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德國投資大師科斯托蘭尼（Kostolany）曾用主人牽狗散步來形容股價跟基本面的運行關係，主人從甲地到乙地的路徑像是公司的基本面，而狗跟隨著主人的步伐忽前忽後、亦步亦趨就像是股價，兩者之間短期間不一定會同步，但最終必將一致。這個現象說明了股市投資的一個不變的真理：長期而言，股價必將反映公司經營的基本面。作為一個投資人如果無法掌握基本面的走向，而只知道一味的追逐股價的走向，則無異於捨本逐末，緣木求魚了。 從基本面來分析公司的價值，最直接正確的方是就是現金流量折現模型，但這個方法對於如何預估公司未來產生的現金流，及如何採用折現率存在著相當大的歧異。再者，一經估算出公司的內在價值後，要在什麼價格買進是另外一個要面對的問題。葛林布雷（Joel Greenblatt）選擇從另外一個角度切入，他藉著資本報酬率（Capital return）來篩選經營績效傑出的公司，加上盈餘報酬率（Earning Yield）來選出便宜的標的，兩者結合在一起過濾出的組合可充分發揮出價值投資者選股的精神。 本研究應用他所提出的方法，選擇MSCI Asia Pacific ex-Japan指數做為樣本，實際驗證用這兩個神奇公式所選出的投資組合在2002-2007年的表現，結果得到年化報酬率超過指數表現高達40%的績效。對於一般非專業的投資人，可以利用這個低成本及有效的方式建構一個價值型的投資組合，避免跟隨市場波動而頻繁地交易，達到投資而非投機的目的了。 / Andre Kostolany, Germany guru investor, explains the relationship between stock price and fundamental by an example of a man walking a dog. The master’s route expresses the company’s operation fundamental while the follow-up path of the dog is the stock price movement. Their paths are not sure synchronizing at short period of time but it will be corresponding in the long run. Admittedly, this phenomenon tells us the truth that the stock price finally should reflects the operating result of the company. Therefore, it’s in vain if an investor cannot manage to understand the business development but only chase technical price information. Basically, the discount cash flow, DCF, is the first and foremost method to evaluate the value of the company. However, how to forecast the future cash flow of the business as well as how much the discounting rate be used are still among debatable. Secondly, when to buy the stock is another dilemma after the intrinsic value is calculated. Joel Greenblatt takes the topic from a different angle. He points out those stocks with high capital yield and earning yield that depicting not only superior capital spending but also relatively inexpensive compare to others. In short, his two magic formulas combine major value investor components indeed. This thesis applies his findings to eqiuty portfolio construction in Asia Pacific markets. From 2002 to 2007, the magic 30 basket, composed of 30 constituents with highest capital and earning yield, outperforms the MSCI Asia Pacific ex- Japan benchmark by astonishing 40% p.a. For non-institutional investors, the model is particularly useful in construction a value-oriented portfolio that refrains from frequent transactions in face of market volatility.

At just under thirty years the serious academic study of American comic books is relatively young. Over the course of three decades most historians familiar with the medium have recognized that American comics, since becoming a mass-cultural product in 1939, have matured beyond their humble beginnings as a monthly publication for children. However, historians are not yet in agreement as to when the medium became mature. This thesis proposes that the medium’s maturity was cemented between 1985 and 2000, a much later point in time than existing texts postulate. The project involves the analysis of how an American mass medium, in this case the comic book, matured in the last two decades of the twentieth century. The goal is to show the interconnected relationships and factors that facilitated the maturation of the American sequential art, specifically a focus on a group of British writers working at DC Comics and Vertigo, an alternative imprint under the financial control of DC. The project consulted the major works of British comic scriptwriters, Alan Moore, Jamie Delano, Grant Morrison, Peter Milligan, Neil Gaiman, Warren Ellis, and Garth Ennis. These works include Watchmen, V for Vendetta, Shade: the Changing Man, Batman: Arkham Asylum, Animal Man, Sandman, Transmetropolitan, Preacher and several other important works. Following a chronological organization, the work tracks major changes taking place in the American comic book industry in the commercial, corporate, and creative sectors to show the processes through which the medium matured in this time period. This is accomplished by combining textual analysis of the comics with industry specific records and a focus on major cultural shifts in US society and culture

Following the social unrest of the 1960s, social scientists in America began to examine the persistence of ethnic identity among groups previously viewed in terms of their assimilation into the dominant culture or their geographical and thus cultural isolation. In 1969 social anthropologist Frederick Barth published his seminal essay on the subject. Ethnic identity, he claimed, can persist despite contact with and interdependence on other ethnic groups.This thesis attempts to effectively combine data from both the ethnohistoric and archaeological records in order to better understand the ethnic identity of Zachariah Cicott, a 19th century fur trader living in the central Wabash Valley. At this time the French families living in the United States had managed to maintain a separate sense of being or ethnic identity.The architectural style of an individuals residence has long been regarded as a reflection of the occupant’s ethnicity. French colonists arriving in North America brought with them a distinct architectural style characterized by the use of hand hewn vertical logs. As French communities spread across the North American landscape this style changed in response to the environment and raw materials at hand. Three ethnohistoric accounts of Cicott’s house make a convincing case for the presence of French architecture at the Cicott Trading Post Site (12Wa59).Archaeological excavations at the Cicott Trading Post Site have provided further evidence for French architecture. Found in association with a linear concentration of limestone, which appears to be the partial remains of the house foundation, were several fragments of pierrotage, a type of French mortar.Taken in conjunction with the ethnohistoric accounts, this limestone foundation and the associated pierrotage may be seen to represent the remains of a piece-sur-piece structure. / Department of Anthropology

This dissertation engages a number of currents of environmental criticism and rhetoric in an analysis of the poetry, fiction, and non-fiction of the southeastern United States. I examine conceptions of genitive relationships with the environment as portrayed in the work of diverse writers, primarily William Faulkner, Robert Penn Warren, W.E.B. Du Bois, Zora Neal Hurston, and Elizabeth Madox Roberts. Southern literature is rarely addressed in ecocritical studies, and to date no work offers an intensive and focused examination of the rhetoric employed in conceptions of environmental ownership. However, southern literature and culture provides fertile ground to trace the creation, development, and communication of environmental values because of its history of agrarianism, slavery, and a literary tradition committed to a sense of place. I argue that the concerns of the two main distinctive threads of environmental literary scholarship - ecopoetics and environmentalism of the poor - neatly overlap in the literature of the South. I employ rhetorical theory and phenomenology to argue that southern authors call into question traditional forms of writing about nature - such as pastoral, the sublime, and wilderness narratives - to reinvent and revitalize those forms in order to develop and communicate modes of reciprocal ownership of natural and cultural environments. These writers not only imagine models of personal and communal coexistence with the environment, but also provide new ways of thinking about environmental justice. The intersection of individual and social relationships with history and nature in Southern literature provides new models for thinking about environmental relationships and how they are communicated. I argue that expressions of environmental ownership and belonging suggest how individuals and groups can better understand their distance and proximity to their environments, which may result in new valuations of personal and social environmental relationships.

Thesis (Ph.D.)--University of Alberta, 2010. / Title from pdf main screen (viewed on April 8, 2010). A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requirements for the degree of Doctor of Philosophy in English, Department of English and Film Studies, University of Alberta. Includes bibliographical references.

Thesis (D. Min.)--Midwestern Baptist Theological Seminary, 2001. / Abstract. Includes bibliographical references (leaves 219-221).

Ministry research project (D. Min.)--Midwestern Baptist Theological Seminary, 2004. / Submitted in partial fulfillment of the requirements for the Doctor of Ministry Degree. Includes bibliographical references (leaves 278-281).

Thesis (D. Min.)--Midwestern Baptist Theological Seminary, 2001. / Abstract. Includes bibliographical references (leaves 219-221).

Ministry research project (D. Min.)--Midwestern Baptist Theological Seminary, 2004. / Submitted in partial fulfillment of the requirements for the Doctor of Ministry Degree. Includes bibliographical references (leaves 278-281).