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O arquivo e o lugar: a custódia arquivística como responsabilidade pela proteção aos arquivos / The archives and the place: archival custody as responsability for the protection to the archivesMargareth da Silva 25 September 2015 (has links)
A discussão sobre a custódia, que polarizou a comunidade arquivística a respeito de como seria realizada a preservação dos documentos arquivísticos digitais, suscitou diversos questionamentos sobre os fundamentos da Arquivologia e do papel das instituições arquivísticas para desempenharem suas funções de guarda, preservação e acesso. Os arquivos historicamente foram concebidos como lugar de conservação de documentos autênticos e vinculados à administração. Essa ligação foi rompida no século XIX, quando os arquivos se tornaram históricos, voltados para a preservação das fontes do passado. A discussão sobre a preservação digital está possibilitando que os teóricos contemporâneos reflitam sobre os arquivos do ponto de vista do produtor, pois a preservação de materiais digitais é contínua e começa no momento da criação dos documentos. Esta religação com a administração significa a possibilidade de os arquivos se tornarem instituições do presente estreitamente ligadas ao exercício da cidadania. / The discussion about custody that polarized the archival community regarding how to implement the preservation of digital records raised diverse issues related to Archival Science fundamentals and about how archival institutions would develop their functions of guardianship, preservation and access. Archival repositories were historically conceived as places to preserve authentic records and were connected to the administration. This bond was broken in the XIX century, when archives became primarily historical, with the focus on preserving sources of the past. The discussion on digital preservation is offering an opportunity to contemporaneous scholars to think about archives from the point of view of the creator, because the preservation of digital materials is continuous and starts at the moment of record creation. This reconnection with the administration means that it is possible for archives to become institutions of the present closely committed to the exercise of citizenship.
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Tipologia documental como parâmetro para gestão de documentos de arquivo: um manual para o município de Campo Belo (MG). / Documentary tipology as parameter for management of archive documents: a manual for the Campo Belo (MG).Ana Celia Rodrigues 03 February 2003 (has links)
Estudo da possibilidade do uso dos princípios da diplomática contemporânea ou tipologia documental para a elaboração de um instrumento de gestão de documentos arquivísticos - o manual de tipologia documental - tendo como laboratório o arquivo da Prefeitura Municipal de Campo Belo, MG e discutindo-se a evolução e organização do município no Brasil, sua documentação característica, assim como as teorias e metodologias da diplomática contemporânea, como subsídios para a construção daquele instrumento. Apresentação do manual de tipologia documental do arquivo municipal de Campo Belo, MG, que contém: estrutura da Prefeitura Municipal, lista de tipos documentais, tabela de equivalência e verbetes de análise dos tipos dos documentos correspondentes a cada um dos órgãos municipais. / A study about the possibilities of the application of the contemporary diplomatics principles for the elaboration of a records administration instrument- a manual of documental types - using the Campo Belo's public archive as laboratory and discussing the evolution and organization of local government in Brazil, and presenting how the contemporary diplomaticss methods and theories can be used for the construction of those instruments. A presentation of a manual of documental types belonging to Campo Belo's public archive that contains: general schedule of Prefeitura Municipal, the list of documental types, equivalence schedule and the analysis of each documental type of every local government agency.
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Outreach in community archives in British Columbia: four case studiesO’Donnell, Christine Ann 11 1900 (has links)
In the past, little has been written about the practical
aspects of outreach. This thesis investigates the value of
outreach and how it is put into practice in British Columbia's
community archives. Interviews with managers of four community
archives were conducted. The findings reveal that three of the
interviewees regard outreach as a high priority and a
fundamental part of regular activity. For these respondents,
outreach activities have been positive and beneficial. They
have successfully used outreach to augment and assist with
acquisition, preservation and use of archival records. Only one
interviewee presented a passive and cautious approach towards
outreach. Results of this study indicate that outreach
activities are not influenced by the administrative setting or
the budget of the archives.
This study identified the essential components necessary
for the implementation and delivery of successful outreach
initiatives as: a regular source of funding, incorporation into
an annual work plan, district goals and objectives that are
relevant to the mandate of the institution, attention to the
target audience, community co-operation and support, and
evaluation of results.
This study reaffirms the value of archivists practising
outreach, and provides encouragement to those who are looking
for concrete methods of approaching outreach. / Arts, Faculty of / Library, Archival and Information Studies (SLAIS), School of / Graduate
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Conceiving the records continuum in Canada and the United StatesEamer-Goult, Jason Christopher 05 1900 (has links)
This thesis surveys the efforts made by Canadian and American records
administrators, both records managers and archivists, to ensure that records are
created, received, stored, used, preserved, and disposed of in a manner which is both
efficient and effective. Beginning with the French Revolution and continuing to
modern times, it investigates how approaches in North American archival thinking,
government records programs, and applicable records legislation were often flawed
because of fundamental misconceptions of the nature of the records themselves.
The thesis traces how the most widely accepted approach for administering
records, which called for the division of responsibilities amongst records
professionals according to the records' "life status" — active, semi-active, or inactive —
was incorrect because it was not compatible with the reality that records exist as a
conceptual whole and are best administered in a manner which reflects this realization.
The records, which should have been managed as a coherent and complete fonds of an
institution, suffered from these divisions which had eventually led to the evolution of
separate records occupations: those who looked after active records, called records
managers, and those who handled inactive ones, labelled archivists.
What was required was an "integrated" or "unified" approach such as that
articulated by the Canadian archivist Jay Atherton. Like others, he called for the
management of records in a manner which reflected the singular nature of the records,
an approach which did not make arbitrary divisions where none existed, but instead
viewed records from a wider and more complete perspective. Support for this
approach amongst some records administrators was precipitated by a number of
factors, not the least of which were the demands of handling information in modern
society. The thesis concludes by examining what is required for the integrated ideas to
be implemented as part of a practical model in today's institutions. It suggests that for
the best results to be achieved, records administrators will have to learn to work with
others in related information professions, or risk losing the ability to make valid
contributions in the modern information age. / Arts, Faculty of / Library, Archival and Information Studies (SLAIS), School of / Graduate
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Exhibiting integrity : archival diplomatics to study moving imagesMiller, April G. 11 1900 (has links)
This thesis examines the concepts of reliability, authenticity and documentary form as
defined by archival diplomatics and their relation to moving image records, for the purpose of
exploring the possibility of using them to develop a method for the preservation of the moving
image's intellectual integrity over time. To achieve this purpose, the study establishes a
correspondence between the tenriinology and the theories used to express these concepts in the
two fields through an examination of archival diplomatics and moving images glossaries,
dictionaries and literature.
Notwithstanding the different understandings of the concepts examined, the thesis finds
that when moving images can be regarded as records - that is, as contextual mediated visual and
aural representations compiled for the purpose.of.entering into communication - it is possible to
use archival diplomatics methodology to analyze them successfully. On the strength of this
finding, the thesis proceeds to establish a correspondence between the diplomatic elements of
documentary form and the components of an ideal moving image record, demonstrating parallels
and explaining and reconciling differences, in order to build a template for the analysis of all
kinds of moving image records. This diplomatic instrument is to be used for the identification of
the formal elements of a moving image that allow for the maintenance, verification and
preservation of its reliability and authenticity over the long term. The necessity of such an
instrument derives from the fact that the use of digital technologies for the making, exhibiting
and storing of moving images will render the ability to prove their integrity and their
preservation increasingly more difficult.
The thesis is concluded by a discussion relating the effects of the pervasive use of digital
technologies in the field of moving images, and a demonstration of the substantial threat they
present for the continuing reliability and authenticity of moving images. This discussion shows
the advantages of a close cooperative effort by archivists and moving image theorists in
developing interdisciplinary methods for addressing such threats that are rooted in archival
diplomatics and fully respect the nature of the moving image record. / Arts, Faculty of / Library, Archival and Information Studies (SLAIS), School of / Graduate
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Selma och Astrid. : Ordnande och principer för två centrala personarkiv på Kungliga biblioteket 2020. / Selma and Astrid. : Arrangement and principles for two central personal archives at the National Library of Sweden 2020.Ryberg, Ella January 2020 (has links)
The aim of the thesis is that, from a postmodern archival theoretical perspective, investigate how two personal archives after famous authors Selma Lagerlöf and Astrid Lindgren are arranged, described and presented at KB, the National Library of Sweden. The thesis investigates what constructed image the collections presents, who the supposed user of the archives is, how the collections are accessible and their role as important sources within the humanities research. The study involved the collections digital archive presentations and four different texts that all discuss the archives. The method chosen was qualitative research methodology and critical discourse theory. The analysis included a study of the level of text, discursive practice and social practice. The results showed that specific usage of language and words have a vast impact on the construction of the narrative. Both postmodern archival theory and critical discourse theory enables the exposition of the relations of power and ideology that these discursive and social practices hold. This leads to the conclusion that the majority of knowledge are socially constructed and that archives holds power by promoting one narrative over another. In personal archives this also plays a big role in the construction of identity and in identity politics.
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Now and Then, Vol. 01, Issue 01, 1984East Tennessee State University 01 January 1984 (has links)
Now and Then: The Appalachian Magazine, Volume 1, Issue 1, published in 1984. This issue did not have a theme but focused on news from the Center of Appalachian Studies and Services and other news and creative works from Appalachian writers. / https://dc.etsu.edu/now-then/1000/thumbnail.jpg
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Now and Then, Vol. 02, Issues 01-02, 1985East Tennessee State University 01 January 1985 (has links)
Now and Then: The Appalachian Magazine, Volume 2, Issues 1-2, published in 1985. The theme of this issue is Appalachian Women. / https://dc.etsu.edu/now-then/1001/thumbnail.jpg
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Now and Then, Vol. 02, Issue 03, 1985East Tennessee State University 01 January 1985 (has links)
Now and Then: The Appalachian Magazine, Volume 2, Issue 3, published in 1985. This issue's theme is Appalachian Music. / https://dc.etsu.edu/now-then/1002/thumbnail.jpg
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Now and Then, Vol. 03, Issue 01, 1986East Tennessee State University 01 January 1986 (has links)
Now and Then: The Appalachian Magazine, Volume 3, Issue 1, published in 1986. This issue highlights the work of Black Appalachians and features key Black figures in Appalachian history. / https://dc.etsu.edu/now-then/1003/thumbnail.jpg
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