The objective of this thesis is to create a broad perspective of Martin Luther King, Jr. and his times by placing him and his goal of creating the "beloved community" to the test of his environment: the feeling and behavior of those people whose hearts and habits he struggled to change or direct. In order to achieve this, this multi-media script, based in history, places King in contrasting settings. Act I finds King in Montgomery where with a great deal of support he wins over vocal southern segregationists in court. In contrast, Act II takes place in the Lawndale slums of Chicago where King finds sparse support and an elusive northern power structure. Each scene can be described in terms of stresses Martin Luther King, Jr. or those whose lives he touched face. Since this work is a thesis and not solely a play, extensive references are provided so that the reader may distinguish the historical basis of' the thesis from the author's use of dramatic license. For easy and necessary reference a page of footnotes follows each page of script.

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This study examines the paradoxical and at the same time interesting relationship between Christian religion and the system of slavery in the American historical context. Through the use of Kenneth Burke’s concept and theory of Perception by Incongruity as a theoretical and conceptual framework, this study examines Harriet Beecher Stowe’s Uncle Tom’s Cabin and Frederick Douglass’ The Narrative of the Life of Frederick Douglass: An American Slave. In the view of this study, Perception by Incongruity, as a theoretical and conceptual tool has the literary and the rhetorical resources to unmask the ironies and paradoxes involved in slave holding religion and religion holding slaves. The principal research question of the present study seeks to probe the usability of the Christian faith by slave owners to dominate and pacify the slaves, and the instrumentalisation by the slaves of the Christian faith as a liberatory and emancipatory belief. Perception by Incongruity enriches the present study in so far as it unmasks the incongruity and paradox of masters and slaves sharing the same definition of God and faith and still remaining in their conflictual positions of masters and slaves. Since this study is a study in literature, the methods of literature study and textual analysis are deployed in examining the primary texts, Uncle Tom’s Cabin and The Narrative of the life of Frederick Douglass: An American Slave. A multiplicity of secondary texts; in form of critical and empirical literature; are used throughout this study to support observations, arguments and conclusions that are advanced by the study. Summatively, this study observes and concludes that religion, in this case Christianity occupies a perceptively incongruous position where it is suable by people in conflicting situations. Further, where domination, power and capitalism as an economic system meet, religion belongs in the mind and the eye of the beholders who seeks to use it to justify and defend their particular interests and positions. / English Studies / M.A. (English Studies)

Although not well known to students of American history today, General John Armstrong was, in his day, a prominent and colorful public figure. From 1804 to 1810, he held the difficult position of United States Minister to France at a time when the world was in upheaval resulting from the Napoleonic Ware. As Great Britain and France struggled for supremacy, the United States--the world's foremost neutral commercial power--was slowly, but inevitably, drawn into this struggle, becoming the victim of the hostile edicts of the two major belligerents, as they wantonly violated established practices of international law.

University of Macau / Faculty of Social Sciences and Humanities / Department of English

This study examines the paradoxical and at the same time interesting relationship between Christian religion and the system of slavery in the American historical context. Through the use of Kenneth Burke’s concept and theory of Perception by Incongruity as a theoretical and conceptual framework, this study examines Harriet Beecher Stowe’s Uncle Tom’s Cabin and Frederick Douglass’ The Narrative of the Life of Frederick Douglass: An American Slave. In the view of this study, Perception by Incongruity, as a theoretical and conceptual tool has the literary and the rhetorical resources to unmask the ironies and paradoxes involved in slave holding religion and religion holding slaves. The principal research question of the present study seeks to probe the usability of the Christian faith by slave owners to dominate and pacify the slaves, and the instrumentalisation by the slaves of the Christian faith as a liberatory and emancipatory belief. Perception by Incongruity enriches the present study in so far as it unmasks the incongruity and paradox of masters and slaves sharing the same definition of God and faith and still remaining in their conflictual positions of masters and slaves. Since this study is a study in literature, the methods of literature study and textual analysis are deployed in examining the primary texts, Uncle Tom’s Cabin and The Narrative of the life of Frederick Douglass: An American Slave. A multiplicity of secondary texts; in form of critical and empirical literature; are used throughout this study to support observations, arguments and conclusions that are advanced by the study. Summatively, this study observes and concludes that religion, in this case Christianity occupies a perceptively incongruous position where it is suable by people in conflicting situations. Further, where domination, power and capitalism as an economic system meet, religion belongs in the mind and the eye of the beholders who seeks to use it to justify and defend their particular interests and positions. / English Studies / M.A. (English Studies)

Orientador: Ana Angélica Medeiros Albano / Dissertação (mestrado) - Universidade Estadual de Campinas, Faculdade de Educação / Made available in DSpace on 2018-08-20T22:09:34Z (GMT). No. of bitstreams: 1 Lenk_Erika_M.pdf: 1109074 bytes, checksum: c0b843e8e4bfece1b0e1a378606a9bc5 (MD5) Previous issue date: 2012 / Resumo: Esta dissertação percorre a trajetória de vida do célebre ator e cineasta inglês Charles Spencer Chaplin (1889-1977), o imaginativo criador de Carlitos, cuja graça e lirismo marcaram fortemente a arte do século XX. Sua obra ridiculariza os padrões culturais da sociedade estabelecida através das aventuras do Tramp, o errante marginalizado que permanece vivo no cenário cultural atual. Este estudo busca uma relação entre a vida e arte de Chaplin, identificando fatores que contribuíram para seu desenvolvimento artístico e seu conhecimento em arte. / Abstract: This dissertation contains the life story of the famous actor and English filmmaker Charles Spencer Chaplin (1889-1977), the imaginative creator of the Tramp, whose grace and lyricism left his impression on the twentieth (20th) century. His work satirizes the cultural patterns of the established society through the adventures of the Tramp, the marginalized vagabond that remains alive in the recent cultural scenario. This study searches the connection between Chaplin's life and art, identifying factors that contributed to his artistic development and his knowledge in art. / Mestrado / Educação, Conhecimento, Linguagem e Arte / Mestre em Educação

In her bibliography, Incidents in the life of a Salve Girl, Harriet Ann Jacobs appropriates the autobiographical "I" in order to tell her own story of slavery and talk back to the dominant culture that enslaves her. Through analysis and explication of the text, this thesis examines Jacobs' rhetorical and psyshological evolution from slave to self as she struggles against patriarchal power that would rob her of her identity as well as her freedom. Included in the discussion is an analysis of the concept of self in western plilosophy, an overview of american autobiography prior to the publication of Jacobs' narrative, a discussion of the history of the slave narrative as a genre, and a discussion of the history of Jacobs' narrative.

China Run is a 92 1/2 minute documentary film which portrays an ultramarathon runner's record-setting 2,125 mile run across China in 53 days, starting at the Great Wall north of Beijing and concluding in Guangjhou (Canton). It is a story of the difficulties, both physical and emotional, suffered by the runner, as well as the story of his encounters with the people of China.

This dissertation examines selected love lyrics composed during the 1930s by Cole Porter, whose witty and urbane music epitomized the Golden era of American light music. These lyrics present an interesting paradox – a man who longed for his music to be accepted by the American public, yet remained indifferent to the social mores of the time. Porter offered trenchant social commentary aimed at a society restricted by social taboos and cultural conventions. The argument develops systematically through a chronological and contextual study of the influences of people and events on a man and his music. The prosodic intonation and imagistic texture of the lyrics demonstrate an intimate correlation between personality and composition which, in turn, is supported by the biographical content. / English / M.A. (English)