The establishment of the Transvaal University College (TUC) in Pretoria took place at a very significant historical time in the wake of the South African War and its first decade coincided with the formation of the Union of South Africa and the outbreak of World War I. Furthermore, in this period successive administrations of the Transvaal and of South Africa pursued an ideal of forming a new unified white South African identity known as broad South Africanism. This project was strongly associated with education and found expression in much of the discourse regarding emerging higher education in the country. This study will approach the early history of the TUC from the perspective of broad South Africanism, attempting to shed light on white identity politics and their relationship to higher education in these early decades of the twentieth century. The thesis will begin by examining university history as a genre of historical writing, highlighting various approaches to the writing of university histories. It will then investigate the development of universities in Europe in the nineteenth and early twentieth centuries in order to point out influential trends and models which can be traced in the establishment of South African universities. This is followed by a brief account of the growth of higher education in South Africa, paying particular attention to its development in the Transvaal which gave rise to the establishment of the TUC, first in Johannesburg and then in Pretoria. The development of the notions of broad South Africanism and conciliation will then be considered followed by an examination of how these notions were related to higher education in this period. The study will then focus specifically on the way in which broad South Africanism was manifested at the TUC. It will highlight official intentions regarding broad South Africanism at the College and the initial responses of the student body to this policy. A second section will discuss the development of broad South Africanism at the TUC after the outbreak of World War I and the ensuing 1914 rebellion. This will also include an investigation of sentiments which opposed broad South Africanism, favouring a more exclusive white identity. Thus, this study will endeavour to demonstrate how an understanding of university history can shed further light on a complex period in South African history and highlight the significant relationship between higher education institutions and the wider historical context. / Thesis (DPhil)--University of Pretoria, 2013. / gm2014 / Historical and Heritage Studies / unrestricted

The thesis represents an attempt, within the broad field of religion and literature and of identity studies, to read the early unpublished fiction of Alan Paton, dating from approximately 1922 (the end of his student days) to 1935 (when he became Principal of Diepkloof Reformatory). It is pointed out that research into the interrelationship of literature and religion, while well-established in a number of countries, is lagging in South Africa, and it is believed that the present thesis is the first full-length work of its kind, at least as far as South African literature in English is concerned. The writer advances reasons for his explicitly religious and hermeneutic approach to questions of human identity, as found in Paton especially, and focuses these on two particular areas: narrative identity, as propounded in the later work of Paul Ricoeur, and relational identity (to the other human being and to the Other, God), as theorised by Emmanuel Levinas in his later writing. In order to contextualise the study in Africa and in South Africa, brief attention is accorded to writers such as Soyinka, Mbiti and Mbembe and to current debates regarding white identity in South Africa. To lend a sense of historical context, Paton's work is viewed against the backdrop of identity in colonial Natal. The overall approach adopted may be described as broadly, but critically, postmodernist. Paton's earliest, fragmentary novel, 'Ship of Truth' (1922-1923) is read in some detail; his second, and only complete early novel, 'Brother Death' (1930), is commented on in as much detail as its frequently rambling nature warrants. A chapter on shorter fiction discusses his short story 'Little Barbee' (1928?), his short story 'Calvin Doone' (1930), his third novel, 'John Henry Dane' (1934), and a novel or novella, 'Secret for Seven' (1934). From all these readings it emerges that the Paton of his early fiction is markedly different from the Paton generally known: his concepts of human identity, of God and of religion, though earnest, are unformed and frequently ambivalent; his characterisation often stereotyped and wooden; his political views usually prejudiced and his stylistic and other techniques, though adequate in a young writer, highly repetitive. Various suggestions are made for future research: into South African literature from a religious perspective, into other aspects of Paton's works, and so forth. / Thesis (Ph.D. (English))--North-West University, Potchefstroom Campus, 2007.

Thesis (Ph.D. (English))--North-West University, Potchefstroom Campus, 2007.

"Saving White Face: Lynching and Counter Hegemonic Lynching Performances," examines American lynching as hegemonic performances constitutive of discursive and material practices that reinforce a cultural fiction, white supremacy. "Lynching studies" is identified as an interdisciplinary academic project that includes lynching history, analysis and (activist) cultural production. Among other approaches, "Saving White Face" uses psychoanalysis and ethnography to unmask lynching as a site where race- and gender-based identities originate. Lynching's "materialities," such as lynching photographs and souvenirs are examined as the bases of American consumer culture, especially as they relate to football and (the) O.J. Simpson (ordeal). This work also documents the production of my Chamber Theater adaptation of Bebe Moore Campbell's 1992 novel, Your Blues Ain't Like Mine (also entitled "Saving White Face"). I also contextualize this counter hegemonic performance as a lynching drama, as well as among radical black feminist activism and blues performance. As such, lynching is identified as an emergent performance practice which not only reinforces white identity, but lynched subjectivities, as well. / text

The thesis represents an attempt, within the broad field of religion and literature and of identity studies, to read the early unpublished fiction of Alan Paton, dating from approximately 1922 (the end of his student days) to 1935 (when he became Principal of Diepkloof Reformatory). It is pointed out that research into the interrelationship of literature and religion, while well-established in a number of countries, is lagging in South Africa, and it is believed that the present thesis is the first full-length work of its kind, at least as far as South African literature in English is concerned. The writer advances reasons for his explicitly religious and hermeneutic approach to questions of human identity, as found in Paton especially, and focuses these on two particular areas: narrative identity, as propounded in the later work of Paul Ricoeur, and relational identity (to the other human being and to the Other, God), as theorised by Emmanuel Levinas in his later writing. In order to contextualise the study in Africa and in South Africa, brief attention is accorded to writers such as Soyinka, Mbiti and Mbembe and to current debates regarding white identity in South Africa. To lend a sense of historical context, Paton's work is viewed against the backdrop of identity in colonial Natal. The overall approach adopted may be described as broadly, but critically, postmodernist. Paton's earliest, fragmentary novel, 'Ship of Truth' (1922-1923) is read in some detail; his second, and only complete early novel, 'Brother Death' (1930), is commented on in as much detail as its frequently rambling nature warrants. A chapter on shorter fiction discusses his short story 'Little Barbee' (1928?), his short story 'Calvin Doone' (1930), his third novel, 'John Henry Dane' (1934), and a novel or novella, 'Secret for Seven' (1934). From all these readings it emerges that the Paton of his early fiction is markedly different from the Paton generally known: his concepts of human identity, of God and of religion, though earnest, are unformed and frequently ambivalent; his characterisation often stereotyped and wooden; his political views usually prejudiced and his stylistic and other techniques, though adequate in a young writer, highly repetitive. Various suggestions are made for future research: into South African literature from a religious perspective, into other aspects of Paton's works, and so forth. / Thesis (Ph.D. (English))--North-West University, Potchefstroom Campus, 2007.

This qualitative study explored the experiences of self-identified White students currently enrolled at a predominantly White institution who were cross- racially involved for at least ten weeks in a multicultural association, club, or organization that had students of color as the racial majority. This study also examined students' consciousness of Whiteness and the development of students' White identities based on their cross-racial experiences. Utilizing a sample of 4 students in concert with a review of relevant literature, the principal findings of this research are that cross-racially involved students have heightened awareness of difference based on race, including their own White racial identity. Although racial tension exists between individuals' White identities and the collective organization’s multicultural identity, White students who were more deeply involved in multicultural organizations indicated that they (a) had a higher sense of belonging with their peers of color, (b) became more conscious of their Whiteness both inside and outside of their multicultural organizations to a certain degree, and (c) desired to more completely understand their ethnic heritage. Findings from this study can contribute towards literature on the development of racial justice allies in college. In order to influence racial justice ally development at a predominantly White institution, findings from this research suggest that student affairs administrators should encourage White students to engage in multicultural organizations so they can understand how their Whiteness "shows up" for others including the impact of privilege and oppression in a multicultural society. / Graduation date: 2012

No description available.

No description available.

This study looks at the construction of white identity within postcolonial conflict in Zimbabwe. Is it possible to be white and African? And how will the white African look when his identity as 'privileged' is stripped from his/her? This study also challenges the church to respond to the endemic violence by finding ways of bringing hope and healing. The role that trauma plays in our ongoing narratives is explored along with ways to exit these cycles without re-traumatizing large sectors of the community who are considered 'outsiders'. It ends with questioning the usefulness of 'white' and 'race', except as a political construction that benefits those in power to be able to tap into past historic pain and injustice. / Philosophy, Practical & Systematic Theology / M. Th. (Practical Theology (Pastoral Therapy))

This study looks at the construction of white identity within postcolonial conflict in Zimbabwe. Is it possible to be white and African? And how will the white African look when his identity as 'privileged' is stripped from his/her? This study also challenges the church to respond to the endemic violence by finding ways of bringing hope and healing. The role that trauma plays in our ongoing narratives is explored along with ways to exit these cycles without re-traumatizing large sectors of the community who are considered 'outsiders'. It ends with questioning the usefulness of 'white' and 'race', except as a political construction that benefits those in power to be able to tap into past historic pain and injustice. / Philosophy, Practical and Systematic Theology / M. Th. (Practical Theology (Pastoral Therapy))