Within the broad field of global environmental history this master thesis analyses transfrontier conservation areas (TFCAs) also known as 'peace parks', and explores how the Great Limpopo Transfrontier Park (GLTP) has been envisioned, described, motivated and implemented. Using Actor-Network Theory and Framing Analysis, the thesis analyses how the idea of the GLTP and the critique against it has been framed over time through the analysis of official reports and academic research in combination with in-depth interviews with key actors. By approaching the topic of transfrontier conservation in a broad manner, and by incorporating a wide variety of sources, the thesis attempts to go beyond single explanations of the phenomenon and, instead, provide a more comprehensive and nuanced understanding of the transfrontier conservation idea linked to the GLTP and its history. The thesis shows that the rise of transfrontier conservation involves a complex network of actors, spanning over local-global and public-private scales. Integrated networks are formed between key actors including national governments and conservation authorities, donor agencies, NGOs – in particular the Peace Parks Foundation, and civil society. The GLTP has been framed as a way to achieve three main goals: biodiversity conservation, community development through ecotourism and public-private partnerships, and regional peace and security. The thesis shows that the framing has shifted over time, from a strict conservation focus to more inclusive approaches where social aspects are seen as increasingly important for the long term sustainability of TFCAs. But the idea that transfrontier conservation can resolve all regional problems, from political cooperation to wildlife management to local socio-economic development, is also contested in this study. The thesis illuminates a gap between official policy/management reports and academic studies related primarily to the role of community development in the framing and implementation of the GLTP. Despite various challenges that hinder the effective implementation of the goals and visions of the park such as wildlife crime, insufficient community involvement and problematic legal and policy arrangements, the thesis concludes that the GLTP represents an important contribution to global conservation commitments and needs to be viewed as a complex, long-term and constantly evolving project.

The wolf is an endangered animal in Sweden and the issue of conserving the species is a polarizing one. Specific attention has been given to this issue in environmental social sciences with studies focusing on the divide between wolf support and opposition. These studies include looking at historical interactions with the wolf, contemporary attitudes about the issue, and the way the law shapes policy. Following this focus on the disputed nature of wolf conservation, this thesis addresses whether polarization over the issue occurs between several stakeholders in large carnivore management in Sweden. Using Actor Network Theory, this thesis examines the similarities and divergences in the stakeholders’ conservation practices and maps their interactions with one another. Emphasis is placed on how the European Union’s regulations and the Swedish State’s policies conflict and/or influence the stakeholders. Overall results show that despite a discourse of polarization surrounding wolf management in Sweden, the actors in this study cannot be easily positioned against each other, and despite some divergences, share many similarities in their large carnivore management practices.

När det offentliga väljer att upphandla välfärden och köpa in tjänsteutförandet från fristående vårdbolag följer ett behov av nya verktyg för att driva välfärden i önskad riktning. Den här uppsatsen söker beskriva hur kommunala tjänstemän bemöter konsekvenserna av trenden att omvandla de byråkratiska välfärdssystemen till marknader för välfärdstjänster och utvecklar nya verktyg för styrning. Utgångspunkten för undersökningen är de förfrågningsunderlag tjänstemännen formulerar och som utgör grunden för upphandlingsprocessen. Fördjupad kunskap om hur upphandlingsprocessen utformas i praktiken samlas genom intervjuer med ansvariga tjänstemän vid Uppsala Kommun samt marknadschefen vid ett av kommunens utförarbolag. Undersökningen visar att tjänstemännen lägger stor vikt vid formuleringen av obligatoriska krav som utförarna måste leva upp till för att maximera de boendes välmående. Dessa krav utformas för att stärka tydlighet, uppföljningsbarhet och standardisering. Detta görs genom att öka mängden krav, använda och skapa normer för hur verksamheten bör bedrivas och att stärka professionella yrkesgruppers roll.

In this thesis I argue that technical communication as an academic curricular entity has struggled to define itself as either a humanities or scientific discipline. I argue that this crisis of identity is due to a larger, institutional flaw first identified by the science studies scholar Bruno Latour as the problem of the "modern constitution." Latour's argument, often referred to as Actor-Network Theory (ANT), suggests that the epistemological arguments about scientific certainty are built on a contradiction. In viewing the problem of technical communication's disciplinarity through the lens of ANT, I argue that technical communication can never be productive if it seeks to locate itself within any of the institutional camps of the modern university. Rather, I contend that technical communication is a strong example of a nonmodern discipline, and that its identity crisis can be utilized to take one step towards rewriting the institutional debate over scientific certainty.

Denna studie har undersökt professioners lärande inom äldreomsorg, förskola och musikskola i det tillfälliga nätverket "sång- och musikstunden" som är en del av projektet "Barn och äldre sjunger tillsamman". Studien är inspirerad av Aktör-nätverksteorin. Studiens är kvalitativ och data har insamlats med hjälp av intervjuer och observationer. Studien har studerat samspelet mellan mänskliga och icke-mänskliga aktanter och hur dessa påverkat det tillfälliga nätverket. Resultatet visar på att aktanterna har betydelse för hur kommunikationen uppstår i det tillfälliga nätverket. Studien har också visat att det tillfälliga nätverket bidragit till lärande hos professionerna som deltagit. / This study examined professions learning in elderly care, kindergarten and music school in the temporary network "song- and music time" as part of the project "Children and the elderly are singing together" The study is inspired by actor-network theory. The study is qualitative and the data was collected through interviews and observations. The study has studied the interaction between human and non-human actants and how these affected the temporary network. The results show that the actants are important for how communication occurs in the temporary network. The study has also shown the temporary network contributed to the learning needs of the profession who participated.

With origins in the South Bronx area of New York in the early 1970s, hip-hop culture is now produced and consumed globally. While hip-hop activities can be varied, hip-hop is generally considered to have four forms or “elements”: DJing, MCing, b-boying/b-girling, and graffiti. Although all four elements of hip-hop have become a part of many youth work initiatives across the globe, public debate and controversy continue to surround hip-hop activities. Very little research and literature has explored the complexities involved in the assembling of hip-hop activities in youth work sites of practice using these hip-hop elements. This study attends to the gap in hip-hop and human service literature by tracing how hip-hop activities were assembled in several sites of youth work activity in Christchurch, New Zealand. Actor-network theory (ANT) is the methodological framework used to map the assemblage of hip-hop-youth work activities in this study. ANT follows how action is distributed across both human and non-human actors. By recognising the potential agency of “things”, this research traces the roles played by human actors, such as young people and youth workers, together with those of non-human actors such as funding documents, social media, clothing, and youth venue equipment. This ethnographic study provides rich descriptions or “snapshots” of some of the key socio-material practices that shaped the enactment of hip-hop-youth work activities. These are derived from fieldwork undertaken between October 2009 and December 2011, where participant observation took place across a range of sites of hip-hop-youth work activity. In addition to this fieldwork, formal interviews were undertaken with 22 participants, the majority being youth workers, young people, and youth trust administrators. The ANT framework reveals the complexity of the task of assembling hip-hop in youth work worlds. The thesis traces the work undertaken by both human and non-human actors in generating youth engagement in hip-hop-youth work activities. Young people’s hip-hop interests are shown to be varied, multiple, and continually evolving. It is also shown how generating youth interest in hip-hop-youth work activities involved overcoming young people’s indifference or lack of awareness of the hip-hop resources a youth trust had on offer. Furthermore, the study highlights where hip-hop activities were edited or “tinkered” with to avoid hip-hop “bads”. The thesis also unpacks how needed resources were enlisted, and how funders’ interests were translated into supporting hip-hop groups and activities. By tracing the range of actors mobilised to enact hip-hop-youth work activities, this research reveals how some youth trusts could avoid having to rely on obtaining government funds for their hip-hop activities. The thesis also includes an examination of one youth trust’s efforts to reconfigure its hip-hop activities after the earthquakes that struck Christchurch city in 2010 and 2011. Working both in and on the world, the text that is this thesis is also understood as an intervention. This study constitutes a deliberate attempt to strengthen understandings of hip-hop as a complex, multiple, and fluid entity. It therefore challenges traditional media and literature representations that simplify and thus either stigmatise or celebrate hip-hop. As such, this study opens up possibilities to consider the opportunities, as well as the complexities of assembling hip-hop in youth work sites of practice.

Title: Collaboration in BoDa-units. A qualitative study about collaboration regarding people with disabilities. The purpose of this thesis was to internally examine the cooperation between different professions in municipal BoDa-units. By doing a qualitative study using focus-group-interviews in three municipalities, we were able to examine the personnel’s experience of cooperation issues and opportunities in BoDa-units. We have also examined why municipals have introduced BoDa-units and how they work. Those BoDa-units we have examined addresses persons who are severely mentally disabled and with multiple disabilities but also to persons with autism and disruptive behaviour. The personnel working with the users of these services works both at the home with special services and at the daily activity. The unit operations managers are responsible for the whole BoDa-unit. The results have been analysed through the theoretical starting points of actor network theory and system theory, but also via relevant literature and the LSS-legislation. The result showed that the creations of the BoDa-units are based on a comprehensive view on the individual users’ need of safety, environmental adaptation and a structured way of work. The conclusion of this study is that the co-operation benefits exceed the disadvantages and that the prospects for the BoDa-units are both positive and negative depending on which target group it addresses.    Keywords: BoDa, Co-operation, LSS, Actor Network Theory, System Theory / Syftet med uppsatsen var att studera intern samverkan mellan olika professioner i kommunala BoDa-enheter. Vi har med hjälp av kvalitativa fokusgruppintervjuer i tre kommuner undersökt personalens erfarenheter av samverkansproblem och -möjligheter i BoDa-enheterna Vi har också undersökt varför kommunerna infört BoDa-enheter och hur de fungerar. De BoDa-enheter där vi studerat intern samverkan riktar sig mot personer med svåra funktionsnedsättningar och mulithandikapp samt personer med autism och utagerande beteenden. De brukarnära medarbetarna arbetar både i brukarnas boende och deras dagliga verksamhet.  Enhetscheferna är ansvariga för hela BoDa-enheten. Resultatet analyserades med hjälp av de teoretiska utgångspunkterna aktörsnätverk och systemteori, relevant litteratur samt centrala begrepp och lagstiftning. Resultatet visade att BoDa-enheterna införts utifrån en helhetssyn på enskilda brukares behov av trygghet, miljöanpassning och strukturerat arbetssätt. Slutsatsen var att samverkansfördelarna i dessa enheter med gränsöverskridande arbete överväger samverkansproblemen samt att framtidsutsikterna för BoDa-enheterna är både positiva och negativa beroende på vilken målgrupp verksamheten vänder sig mot.  Nyckelord: BoDa, Samverkan, LSS, Aktörsnätverk, Systemteori

This thesis presents a theoretically informed social history of the New Zealand Needle Exchange Programme (NEP) which has operated since 1988. Close attention is paid to how this 'harm reduction' programme demonstrates a pattern of 'peer-professional' hybridity - a form of quasiprofessionalism developed by injecting drug user (IDU) peers who began operating private needle exchanges funded by both illicit clients and state agencies. In this hybrid mechanism, the personal distrust required to pursue 'criminal' motivations has been connected, through the vulnerable yet influential intermediaries of peers and syringes, to the trust required to 'empower' the health of marginalised IDU communities. This research has drawn on immersed participant experience and on accounts from archival documents, supported by interviews. A reworking of actor-network methodologies has provided a core analytical approach to tracing the critical moments and boundary-shifts in the development and realignments of the NEP's hybrid heterogeneous assemblages. The assembling and reassembling has entangled policy goals, technologies, historical reviews, stigma, laws, logics, logistic systems, narratives, organisations, sterile and bloody syringes, monitoring systems, and professional occupations. IDU, health policy officials, peerprofessionals, managers, politicians, HIV/AIDS community organisers, and medical professionals have prevented HIV transmission by altering key strategic connections and alignments within this active network, while pursuing their public-private interests. The peer-professionals have publicly represented IDU, have advocated professionally for inclusive rather than exclusive public health provisions, while guaranteeing that the monitoring of syringes by state agencies would not harm IDU. The difficulties in shaping and stabilising the NEP have illustrated the 'messy reality' of its institutional and policy environment, yet have also led to highly successful and sustainable health promotion work.

This thesis seeks to answer the ‘key question’: ‘how is the border worked at an international airport?’ To answer this key question the author, who is employed as a Customs officer, uses participant observation to provide material for an anthropological analysis of this question. The primary anthropological focus that will permeate throughout this thesis is interconnectedness of human and non human actors. This focus on interconnectedness will be linked to the ability of the workers of the border to communicate about risk to one another. Risk at the border is highly political following the terrorist attacks of September 11 (9/11). The attacks are not a focus of this thesis but a study of the border network will shed some light on how the workers of the border make sense of external factors such as these attacks (9/11) in their work world. The thesis accounts for links between the border workers of different government agencies and uses the idea of an occupational community to do so. The thesis will attempt to account for technologies within the border network. The account of technologies will demonstrate through an actor network approach their hybrid nature, and their ability to negotiate and renegotiate the border network. Power is analysed at the border through the ideas of Foucault. Though the idea of occupational community, actor network theory and the ideas of Foucault on power are not linked outside of this thesis in any way, they provide an honest account of the border network as expressed through the case study of risk and interagency communication at an international airport.

In recent years critical projects spanning philosophy, the social sciences, science studies, and nearly everywhere that has employed the term ecology have engaged in thinking humans and non-humans together as collectively producing outcomes, where objects do work beyond how humans perceive or make use of them. Taking Zelda Fitzgerald’s Save Me the Waltz as its focus, this thesis explores how this reorientation might contribute to literary studies and to literary criticism more specifically. The thesis considers a notion that novels constitute objects with biographies running “against” the biographic material of their authors, mobilizes actor network theory as a manner of mapping that biographic assemblage, and tentatively develops a biographic network approach as one alternative to traditional literary interpretative practices. Attending to the novel as an actor shifts critical focus away from its interior – the “text” or content – and expands traditional literary criticism’s default practice – interpretation – and logic – mimetic representation – in hopes of facilitating a discussion of Zelda’s novel in a manner which destabilizes the overdetermined themes that continue to scaffold her imaginary. Ultimately, this work argues that a biographic network approach can prove instructive as a “method” for dealing with other texts which remain relatively obscured at the margins of literary consciousness.