Habilitationsschrift--Johannes Gutenberg-Universität. / Includes bibliographical references (p. 238-257).

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C. Scott Littleton and Ann C. Thomas' assertion that the core of the Arthurian legends is ultimately rooted in a Sarmatian heroic tradition is challenged. It is argued that, at best, the Arthurian legends contain several names and motifs of possible Sarmatian origin that have been borrowed into what Arthurian scholars have long recognized as an inherently Celtic tradition. Several agencies for their introduction into the Arthurian cycle are considered. It is proposed that two names and at least one of the motifs were introduced by Iazyge cataphractarii stationed along Hadrian's Wall in 175 AD. The other motifs, however, are thought to have been introduced at a much later date --possibly by returning members of the crusader population in the East during the twelfth century. / Thesis / Master of Arts (MA)

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John Steinbeck, known for his descriptions of the American West, maintained a fascination with the Arthurian legend throughout his life and literary career. Through comparative analysis of Cup of Gold, Tortilla Flat, and The Acts of King Arthur and His Noble Knights, we can see Steinbeck's recurring interest in the Arthurian legend which is often overlooked by scholars. Steinbeck's initial interest in strict translation which evolved into adaptation over the course of his work on The Acts shows his developing interest in Arthurian themes which he enhanced with his own creative abilities as a world-renowned author. By highlighting the gap between Steinbeck's view of America and his known Arthurian interest, we can challenge current interpretations of Steinbeck's literary corpus, and create new meaning which has been overlooked. Despite limited scholarship on The Acts, this thesis explores Steinbeck's connection to King Arthur and underscores the significance of his contribution to the Arthurian tradition.

Volume I. Part I describes the known versions of the Erec/Gereint story, giving whatever information is available about the circumstances of their composition. Particular attention is paid to the manuscript tradition of Erec et Enide by Chrétien de Troyes, to the place occupied in that tradition by the exemplar which was available to Hartmann von Aue, and to the two manuscripts of the French prose adaptation (showing the significance of the text contained in the unpublished Paris MS.). Part II is concerned with the highly problematical relationship between Erec et Enide and the Welsh story of Gereint fab Erbin. It is argued that the author of Gereint must have used a written source that was in a language other than Welsh. However, an important feature of Gereint is the technique of using formulas which, being Welsh, cannot have been taken from the (foreign) narrative source. There is evidence also of borrowing from a passage in the Historia Regum Britanniae, combined with material from Welsh tradition. Since the Welsh author used a technique of composition that will account for the differences between Gereint and Erec there is no advantage in supposing a lost common source. The disadvantages of such a supposition are that Chrétien's source may not have been a written text, and that it requires a belief in a whole series of coincidences to account for the total disappearance of the manuscripts. A final argument is available from the fact that Gereint incorporates information contained in a couplet which seems to be a later interpolation into the Erec text. Volume II contains the material (mainly text) which is to be read in parallel with the main discussion. The major item is an edition of Gereint fab Erbin (with English translation) marked in such a way as to show the different elements of its composition, and with corresponding passages from Erec et Enide set in parallel.

Marion Zimmer Bradley's novel The Mists of Avalon is different from the usual episodic versions of the Arthurian legend in that it has the structural unity that the label "novel" implies. The narrative is set in fifth-century Britain, a time of religious conflict between Christianity and the native religions of Britain, especially the Mother Goddess cult. Bradley pulls elements from the Arthurian legend and fits them into this context of religious struggle for influence. She draws interesting family relationships which are closely tied to Avalon, the center of Goddess worship. The author also places the major events during Arthur's reign into the religious setting. The Grail's appearance at Camelot and the subsequent events led to the end of the religious struggle, for Christianity emerged victorious.