This thesis is based on the theoretical research using scientific texts. Method of reasoning (deduction) were compared ideas of the individual authors who deal with description of contemporary (postmodern ) society, exploring the question of the sense of life and represent a difficult life events that can cause the threat or loss. The work is divided into three chapters, each of which contains sub -chapters. The first part refers to a person in postmodern society. There is a characterization of contemporary society, the challenges of the new era, gain new requirements on the man and related problems. The second chapter is building on the issues of the first chapter. Some fragments which describe the particular challenges of life events and their impact on the man, the sense of living in certain periods of life. There were used mainly idea sof psychotherapists who are dedicated to working with people in a state of crisis. Following the previous chapters, the last part of the thesis deals with the question of the free time, defining the category of the free-time and pointing out its importance for contemporary man. Emphasis was placed on the free-time pedagogy using appropriate free-time activities as a tool for finding richer and more meaningful human life in certain difficult life events that brings the requirement of a new era. Last but not least, there was to explain the context of the free-time and religion.

James Joyce é um dos escritores mais famosos do século 20, sendo sua obra muito comentada por leitores e acadêmicos, especialmente devido ao alto nível de complexidade de Ulisses e Finnegans Wake, os romances da fase madura. O foco da presente dissertação, todavia, são os primeiros livros de Joyce que, apesar de serem mais acessíveis ao público em geral, também contêm toda a elaboração linguística e simbólica que caracteriza o autor. Trato especificamente do volume de contos Dublinenses e do romance Um Retrato do Artista Quando Jovem, utilizando para análise deste o suporte oferecido pelo outro romance anterior, não publicado em vida, Stephen Hero. O objetivo da pesquisa é investigar aspectos presentes na prosa de Joyce que revelem a formulação e a aplicação de sua teoria estética. Como a cidade de Dublin surge como uma metáfora sobre as circunstâncias de ser irlandês, interessa ao leitor adquirir alguma familiaridade com a cultura e a história daquele país e com as relações existentes entre os irlandeses e sua terra natal, especialmente no que tange às questões sobre religiosidade e sobre a dominação inglesa. A dissertação vem estruturada em quatro capítulos. O primeiro apresenta James Joyce tanto como pessoa quanto como escritor em formação, nascendo e crescendo em Dublin na virada dos séculos XIX e XX. São analisadas as influências exercidas pelo contexto católico de sua criação e pela crise social e econômica enfrentadas tanto pelo país quanto pela família do autor. O segundo capítulo lida com Dublinenses, o conjunto de contos que apresenta a visão de Joyce sobre a cidade de Dublin. Esses contos podem ser lidos individualmente, mas a obra assume um significado maior quando considerada de forma unificada em termos de linguagem, simbologia, estratégias narrativas e objetivos, em um plano de evolução que abrange fases da infância, da adolescência, da maturidade e da vida pública. As personagens compartilham características comuns: paralisia, falta de perspectivas e incapacidade de entender ou de reagir aos fatores históricos e sociais que os colocam naquela posição. Entre tais fatores predominam três, a cultura católica, a dominação inglesa e a inabilidade das pessoas para reagir de maneira criativa e produtiva aos problemas que se apresentam. O terceiro capítulo analisa a evolução do fazer artístico de Joyce a partir do binômio Stephen Hero e Um Retrato do Artista Quando Jovem, tendo como elemento comum a ideia do Künstlerroman. No quarto e último capítulo, apresento um comentário sobre as marcas de individuação de Joyce em relação a alguns de seus contemporâneos que também tratam sobre questões envolvendo arte, história e tradição. Ao término do trabalho, espero que a minha percepção sobre o conjunto de fatores que propiciaram o surgimento de um autor como Joyce possa ser de utilidade para pessoas que, como eu, acreditam tanto na importância estética quanto na relevância política e social desses três primeiros livros, os primeiros retratos de Dublin que James Joyce produziu. / James Joyce is one of the most famous writers in the 20th century, whose work is very commented both by readers and scholars, especially because of the high level of complexity of Ulysses and Finnegans Wake, the two mature masterpieces. The focus of the present thesis, however, lies on the first books written by Joyce, because they are more manageable for reading, and yet bear all the linguistic and symbolic sophistication that marks Joyce’s production. The corpus of the research comprises the book of short stories Dubliners and the novel A Portrait of the Artist as a Young Man, using as support to the analysis of the latter, the previous novel, never published in life, Stephen Hero. The aim of this thesis is to investigate aspects of Joyce’s prose that expose the stages of construction and application of his aesthetic theory. The city of Dublin comes as a metaphor about the condition of being Irish. As a consequence, some familiarity with Irish history and culture is relevant for a better understanding of the books, and of the complex relations involving the Irish and their land, especially in matters concerning Catholicism and English domination. The thesis is divided in four chapters. The first draws on James Joyce, considered both as a person and as a writer in progress, born and raised in Dublin in the turn of the 19th into the 20th centuries. The chapter centres on the relations involving the influence of the Catholic context of his formation and the economic and social crises experienced by Ireland and by the Joyce family at the time. Chapter two is about Dubliners, the collection of short stories that presents Joyce’s view about the city of Dublin. These stories can be read independently from one another, but they acquire a finer meaning if considered as a unit in terms of language, symbolism, narrative strategies and goals, besides following a plan of evolution from childhood to adolescence, and to maturity, and public life. The characters share common characteristics: paralysis, lack of perspective, incapacity to understand or to react to the historical and social factors that put them in that position. Among those factors we have the Catholic tradition, the English domination and the inability of the people to react to circumstantial problems in a creative and productive way. Chapter three analyses the evolution of Joyce’s craftsmanship through the duo Stephen Hero/A Portrait of the Artist as a Young Man, using the notion of Künstlerroman as a starting point. In the last chapter I deal with the peculiarities in Joyce’s style, contrasting them to the practice of some other contemporary authors who also state their views about art, history and tradition. As an aftermath to this thesis, I hope that my comments about the body of elements that propitiated the rise of Joyce as the author he is may prove useful to other people like me, who believe in the relevance of his contribution to the aesthetics of literature and to the discussion about political and social issues related to Ireland, in the first portraits of Dublin displayed in Joyce’s three first books.

James Joyce é um dos escritores mais famosos do século 20, sendo sua obra muito comentada por leitores e acadêmicos, especialmente devido ao alto nível de complexidade de Ulisses e Finnegans Wake, os romances da fase madura. O foco da presente dissertação, todavia, são os primeiros livros de Joyce que, apesar de serem mais acessíveis ao público em geral, também contêm toda a elaboração linguística e simbólica que caracteriza o autor. Trato especificamente do volume de contos Dublinenses e do romance Um Retrato do Artista Quando Jovem, utilizando para análise deste o suporte oferecido pelo outro romance anterior, não publicado em vida, Stephen Hero. O objetivo da pesquisa é investigar aspectos presentes na prosa de Joyce que revelem a formulação e a aplicação de sua teoria estética. Como a cidade de Dublin surge como uma metáfora sobre as circunstâncias de ser irlandês, interessa ao leitor adquirir alguma familiaridade com a cultura e a história daquele país e com as relações existentes entre os irlandeses e sua terra natal, especialmente no que tange às questões sobre religiosidade e sobre a dominação inglesa. A dissertação vem estruturada em quatro capítulos. O primeiro apresenta James Joyce tanto como pessoa quanto como escritor em formação, nascendo e crescendo em Dublin na virada dos séculos XIX e XX. São analisadas as influências exercidas pelo contexto católico de sua criação e pela crise social e econômica enfrentadas tanto pelo país quanto pela família do autor. O segundo capítulo lida com Dublinenses, o conjunto de contos que apresenta a visão de Joyce sobre a cidade de Dublin. Esses contos podem ser lidos individualmente, mas a obra assume um significado maior quando considerada de forma unificada em termos de linguagem, simbologia, estratégias narrativas e objetivos, em um plano de evolução que abrange fases da infância, da adolescência, da maturidade e da vida pública. As personagens compartilham características comuns: paralisia, falta de perspectivas e incapacidade de entender ou de reagir aos fatores históricos e sociais que os colocam naquela posição. Entre tais fatores predominam três, a cultura católica, a dominação inglesa e a inabilidade das pessoas para reagir de maneira criativa e produtiva aos problemas que se apresentam. O terceiro capítulo analisa a evolução do fazer artístico de Joyce a partir do binômio Stephen Hero e Um Retrato do Artista Quando Jovem, tendo como elemento comum a ideia do Künstlerroman. No quarto e último capítulo, apresento um comentário sobre as marcas de individuação de Joyce em relação a alguns de seus contemporâneos que também tratam sobre questões envolvendo arte, história e tradição. Ao término do trabalho, espero que a minha percepção sobre o conjunto de fatores que propiciaram o surgimento de um autor como Joyce possa ser de utilidade para pessoas que, como eu, acreditam tanto na importância estética quanto na relevância política e social desses três primeiros livros, os primeiros retratos de Dublin que James Joyce produziu. / James Joyce is one of the most famous writers in the 20th century, whose work is very commented both by readers and scholars, especially because of the high level of complexity of Ulysses and Finnegans Wake, the two mature masterpieces. The focus of the present thesis, however, lies on the first books written by Joyce, because they are more manageable for reading, and yet bear all the linguistic and symbolic sophistication that marks Joyce’s production. The corpus of the research comprises the book of short stories Dubliners and the novel A Portrait of the Artist as a Young Man, using as support to the analysis of the latter, the previous novel, never published in life, Stephen Hero. The aim of this thesis is to investigate aspects of Joyce’s prose that expose the stages of construction and application of his aesthetic theory. The city of Dublin comes as a metaphor about the condition of being Irish. As a consequence, some familiarity with Irish history and culture is relevant for a better understanding of the books, and of the complex relations involving the Irish and their land, especially in matters concerning Catholicism and English domination. The thesis is divided in four chapters. The first draws on James Joyce, considered both as a person and as a writer in progress, born and raised in Dublin in the turn of the 19th into the 20th centuries. The chapter centres on the relations involving the influence of the Catholic context of his formation and the economic and social crises experienced by Ireland and by the Joyce family at the time. Chapter two is about Dubliners, the collection of short stories that presents Joyce’s view about the city of Dublin. These stories can be read independently from one another, but they acquire a finer meaning if considered as a unit in terms of language, symbolism, narrative strategies and goals, besides following a plan of evolution from childhood to adolescence, and to maturity, and public life. The characters share common characteristics: paralysis, lack of perspective, incapacity to understand or to react to the historical and social factors that put them in that position. Among those factors we have the Catholic tradition, the English domination and the inability of the people to react to circumstantial problems in a creative and productive way. Chapter three analyses the evolution of Joyce’s craftsmanship through the duo Stephen Hero/A Portrait of the Artist as a Young Man, using the notion of Künstlerroman as a starting point. In the last chapter I deal with the peculiarities in Joyce’s style, contrasting them to the practice of some other contemporary authors who also state their views about art, history and tradition. As an aftermath to this thesis, I hope that my comments about the body of elements that propitiated the rise of Joyce as the author he is may prove useful to other people like me, who believe in the relevance of his contribution to the aesthetics of literature and to the discussion about political and social issues related to Ireland, in the first portraits of Dublin displayed in Joyce’s three first books.

Att koppla samman nätverk över geografiskt olika platser har blivit allt vanligare i dagens samhälle. Rapporten kommer belysa olika WAN-lösningar för att göra detta möjligt. De olika lösningar som kommer belysas i denna rapport är att hyra egen fiber, lager2-länk, MPLS och även VPN. Det kommer göras jämförelser mellan dessa lösningar när det gäller kostnad, säkerhet, hastighet och tillförlitlighet. Detta har gjorts med vetenskapliga artiklar och intervjuer men rapporten innefattar även en praktisk tillämpling i form av ett experiment. / To connect networks across geographically diverse sites has become increasingly common in todays society. This report will highlight the various WAN solutions to make this possible. The different solutions that will be highlighted in this report is rent own fiber , Layer 2 link, MPLS , and VPN. There will be comparisons between these solutions in terms of cost, safety , speed and reliability. This has been done with scientific articles and interviews , but the report also includes a practical laboration.

This study constitutes an inquiry into how Olive Schreiner‟s peripheral position as a colonial woman writer enabled her rewriting of feminine identity, specifically her subversion of Victorian feminine stereotypes. I focus particular attention on three novels: The Story of an African Farm (1890), and the posthumously published From Man to Man (1926) and Undine (1929). I employ a feminist literary approach to examine how Schreiner‟s hybrid identity as a British South African enabled her revisioning of femininity. If Schreiner is situated within the context of her time, it can be demonstrated that her negotiations of feminine identity are influenced by her dual intellectual and cultural heritage. On the one hand, she can be situated within a British tradition of women‟s writing – in particular, the New Woman fiction which emerged in the late nineteenth century. On the other hand, she can be situated within a nascent South African literary tradition – and demonstrates prototypically post-colonial concerns. Schreiner‟s writing style develops out of her colonial heritage and her experiences as a woman living in a patriarchal society. The resultant voice subverts the narrative traditions of the metropolitan novel in an attempt to articulate an alternative view of femininity. I examine in detail how Schreiner undermines and subverts Victorian stereotypes, and focus particular attention on the „fallen woman‟ and the „mother-figure‟. She attempts to challenge conventional Victorian conceptions of femininity by erasing the binary between the „angel‟ and the „whore‟ in order to create a New Woman. In Undine and The Story of an African Farm the full realisation of this New Woman is deferred, since both protagonists die, but From Man to Man is more nuanced, particularly in its emphasis on economic empowerment for women. Schreiner also destabilises traditional notions of motherhood, in order to offer glimpses of an alternative maternal role. It is my contention that, in her depiction of mother-figures and (un)fallen women, Schreiner challenges stock Victorian notions of femininity and, in the process, creates a space in which new possibilities for women can be imagined and negotiated.

In this essay, I examined the significance of graphic novels as polyvalent texts that hold the potential for creating an aesthetic sense of flow for readers and consumers. In building a justification for the rhetorical examination of comic book culture, I looked at Kenneth Burke's critique of art under capitalism in order to explore the dimensions between comic book creation, distribution, consumption, and reaction from fandom. I also examined Victor Turner's theoretical scope of flow, as an aesthetic related to ritual, communitas, and the liminoid. I analyzed the graphic novels Green Lantern: Rebirth and Y: The Last Man as case studies toward the rhetorical significance of retroactive continuity and the somatic potential of comic books to serve as equipment for living. These conclusions lay groundwork for multiple directions of future research.

Le complexe mafique–ultramafique lité Yacouba est intrusif au sein des granulites gneissiques du domaine archéen de Man (3,6-2,78 Ga) dans la région de Biankouma-Sipilou (ouest de la Côte d'Ivoire). Dans le secteur de Samapleu, il est composé de trois entités ; dépôt principal de Samapleu (SM), l’Extension 1 de Samapleu (E1) et l’occurrence de Yorodougou (Yo). Il comprend des horizons de webstérites, péridotites, chromitites, norites, gabbro-norites. Ces horizons (épaisseur cumulée de 80 à 200 m) sont inclinés de 70 à 80° vers le SE ; présentent une zonation concentrique, qui sont autant de caractéristiques d’un dyke ; un enracinement à plus de 600 m à partir de la surface avec une jonction des intrusions (SM, E1) plus en profondeur. Les contacts avec l’encaissant gneissique (localement site E1) sont marqués par une zone hybride (condition P = 7,5±1Kbar et T = 850°C ± 100°C) interprétées comme le résultat d'un métamorphisme de contact lors de la mise en place de l’intrusion en base de croûte à environ 22 km de profondeur. Les gneiss et granulites du socle, tout comme les faciès de la zone hybride, préservent des âges archéens (~2,78 Ga, U-Pb sur zircon). Des cristaux de rutile observés dans la zone hybride révèlent un âge U-Pb de 2,09 Ga interprété comme l'âge du métamorphisme de contact et donc de la mise en place de l'intrusion.La minéralisation en Ni-Cu (essentiellement disséminée avec des veines sulfurées subverticales semi-massives à massives) est composée de pentlandite, chalcopyrite, pyrrhotite, rarement pyrite. La texture des sulfures varie de matricielle, en filets, en gouttelettes, ou brèchique. Les réserves estimées des dépôts de Samapleu (SM et E1) font plus de 40 millions de tonnes à une teneur moyenne de 0,25% Ni et 0,22% Cu dans la partie supérieure des intrusions (Sama Nickel-CI, Août 2013). Des MGP riches en palladium (Pd) sont associés aux sulfures et plusieurs bandelettes de chromite sont également présentes. Ces observations suggèrent un liquide sulfuré immiscible formé à partir du liquide silicaté initial consécutivement à la saturation en soufre du système. Ces sulfures d’origine essentiellement mantellique ont été probablement formés par injection de plusieurs magmas. Cependant une partie de ces sulfures aurait pu se former par l’assimilation des roches granulitiques encaissantes.La composition du liquide parent révèle une composition de basalte à forte teneur en MgO et faible teneur en Ti et suggère que les intrusions de Samapleu se sont formées par fusion du manteau supérieur sous l’influence d'un panache mantellique. Ainsi, lors de leurs remontées, le magma a assimilé les roches granulites encaissantes environnantes. / The Yacouba layered complex intrudes the archean (3.6-2.78 Ga) Man field in the Biankouma-Sipilou area, western Ivory Coast. In Samapleu area, the complex is composed of three entities; Samapleu Main (SM); Samapleu Extension 1 (E1) and Yorodougou (Yo). It includes websterites, peridotites, chromitites, norites, gabbro-norites horizons. These horizons (total thickness of 80 to 200 m) inclined at 70-80° to the SE; arranged symmetrically with mafic layers at the center and ultramafic layers at both margins, are features of a dyke ; show a root more than 600 m from the surface with a junction intrusion (SM, E1) in more depth.At the E1 site, contacts of intrusions with the country rock gneiss are characterized by a hybrid zone (condition P = 7.5±1Kbar and T = 850°C ± 100°C) attributed to contact metamorphism during intrusion of the complex in the lower crust at a depth of about 22 km. Zircons in country rock gneisses and granulites, as well as in the hybrid facies, yield archean ages of ~ 2.78 Ga. Rutiles in the hybrid zone give a U-Pb age of 2.09 Ga, which is interpreted as the age of contact metamorphism and emplacement of the intrusion.The Ni-Cu mineralization (disseminated mainly with subvertical and semi-massive to massive sulfide veins) is composed of pentlandite, chalcopyrite, pyrrhotite and rare pyrite. The SM and E1 sites contain Ni and Cu sulfide deposit with reserves estimated as more than 40 million tons grading 0.25% Ni and 0.22% Cu in the upper portion (Sama Nickel-CI, August 2013). The sulfide textures range from matrix ore, net-textured, droplets or breccia textures. Zones enriched in PGM, particularly Pd, are associated with the sulfides and several chromite bands are also present. These observations suggest that an immiscible sulfide liquid formed from a parental silicate liquid and percolated through the crystal pile. These sulfides mainly mantle origin were probably formed by injecting several magmas. However few of these sulfides may have formed by the assimilation of country rocks.The parental melt composition has a basalt rich MgO and low Ti and suggest Samapleu intrusions were formed by melting of the upper mantle under the influence of a mantle plume. Thus, during its ascent, magma has assimilated the granulites country rocks.

Hemingway claims in Green Hills of Africa that "all modern American literature comes from one book by Mark Twain called Huckleberry Finn." If this basic idea is applied to his own work, elements of Adventures of Huckleberry Finn appear in some of Hemingway's Nick Adams stories and his novel The Old Man and the Sea. All major characters and several minor characters in these works share the quality of natural innocence, composed of their primitivism, sensibility, and active morality. Hemingway's Nick, Santiago, and Manolin, and Twain's Huck Finn and Jim reflect their authors' similar backgrounds and experiences and themselves come from similar environments. These environments are directly related to their continued possession and expression of their natural innocence.

Excessive soil moisture can impact planting date, plant establishment, and N availability, resulting in reduced yields and N use efficiency. Nitrogen management practices such as use of urease and nitrification inhibitors, and split applications may be used to reduce N lost during the growing season, improving N use efficiency and crop productivity. The objective of this study was to determine whether N management practices could improve corn (Zea mays L.) productivity with or without subsurface drainage on a fine-textured clay soil in eastern North Dakota. Five field trials were conducted in 2009 and 2010 in eastern North Dakota. Treatments consisted of a factorial combination of N management practices [urease inhibitor n-(n-butyl) thiophosphoric triamide (NBPT), starter fertilizer, nitrification inhibitor 2-Chloro-6-(trichloromethyl) pyridine (nitrapyrin), and split applications], N rates (56, 112, 168, and 224 kg N ha-1), and the presence of subsurface drainage (two environments). In both 2009 and 2010 there was no grain yield differences among drainage treatments. Differences in grain yield were observed with different N rates. Nitrogen management practices also affected grain yield. The interactions between N management practices and drainage were not significant. End of season stalk nitrate content showed differences in N availability with different N rates, but not N management practices. Neither NBPT nor the starter fertilizer significantly increased yield over the untreated check in any environment. Nitrapyrin significantly increased yield over the untreated check at Fargo in 2010. Increased N rates resulted in greater corn grain protein.

Younghi Pagh-Paan is an internationally renowned contemporary Korean-German composer. While her music has been strongly influenced by German contemporary musical aesthetics, her compositions also possess Korean musical and cultural influences. In her works, Pagh-Paan employs Western instruments and musical languages that incorporate contemporary techniques such as vibratos, flatter tonguing, pitch bends, and legato glissandi. These effects are thought to imitate the sounds created by traditional Korean instruments. Man-Nam I, for clarinet and string trio, was the second work that Pagh-Paan composed following her move from Korea to Germany. The piece includes many sounds representative of traditional Korean instruments, along with significant symbolism of the sociological background, culture and history of Korean people. The study of Man-Nam I focuses on unraveling hidden elements of Korean traditional music and culture, and addresses the need for the performers to understand its rich Korean influences in order to reach a deeper interpretation of Pagh-Paan's work.