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Existing research on students’ citation practices has tended to focus on the formal and linguistic characteristics of citation (Howard et al., 2010; Swales, 2014), without fully examining their underlying rhetorical functions or the influence of classroom genres on citation practices. Smaller-scale studies have yielded meaningful insights into the rhetorical dimensions of citation (Haller, 2010), but these have been challenging to scale up, and proposed coding schemes have had limited applicability to L1 first-year writing contexts (Petric, 2007; Lee, Hitchcock, and Casal, 2018; Zhang, 2023). This study responds to calls for a better understanding of the rhetorical strategies first-year writing students employ when citing sources, as well as improved program-level assessment methods to capture their citation practices across classrooms and courses. My dissertation study examines the rhetorical practices of citation employed by students within a foundational academic writing course, ENG 101: Introduction to Academic Discourse, at a large urban research university. Combining qualitative coding and computational text analysis, the study investigates three key research questions: 1) What rhetorical practices of citation do students learn to employ within a foundational academic writing course? 2) To what extent do different genres condition different practices of citation? and 3) To what extent do students' citation practices differ—within and across genres—in relation to the scores they receive? This study reveals that students primarily engage sources for three rhetorical purposes: to Report information from and about sources (without imposing an interpretive lens); to Transform source material through analysis, application, and synthesis; and to Evaluate a source’s content, argument, and/or rhetorical effectiveness. The study found that higher-scoring student papers demonstrated more frequent use of Evaluating sources while lower-scoring papers tended to rely more heavily on Reporting from sources. Additionally, the analysis uncovered distinct citation profiles across the key genres assigned in the course, with the Rhetorical Analysis paper requiring the highest levels of Evaluating and Transforming, the Brand Analysis emphasizing Transforming, and the Review Paper displaying lower overall source engagement. The dissertation contributes to the field's understanding of citation practices in first-year writing, offering a framework for assessing the rhetorical dimensions of student citation that can be adapted for use within the context of local writing programs to support outcomes assessment, curriculum design, and classroom pedagogy attuned to the rhetorical dimensions of source engagement. / English / Accompanied by one .zip file : 1) Kane_temple_0225E_171/Kane_Supplementary_Materials.zip

abstract: Despite its rich history in the English classroom, popular culture still does not have a strong foothold in first-year composition (FYC). Some stakeholders view popular culture as a “low-brow” topic of study (Bradbury, 2011), while others believe popular culture distracts students from learning about composition (Adler-Kassner, 2012). However, many instructors argue that popular culture can cultivate student interest in writing and be used to teach core concepts in composition (Alexander, 2009; Friedman, 2013; Williams, 2014). This dissertation focuses on students’ perceptions of valuable writing—particularly with regards to popular culture—and contributes to conversations about what constitutes “valuable” course content. The dissertation study, which was conducted in two sections of an FYC course during the Spring 2016 semester, uses three genre domains as a foundation: academic genres, workplace genres, and pop-culture genres. The first part of the study gauges students’ prior genre knowledge and their beliefs about the value of academic, workplace, and pop-culture genres through pre- and post-surveys. The second part of the study includes analysis of students’ remix projects to determine if and how students can meet FYC learning outcomes by working within each domain. Through this study, as well as through frameworks in culturally sustaining pedagogy, writing studies, and genre studies, this dissertation aims to assist in the reconciliation of opposing views surrounding the content of FYC while filling in research gaps on the knowledge, interests, and perceptions of value students bring into the writing classroom. Ultimately, this dissertation explores how pop-culture composition can facilitate student learning just as well as academic and workplace composition, thereby challenging course content that has traditionally been privileged in FYC. / Dissertation/Thesis / Doctoral Dissertation English 2017

<p>“Generation Z” multilingual writers are caught up in a globalized/globalizing and superdiverse linguistic and cultural contact zone as well as a neoliberal political and institutional environment. To understand how they inhabit their idiosyncratic literate worlds and practice their differences, I aligned myself with an ethnographic case study approach and investigated four writers’ ecologically situated and distributed literacy practices and experiences on and off the campus of an internationalized U.S. university. Through a conceptual framework I call “affordancescape” (a spatiotemporally stabilized ecological representation of structural, semiotic, experiential, social, bodily, and material relations that enable the human actors to rhetorically act and react) and methodology I name “trans-scape tracing,” I conducted semi-structured interviews and observations, videotaped writing ecologies, analyzed multimodal artifacts. Then, I reconstructed the four writers’ literate worlds that are always emerging and knotworked, rhetorically powerful, and rich in ecological affordances. These literate worlds define, bound, afford, constrain, tie and untie, mediate and remediate these writers’ practices of rhetorical differences.<br></p><p>The following three overarching research questions guided my data collection and analysis:<br></p><p>1.What does it mean to be “different” in the international multilingual students’ own terms? How do they practice self-perceived differences through various literate activities?<br></p><p>2.What are the ecological affordances that enable these students to practice their differences? How are these affordances knotworked? How do their practices of difference position nd reposition themselves?<br></p><p>3.How do we move toward a new understanding of international multilingual students’ practices of difference through literate activities?<br></p><p>Ultimately, I argue it is imperative to (re)examine international multilingual students’ practices of difference through literate activities against the global context characterized by the resurgence of nationalism and growing transnational migration, and the local institutional context characterized by internationalization and neoliberal corporatization, as the global and local trends deeply affect students’ bodily experiences in small and large ways. In Chapter One, I lay out in broad strokes the global and local contexts, the emerging issues, and the current scholarly responses to the issues. In Chapter Two, I introduce the analytical framework that I call “affordancescape.” Chapter Three is dedicated to the description of the research methodology that builds on the approach of ethnographic case study, which I call “trans-scape tracing,” as well as detailed data collection and analysis procedures. Chapter Four through Seven constitute the narratives of individual cases: Janus, Manna, Bohan, and Yang. In Chapter Eight, the last chapter, I revisit the individual cases through a holistic lens and provide suggestions for a new understanding of students’ practices of difference.<br></p><p><br></p>

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While scholars of writing self-efficacy (WSE) have long explored self-efficacy as multidimensional, not every crucial dimension of self-efficacy has been explored (Walker; Zumbrunn et al.; Bruning and Kauffman). Recently, scholars have called for new WSE dimensions so that scholars can better examine the contextual and relational factors of self-efficacy (Usher and Pajares 786). My thesis is one answer to this call. Using ideas from contemporary affect theory and data from an IRB-approved study on thirteen high school seniors in a language arts class, I theorize and explore a new dimension of WSE that I call affective connections. Affective connections are connections both intentional and unintentional between bodies/objects that to varying degrees stick to and influence other bodies/objects. By analyzing the study’s ethnographic data, I found that affective connections are a helpful dimension for exploring how relationships and contexts influence self-efficacy. In two particular types of affective connections—student connections to assignments and student connections to teachers—intense connections often, but not always, indicated high self-efficacy to complete tasks and skills successfully, present and generate ideas, and self-regulate. More intense connections also usually indicated less student apathy about self-efficacy tasks or skills. Yet affective connections also complicate self-efficacy. Strong connections are not inherently positive, and affective connections ultimately reveal the ever-shifting and sometimes contradictory nature of WSE. My study indicates that affective connections are an exciting, likely widely applicable dimension of self-efficacy that may bolster scholars’ understanding of self-efficacy as a highly relational and contextual concept.

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