Refugee camps have long been considered places of extreme population control. Yet the Za’atari camp, created in Jordan in 2012, soon became famous for frequent refugee demonstrations, sit-ins and stone-throwing. This important capacity for mobilization has been linked to the informal leadership network of ‘street leaders’ that emerged a few months after the camps’ creation (Clarke, 2018). This network challenges the representations of refugees as voiceless victims, and questions the ability of aid organizations to foster community empowerment. It also highlights the power implications of regular organizational practices in refugee camps, and showing how NGOs affect their beneficiaries, it is relevant to the discussion of downward accountability. Thus, studying Za’atari’s power dynamics is crucial to identify conditions of refugee empowerment and improve downward accountability frameworks. In this thesis, this analysis of power dynamics is undertaken with the four-dimensional framework developed by Lukes (1974) and following scholars, which has never been used on refugee camps. The first dimension has to do with individual capacity to influence other’s choices, the second with the limits brought by institutional practices, the third with the meanings assigned to behaviors and the fourth with the socialization processes that teach self-discipline. The thesis studies how a four-dimensional analysis of Za’ataricamp can capture both the extent of camp authorities’ control on residents and the refugees’ capacity to empower themselves. Through the analysis of organizational, journalistic and academic literature, it identifies dimensions of power exercised by and on the camp’s actors at two moments: the street leaders’ rise, and the difficulties of a governance plan implemented to reestablish control. The thesis shows that street leaders were allowed to emerge due to limits in the camp governance’s first dimension and inability to use the second and third dimension, which street leaders, as part of thecommunity, could yield. Moreover, the governance’s plan to restore control encountered difficulties because it was founded on a restrictive one-dimensional view of power linked to the perception of street leaders as mafia-like bosses, refugees as helpless victims and camps as places of containment and order, limiting the authorities’ third dimension. By identifying new factors that were not present in other studies of Za’atari, the findings demonstrate the relevance of the framework to render the complexity of humanitarian settings and encourages its use on other cases. It also reminds the need for aid professionals to work with their beneficiaries’ agency to provide quality services.

This thesis analyses the conflict resolution process between Israel and Egypt and provides a new angle for explaining the signing of the first Arab-Israeli peace treaty. Author uses a case study research method that facilitates an in-depth analysis of the topic and answers to three selected research questions: Why did long-lasting hostile countries engage in the negotiations to resolve their conflict?, How did Jimmy Carter mediate the Camp David Summit? and What persuaded Israel and Egypt to finalize the peace treaty?. The thesis is divided into two main analytical parts, according to the theoretical model used for its examination of the research questions. The first part makes use of William I. Zartman's theory of ripeness and its concept of a "mutually hurting stalemate" to explain why two opposing parties might become gradually open towards finding a "way out" from their protracted conflict. By analysing these conditions to reach a "ripe moment", the third-party may produce substantial proposals to resolve their dispute. The second part of this thesis focuses on the mediation process of the U.S. President Jimmy Carter between September 1978 and March 1979. The umbrella theory of third-party mediation is employed to elucidate the mediation strategies, potential biases and leverage of Jimmy...

1 ABSTRAKT HUDZÍKOVÁ, Eliška. Camp Phenomenon and its Manifestation and Forms in Contemporary Popular Music. [Magister thesis]. Charles University on Prague. Faculty of Humanities; Department of Electronic Culture and Semiotics. Supervisor: Mgr. Felix Borecký. Professional qualification level: Master's degree. Prague: FHS UK, 2015. This Magister thesis examines the camp phenomenon. Despite the wide scope of the term I will try to come up with a universal definition or several basic definitions which will after serve as a base for my following conclusions. The main source of my thesis is an essay Notes On a Camp written by Susan Sontag. This essay I will apply to contemporary (20th and 21st century) popular music in which I will search for camp signs and campy gestures in the work of independent popular and mainstream artists and performers. The main focus area for this thesis will be primarily visual aspect of their work - costumes, videos, appearance, … The line between campy and not campy is very thin and indefinite, that is why I will try to draw it demonstrating camp signs on chosen samples. I would also try to point out that in contemporary popular culture we consume some forms of camp without being aware that it is actually camp what we consume. KEYWORDS: camp, campy, kitsch, gay culture, popular...

Due to the Syrian crisis, several refugee camps were opened in Jordan in 2012 in order to deal with the increasing number of those feeling the conflict. Refugee Spaces whether camps or other urban informalities face the challenge of being in a status of “permanent temporariness” during which they develop into unexplored urban (city-like) formations through the social production of space. Taking the case of the Zaatari refugee camp, this research explores the process during which refugee camps turn into cities. More specifically, it questions how the interplay between human agency and structure produces space in the camp; eventually the city. Al-Souq, the main market street in Zaatari, is chosen to conduct the study, employing an explorative approach accompanied with narrative elements to understand actors’ own perspective. The collected data is analysed thematically and performatively to investigate the two former categories and the way they are drawn upon in producing space. The main findings denote a constructive exceptionality that facilitates space creation as well as a consequential inclusion of refugees in the camp. Furthermore, the occurring spatial construction of Al-Souq indicates that refugees are in fact active agents. Therefore, as indicated by both results, the research concludes by offering an alternative conceptualisation to camps and refugees as opposed to the traditional humanitarian perception of them being temporary and aid-dependent victims, respectively. / Aufgrund der Syrienkrise wurden in 2012 mehrere Flüchtlingscamps in Jordanien geöffnet, um der steigenden, von dem Konflikt betroffenen, Anzahl an Menschen zu helfen. Die Lebensräume für Flüchtlinge, egal ob Flüchtlingscamps oder andere Marginalsiedlungen (urban informalities), unterliegen der Herausforderung in einem „permanenten Zwischenzustand“ (permanent temporariness) zu verbleiben. Innerhalb dieser Zeit entwickeln sich diese Räume durch soziale Raumproduktion (social production of space) in unerforschte urbane (stadtähnliche) Gebiete. Im Rahmen dieser Forschungsarbeit wird der Prozess, innerhalb dessen sich Flüchtlingscamps zu stadtähnlichen Räumen entwickeln, beispielhaft am Fall des Flüchtlingscamps Zaatari aufgezeigt. Im Konkreten wird hinterfragt wie das Zusammenspiel menschlichen Handelns und Struktur zur Raumproduktion und schließlich zu stadtähnlichen Gebilden führt. Al-Souq, die wichtigste Handelsstraße in Zaatari, wird als Studienobjekt herangezogen, um die Wahrnehmungen der Akteure zu beleuchten. Diese Studie folgt einem explorativen Ansatz mit narrativer Analyse. Die erhobenen Daten werden mittels einer thematischen (thematic analysis) und performativen Analyse (performative analysis) ausgewertet, um das Zusammenspiel der zwei genannten Kategorien im Hinblick auf die Raumproduktion zu untersuchen. Die Haupterkenntnisse der Studie zeigen sowohl eine schöpferische Außergewöhnlichkeit welche die Raumproduktion ermöglicht als auch eine daraus folgende Inklusion der Flüchtlinge im Camp durch ein Gefühl der Zugehörigkeit. Ferner zeigt die Auftretende räumliche Konstruktion von Al-Souq, dass Flüchtlinge Handlungsfähigkeit besitzen und herstellen und somit als „active Agents“ verstanden werden können. Aufbauend auf beiden Ergebnissen kann somit geschlussfolgert werden, dass zu der traditionell existierenden Humanitären Perspektive, in der Camps als temporär und Flüchtlinge als hilfebedürftige Opfer gesehen werden, ein alternatives Verständnis zu präferieren ist.

The premise of this study is to investigate homonormative concepts in the works of Edward D. Wood, Jr. Following a contextualisation of the time period he was active in, the thesis interacts with camp as a concealed queer discourse and a political voice. Concepts of crossdressing as challenges to heteronormativity are observed in relation to Woods cinematic canon and persona. Case analyses of Glen or Glenda (1953) and Take It Out in Trade (1970) observe how mentioned methodologies are applicable.    The conclusions relate data exhibiting queer discourses held by Wood. Camp as a signifier of queer representation and counter oppression is identified as a discourse within Wood’s films. Examples given demonstrate how this is obscured within the agency of narrators, dialogue and metaphors. As camp evolves post-Stonewall, an adherence to camp as a parody of heteronormativity is acknowledged in later Wood pieces. Exploring concepts of crossdressing in Wood’s cinema, drag and transvestism can be excluded. Through crossdressing we find a stage for gender performativity as to reunite with the heteronormative challenges of his debut film. This reunion progresses to a compliance with homonormativity in his final feature films.

This Master's thesis examines girls' self-esteem through a qualitative research project held in the summer of 2010 at Portland, Oregon's Rock 'n' Roll Camp for Girls. I interviewed ten white, middle class girls between the ages of ten and thirteen on various subjects including demographics, self-esteem, music, Rock 'n' Roll Camp for Girls and finally, experiences and pressures associated with being a girl. One key finding was the unique set of circumstances and experiences present which may foster higher self-esteem: 1) freedom from gender normative behavior; 2) skill mastery associated with learning an instrument; 3) support for a wider range of self-expression; 4) removal of the male gaze and male approval [in a female only space]; and 5) access to female role models. This thesis suggests that through their involvement with the Rock 'n' Roll Camp for Girls, these ten girls experience greater self-esteem.

The aim of the diploma thesis is based on a theoretical framework and with the help of typology to explain the importance of social tourism and its relationship to bound tourism and to find out, how social (bound) tourism displays itself as a specific form in the shape of summer children's camps. The work introduces and compares the definitions of social and bound tourism, there is performed the typology of social tourism and there are also mentioned current trends in social and bound tourism and the specifics of the development of bound and social tourism in the Czechia. After defining and characterizing the territory of the Jindřichův Hradec district, the search for information about children's camps and the methodology of my own research are explained in detail in the text, which consists in the content analysis of a structured interview with open questions. Within the analysis, keywords are selected, and a mix of quantitative and qualitative evaluation is performed, in which both the frequency of keywords and the content of individual statements are evaluated. Gradually, the geographical factors of camp location, their program factors, general characteristics and organizational factors of camps, their technical parameters and limitations of the coronavirus pandemic, social and demographic...

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This Thesis deals with the issues of violence in relation to the time of National Socialism of the second and third Generation of the survivors illustrated by the examples of the sinking of the Cap Arcona and the Neuengamme concentration camp. The main source are the Interviews with the families of the Czech survivors from Cap Arcona and Neuengamme Concentration Camp and an interview with the main management of Neuengamme monument. The approaches from the experts to the transgenerational transmission of trauma will be discussed in the theoretical part the and they will be also analyzed and evaluated.

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