Valle-Inclán no fue un orador ocasional, sino que dio conferencias a lo largo de toda su vida. Hasta el momento, disponemos de un total de cincuenta y siete conferencias documentadas, y ello sin contar con los discursos pronunciados en banquetes y homenajes, que se excluyen de este estudio por su carácter meramente circunstancial. El contenido de las conferencias nos ha llegado a través de reseñas periodísticas, algunas de las cuales ya habían sido objeto de estudios específicos. Faltaba, sin embargo, un estudio de conjunto, tanto de la figura del Valle-Inclán orador como del contenido de sus disertaciones. Esta tesis doctoral aborda dicho análisis en un triple sentido. En primer lugar, se traza el panorama de la oratoria en la época de Valle-Inclán haciéndose referencia tanto a la predicación religiosa como al discurso público de políticos e intelectuales , y, paralelamente, se rastrea la presencia de oradores en la obra valleinclaniana. En segundo lugar, se reconstruyen la figura del Valle-Inclán orador y su idea de la oratoria, poniéndose de relieve las conexiones entre sus conceptos teóricos y la tradición retórica; asimismo, se constata la evolución del estilo oratorio del escritor y se indaga en la recepción de sus discursos. Por último, se efectúa un análisis temático de las disertaciones, que se ciñe a estos grandes bloques: el quietismo estético, la visión de España, las artes plásticas, el estilo literario y las ideas sobre la novela. En el aparato bibliográfico, se incluye una tabla con todas las conferencias documentadas hasta la fecha, y, en el apéndice documental, se transcriben tres reseñas desconocidas de conferencias valleinclanianas. / Valle-Inclán wasn't an occasional orator, but he gave lectures all over his life. So far, we have a total of fifty seven documented lectures, and that without counting the speeches pronounced at banquets and homages, which are excluded from this study because of its merely circumstancial character.The contents of the lectures have reached us through journalistic reviews, some of them being already object of specific studies. There wasn't, however, a study of the ensemble, for the figure of the orator Valle-Inclán as for the contents of his discourses. This doctoral thesis deals with this analysis in a triple sense. Firstly, the panorama of Oratory in Valle-Inclán's time is drawn referring to religious preachment as to the public speech of politicians and intellectuals and in a parallel way, is tracked the presence of orators in the work of Valle-Inclán. In second place, the figure of the orator Valle-Inclán and his idea of Oratory are reconstructed, making clear the connexions between his theorical concepts and his rhetoric tradition; likewise, it's evident the evolution of the writer's oratory style and it can be followed in the reception of his speeches. At last, it's done a thematic analysis of the discourses, which is linked to these great blocks: aesthetic quietism, the vision of Spain, Fine Arts, the literary style and the ideas about the novel. In the Bibliography its included a chart with all the conferences documented up to the moment, and in the documentary appendix, there are three transcripted unknown reviews of Valle-Inclán lectures.

La tesi ha per oggetto l’analisi del personaggio protagonista delle Sonatas di Ramón del Valle-Inclán. Fra i migliori esempi di prosa modernista spagnola, le Sonatas sono le “memorias amables” di un dongiovanni “feo, católico y sentimental”: Xavier de Bradomín. Scopo dello studio è dimostrare quali caratteristiche avvicinano il personaggio allo stereotipo tradizionale del dongiovanni e quali lo rendono singolare, moderno e vicino alla personalità eccentrica dell’autore. Il primo capitolo contiene alcuni cenni biografici, un approfondimento sul contesto culturale che fa da sfondo all’attività letteraria di Valle-Inclán, riflessioni sull’atteggiamento assunto dalla critica nei suoi confronti e una prima introduzione ai temi delle Sonatas. Il secondo capitolo è incentrato sull’approfondimento dei contenuti, della lingua e dello stile della tetralogia. Gli ultimi due capitoli sono dedicati all’analisi dei romanzi, con particolare attenzione al confronto testuale che permette di sviluppare il discorso legato all’evoluzione del personaggio e alla relazione che questi stabilisce con l’autore. / The dissertation focuses on the analysis of the main character of the Sonatas by Ramón del Valle-Inclán. The four novels can be considered one of the main examples of Spanish Modernist prose and are presented by the author as the “memorias amables” of Xavier de Bradomín, a Don Juan “feo, católico y sentimental”. The dissertation describes the features of this character underlining the differences among the way he is presented in the tetralogy, the traditional features of the Don Juan stereotype and the expression of the originality and modernity of Valle-Inclán’s temperament. The first chapter includes a biographical note on the author, describes his cultural background, the critical panorama of Valle-Inclán’s literary production and the main themes of the Sonatas. The second chapter analyses the contents, language and style of the four novels. The third and fourth chapters provide a comparative analysis of the novels, with a specific interest for the evolution of the character and the main features he shares with his author.

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The present thesis is a reflection on the production process that lead to the Temple Theaters 2010 production of Saying Grace; a new adaptation by Robert Smythe of the play Divine Words by Ramón María del Valle Inclán. On it you can find all the inspiration elements as well as the basic concepts that originated the production and an evaluation of the creative process. / Theater

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This study proposes to establish an intrinsic relationship between Valle-Inclán and Muñiz based on the theme of dehumanization in their theater. It examines (1) the stylistic techniques which each playwright uses to depersonalize his characters, (2) the manner in which these characters dehumanize each other, (3) the role of society as the agent of dehumanization, and finally, due to each author's preoccupation with one social convention in particular (4) the devastating effects on men of the vestiges of an outmoded code of honor. The principal works used for the study are Valle-Inclán's Martes de carnaval, Luces de Bohemia, and Divinas palabras, and El tintero, Un solo de saxofón, Las viejas difíciles, and El grillo by Carlos Muñiz. Such an analysis proposes to reveal a profound literary affinity between these two writers, a bond which unites Valle-Inclán and Muñiz in a common protest against the dehumanization of mankind.

Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

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Cette thèse a pour objet l'adaptation théâtrale du roman 'Tirano Banderas' (1926) de l'écrivain espagnol Ramón María del Valle-Inclán. À cette fin, une recherche sur la dramaturgie centrée sur le processus de transduction a été réalisée, concrètement sur l'interprétation et sur la transformation du texte original de Valle-Inclán, qui a donné lieu à un relevé mise en scène, comprenant le script et les principaux éléments de la représentation de la pièce "Tirano Banderas". En annexe sont joints le DC de la musique, les esquisses du décor et du maquillage, les partitions ainsi qu'un document audiovisuel de plusieurs scènes pilotes. / The goal of this thesis is a stage adaptation of the novel 'Tirano Banderas' (1926) by Spanish writer Ramón María del Valle-Inclán. Dramaturgical research into the process of transduction, that is, the interpretation and transformation of the original text by Valle-Inclán, has led to the creation of a director's notebook, a document that unites the objectives of the "Tirano Banderas" performance, focusing on the primary elements of the representation. Sketches of the set, makeup, a CD with music, the musical score, and an audiovisual document of varios pilot scenes have been added to the Appendix. / El objeto de esta tesis es la adaptación escénica de la novela 'Tirano Banderas' (1926) del escritor español Ramón María del Valle-Inclán. Con ese fin se ha llevado a cabo una investigación dramatúrgica focalizada en el proceso de transducción, es decir, de interpretación y de transformación del texto original de Valle, que ha desembocado en un cuaderno de dirección, documento que recoge la propuesta de espectáculo "Tirano Banderas", centrándose en los elementos principales de la representación. En anexo se adjuntan los bocetos del decorado, del maquillaje, un CD-audio con la música, las partituras y un documento audiovisual de varias escenas piloto.