The thesis belongs to the field of lexical semantics studies, associated with describing the Russian linguistic world-image. The research focuses on the universal situation of purchase and sale as reflected in the Russian lexical standard and sub-standard. The work deals also with subjects related to the sphere of social linguistics: the social stratification of the language, the structure of sub-standard, etc. The thesis is a contribution to the description of the Russian linguistic world-image as well as to the further elaboration of the conceptional analysis method. The results are applicable in teaching Russian as a foreign language, particularly in lexis and Russian culture and mentality studies.

The aim of this diploma thesis, entitled "The Linguistic Picture of Warsaw in Lyrics of Polish Songs", is to reconstruct the image of the Polish capital by analyzing songs by Warsaw hip hop performers. The diploma thesis is divided into theoretical and practical part. The theoretical part consists of three chapters focusing on the linguistic picture of the world, hip hop subculture both in the world and in Poland and the language of hip hop. The main goal of the practical part is to reconstruct the image of Warsaw as perceived by the Warsaw hip hop subculture. There are analyzed phrases with terms such as city, Warsaw, place, concrete, block of flats or people. Key words linguistic picture of the world, picure of the city, song, Warsaw, music, hip hop, rap

The thesis is dedicated to the peculiarities of translating low colloquial vocabulary functioning in the collection of short stories written by Flannery O'Connor "The Complete Stories" into Russian. The selection and analysis of 104 lexical elements from the collection of short stories were carried out. Their translation into Russian was analyzed, and the features of the low-colloquial translation were revealed. The main provisions of the research are presented and published in the scientific article "Translational peculiarities of stylistically low vocabulary in Russian in Flannery O'Connor's collection of short stories "The Complete Stories" at the XXV International Scientific and Practical Conference "Advances in Science and Technology" (Moscow, 2019 g.). / Данная магистерская научно-исследовательская работа посвящена выявлению и описанию особенностей перевода сниженной лексики в художественном тексте на материале сборника рассказов Flannery O'Connor "The Complete Stories" и его русскоязычной версии в переводе Д.Б.Волчека и М.В.Куренной - Фланнери О'Коннор "Рассказы, не вошедшие в сборник". Проведен отбор и анализ 104 лексических элементов из художественного произведения, проанализирован их перевод на русский язык и выявлены особенности перевода сниженных элементов. Основные положения диссертационного исследования представлены и опубликованы в научной статье «Особенности переводимости сниженной лексики на русский язык в произведении Flannery O'Connor "The Complete Stories"» на XXV Международной научно-практической конференции «Advances in Science and Technology» (г. Москва, 2019 г.).

Everyware, ubiquitous computing, connexion ambiante, condition hyperconnectée, hypersphère,… Dans la dernière décennie, les chercheurs de tous domaines confondus ont convoqué une série de termes très différents pour évoquer les conséquences de l’introduction des dispositifs mobiles ont engendrés sur notre manière de vivre et habiter l’espace. En poursuivant les réflexions entamées par les chercheurs appartenant au « tournant spatial », cette thèse se propose d’interroger l’imaginaire spatial dans la littérature numérique contemporaine tel que modifié par les nouvelles technologies ainsi que les modalités dont la littérature s’est emparé de ces technologies pour les détourner ou les intégrer en tant qu’éléments poétiques à part entière. Quel est le nouveau rapport à l’espace que dessinent le téléphone intelligent, les réseaux sociaux et la géolocalisation ? Comment la littérature se modifie-t-elle en devenant géolocalisée ? Qu’il soit question de l’espace urbain ou d’autres types d’espaces, cette thèse interroge l’intégration d’outils, de pratiques et de techniques numériques à l’écriture littéraire de l’espace. Au moment où la présence d’une technologie de géolocalisation participe également au processus de redéfinition de notre position dans le monde, en redéfinissant notre rapport à la fois personnel et littéraire à l’espace, comment notre position spatiale devient-elle une donnée partageable, conversationnelle et sémiotique – signifiant et matière poétique à part entière, tout autant que le langage ? / Everyware, ubiquitous computing, ambient connection, hyperconnected condition, hypersphere... In the last decade, researchers from all fields have used a series of very different terms to evoke the consequences of the introduction of mobile devices on our way of living and inhabiting space. By continuing the reflections started by the researchers belonging to the "spatial turn", this thesis proposes to question the spatial imaginary in contemporary digital literature as modified by the new technologies as well as the modalities in which literature has seized these technologies to divert them or integrate them as poetic elements in their own right. What is the new relationship to space that the smart phone, social networks and geolocation draw? How does literature change by becoming geolocated? Whether we are talking about urban space or other types of space, this thesis questions the integration of digital tools, practices and techniques into the literary writing of space. At a time when the presence of geolocation technology also participates in the process of redefining our position in the world, redefining our personal and literary relationship to space, how does our spatial position become a shareable, conversational and semiotic datum - a signifier and poetic material in its own right, as much as language?

The thesis tries to grasp the meaning of lexeme nos "the nose" in cognitively-linguistic perspective, namely in particular through colocation and idioms, which contains the lexeme nos. The goal of this thesis is to define so-called semantic profiles of concept NOSE and to formulate cognitively cultural definition of nose consequential from its location in the Czech linguistic picture of the world. For this purpose nose first will be subjected to analysis from two different perspectives - from medical perspective, which represent the scientific view on the world, and from the perspective of a common user of the language, which represent so- called naive picture of the world. Data relating to the lexeme nos will be excerpted from Czech monolingual, synonymous, etymological and phraseological dictionaries, the semic analysis will be done and the lexeme nos will be included to systemic relationships in Czech vocabulary. Nose also will be introduced in a ligth of an additional perspectives of an alternative medicine and a pseudoscientific disciplines: the phrenology and the physiognomy. Their knowledges play some role in a formation of a naive picture of a nose. The questionnaire research is too a part of the thesis. The questionnaire research search for which association a common user of the Czech language have...