<p>This paper presents the results of a workplace study of two smaller companies in the design industry. The core issue has been to investigate the companies use of technical tools and to what extent social praxis influence the daily work. The methods used are based on a qualitative analysis of interviews and observations. Various kind of work procedures, such as verbal and computerized, have been identified, but the most important occurrence was how spontaneous conversations between employees required certain flexibility, since the actors repeatedly were required to change focus and quickly perceive different information. For that reason, a thesis has been defined regarding how the use of spontaneous communication put an indirect need of a flexible working environment and also how this lead to more significant participation and exchange of information, as well as more awareness at the companies.</p>

This paper presents the results of a workplace study of two smaller companies in the design industry. The core issue has been to investigate the companies use of technical tools and to what extent social praxis influence the daily work. The methods used are based on a qualitative analysis of interviews and observations. Various kind of work procedures, such as verbal and computerized, have been identified, but the most important occurrence was how spontaneous conversations between employees required certain flexibility, since the actors repeatedly were required to change focus and quickly perceive different information. For that reason, a thesis has been defined regarding how the use of spontaneous communication put an indirect need of a flexible working environment and also how this lead to more significant participation and exchange of information, as well as more awareness at the companies.

O presente trabalho fornece ferramentas técnico-interpretativas para a construção de uma performance da suíte Imágenes para violão do compositor argentino Carlos Aguirre. Através de uma análise estrutural das obras que compõem essa suíte e sua relação com os gêneros da música popular em que se baseiam, assim como dados biográficos e estilísticos do compositor e suas obras para violão, apresentamos material para uma maior compreensão das peças. Na segunda parte do trabalho, expomos sugestões de digitação de mão direita e mão esquerda como alternativas às indicadas na edição. Versões gravadas pelo compositor com outros instrumentos de duas peças dessa suíte foram analisadas como fonte para ideias interpretativas no violão. Para a resolução das dificuldades técnicas presentes em Imágenes, propõem-se exercícios embasados principalmente no conceito de versão zero de Fernández (2000). / This work offers interpretative and technical tools for the construction of a performance of the suite Imágenes for guitar, by the Argentinian composer Carlos Aguirre. Through a structural analysis of the pieces that form the suite and its relation with other genders of folk music on which they are based, as well as biographic and stylistic information of the composer and his works for guitar, we present relevant material for a better comprehension of these pieces. In the second section of this work, we present fingering suggestions for both hands as alternatives to those indicated in the original edition. Versions recorded by the composer with other instruments of two pieces of the suite were analyzed as sources for interpretative ideas for the guitar. To resolve technical difficulties in Imágenes, we propose exercises, mainly based on Fernández’ (2000) concept of version zero.

O presente trabalho fornece ferramentas técnico-interpretativas para a construção de uma performance da suíte Imágenes para violão do compositor argentino Carlos Aguirre. Através de uma análise estrutural das obras que compõem essa suíte e sua relação com os gêneros da música popular em que se baseiam, assim como dados biográficos e estilísticos do compositor e suas obras para violão, apresentamos material para uma maior compreensão das peças. Na segunda parte do trabalho, expomos sugestões de digitação de mão direita e mão esquerda como alternativas às indicadas na edição. Versões gravadas pelo compositor com outros instrumentos de duas peças dessa suíte foram analisadas como fonte para ideias interpretativas no violão. Para a resolução das dificuldades técnicas presentes em Imágenes, propõem-se exercícios embasados principalmente no conceito de versão zero de Fernández (2000). / This work offers interpretative and technical tools for the construction of a performance of the suite Imágenes for guitar, by the Argentinian composer Carlos Aguirre. Through a structural analysis of the pieces that form the suite and its relation with other genders of folk music on which they are based, as well as biographic and stylistic information of the composer and his works for guitar, we present relevant material for a better comprehension of these pieces. In the second section of this work, we present fingering suggestions for both hands as alternatives to those indicated in the original edition. Versions recorded by the composer with other instruments of two pieces of the suite were analyzed as sources for interpretative ideas for the guitar. To resolve technical difficulties in Imágenes, we propose exercises, mainly based on Fernández’ (2000) concept of version zero.

O presente trabalho fornece ferramentas técnico-interpretativas para a construção de uma performance da suíte Imágenes para violão do compositor argentino Carlos Aguirre. Através de uma análise estrutural das obras que compõem essa suíte e sua relação com os gêneros da música popular em que se baseiam, assim como dados biográficos e estilísticos do compositor e suas obras para violão, apresentamos material para uma maior compreensão das peças. Na segunda parte do trabalho, expomos sugestões de digitação de mão direita e mão esquerda como alternativas às indicadas na edição. Versões gravadas pelo compositor com outros instrumentos de duas peças dessa suíte foram analisadas como fonte para ideias interpretativas no violão. Para a resolução das dificuldades técnicas presentes em Imágenes, propõem-se exercícios embasados principalmente no conceito de versão zero de Fernández (2000). / This work offers interpretative and technical tools for the construction of a performance of the suite Imágenes for guitar, by the Argentinian composer Carlos Aguirre. Through a structural analysis of the pieces that form the suite and its relation with other genders of folk music on which they are based, as well as biographic and stylistic information of the composer and his works for guitar, we present relevant material for a better comprehension of these pieces. In the second section of this work, we present fingering suggestions for both hands as alternatives to those indicated in the original edition. Versions recorded by the composer with other instruments of two pieces of the suite were analyzed as sources for interpretative ideas for the guitar. To resolve technical difficulties in Imágenes, we propose exercises, mainly based on Fernández’ (2000) concept of version zero.

Under COVID-19 blev distansundervisning ett måste och till följd mer accepterat och vanligt. Detta har även bidragit till att fler alternativa utbildningsformer blivit vanligare, bland annat hybridutbildning. Det finns dock bristande information och forskning på hur hybridutbildningar ska genomföras för bäst upplevelse för alla inblandade. Till följd av den tekniska utvecklingen finns det även en rad olika tekniska verktyg som kan användas vid utformning av hybridutbildning. Det finns dock bristande underlag på hur dessa tekniska verktyg kan användas och vad dess påverkan blir på upplevelsen. Denna studie undersöker utbildningsformen hybridföreläsning där studenter kan delta på plats och på distans under samma föreläsning. Tidigare forskning på denna utbildningsform har endast fokuserat på studenter som deltar på distans. Syftet med studien är att ge svar på vilka- och med vilken utformning på tekniska verktyg som möjliggör en lyckad hybridföreläsning för samtliga parter. Syftet är också att undersöka båda deltagargrupperna och hur upplevelsen skiljer sig.  För att besvara frågorna har en fallstudie genomförts under tre föreläsningar på en datavetenskaplig kurs på Malmö Universitet. De tre föreläsningarna hade alla olika förutsättningarna och var utrustade på olika sätt. De olika föreläsningarna är benämnda som Fall 1, Fall 2 och Fall 3 som skiljer sig från varandra i teknisk utrustning och utformning. Studenterna delades slumpmässigt in i två lika stora grupper. En grupp som endast deltog på föreläsningar på plats och en grupp som endast deltog på föreläsningar på distans. Datainsamling genomfördes genom tre enkäter som studenterna fick efter varje föreläsning samt en slutenkät på sista föreläsningen. Under alla föreläsningar deltog även författarna av studien med för att observera. Det genomfördes även en fokusgrupp med studenter samt en intervju med föreläsaren.   Resultat från dessa datagenereringsmetoder visar att det är svårt att utforma en hybridföreläsning med de tekniska verktyg som undersökts där studenter på plats/distans och föreläsaren blir helt tillfredsställda. Det har dock konstaterats vilka tekniska verktyg och i vilken utformning som bör eftersträvas för att medföra en föreläsning där andelen som inte blir tillfredsställda minimeras. I direkt följd har det även konstaterats vilka tekniska verktyg och i vilken utformning som bör undvikas då detta medför att en stor andel av deltagare får en sämre upplevelse. / During the COVID-19 pandemic many institutions were forced to adapt distance learning, which subsequently became a widely accepted learning modality. This shift has contributed to an increase in other forms of education and has as a result become more common, including hybrid education. However, there is a lack of information and research in regard to how hybrid education should be implemented to ensure a good experience for everyone involved. Because of the technical advancements there are multiple technical tools to choose from that can be used when designing hybrid educations. Though, there is a lack of information in regard to how these technical tools can be used and what their effects are on the experience.  This study examines a form of hybrid education where students can participate both in class, and online at the same time. Previous research on this format primarily focuses on students participating online. The aim of this study is therefore to provide insights into which tools and how their usage might impact the use of a successful hybrid lecture for all participants. The aim is also to investigate how the experiences of both groups may differ. To address these questions, a case study was conducted based on three separate lectures in a computer science course at Malmö University. The three lectures all had different conditions and were equipped in different ways. Each lecture, labeled Case 1, Case 2 &amp; Case 3, varied in terms of technical equipment and design. The students that participated in the case study were randomly assigned to either the distance or in-person group to ensure equally large groups, maintaining the same format for all lectures.  The gathering of data was conducted through questionnaires that the students were asked to answer after each finished lecture as well as a final questionnaire during the last lecture. The authors also observed all lectures. A focus group was also conducted with a group of students as well as an interview with the lecturer.  The findings revealed from these methods show that it can be challenging to design a hybrid lecture with the technical tools that have been studied where both groups of students and the lecturer feel satisfied. However, the results indicate what technical tools and to what extent they should be used to ensure a lecture where low satisfaction is opposed. As a direct consequence, it has also been determined which technical tools and in what form should be avoided, as this leads to a large proportion of participants having a negative experience.

Cette recherche vise à analyser et à interpréter les modes de construction, de diffusion et d’appropriation des sens et significations des instruments de langages médiatiques au sujet des campagnes présidentielles de 2007, 2012 et 2017 par les journaux de la presse française. Notre problématique peut s’exprimer par les deux questions suivantes : en quoi les outilslangagiers, iconiques et plastiques des couvertures de journaux constituent-ils des instruments techniques visant le choix présidentiel dans la période de 2007 et 2012 en France ? En quoi les outils de langage des médias jouent un rôle d’instruments techniques et psychologiques dans les représentations et l’appropriation des messages médiatiques par des étudiant-e-s en Sciences de l’Education au cours de la campagne présidentielle de 2017 ? Pour ce faire, nous avons analysé, comparé et interprété le réseau de relations entre les modes de construction et de diffusion des outils de langage utilisés par les journaux pour présenter des campagnes présidentielles au cours de deux périodes historiques. Une étude complémentaire nous a permisd’analyser et d’interpréter les représentations et l’appropriation des messages médiatiques par des étudiant-e-s en Sciences de l’éducation pendant la campagne présidentielle de 2017. Au plan théorique, nous nous sommes appuyée sur la théorie historico-culturelle de Vygotski (1985), la notion d’artefact de Rabardel (1995), les théories en éducation aux médias, la notion de cadre de Goffman (1991), la théorie de l’acteur-réseau de Latour (2007). Au plan méthodologique, nous avons opté pour une démarche quali-quantitative en utilisant, en particumier, les logiciels CHIC, Tropes et Iramuteq, une méthode d’analyse de contenu (Bardin, 1993) et de discours (Maingueneau, 2014) des outils de langage des couvertures de journaux. Nous avons adopté une approche méthodologique croisée intégrant la méthode d’analyse statistique implicative, une approche psycho-socio-sémiolinguistique etpragmatique. Le corpus a été constitué de 239 éditions de journaux, 293 images des unes des journaux français (20 Minutes, Métro, Lyon Plus, Le Figaro, Le Monde, et Le Progrès) et 15 entretiens réalisés auprès d’étudiant-e-s en Sciences de l’Education. Les résultats montrent que les outils de langage médiatique constituent des instruments techniques via la mise en place de différents procédés, de cadres naturels et sociaux de conceptualisation, via la mise en évidence d’une diversité de visées (pathémiques, persuasives, de faire agir, cognitives) et la nature des styles discursifs (statif, déclaratif, narratif, argumentatif). Les schèmes heuristiques et pragmatiques sont davantage sollicités en 2007 que les schèmes épistémiques dont la mise en visibilité a été renforcée en 2012. L’examen des instruments destinés à la diffusion des savoirs médiatiques non formels et informels au sujet des campagnes présidentielles montre des indices que la pensée se construit et évolue en fonction d’un contexte socio-historique donné avec des formes d’actualisation, de nouveauté et de redondance. La prise en compte d’une dimension sociale, symbolique, privée, consciente, inconsciente est intégrée à l’appropriation des instruments médiatiques mais aussi aux pratiques d’étudiants dans la formation de leurs décisions. L’analyse et l’interprétation de l’appropriation des messages médiatiques par les étudiant-e-s démontrent que la consultation et l’appropriation de ceux-ci remplissent un besoindavantage cognitif, conatif que comportemental. / The aim of this research is to analyze and interpret form of construction, providing and appropriation of senses and meanings of mediatic languages tools about presidential campaigns of 2007, 2012 and 2017 through the french newspapers. Firstly, we wanted to know how can linguistic, iconic and plastic tools of the first page of newspapers can be considered like technictools with the aim of the presidential choice during the period 2007 and 2012. Secondly, we wanted to find out how media language tools can contribute to be psychological and technic through the representations and appropriation of mediatic messages by students in Education Science during the presidential campaign 2017? On the one hand, we have planned to analyze, compare and interpret network relation between construction and providing of tools language used by the newspapers to present presidential campaigns during two historic periods. On the other hand, a complementary study has allowed us to analyse and interpret the representations and appropriation of mediatic messages by students in Education Science. On the theoretical aspect; we based our research on historical-cultural theory of Vygotski (1985), the concept of artefact (Rabardel, 1995), media education theories, concept of frame (Goffman, 1995), the network-actor theory (2007). On the methodological aspect, we have chosen a qualiquantitative method (with the softwares CHIC, Tropes, Iramuteq), a content (Bardin, 1993) anddiscourse (Maingueneau, 2014) analysis methods of language tools of first page of newspapers. We opted for a cross-cultural approach including statistical implicative analysis, a psychosocio-semio-linguistic, semiological and pragmatic approaches. The corpus have been made up of 239 newspapers editions, 293 pictures of the first coverture of french newspapers (20 Minutes, Métro, Lyon Plus, Le Figaro, Le Monde, et Le Progrès) and 15 interviews collected from students in Education Science. The results show that media language tools can be established as technical tools through the introduction of different mechanisms, natural and social frames of conceptualization, through a hightlighting types of discourse (stative, declarative, narrative and argumentative). Heuristics and pragmatics schemes are mainly requested in 2007 than epistemics schemes which have been reinforced in 2012. The analysis of tools made for the spread of formal and informal mediatic kwnowledges or news aboutpresidential campaigns show that the thought is built and it is developed depending on sociohistorical context with form of actualisation, novelty, and redundancy. The taking into account of social, symbolic, private, conscious, onconscious dimension is involved to the mediatic tools appropriation but also with the practices of students in the construction of their decisions. Theanalysis and the interpretation of the apropriation of mediatic messages by the students in Education Science demonstrate that the consultation and the appropriation of this fulfill more a cognitive, conative than behavioural needs.

In this paper we present our research on learning in event organizations since we haveconcluded that there is no research on this topic. We have chosen a qualitative researchstrategy with multiple case studies where we used semi-structured interviews to go into depthin the event organizations we have studied. The research overview highlights the problem oflearning in organizations today and that organizations must learn to survive and to create acompetitive edge in the industry in which they are operating. Learning in organizationsdepends on their employees and if they may not develop within the organization they will notbecome further motivated. Our research shows that event organizations learn subsequentlyand take the situation as it comes through learning by doing primarily.Research shows that individuals learn different, and our study therefore indicates that theremust be leadership that is adapted to different situations and different learning styles. As theevent industry is time-pressed, a fully customized system will not be sustainable to managemeeting the demands of the market. Today, systems and tools for learning are inadequate toadapt to this fast-changing environment in which the organizations live. We have combinedsystems and tools that together create a more adaptable system for the time-pressed eventorganization.The system deals with an understanding of which situation the employee is in and whichpreferred way it wants to learn and thus the manager can adapt to this to get the maximumoutcome of learning. This will help managers in event organizations to better understand theiremployees, motivate them to a greater extent, thereby creating competitive advantages for thecompany. As the manager is time-pressed, our study also shows that collective learning isimportant for the effectiveness of the organization's learning. In this way, the manager doesnot always have to be the driving force in learning. Our research shows that technologicalsolutions will help the time-pressed organization to create a more collective learning and amore sustainable solution, as this is a more time-efficient tool for sharing knowledge. Whatwe present here is a contribution with a theoretical solution that is also practically feasible,unlike several previous theories.This study is written in Swedish. / I denna uppsats framför vi vår forskning om lärande i evenemangsorganisationer då vi sett attdet saknas forskning kring detta ämne. Vi har valt en kvalitativ forskningsstrategi medmultipla fallstudier där vi använt semistrukturerade intervjuer för att gå på djupet i deevenemangsorganisationer som vi studerat. Forskningsöversikten lyfter fram problematikenkring lärande i organisationer idag och att organisationer måste lära sig för att överleva ochför att skapa sig en konkurrensfördel i den bransch den befinner sig i. Lärandet iorganisationer är beroende av dess medarbetare och får inte dessa utvecklas inomorganisationen så blir de inte heller motiverade. Vår forskning visar attevenemangsorganisationer idag lär sig efterhand och tar situationen som den kommer genomlearning by doing främst.Forskning visar att individer lär sig olika och vår studie visar på att det måste finnas ettledarskap som är anpassat för olika situationer och olika lärstilar. Eftersomevenemangsbranschen är tidspressad blir därmed ett helt individanpassat system inte hållbartför att klara av att möta dess omvärld. Idag är de system och verktyg som finns för lärande iorganisationer bristande för att anpassas till denna snabbt föränderliga omvärld somorganisationer lever i. Därmed har vi kombinerat system och verktyg, situationsanpassatledarskap samt VARK och teknologi, som tillsammans skapar ett mer anpassningsbart systemför den tidspressade evenemangsorganisationen.Systemet handlar om en förståelse för vilken situation medarbetaren befinner sig i och vilketföredraget sätt den vill lära sig och därmed kan chefen anpassa sig till detta för att få ettmaximalt utfall av lärande. Detta kommer att hjälpa chefer i evenemangsorganisationer attförstå sina medarbetare bättre, motivera dem i större utsträckning och därigenom skapakonkurrensfördelar för företaget. Då chefen är tidspressad visar vår studie även att ettkollektivt lärande är av vikt för att effektivisera organisationens lärande. På så sätt behöverinte chefen alltid vara den drivande faktorn i lärandet. Vår forskning visar att teknologiskalösningar hjälper den tidspressade organisationen för att skapa ett mer kollektivt lärande ochen mer hållbar lösning då detta är ett mer tidseffektivt verktyg för att dela kunskap. Vi bidrarhär med en teoretisk lösning som även blir praktiskt genomförbar till skillnad från fleratidigare teorier.

The dissertation deals with the road accident interventions carried out by Fire fighting units and emphasizes average adjustments as well as the problems of forensic engineering. Within the Southern Moravia region, it analyses the statistical data of the Fire Rescue Brigade of the Czech Republic with relation to the road accident interventions, and it analyses the position of the individual units of the Fire Rescue Brigade of the Southern Moravia in the above system. The dissertation discusses relation between the forensic engineering and the Fire Rescue Brigade of Czech Republic and stresses the possibilities of cooperation.

Cette recherche a pour objet les interactions en ligne sur un réseau social numérique dédié à l’enseignement / apprentissage du français langue étrangère (FLE) et s’interroge sur la façon dont l’espace en ligne s’intègre au dispositif de formation pour fournir des contextes nouveaux pour les interactions sociales et l’apprentissage de la langue. La recherche repose sur une analyse écologique d’usages dans un contexte universitaire homoglotte d’apprentissage de la langue et une analyse des discours des différents acteurs pour mettre au jour leurs perceptions du dispositif et de ses affordances ainsi que leur appropriation de l’espace en ligne. Ce travail se veut contribuer à élaborer des outils pertinents pour l’analyse de la participation et à une meilleure compréhension de ce qui se construit dans les interactions sociales, pour les participants, dans le cadre d’une communication médiatisée en contexte pédagogique. L’analyse s’intéresse (1) aux activités participatives et à leurs formats conversationnels et énonciatifs, (2) à la pluralité des modes de participation et des modes relationnels d’engagement social qui s’installent sur le réseau socio-pédagogique, et (3) aux régimes spatiaux et attentionnels propres aux espaces numériques. L’étude montre que le réseau socio-pédagogique est peu utilisé et les usages observables profitent peu des propriétés d’ouverture, conversationnelles et sociales du réseau. Si un certain nombre d’affordances sont perçues par les participants, elles restent peu actualisées dans le cadre de notre étude. Face à ces usages limités, l’analyse tente de repérer dans les discours et les activités proposées, les freins et obstacles à des changements de pratiques. A partir de ce constat, la recherche propose des pistes didactiques tenant compte des enjeux sociaux et relationnels afin que le réseau socio-pédagogique puisse plus distinctement être perçu comme un espace médiateur d’activités sociales de littératie numérique. / This research aims at studying online interactions in a social network that is specific to teaching and learning French as a Foreign Language (FFL). It questions the way the virtual environment incorporates with the training device so to provide new contexts of interactions and language learning.The data used for this research belong to an academic and language learning context which enabled an ecological analysis of the uses.Furthermore a discourse analysis from various participants was undertaken to highlight their impressions of the device, the noticed affordances and their appropriation with the online environment. This study contributes at elaborating useful tools for the analysis of participation and a better understanding of social interactions in the case of a mediated communication in a pedagogical context.The analyses are based on (1) participative activities, their conversational and enunciative format, (2) the various participation modes and relationnal social commitment that flourishes in a socio-pedagogical network and (3) the spatial and attentionnal features that are specific to a virtual learning environment.The study shows that there are few uses of the socio-pedagogical network, and the various ones that have been noticed did not benefit from the network’s wide access, conversational and social design.As a certain number of affordances have been noted by the participants, few of them were used in the case of our study. Considering those limited uses, the analysis tries to spot the restraints and obstacles to these changing practices by taking into account the participant’s discourse and suggested activities. From this observation, the research suggests didactical guidelines that include this social and relational challenge - and to consider this socio-pedagogical network as an environment which mediates social activities and digital litteracy.