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11	Picturing the cosmos : Surrealism, astronomy, astrology, and the Tarot, 1920s-1940s Busby, Ashley Lynn 19 February 2014 (has links) This dissertation explores the presence and meaning of astronomical elements in the creative work of Surrealist artists and writers who were involved with the movement from the 1920s to the 1940s. Set against a backdrop of widespread popular interest in astronomy in France during these decades and those directly preceding them, Surrealists such as André Breton, Joan Miró, Max Ernst, Wolfgang Paalen, Oscar Domínguez, Matta, Remedios Varo, Leonora Carrington, and Kurt Seligmann all addressed cosmic themes in their artistic production. This dissertation identifies and analyzes their varied engagement with such themes, including their presence in the related areas of astrology and the Tarot. The heavens offered the Surrealists a rich terrain for invention—one that could be seen as scientific or occult, fanciful or factual, as well as ancient or up-to-date. In their quest to access previously unknown realms of reality, the Surrealists found in the little-explored and often strange territory of outer space a new realm for creative invention. As such, these artists and writers projected their surreal visions onto the universe in their continued search for the marvelous. / text Surrealism Art and astronomy Art and the occult Art and astrology Art and the Tarot Andre Breton Remedios Varo Leonora Carrington Oscar Dominguez Matta Wolfgang Paalen Max Ernst Joan Miro
12	Love between the lines : paradigmatic readings of the relationship between Dora Carrington and Lytton Strachey Loedolff, Janine 12 1900 (has links) Thesis (MA (English))--University of Stellenbosch, 2007. / This thesis focuses on the relationship between Dora Carrington and Lytton Strachey and offers three models for reading their unconventional relationship. Carrington was in love with the homosexual Strachey and the two lived together at Tidmarsh, and later Ham Spray House, for more than fourteen years. The three models make extensive use of primary sources, namely the letters and diaries of Carrington and Strachey. Furthermore, I draw on two seminal biographies of Carrington and Strachey written by Gretchen Gerzina and Michael Holroyd respectively. The first model I examine is a form of pederasty. I argue that, soon after they met, Carrington and Strachey began a friendship which was based on his educating her in a variety of ways. He served as a mentor both intellectually and sexually. Strachey was familiar with the concept of pederasty as a result of his involvement with the Cambridge Conversazione Society, better known as the Apostles, and used his knowledge to induct a rather naïve Carrington into new ways of thinking. This pederastic relationship also allowed Carrington a certain amount of freedom as it enabled her to pursue her art without the demands a heterosexual male would make of her. The second model for reading their relationship is that of parody. While Carrington and Strachey’s relationship resembles a heteronormative relationship, it can, at times, be read as parodic. I argue that they both subvert heteronormativity in humorous ways as a means to critique their parents’ Victorian marriages and to interrogate notions of masculinity vi and femininity. I discuss the roles they played within their domestic environment, and pay particular attention to how this intersected with Carrington’s artistic endeavours. This parodying of heteronormativity was, I suggest, also one of the only ways they could find of expressing the love they felt for one another. The last model I offer draws on theories of kinship. I examine how Carrington and Strachey resorted to familial constructions of descent as a means to veil the love they had for one another and to avoid criticism and ridicule from the Bloomsbury group and beyond. When they established a home at Tidmarsh, they altered their form of kinship to utilise principles of alliance. However, another shift took place with the introduction of Ralph Partridge, Carrington’s husband, and I argue that the terms they used to address each other changed to constructions, once again, of descent, at least until the dissolution of the Carrington-Partridge marriage. Carrington and Strachey’s relationship is often viewed as unconventional and she is often depicted as being utterly subservient towards him. However, the three models I have used demonstrate that their love was mutual. The models also reveal their relationship to be quite conventional in the manner in which Carrington and Strachey expressed their love for one another and how these expressions of love developed during the different phases of the life they spent together. Gender and biography Bloomsbury Dissertations -- English literature Theses -- English literature
13	The riotous presence in American literature and culture Biggio, Rebecca Skidmore. January 1900 (has links) Thesis (Ph. D.)--West Virginia University, 2009. / Title from document title page. Document formatted into pages; contains iv, 260 p. Vita. Includes abstract. Includes bibliographical references (p. 237-256).
14	Recognition Denied: An Examination of UK and US Foreign Policy towards the Republic of Croatia Ljubic, Maria Christina 02 May 2013 (has links) This thesis examines the development of decision making taken by two countries, the United Kingdom and the United States, in response to Croatia’s declaration of independence from Yugoslavia. The focus is on the recognition process and the reasoning and rationale used by the government officials and diplomats of the United Kingdom and United States to arrive at their policy decisions and opinions. The concentration is mainly on events from the early 1990s until mid 1992. Topics explored include matters such the politics behind non-recognition, democratic social norms, respect for human rights and Western national interests. The thesis first hypothesizes, then analyses, which International Relations theory, that is, realism or constructivism, possesses the best capacity explain why these nations initially withheld their recognition of Croatia’s independence before moving to accept the Republic of Croatia as an independent state. The role of the International Relations theories is to offer an interpretation and understanding of these events and decisions. Subsequently, they are judged on their ability to do so. The thesis finds that via the insight of scholars, analysts and theoretical perspectives that both the John Major government of the UK and the George H.W. Bush Administration of the United States behaved mostly according to realist principles, with some instances of constructivist manner. / Graduate / 0615 / 1616 / 0335 / cljubic9@gmail.com Tudjman Tudman Milosevic Badinter Commission ethnic constructivism Britain ethnic cleansing genocide Lord Carrington Lawrence Eagleburger Tito arms embargo Genscher USSR Westphalia Serbia Eagleburger Glaurdic Cushman Mestrovic Ramet McAdams Meier Caplan Clinton Hurd Hogg Baker Zimmermann Jovic Mesic Vukovar Dubrovnik Balkans ethnic hatred Conversi Slovenia Kosovo Bosnia McCloskey Kenney MacKinnon Belgrade serbophilia Anzulovic Al Gore Snowcroft Waltz Morgenthau Machiavelli Chetnik

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