Global ETD Search

11	Making it in the Black Music industry: A study of career development and social support among African-American musicians, managers and entrepreneurs Ferguson, Sheila Alease January 1991 (has links) No description available. Black Music industry career development social support African-American musicians managers entrepreneurs
12	Black Music, Racial Identity, and Black Consciousness in the Spirituals and the Blues Diallo, Mamadou Diang January 2013 (has links) African American Music has always served to document the history of enslaved Africans in America. It takes its roots in African Spirituality and originally pervades all aspects of African life. That Music has been transformed as soon as it got on this side of the Atlantic Ocean in a context of slavery and oppression. As historical documents, African American Music has served African Americans to deal with their experience in America from slavery to freedom. This work studies how Black Spirituals and the Blues have played a tremendous role in building an African American identity and in raising race consciousness in an oppressed people in a perpetual quest for freedom and equal rights in America. / African American Studies African American Studies Aesthetics History, African African-centered Black Consciousness Black Music Blues Racial Identity Spirituals
13	Brown Eyes, Black Magic Norris, Marcus Duane, JR 28 March 2017 (has links) This thesis consists of a large composition for chamber orchestra titled Brown Eyes, Black Magic and an accompanying analytical paper. The piece, approximately twelve minutes long, is a tribute to women of color in America. The title pays homage to the “Black Girl Magic” campaign that CaShawn Thompson founded in 2013 to empower women of color by highlighting their achievements in different fields (Wilson 2016). Although the piece is not programmatic, I tried to create a mysterious sound world, in which the listener focuses on the beauty of ever-shifting sonic colors. The composition explores musical texture and timbre, and is influenced by the works of Orlando Jacinto Garcia, Georg Friederich Haas, Krzysztof Penderecki, Arnold Schoenberg, and Anton Webern. composition composers orchestra chamber orchestra black composers black music african american music african american composers Composition Music Theory
14	I'm Every (Black) Woman: Negotiating Intersectionality in the Music Industry Hudson, Jacqueline P. 01 September 2021 (has links) No description available. American Studies African American Studies Black History Music Intersectionality race gender black women Big Mama Thornton Nina Simone Janet Jackson Janelle Monae Lizzo, music industry, black music
15	Touching History to Find “a Kind of Truth”: Black Women’s Queer Desires in Post-Civil Rights Literature, Film, and Music Shaw, John Brendan 20 December 2016 (has links) No description available. African American Studies Film Studies Literature Womens Studies Black feminist thought Queer Theory African American Literature African American Film Queer of Color Critique Black Music Black cultural studies Queer historiography Music Videos Black Cultural Studies
16	What is "Jazz Theory" Today? Its Cultural Dynamics and Conceptualization Goecke, Norman Michael 18 August 2014 (has links) No description available. African American Studies Music Music Education African Americans jazz jazz theory jazz education music education African American Studies African American and African Studies African American culture Jamey Aebersold David Baker black music jazz pedagogy Miles Davis Jack Teagarden Ornette Coleman
17	Key Dimensions of Black Political Ideology: Contemporary Black Music and Theories of Attitude Formation Bonnette, Lakeyta Monique 03 September 2009 (has links) No description available. African Americans Behaviorial Sciences Experiments Mass Media Minority and Ethnic Groups Music Political Science Psychology Black Music Black Politics political ideology public opinion rap music Hip-Hop African American Politics
18	What Is at Stake in Jazz Education? Creative Black Music and the Twenty-First-Century Learning Environment Goecke, Norman Michael 27 September 2016 (has links) No description available. Music Music Education African American Studies American Studies Black Studies Black History Cultural Anthropology Fine Arts Folklore Performing Arts jazz jazz theory jazz education music education African American Studies African American and African Studies African American culture Jamey Aebersold David Baker Ellis Marsalis Steve Davis Mario Abney New Orleans black music jazz pedagogy
19	Multiculturalism and the De-politicization of Blackness in Canada: the case of FLOW 93.5 FM McKenzie, Kisrene 11 December 2009 (has links) This thesis presents a case study of Canada’s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada’s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW’s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. Canada Black identity multiculturalism radio broadcasting advertising consumerism music Toronto FLOW 93.5 FM Milestone Radio Broadcasting Act African Canadians government policy communications sociology popular culture capitalism urban CRTC Canadian Broadcasting Company CBC history new media Facebook Toronto District School Board TDSB Black History Multiculturalism Act hip hop Black Canadians Black community law radio license systematic racism critical discourse analysis racist discourse Denham Jolly Milestone Kanye West nationalism diversity disc jockey Black music urban music pop music programming 0340 0631 0328
20	Multiculturalism and the De-politicization of Blackness in Canada: the case of FLOW 93.5 FM McKenzie, Kisrene 11 December 2009 (has links) This thesis presents a case study of Canada’s first Black owned radio station, FLOW 93.5 FM, to demonstrate how official multiculturalism, in its formulation and implementation, negates Canada’s history of slavery and racial inequality. As a response to diversity, multiculturalism shifts the focus away from racial inequality to cultural difference. Consequently, Black self-determination is unauthorized. By investigating FLOW’s radio license applications, programming and advertisements, this thesis reveals just how the vision of a Black focus radio station dissolved in order to fit the practical and ideological framework of multiculturalism so that Blackness could be easily commodified. This thesis concludes that FLOW is not a Black radio station but instead is a multicultural radio station – one that specifically markets a de-politicized Blackness. As a result, multiculturalism poses serious consequences for imagining and engaging with Blackness as a politics that may address the needs of Black communities in Canada. Canada Black identity multiculturalism radio broadcasting advertising consumerism music Toronto FLOW 93.5 FM Milestone Radio Broadcasting Act African Canadians government policy communications sociology popular culture capitalism urban CRTC Canadian Broadcasting Company CBC history new media Facebook Toronto District School Board TDSB Black History Multiculturalism Act hip hop Black Canadians Black community law radio license systematic racism critical discourse analysis racist discourse Denham Jolly Milestone Kanye West nationalism diversity disc jockey Black music urban music pop music programming 0340 0631 0328

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