalen möjliggör besök av nya platser och minnen. Site specificity site-specific art site-related art Miwon Kwon Nick Kaye performance performance of space interdisciplinary contemporary art curating biennial art biennial Luleå Luleå biennial Norrbotten Karl Sjölund Raqs Media Collective Maria W Horn Kapwani Kiwanga Platsspecificitet platsspecifik konst plats-relaterad konst Miwon Kwon Nick Kaye performance performance of space interdisciplinärt samtidskonst curating biennial konstbiennial Luleåbiennialen Luleå Norrbotten Karl Sjölund Raqs Media Collective Maria W Horn Kapwani Kiwanga Humanities and the Arts Humaniora och konst Arts Konst Art History Konstvetenskap

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