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That the parliament should be in harmony with the nation: The Whig party, national self- determination, and parliamentary reform, 1790-1830Scott, J.D. 13 August 2024 (has links) (PDF)
Between 1790 and 1830 the Whig party in Britain championed the rights of continental European peoples to determine their governments free of outside interference. The universal right to national self-determination became an important part of their own domestic, partisan effort to oppose the ministries of William Pitt the younger and his acolytes—ministries which they believed were undermining the independency of the House of Commons by allying Britain with the despotic governments of the continent in their war against the French Revolution. By casting the wars against Revolutionary and Napoleonic France as an attack against the right to national self-determination, the Whigs were better able to maintain their party’s cohesion and unity. But as a result of their decision to interpret the revolutionary conflicts of this era as a struggle for national liberty, the Whigs faced unique challenges when continental events failed to fit the predictions of the national model. Instead of abandoning their interpretational archetype, the Whigs broadened their definition of who could rightfully claim to participate in the struggle for national liberty. The study that follows demonstrates how these broadened definitions were instrumental in enabling the Whig party to pass Parliamentary Reform in 1832.
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The Whigs and the Presidency: National Issues and Campaign Tactics, 1840-1848Baker, Beverly Jeanne 12 1900 (has links)
The Whig party, which existed in the United States approximately twenty years, 1834-1854, was a coalition of diverse economic, political and social groups united by their disapproval of Jacksonian politics and methods. This minority organization derived its strength from powerful congressional leaders, who held strongly nationalistic ideas regarding economic policy and governmental function, which had a profound and lasting influence on American political and economic thought. In the battle for the presidency, however, Whig leaders sometimes resorted to the expediency of subverting their views and choosing military heroes as candidates in order to attract a larger electorate. This study examines the Whigs in the context of the presidential campaigns of 1840, 1844, and 1848, with major emphasis on the national issues which dominated each election and influenced the choice of candidates and development of tactics.
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The Whig Junto, in relation to the development of party - politics and party - organisation, from its inception to 1714Ellis, E. L. January 1962 (has links)
No description available.
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Henry S. Lane and the birth of the Indiana Republican Party, 1854-1861Zachary, Lauren E. January 2013 (has links)
Indiana University-Purdue University Indianapolis (IUPUI) / Although the main emphasis of this study is Lane and his part in the Republican Party, another important part to this thesis is the examination of Indiana and national politics in the 1850s. This thesis studies the development of the Hoosier Republican Party and the obstacles the young organization experienced as it transformed into a major political party. Party leaders generally focused on states like New York and Pennsylvania in national elections but Indiana became increasingly significant leading up to the 1860 election. Though Hoosier names like George Julian and Schuyler Colfax might be more recognizable nationally for their role in the Republican Party, this thesis argues that Lane played a guiding role in the development of the new third party in Indiana. Through the study of primary sources, it is clear that Hoosiers turned to Lane to lead the organization of the Republican Party and to lead it to its success in elections. Historians have long acknowledged Lane’s involvement in the 1860 Republican National Convention but fail to fully realize his significance in Indiana throughout the 1850s. This thesis argues that Lane was a vital leader in Hoosier politics and helped transform the Republican Party in Indiana from a grassroots movement into a powerful political party by 1860.
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Too foul and dishonoring to be overlooked : newspaper responses to controversial English stars in the Northeastern United States, 1820-1870Smith, Tamara Leanne 30 September 2010 (has links)
In the nineteenth century, theatre and newspapers were the dominant expressions of popular culture in the northeastern United States, and together formed a crucial discursive node in the ongoing negotiation of American national identity. Focusing on the five decades between 1820 and 1870, during which touring stars from Great Britain enjoyed their most lucrative years of popularity on United States stages, this dissertation examines three instances in which English performers entered into this nationalizing forum and became flashpoints for journalists seeking to define the nature and bounds of American citizenship and culture. In 1821, Edmund Kean’s refusal to perform in Boston caused a scandal that revealed a widespread fixation among social elites with delineating the ethnic and economic limits of citizenship in a republican nation. In 1849, an ongoing rivalry between the English tragedian William Charles Macready and his American competitor Edwin Forrest culminated in the deadly Astor Place riot. By configuring the actors as champions in a struggle between bourgeois authority and working-class populism, the New York press inserted these local events into international patterns of economic conflict and revolutionary violence. Nearly twenty years later, the arrival of the Lydia Thompson Burlesque Troupe in 1868 drew rhetoric that reflected the popular press’ growing preoccupation with gender, particularly the question of woman suffrage and the preservation of the United States’ international reputation as a powerfully masculine nation in the wake of the Civil War.
Three distinct cultural currents pervade each of these case studies: the new nation’s anxieties about its former colonizer’s cultural influence, competing political and cultural ideologies within the United States, and the changing perspectives and agendas of the ascendant popular press. Exploring the points where these forces intersect, this dissertation aims to contribute to an understanding of how popular culture helped shape an emerging sense of American national identity. Ultimately, this dissertation argues that in the mid-nineteenth century northeastern United States, popular theatre, newspapers, and audiences all contributed to a single media formation in which controversial English performers became a rhetorical antipode against which “American” identity could be defined. / text
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