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Konung Carl Gustafs tog öfwer Bält 1658 : En retorisk och kontextuell analys av Hedvig Charlotta Nordenflychts eposLovén, Anitha January 2011 (has links)
Hösten 1753 utlyste drottning Lovisa Ulrikas Witterhetsakademi en tävling där de deltagande skulle skriva om ett (eller flera) av tre ämnen: en historisk uppsats på prosa, en skönlitterär behandling på prosa, och ett ”Poeme öfwer Konung Carl Gustafs Tåg med sin Krigshär öfwer Bälterna år 1658”. Ett av de bidrag som kom in till tävlingen, om än för sent för att delta, var Hedvig Charlotta Nordenflychts bidrag Konung Carl Gustafs tog öfwer Bält 1658.1 Hedvig Charlotta Nordenflycht var 1700-talets mest kända kvinnliga författare och känd för bland annat Den sörjande Turtur-Duvan, Fruentimrets försvar och Tankar om lovskrifter över de Döde, men allt hon skrev har inte fallit litteraturhistorikerna på läppen. Ett sådant exempel är Konung Carl Gustafs tog öfwer Bält, som sågats ganska grundligt.
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Fredrika Runeberg en biografisk och litteraturhistorisk studie,Allardt Ekelund, Karin, January 1900 (has links)
Akademisk avhandling--Helsingfors. / "Litterära alster, uppsatser och uttalanden av Fredrika Runeberg": p. [565]-570. Published also as Skrifter utgivna av Svenska litteratursällskapet i Finland, CCXCI. Bibliographical references included in "Noter" (p. 509]-551).
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Politisk poesi - poetisk politik : En undersökning av Hedvig Charlotta Nordenflycht, Sonja Åkesson och Athena Farrokkhzads sätt att belysa politiska frågor i sin poesi / Political poetry - poetic politics : An investigation of ways in which to put political issues into poetry through the works of Hedvig Charlotta Nordenflycht, Sonja Åkesson and Athena FarrokkhzadsWagner, Freja January 2016 (has links)
<p>Uppsatsen ingår i kursen Skapande svenska C, 30 hp, inom ämnet Litteraturvetenskap vid Umeå universitet</p>
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Hon tar vad man vill ha : en studie av sexuella maktrelationer i samtida relationsromanerClaesson, Marlene January 2006 (has links)
<p>The aim of this study is to analyse the sexual power relations in contemporary urban novels of Swedish female writers.</p><p>I have identified a discourse in these novels as a heteronormative matrix which power is ruled by norms and assumptions about normality in both the heterosexual and lesbian stories. For this purpose I have related to Ivar B. Neumanns theory that individuals always find a way to confront the discourse by three different strategies. These strategies are used in my study as tools to organise these novels, because it is possible to see that the protagonists find at least one of these strategy’s to her protest.</p><p>The first strategy I studied was the docile. Here I argument that the heroines in Alla vilda, Jag minns alla mina älskare och hur de brukade ta på mig, Inte enklare än så, Lögner and Att älska henne do not reject the discourse about sexual power relationships. The second strategy, named the oppositionist, implies the protagonists refusing to be left as victims. In one way or another, either by change the rolls of the sexes (Ta vad man vill ha) or by problematising the order of them (Ego girl) or find lesbianism as a way to reject the discourse (both the novels by Mian Lodalen: Smulklubbens skamlösa systrar and Trekant). The reluctant is the last strat-egy who is the creative one, which rejects some things and adapt to other. Here I place the heroines from Stjärnor utan svindel, Andra sidan Alex and Storlek 37.</p><p>The result of this study is that despite quite different strategies to oppose against the hetero-sexual power discourse and the normative femininity everyone relates to it and thereby con-firms it.</p>
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Hon tar vad man vill ha : en studie av sexuella maktrelationer i samtida relationsromanerClaesson, Marlene January 2006 (has links)
The aim of this study is to analyse the sexual power relations in contemporary urban novels of Swedish female writers. I have identified a discourse in these novels as a heteronormative matrix which power is ruled by norms and assumptions about normality in both the heterosexual and lesbian stories. For this purpose I have related to Ivar B. Neumanns theory that individuals always find a way to confront the discourse by three different strategies. These strategies are used in my study as tools to organise these novels, because it is possible to see that the protagonists find at least one of these strategy’s to her protest. The first strategy I studied was the docile. Here I argument that the heroines in Alla vilda, Jag minns alla mina älskare och hur de brukade ta på mig, Inte enklare än så, Lögner and Att älska henne do not reject the discourse about sexual power relationships. The second strategy, named the oppositionist, implies the protagonists refusing to be left as victims. In one way or another, either by change the rolls of the sexes (Ta vad man vill ha) or by problematising the order of them (Ego girl) or find lesbianism as a way to reject the discourse (both the novels by Mian Lodalen: Smulklubbens skamlösa systrar and Trekant). The reluctant is the last strat-egy who is the creative one, which rejects some things and adapt to other. Here I place the heroines from Stjärnor utan svindel, Andra sidan Alex and Storlek 37. The result of this study is that despite quite different strategies to oppose against the hetero-sexual power discourse and the normative femininity everyone relates to it and thereby con-firms it.
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Att härska över sitt eget öde : En tematisk analys av kvinnors makt och frihet i Anna Laestadius Larssons historiska romaner Barnbruden, Pottungen och RäfvhonanHamberg, Cecilia January 2018 (has links)
No description available.
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‘One Dress – One Nation!’ : The societal implications of King Gustav III’s National Costume in late eighteenth-century Swedish Court SocietyCarlos, Raoul Christian January 2021 (has links)
This thesis explores the societal implications of Gustav III’s national costume in the context of Swedish court society during the late eighteenth century. With the aims of uncovering King Gustav III’s view of the National Costume and its role in Swedish court society, as well as how we can understand the National Costume’s meaning for the aristocracy in late eighteenth-century Sweden, this thesis presents a post-structural textual analysis of Gustav III’s (1806) REFLEXIONER, angående en ny nationel klädedrägt (Reflections concerning a new national costume) in order to uncover King Gustav III’s perception of and ideology behind the national costume. This is then juxtaposed with a similar analysis of a chapter from Hedvig Elisabeth Charlotta’s (1902) journal, representing an aristocratic counter-perspective. This thesis presents a previously unexplored sociological perspective in studying Gustav III’s National Costume. Departing from Norbert Elias’ work around the court society, arguments are made for the interpretation of the National Costume as an instrument in court ceremonial, at the king’s disposal, holding the potential to create a distance in power between the Swedish court nobility and the monarchy. Furthermore, it is argued that the National Costume represents an oppressive force to the Swedish court nobility as a social class.
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