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The master thesis deals with life and work of Ivo Klimeš (*1932), significant Czech architect from Ostrava. The aim of the thesis is to introduce creative work of Ivo Klimeš in the field of theater architecture since the first projects to its mature formation in the sixties and the seventies of the twentieth century, including unrealized designs, while taking to account the circumstances of his era. Ivo Klimeš was the one of the few architects who escaped the routine work within the Planning Institute and so he was able to design extraordinary buildings. As the most significant project is considered the Municipal Theater in Most, which in architectural expression applies brutalism and structuralism tendencies and is to be belonged to the most important cultural buildings of the second half of the twentieth century in the Czech Republic. Correspondingly, it is also a unique building of Jiří Myron Theatre in Ostrava, which was strongly influenced by Scandinavian architecture of Alvar Aalto. Ivo Klimes through his projects responded to the needs of the contemporary scenographic practice and from the beginning stressed the importance of innovation in creating theater spaces. Key concepts to him became the variability and the work with a stage space.

Temos aqui um estudo de caso onde se exercita, dentro do partido teórico-metodológico da história cultural do urbano, a aplicação do conceito ‘trajetória social’ aos estudos históricos, Visa estabelecer as condições que possibilitaram ao jornalista Beto Stodieck assumir a condição de porta-voz de uma parcela dos jovens da elite florianopolitana, cuja posição apoiava-se principalmente no capital cultural e social – acesso à educação, à cultura erudita e nas redes de relações sociais – herdados de família. Centrando a atenção num indivíduo e na formação do seu ‘ponto de vista’ - entendido como o universo das posições no interior do qual o agente estava situado e onde se definiu sua ação – o registro das transformações morfológicas e culturais, conforme foram registradas nas crônicas diárias, ajudou a buscar a cidade real através das representações formuladas por Beto Stodieck. A análise dos escritos e das práticas sociais ali retratadas apontou que o alcance da coluna social desse jornalista, tratada aqui como um conjunto de crônicas sociais ligeiras, foi resultado de três características fundamentais: o estilo do escritor; a capilaridade e importância social do veículo (principalmente o jornal O Estado); e a multiplicidade de temas ligados ao cotidiano de leitores das mais diversas posições sociais. / This work presents a study of case, within the party theoretical and methodological of the urban cultural history, in which applies of the concept ‘social trajectory’ to historical studies; seeking to identify the conditions that allowed the journalist Beto Stodieck become the spokesperson of a portion of the young elite of Florianópolis, whose position was supported mainly in the cultural and social capital – access to education, to erudite culture and networks of relationships social - inherited the family. Focusing on a individual and the making of their 'point of view' - understood as the universe of positions within which the agent was located and defined his action – the record of morphological and cultural transformations, as were registered in chronic daily, helped to understand the real city, through the representations made by Beto Stodieck. The analysis of the writings and social practices there portrayed, pointed out that the reach of the social columns of the journalist, treated here as a set of ‘slight social-chronicles’, was the result of three basic features: the style of the writer, the capillary and social importance of vehicle (mainly the newspaper O Estado), and the multiplicity of themes related to the daily lives of readers within different social positions.

Dans cette thèse, nous proposons d’approcher le Movimiento Ibérico de Liberación (MIL), petit groupe anticapitaliste et internationaliste agissant dans les années soixante-dix à Barcelone, au travers de ses représentations médiatiques. Nous privilégions pour ce faire une approche double, qui croise perspective diachronique – un parcours de la presse sous le franquisme jusqu’aux médias en démocratie – et regard synchronique – une étude conjointe et comparative de différents journaux. L’examen du discours de presse relatif au MIL présente en effet un intérêt méthodologique majeur, dans la mesure où il fait apparaître une constellation d’ethos qui tiennent lieu d’identité politique au MIL. Les procédures de nomination ou de qualification du groupe, si elles disent long sur les différentes configurations discursives desquelles elles émanent, contribuent à donner du MIL un portrait au kaléidoscope, qui cristallise toujours les langages et les problématiques contemporaines. En confrontant les textes du groupe lui-même à ceux qu’en produisent les médias, nous chercherons à comprendre ce qui advient dans les jeux d’écart, de distorsion ou de recouvrement que cette mise en regard fait apparaître. Les représentations du MIL sont multiples et évolutives : durement réprimé sous le franquisme, le groupe fait peu à peu l’objet d’un mouvement de revalorisation, centré sur la figure de Salvador Puig Antich qui se voit dès lors instituée en métonymie des revendications mémorielles les plus récentes, voire en icône de l’antifranquisme. Notre travail s’attachera à étudier ce qui se joue au cœur de ces dispositifs rhétoriques, pour comprendre ce que les médias font au MIL et au projet politique dont il était porteur. / Throughout this doctoral thesis, we will focus on the Movimiento Ibérico de Liberación (MIL), small anticapitalist and internationalist group which operated in the seventies in Barcelona. We will then take the press representations of it as the point at issue. Therefore, we support a double approach, which blends both a diachronic perspective – different samples of the subject in written press under Franco’s dictatorship up to democracy – and a synchronic point of view – a complete and comparative survey of various newspapers. The analysis of the press’s point of view in what concerns the MIL shows a major methodological interest, insofar as it reveals an ethos constellation which stands for the political identity of the MIL. Even when the different nominal and classifying strategies of the group sustain each newspaper’s different rhetoric settings, they also display a kaleidoscope-type portrait of the MIL, which embodies contemporary languages and issues. By comparing the written documents that the MIL itself published to the media’s, we will be able to identify and understand increasing gaps, distortions or even coincidences between both. We can find multiple representations of the MIL which at the same time prove an evolution. The group, severely persecuted during Franco’s dictatorship, gradually gained support and acceptance due to the figure of Salvador Puig Antich. He would not only become a metonymy of the most recent memorial claims, but also an icon of anti-francoism. Our approach will be focused on the rhetorical tools used by the media in order to find out what it does to the MIL and to its political project.

Temos aqui um estudo de caso onde se exercita, dentro do partido teórico-metodológico da história cultural do urbano, a aplicação do conceito ‘trajetória social’ aos estudos históricos, Visa estabelecer as condições que possibilitaram ao jornalista Beto Stodieck assumir a condição de porta-voz de uma parcela dos jovens da elite florianopolitana, cuja posição apoiava-se principalmente no capital cultural e social – acesso à educação, à cultura erudita e nas redes de relações sociais – herdados de família. Centrando a atenção num indivíduo e na formação do seu ‘ponto de vista’ - entendido como o universo das posições no interior do qual o agente estava situado e onde se definiu sua ação – o registro das transformações morfológicas e culturais, conforme foram registradas nas crônicas diárias, ajudou a buscar a cidade real através das representações formuladas por Beto Stodieck. A análise dos escritos e das práticas sociais ali retratadas apontou que o alcance da coluna social desse jornalista, tratada aqui como um conjunto de crônicas sociais ligeiras, foi resultado de três características fundamentais: o estilo do escritor; a capilaridade e importância social do veículo (principalmente o jornal O Estado); e a multiplicidade de temas ligados ao cotidiano de leitores das mais diversas posições sociais. / This work presents a study of case, within the party theoretical and methodological of the urban cultural history, in which applies of the concept ‘social trajectory’ to historical studies; seeking to identify the conditions that allowed the journalist Beto Stodieck become the spokesperson of a portion of the young elite of Florianópolis, whose position was supported mainly in the cultural and social capital – access to education, to erudite culture and networks of relationships social - inherited the family. Focusing on a individual and the making of their 'point of view' - understood as the universe of positions within which the agent was located and defined his action – the record of morphological and cultural transformations, as were registered in chronic daily, helped to understand the real city, through the representations made by Beto Stodieck. The analysis of the writings and social practices there portrayed, pointed out that the reach of the social columns of the journalist, treated here as a set of ‘slight social-chronicles’, was the result of three basic features: the style of the writer, the capillary and social importance of vehicle (mainly the newspaper O Estado), and the multiplicity of themes related to the daily lives of readers within different social positions.

Submitted by Carlo Loria (santosloria@yahoo.com) on 2018-08-28T17:03:55Z No. of bitstreams: 1 TESE CARLO LORIA ALT.pdf: 11490877 bytes, checksum: d5002255e342591fc2e11a7b53ae7d92 (MD5) / Approved for entry into archive by NUBIA OLIVEIRA (nubia.marilia@ufba.br) on 2018-09-25T20:48:40Z (GMT) No. of bitstreams: 1 TESE CARLO LORIA ALT.pdf: 11490877 bytes, checksum: d5002255e342591fc2e11a7b53ae7d92 (MD5) / Made available in DSpace on 2018-09-25T20:48:40Z (GMT). No. of bitstreams: 1 TESE CARLO LORIA ALT.pdf: 11490877 bytes, checksum: d5002255e342591fc2e11a7b53ae7d92 (MD5) / CAPES / Na Itália, na passagem da década de 1960 para 1970, um quadro de fortes conflitos políticos nacionais repercutia sobre a vida universitária, sobre as pesquisas e ensejava profundas mudanças nas visões sobre a essência da ciência e sobre as práticas de investigação estabelecidas. O nível de radicalização gerou divergências e polarizações nas comunidades científicas, passando a ameaçar de cisão a Sociedade Italiana de Física, SIF. A ruptura não aconteceu graças à uma dinâmica endógena à própria comunidade que, mediante debates e propostas acadêmicas, encontrou a rota da pacificação. Esse processo tornou-se objeto de atenção de historiadores da ciência, interessados em explicar as condutas e protagonismos de membros da sociedade. As narrativas sugerem papeis importantes tanto das lideranças formais como das lideranças difusas, que emergiam de reuniões e assembleias, na proposição de temas para a Escola de Verão Enrico Fermi, que tinha lugar na cidade de Varenna. O objeto desta tese é tentar verificar como atuaram estas lideranças e se houve maior destaque ou supremacia de um tipo ou de outro. O campo de conhecimento desta pesquisa é a história da ciência com foco na comunidade de pesquisadores e o procedimento metodológico empregado privilegiou a utilização de fontes primárias como questionários aplicados à alguns informantes qualificados, pesquisadores da época, análise de epistolário entre esses pesquisadores e outras fontes como comunicações científicas. Os resultados esperados ajudarão a entender a solução da controvérsia. / ABSTRACT In Italy, during the sixties and seventies years of the las century, a series of strong national political riots and conflicts had an impact on university life, on research, and provoke deep changes on the views about the essence of science and established research practices. The level of radicalization has generated divergences and polarizations in the scientific communities, brought threats to split the Italian Physical Society, SIF. The rupture did not happen because to endogenous dynamics, inbuilt the own community, which, by means of debates and academic proposals, found the pacification route. This process attracted attention of historians of science, interested in explaining the conduct and protagonism of members of society. The narratives suggest important roles of both formal leaderships and diffuse leaderships, which emerged from meetings and assemblies, in proposing themes to the Enrico Fermi Summer School, which took place in the city of Varenna. The purpose of this thesis is to try to verify how these leaders acted and if there was greater prominence or supremacy from one type or another. The field of knowledge of this research is the history of science with a focus on the community of researchers and the methodological procedure employed privileged the use of primary sources as questionnaires applied to some qualified informants, researchers of the time, analysis of correspondence between these researchers and other sources as scientific communications. The expected results will help you understand the solution to the controversy.

Temos aqui um estudo de caso onde se exercita, dentro do partido teórico-metodológico da história cultural do urbano, a aplicação do conceito ‘trajetória social’ aos estudos históricos, Visa estabelecer as condições que possibilitaram ao jornalista Beto Stodieck assumir a condição de porta-voz de uma parcela dos jovens da elite florianopolitana, cuja posição apoiava-se principalmente no capital cultural e social – acesso à educação, à cultura erudita e nas redes de relações sociais – herdados de família. Centrando a atenção num indivíduo e na formação do seu ‘ponto de vista’ - entendido como o universo das posições no interior do qual o agente estava situado e onde se definiu sua ação – o registro das transformações morfológicas e culturais, conforme foram registradas nas crônicas diárias, ajudou a buscar a cidade real através das representações formuladas por Beto Stodieck. A análise dos escritos e das práticas sociais ali retratadas apontou que o alcance da coluna social desse jornalista, tratada aqui como um conjunto de crônicas sociais ligeiras, foi resultado de três características fundamentais: o estilo do escritor; a capilaridade e importância social do veículo (principalmente o jornal O Estado); e a multiplicidade de temas ligados ao cotidiano de leitores das mais diversas posições sociais. / This work presents a study of case, within the party theoretical and methodological of the urban cultural history, in which applies of the concept ‘social trajectory’ to historical studies; seeking to identify the conditions that allowed the journalist Beto Stodieck become the spokesperson of a portion of the young elite of Florianópolis, whose position was supported mainly in the cultural and social capital – access to education, to erudite culture and networks of relationships social - inherited the family. Focusing on a individual and the making of their 'point of view' - understood as the universe of positions within which the agent was located and defined his action – the record of morphological and cultural transformations, as were registered in chronic daily, helped to understand the real city, through the representations made by Beto Stodieck. The analysis of the writings and social practices there portrayed, pointed out that the reach of the social columns of the journalist, treated here as a set of ‘slight social-chronicles’, was the result of three basic features: the style of the writer, the capillary and social importance of vehicle (mainly the newspaper O Estado), and the multiplicity of themes related to the daily lives of readers within different social positions.

Orientador: Maria de Fatima Morethy Couto / Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes / Made available in DSpace on 2018-08-14T11:45:58Z (GMT). No. of bitstreams: 1 Vicente_AndreiaMariaFarah_M.pdf: 19556829 bytes, checksum: 686cc2c66a287ef5728caa7f985b6a90 (MD5) Previous issue date: 2009 / Resumo: Este trabalho analisa o processo de inserção no cenário artístico nacional dos artistas plásticos João Câmara e Siron Franco - que, através da linguagem da pintura oriunda da técnica em óleo sobre tela, se destacaram no cenário artístico nas décadas de 60 e 70, época em que se discutia intensamente - tanto no Brasil como no exterior - a crise do suporte artístico tradicional em detrimento das novas linguagens artísticas. Como fator importante neste processo, destacamos a criação de Salões competitivos em outras capitais do Brasil nos quais as obras desses dois artistas foram selecionadas ou premiadas. A representação da figura humana é o principal eixo condutor da trajetória das obras de João Câmara e Siron Franco, sendo o corpo espaço metafórico para reflexões sobre os problemas humanos, críticas à sociedade e/ou ao momento político em que o país se encontrava no período acima citado. / Abstract: This dissertation analyses the insertion of the artists João Câmara and Siron Franco - artists that through the language of painting build up from the technique oil painting over canvas have appeared into the artistic scenario in the decades of 1960 and 1970. In this time it was discussed - in Brazil and abroad - the crisis of the traditional artistic support, taking only in consideration the new artistic languages. As an important factor of this process we point out the creation of competitive Art Salons in others main cities of Brazil, in which the works of those two artists were selected and won thefirst prizes. The representation of the human figure is the main axis of the trajectory of the works of João Câmara and Siron Franco, taking into account that the body is the metaphorical space for the reflections upon human problems, critics to the society and/or, to the political moment of the country related to the aforementioned decades. / Mestrado / Artes / Mestre em Artes

Diploma thesis "Position of the magazine Mladý svět in Czechoslovakia during the seventies and eighties" deals with the magazine for young people called Mladý svět. It gives a brief summary of its creation and development during the sixties and focuses on the period of seventies and eighties. It explains political and social situation of that period in Czechoslovakia, especially in area of mass media, and it particulary works with content of the magazine. It analysis the number and content of its columns, the way they were interpreted and development of these characteristics during the given period. It follows topics of the articles and its relation to readers of the magazine and communist regime and its institutions. It deals with the audience of Mladý svět and especially with its reactions and feedback it provided. Than it focuses on the censorship and the way the magazine was controlled, on the given regulations and imposed penalties. It attempts to explain reasons why Mladý svět become phenomenon of its era and why it had so unique position within similar mass media products.

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