Wu, Ka Ming. / Thesis (M.Phil.)--Chinese University of Hong Kong, 2000. / Includes bibliographical references (leaves 155-163). / Abstracts in English and Chinese. / Abstract --- p.i-iii / Table of Content --- p.iv-v / Abbreviations --- p.vi / Chapter Chapter One --- Introduction: Women and Poverty in Hong Kong --- p.1 / Poor Women: Where and Who are They? / Research Purpose and Questions / Research Methodology / Some Research Reflections / Chapter Chapter Two --- "Engendering the Question of Poverty: Power in Economy, State and Discourse" --- p.14 / Women and Development under Economic Globalization / Working Daughters Getting Old: The Hong Kong Case / Hong Kong in the International Political Economy / Poor Women: The Opposition of Workers and Citizens / Welfare Perspectives: Three Different Theoretical Streams / The Political Economy of Welfare State / Feminist Critique of Welfare State / Poor Women and Welfare Services in Hong Kong / The Genealogy of Modern Power: Foucault on Power and Discourse / Discourse Analysis / Ideology versus Truth / The Power of Gaze / The Welfare Cut: The Poor as Objects of State Intervention / Power/ Knowledge / Chapter Chapter Three --- poor Women as Product of Economic Development: Changing Role of Hong Kong in the Global Economy --- p.45 / Changing Role of Hong Kong in the Global Economy / Poor Women after Economic Restructuring / Reproductive Work Positions: Sliding Ranks and Salaries / No Jobs for Poor Mothers / Working Poor Mothers: Reconciling Paid Work and Family Responsibility / Familialism and the Incorporation of Women as Labor / Capitalist Production of Familialism / The Matron Workers in the 1970s vs the Disabled Women in the 1990s / Entering the Information Age in the late 1990s: Poor Women and Development / Conclusion / Chapter Chapter Four --- "Women, Poverty and the Welfare System in Hong Kong " --- p.72 / Concern of Hong Kong Social Policy / The Myth of Lassie-faire in Social Welfare / Productivity: Philosophy of Hong Kong Social Welfare / Single Mothers as Study Focus / Who has the Right to Social Welfare? The Breadwinner's Myth / Housing Problem for Single Mothers with Children / Poor Lives of Lone Mother: Child Caring and Work / Women in Our Welfare System without Citizenship / Chapter Chapter Five --- Discourse on the Welfare Cut: The Poor as Object of Intervention --- p.101 / Discursive Analysis / The Arrival of Dependency Culture in Hong Kong / Colonial Fear against the Poor: History of the Politics of Welfare / The Poor as the Object of Intervention / "The Poor against the “Imagined Poor"" " / The Construction of Social Subjectivities of the Lower Class / Conclusion: Difficulty of the Underclass and their Agency / Chapter Chapter Six --- Knowledge Production and Power Relation in Hong Kong --- p.124 / Social Welfare in Hong Kong: To Prevent People from Starving to Death / Make Money and Be Happy: People and Society in Hong Kong / Chou's Discourse on Welfare in Hong Kong / The Hidden Reality in the Affluent 1990s / Rocketing Welfare and Car Crash / The Meaning of Non-Interventionism: Government and Business Interests / Non-Interventionism as Ruling Success or Ruling Inability? / Power/ Knowledge and the Politics of Writing / Conclusion / Chapter Chapter Seven --- Conclusion --- p.148 / Complicity of Economic Development / Complicity of the Government / Power of Discourse / Effects of Discourse / Discourse and Knowledge Production / The Future / Bibliography --- p.155

Title from PDF of title page. / Document formatted into pages; contains 147 pages. / Thesis (M.A.)--University of South Florida, 2003. / Includes bibliographical references. / Text (Electronic thesis) in PDF format. / ABSTRACT: Blanche Armwood was a remarkable black woman activist, from Tampa, Florida, who devoted her life to improving the political, social, and economic status of blacks in the Jim Crow South. Local historians have kept Armwood's legacy alive by describing her achievements and by emphasizing her dedication to the African-American population during one of the most racist periods in American history. In their efforts to understand Armwood's career, scholars depend upon race as the primary category of analysis and focus mainly on the external forces that defined Armwood's world. They argue that she became resigned to her lot in life as a black woman, and consequently chose to accommodate rather than challenge the Southern racial system. This thesis offers an alternative interpretation of Armwood's activism. / ABSTRACT: It argues that Blanche Armwood rejected the white supremacist ideology of the Jim Crow South and insisted on equal opportunity and political equality for all African-Americans. This study examines how social variables such as race, gender, and class intersected in her life, shaping her world view and leadership style. It explores how Armwood's experiences as a southern, middle-class, black woman affected her racial ideology. Armwood left behind a powerful legacy of resistance against the second-class status that white America imposed on blacks during the nadir in African-American history. She contested the white South's perception of African-American women. In a world that associated them with Mammy and Jezebel stereotypes, Armwood insisted that African-American women deserved the same respect that society accorded white women. / ABSTRACT: Armwood fought for political equality, demanding that black women should have the right to vote and participate in the civic process as women and as African-Americans. In addition, she believed that the federal government had a responsibility to protect all its citizens and that every American was entitled to equal treatment before the law. Finally, Armwood&softsign;s racial uplift work revealed her faith in the cornerstone of the American creed, its promise of equal opportunity. She provided some blacks with the chance to move away from poverty and illiteracy to become respectable middle-class Americans. / System requirements: World Wide Web browser and PDF reader. / Mode of access: World Wide Web.

No abstract available. / Thesis (M.A.)-University of KwaZulu-Natal, 2005.

Text in French; abstract in French and English / Observatrice des réalités quotidiennes camerounaises, Calixthe Beyala a publié, en 1987, un roman intitulé C’est le soleil qui m’a brûlée. Dans ce roman, elle montre au lecteur comment la femme, victime de la tradition, utilise, avec l’apport de la modernité, son corps comme moyen pour reconquérir son moi profond, et retrouver sa liberté. En 1994, elle a écrit et publié Assѐze, l’Africaine. Et en 2003, elle a publié Femme nue, femme noire. Après une lecture minutieuse de ces trois livres, le lecteur peut facilement découvrir que Calixthe Beyala place la femme au centre de sa préoccupation littéraire. Et elle examine, dans sa fiction, deux thѐmes: la tradition et la modernité. Qu’entend-elle par tradition et modernité? Comment examine-t-elle ces deux thѐmes dans les ouvrages de notre corpus? Quelles solutions propose-t-elle à la femme, d’une part, pour se libérer du joug de la tradition et de la domination masculine, et d’autre part, pour (re)conquérir son corps, son moi profond et pour son émancipation? / Observer of the daily Cameroonian realities, Calixthe Beyala published, in 1987, a novel entitled C’est le soleil qui m’a brûlée. In this novel, she shows the reader how a woman, victim of tradition, uses her body as means to reconquer herself and to find her freedom. In 1994, she wrote and published Assèze, l’Africane. And in 2003, she published Femme nue, femme noire. After a careful reading of the three novels, the reader can easily discover that Calixthe Beyala places woman in the center of her literary preoccupation. And she examines, in her fiction, two themes, tradition and modernity. What does she mean by tradition and modernity? How does she examine these two themes in the novels of our study? What solutions does she propose to the woman, firstly, to liberate herself from the yoke of tradition and male’s domination, and secondly, to reconquer her body, herself and her emancipation? / Classics and World Languages / M.A. (French)

Current debates in the anthropology of the Indian middle classes suggest a preponderant theme of balance - between 'Indian' and 'Western'; 'traditional' and 'modern'; 'global' and 'local'. Scholars like Säävälä (2010) Nisbett (2007, 2009), and Donner (2011) demonstrate a range of practices through which the ideal of middle class life is positioned in a precarious median between the imagined decadence of the upper classes and the perceived immorality and lack of responsibility of the working classes. Sexuality and intimacy, it has been observed, are important sites, where this balancing act is played out and risks to its stability are disciplined. Young women have particularly come under a great deal of pressure to position themselves dually as modern representatives of a global nation, who are, at the same time, epitomes of a nationalised narrative of tradition. In this thesis I examine, through an ethnographic study, the ways in which young women's bodies are implicated in the normative reproduction of everyday middle class life, as well as unpacking the social meanings of youth and adulthood for women in this context. Further, locating my study in the context of women's colleges in Chennai, this thesis comments on the significance of educational spaces as sites where normative ideals of middle class life and femininity are both produced and contested. The chief arguments in this thesis are organised into five chapters that draw primarily on ethnographic material to examine categories of risk, danger and pleasure as mutually constituted in young women's lives through everyday practice, as well as the making of the everyday as a precarious and compositional event.

Power imbalances and gender-based violence (GBV) have increasingly been cited as important determinants putting women at risk of HIV infections. Studies have shown that globally one in every three women has been beaten, coerced into sex or otherwise abused in her lifetime. The study explored working women’s perceptions of power, gender-based violence and HIV-infection risks. A qualitative, explorative study was conducted among female employees in an airline business in Namibia. Five women participated in in-depth, face-to-face interviews. The findings show that all of the participants experienced power imbalances and GBV in their intimate relationships. All of the women reported emotional or psychological abuse, whilst the majority were subjected to economic abuse, followed by physical abuse, and two alleged having been sexually abused. The study concludes with specific recommendations for the development and successful implementation of workplace policy and programmes to protect and promote women’s rights. / Social Work / M.A. (Social Behaviour Studies in HIV/AIDS)

Made available in DSpace on 2014-06-11T19:29:39Z (GMT). No. of bitstreams: 0 Previous issue date: 2011-09-02Bitstream added on 2014-06-13T20:08:58Z : No. of bitstreams: 1 moura_lm_me_fran.pdf: 621004 bytes, checksum: 856908dab8b9f960adc95036948ab37d (MD5) / O presente trabalho incide sobre a realidade de algumas mulheres realmente corajosas e empreendedoras que resolveram deixar de lado os medos e as inseguranças introduzidas na sociedade pela realidade atual do mundo do trabalho. O município de Franca, conhecido mundialmente pela produção do calçado masculino, recebeu, de maneira impactante, todos os choques econômicos e sociais demandados das reestruturações produtivas e suas manifestações e conflitos trazidos à realidade da população. Foi realizada uma perspectiva histórica em relação ao movimento operário, de sua inserção na indústria têxtil, da participação das mulheres como força de trabalho nesse contexto, da trajetória produtiva de Franca e Região e das mudanças ocorridas nesse percurso. Mais do que uma atividade específica, a lingerie representa para as mulheres e para a coletividade Francana uma alternativa, uma perspectiva e uma mudança. Evidencia-se durante o estudo que muitas práticas ainda permanecem, como a do aviltamento do trabalho feminino, a exploração das forças de trabalho, o exercício do trabalho domiciliar e o achatamento dos salários e lucros. Entretanto, é notória, em diversos momentos da pesquisa, a presença da esperança, da satisfação, do encanto pelo trabalho, de melhores condições profissionais, sociais e familiares. Realizar tal estudo gratifica e instiga os pesquisadores e, ao mesmo tempo, traz à tona as responsabilidades acadêmicas e profissionais do Serviço Social / This work focuses on the reality of some truly really courageous and enterprising women who have decided to put aside fears and insecurities in society introduced by the current reality of the world of work. The city of Franca, known worldwide for producing men's shoes, was so impressive, all the economic and social demands of the productive restructuring and its manifestations and conflicts brought to the reality of the population. We performed a historical perspective in relation to the labor movement, its insertion in the textile industry, the participation of women as labor force in this context, the history of France and productive region and to the changes in this route. More than one specific activity, the lingerie is for women and for the collective Francana an alternative perspective and a change. It is of note during the study that many practices still remain, such as the degradation of female labor, the exploitation of the labor force, the exercise of home work and flattening of wages and profits.However, it is notorious, at various times of the study, the presence of hope, of satisfaction, the work of the charm of better employment conditions, social and family. Such a study and rewards entices researchers and at the same time, brings out the responsibilities of academic and professional social work

Orientador: Helen Barbosa Raiz Engler / Banca: Reginaldo Guiraldelli / Banca: Ubaldo Silveira / Resumo: O presente trabalho incide sobre a realidade de algumas mulheres realmente corajosas e empreendedoras que resolveram deixar de lado os medos e as inseguranças introduzidas na sociedade pela realidade atual do mundo do trabalho. O município de Franca, conhecido mundialmente pela produção do calçado masculino, recebeu, de maneira impactante, todos os choques econômicos e sociais demandados das reestruturações produtivas e suas manifestações e conflitos trazidos à realidade da população. Foi realizada uma perspectiva histórica em relação ao movimento operário, de sua inserção na indústria têxtil, da participação das mulheres como força de trabalho nesse contexto, da trajetória produtiva de Franca e Região e das mudanças ocorridas nesse percurso. Mais do que uma atividade específica, a lingerie representa para as mulheres e para a coletividade Francana uma alternativa, uma perspectiva e uma mudança. Evidencia-se durante o estudo que muitas práticas ainda permanecem, como a do aviltamento do trabalho feminino, a exploração das forças de trabalho, o exercício do trabalho domiciliar e o achatamento dos salários e lucros. Entretanto, é notória, em diversos momentos da pesquisa, a presença da esperança, da satisfação, do encanto pelo trabalho, de melhores condições profissionais, sociais e familiares. Realizar tal estudo gratifica e instiga os pesquisadores e, ao mesmo tempo, traz à tona as responsabilidades acadêmicas e profissionais do Serviço Social / Abstract: This work focuses on the reality of some truly really courageous and enterprising women who have decided to put aside fears and insecurities in society introduced by the current reality of the world of work. The city of Franca, known worldwide for producing men's shoes, was so impressive, all the economic and social demands of the productive restructuring and its manifestations and conflicts brought to the reality of the population. We performed a historical perspective in relation to the labor movement, its insertion in the textile industry, the participation of women as labor force in this context, the history of France and productive region and to the changes in this route. More than one specific activity, the lingerie is for women and for the collective Francana an alternative perspective and a change. It is of note during the study that many practices still remain, such as the degradation of female labor, the exploitation of the labor force, the exercise of home work and flattening of wages and profits.However, it is notorious, at various times of the study, the presence of hope, of satisfaction, the work of the charm of better employment conditions, social and family. Such a study and rewards entices researchers and at the same time, brings out the responsibilities of academic and professional social work / Mestre

CAPES / O imaginário mobilizado pela corrida espacial no segundo período pós-guerra instigou a criação de um repertório visual que logo tornou-se fonte de inspiração em diversos campos da produção cultural. Neste trabalho tenho por objetivo discutir a construção da figura da “mulher do futuro” mediante a articulação entre as produções filiadas a esse imaginário no vestuário e na decoração de interiores. O recorte de estudo abarca as décadas de 1960 e 1970 e está centrado nas representações de interiores domésticos divulgados pela revista Casa & Jardim e nos editoriais e anúncios publicitários de vestuário divulgados pelas revistas Claudia e Manequim. Esses títulos colocaram em circulação uma série de recursos imagéticos e textuais que evidenciam aspectos do comportamento social da época, servindo como base para a investigação das novas representações de feminilidades que surgiram naquele período. A escolha por privilegiar a articulação entre decoração de interiores e vestuário se justifica pela relação historicamente construída entre essas materialidades e o corpo feminino, caracterizando-se como parte integrante na construção de identidades de gênero, classe e geração. Com esse trabalho pretendo evidenciar que as materialidades dos interiores domésticos e do vestuário inspirados pela iconografia espacial atuavam como dispositivos que criavam e reforçavam noções de feminilidades em diálogo com o processo de modernização da sociedade brasileira em curso. / The imagery mobilized by the space race in the second post-war period instigated the creation of a visual repertory that soon became the source of inspiration in several fields of cultural production. In this work I aim to discuss the construction of the "woman of the future" figure through the articulation between the productions affiliated to this imaginary in clothing and interior decoration. The study covers the 1960s and 1970s and is centered on the representations of domestic interiors published by Casa & Jardim magazine and the editorials and advertisements for clothing published by magazines Claudia and Manequim. These publications put into circulation a series of imagery and textual resources that demonstrated aspects of the time’s social behavior, serving as basis for the investigation of the new representations of femininities which appeared in that period. The choice to focus on the articulation between interior decoration and clothing is based on the historically constructed relation between these materialities and the female body, therefore being an important part in the construction of gender, class and generation identities. With this work I intend to show that the materialities of domestic interiors and clothing inspired by the space age iconography acted as devices that created and reinforced notions of femininity.

CAPES / O imaginário mobilizado pela corrida espacial no segundo período pós-guerra instigou a criação de um repertório visual que logo tornou-se fonte de inspiração em diversos campos da produção cultural. Neste trabalho tenho por objetivo discutir a construção da figura da “mulher do futuro” mediante a articulação entre as produções filiadas a esse imaginário no vestuário e na decoração de interiores. O recorte de estudo abarca as décadas de 1960 e 1970 e está centrado nas representações de interiores domésticos divulgados pela revista Casa & Jardim e nos editoriais e anúncios publicitários de vestuário divulgados pelas revistas Claudia e Manequim. Esses títulos colocaram em circulação uma série de recursos imagéticos e textuais que evidenciam aspectos do comportamento social da época, servindo como base para a investigação das novas representações de feminilidades que surgiram naquele período. A escolha por privilegiar a articulação entre decoração de interiores e vestuário se justifica pela relação historicamente construída entre essas materialidades e o corpo feminino, caracterizando-se como parte integrante na construção de identidades de gênero, classe e geração. Com esse trabalho pretendo evidenciar que as materialidades dos interiores domésticos e do vestuário inspirados pela iconografia espacial atuavam como dispositivos que criavam e reforçavam noções de feminilidades em diálogo com o processo de modernização da sociedade brasileira em curso. / The imagery mobilized by the space race in the second post-war period instigated the creation of a visual repertory that soon became the source of inspiration in several fields of cultural production. In this work I aim to discuss the construction of the "woman of the future" figure through the articulation between the productions affiliated to this imaginary in clothing and interior decoration. The study covers the 1960s and 1970s and is centered on the representations of domestic interiors published by Casa & Jardim magazine and the editorials and advertisements for clothing published by magazines Claudia and Manequim. These publications put into circulation a series of imagery and textual resources that demonstrated aspects of the time’s social behavior, serving as basis for the investigation of the new representations of femininities which appeared in that period. The choice to focus on the articulation between interior decoration and clothing is based on the historically constructed relation between these materialities and the female body, therefore being an important part in the construction of gender, class and generation identities. With this work I intend to show that the materialities of domestic interiors and clothing inspired by the space age iconography acted as devices that created and reinforced notions of femininity.